-@c Note: -*-texinfo-*-
+@c -*- coding: latin-1; mode: texinfo; -*-
@c This file is part of lilypond.tely
@c A menu is needed before every deeper *section nesting of @node's; run
to @code{b}. The pitch @code{c} is an octave below middle C and the
letters span the octave above that C
-@lilypond[fragment,verbatim,noindent]
+@lilypond[quote,fragment,verbatim]
\clef bass
a,4 b, c d e f g a b c' d' e' \clef treble f' g' a' b' c''
@end lilypond
A rest's vertical position may be explicitly specified by entering a
-note with the @code{\rest} keyword appended. This makes manual
-formatting in polyphonic music easier. Automatic rest collision
-formatting will leave these rests alone
+note with the @code{\rest} keyword appended, the rest will be placed at
+the note's place. This makes manual formatting in polyphonic music
+easier. Automatic rest collision formatting will leave these rests
+alone
@lilypond[fragment,quote,raggedright,verbatim]
a'4\rest d'4\rest
@cindex @code{\maxima}
-In Note, Chord, and Lyrics mode, durations are designated by numbers
-and dots: durations are entered as their reciprocal values. For example,
-a quarter note is entered using a @code{4} (since it is a 1/4 note), while
-a half note is entered using a @code{2} (since it is a 1/2 note). For notes
-longer than a whole you must use variables
+In Note, Chord, and Lyrics mode, durations are designated by numbers and
+dots: durations are entered as their reciprocal values. For example, a
+quarter note is entered using a @code{4} (since it is a 1/4 note), while
+a half note is entered using a @code{2} (since it is a 1/2 note). For
+notes longer than a whole you must use the variables @code{\longa} and
+@code{\breve}
@example
c'\breve
r1 r2 r4 r8 r16 r32 r64 r64
@end example
-@lilypond[quote,noindent]
+@lilypond[quote]
\score {
\relative c'' {
a\breve*1/2 \autoBeamOff
r\longa*1/4 r\breve *1/2
r1 r2 r4 r8 r16 r32 r64 r64
}
- \paper {
+ \layout {
raggedright = ##t
\context {
\Staff
duration. The default for the first note is a quarter note.
@lilypond[quote,raggedright,verbatim,fragment]
-{
-a a a2 a a4 a a1 a
-}
+{ a a a2 a a4 a a1 a }
@end lilypond
Program reference: @internalsref{TupletBracket}, and @internalsref{TimeScaledMusic}.
-Examples: @inputfileref{input/regression,tuplet-nest.ly}.
+Examples: @inputfileref{input/@/regression,tuplet@/-nest@/.ly}.
@refbugs
Nested tuplets are not formatted automatically. In this case, outer
tuplet brackets should be moved manually, which is demonstrated in
-@inputfileref{input/regression,tuplet-nest.ly}.
+@inputfileref{input/@/regression,tuplet@/-nest@/.ly}.
@cindex @code{\relative}
@example
- \relative @var{startpitch} @var{musicexpr}
+\relative @var{startpitch} @var{musicexpr}
@end example
+
+@noindent
or
+
@example
- \relative @var{musicexpr}
+\relative @var{musicexpr}
@end example
The octave of notes that appear in @var{musicexpr} are calculated as
In the following examples, notes crossing the bar line are split and tied.
-@lilypond[quote,fragment,verbatim,relative=1,raggedright]
+@lilypond[quote,fragment,verbatim,relative=1,linewidth=12\cm]
\new Voice \with {
\remove "Note_heads_engraver"
\consists "Completion_heads_engraver"
@seealso
-Examples: @inputfileref{input/regression,completion-heads.ly}.
+Examples: @inputfileref{input/@/regression,completion@/-heads@/.ly}.
@noindent
Program reference: @internalsref{StaffSymbol}.
-Examples: @inputfileref{input/test,staff-lines.ly},
-@inputfileref{input/test,staff-size.ly}.
+Examples: @inputfileref{input/@/test,staff@/-lines@/.ly},
+@inputfileref{input/@/test,staff@/-size@/.ly}.
@refbugs
@cindex @code{\key}
-The key signature indicates the scale in which a piece is played. It
-is denoted by a set of alterations (flats or sharps) at the start of
-the staff.
+The key signature indicates the tonality in which a piece is played. It
+is denoted by a set of alterations (flats or sharps) at the start of the
+staff.
Setting or changing the key signature is done with the @code{\key}
when any of these properties are changed. The following example shows
possibilities when setting properties manually.
-@lilypond[raggedright,verbatim]
+@lilypond[quote,raggedright,verbatim]
{
\set Staff.clefGlyph = #"clefs-F"
\set Staff.clefPosition = #2
Program reference: @internalsref{OttavaBracket}.
-Examples: @inputfileref{input/regression,ottava.ly},
-@inputfileref{input/regression,ottava-broken.ly}.
+Examples: @inputfileref{input/@/regression,ottava@/.ly},
+@inputfileref{input/@/regression,ottava@/-broken@/.ly}.
@refbugs
#(set-time-signature 5 8 '(3 2))
a4. g4
}
- \paper {
+ \layout {
\context {
\Staff
\consists "Measure_grouping_engraver"
-Examples: @inputfileref{input/test,bar-lines.ly},
+Examples: @inputfileref{input/@/test,bar@/-lines@/.ly},
@node Time administration
@internalsref{NoteCollision} and @internalsref{RestCollision}.
Examples:
-@inputfileref{input/regression,collision-dots.ly},
-@inputfileref{input/regression,collision-head-chords.ly},
-@inputfileref{input/regression,collision-heads.ly},
-@inputfileref{input/regression,collision-mesh.ly}, and
-@inputfileref{input/regression,collisions.ly}.
+@inputfileref{input/@/regression,collision@/-dots@/.ly},
+@inputfileref{input/@/regression,collision@/-head-chords@/.ly},
+@inputfileref{input/@/regression,collision@/-heads@/.ly},
+@inputfileref{input/@/regression,collision@/-mesh@/.ly}, and
+@inputfileref{input/@/regression,collisions@/.ly}.
@refbugs
@code{beatLength} property.
-@lilypond[fragment,raggedright,quote,relative=2,verbatim,noindent]
+@lilypond[fragment,quote,relative=2,verbatim]
c16[ c c c c c c c]
\set subdivideBeams = ##t
c16[ c c c c c c c]
only end in a few positions within the measure: beams can end on a beat,
or at durations specified by the properties in
@code{autoBeamSettings}. The defaults for @code{autoBeamSettings}
-are defined in @file{scm/auto-beam.scm}.
+are defined in @file{scm/@/auto@/-beam@/.scm}.
The value of @code{autoBeamSettings} is changed with two functions,
@example
Program reference: @internalsref{BreathingSign},
@internalsref{BreathingSignEvent}.
-Examples: @inputfileref{input/regression,breathing-sign.ly}.
+Examples: @inputfileref{input/@/regression,breathing@/-sign@/.ly}.
@node Metronome marks
@end example
In the MIDI output, they are interpreted as a tempo change. In the
-paper output, a metronome marking is printed
+layout output, a metronome marking is printed
@cindex @code{\tempo}
@lilypond[quote,raggedright,verbatim,fragment]
\tempo 8.=120 c''1
Internals @internalsref{TextSpanEvent},
@internalsref{TextSpanner}.
-Examples: @inputfileref{input/regression,text-spanner.ly}.
+Examples: @inputfileref{input/@/regression,text@/-spanner@/.ly}.
@node Analysis brackets
c4\startGroup
c4\stopGroup\stopGroup
}
- \paper {
+ \layout {
\context {
\Staff \consists "Horizontal_bracket_engraver"
}}}
Program reference: @internalsref{HorizontalBracket},
@internalsref{NoteGroupingEvent}.
-Examples: @inputfileref{input/regression,note-group-bracket.ly}.
+Examples: @inputfileref{input/@/regression,note@/-group@/-bracket@/.ly}.
@node Articulations
@lilypondfile[quote,raggedright]{script-abbreviations.ly}
The meanings of these shorthands can be changed. See
-@file{ly/script-init.ly} for examples.
+@file{ly/@/script@/-init@/.ly} for examples.
The script is automatically placed, but the direction can be forced as
Program reference: @internalsref{FingerEvent}, and @internalsref{Fingering}.
-Examples: @inputfileref{input/regression,finger-chords.ly}.
+Examples: @inputfileref{input/@/regression,finger@/-chords@/.ly}.
@code{stopGraceMusic}, @code{startAcciaccaturaMusic},
@code{stopAcciaccaturaMusic}, @code{startAppoggiaturaMusic},
@code{stopAppoggiaturaMusic}. More information is in the file
-@file{ly/grace-init.ly}.
+@file{ly/@/grace@/-init@/.ly}.
@seealso
Program reference: @internalsref{Glissando}, and @internalsref{GlissandoEvent}.
-Example files: @file{input/regression/glissando.ly}.
+Example files: @file{input/@/regression/@/glissando@/.ly}.
@item fold
Alternative endings are written stacked. This has limited use but may be
used to typeset two lines of lyrics in songs with repeats, see
-@inputfileref{input,star-spangled-banner.ly}.
+@inputfileref{input,star-spangled-banner@/.ly}.
@end ignore
@c tremolo, beamed
Brackets for the repeat are normally only printed over the topmost
staff. This can be adjusted by setting the @code{voltaOnThisStaff}
-property @inputfileref{input/regression,volta-multi-staff.ly},
-@inputfileref{input/regression,volta-chord-names.ly}
+property @inputfileref{input/@/regression,volta@/-multi@/-staff@/.ly},
+@inputfileref{input/@/regression,volta@/-chord@/-names@/.ly}
@refbugs
@code{\unfoldrepeats} music function. This functions changes all
repeats to unfold repeats.
-@lilypond[verbatim,raggedright,fragment]
+@lilypond[verbatim,fragment,linewidth]
\unfoldrepeats {
\repeat tremolo 8 {c'32 e' }
\repeat percent 2 { c''8 d'' }
@example
\score @{
@var{..music..}
- \paper @{ .. @}
+ \layout @{ .. @}
@}
\score @{
\unfoldrepeats @var{..music..}
tremolos are @internalsref{StemTremolo} objects. The music expression is
@internalsref{TremoloEvent}.
-Example files: @inputfileref{input/regression,chord-tremolo.ly},
-@inputfileref{input/regression,stem-tremolo.ly}.
+Example files: @inputfileref{input/@/regression,chord@/-tremolo@/.ly},
+@inputfileref{input/@/regression,stem@/-tremolo@/.ly}.
@node Tremolo subdivisions
@subsection Tremolo subdivisions
Program reference: @internalsref{RhythmicStaff}.
-Examples: @inputfileref{input/regression,rhythmic-staff.ly}.
+Examples: @inputfileref{input/@/regression,rhythmic@/-staff@/.ly}.
@node Entering percussion
@end lilypond
The complete list of drum names is in the init file
-@file{ly/drumpitch-init.ly}.
+@file{ly/@/drumpitch@/-init@/.ly}.
@c TODO: properly document this.
@seealso
@item drums-style
This is the default. It typesets a typical drum kit on a five-line staff
-@lilypond[quote,raggedright,noindent]
+@lilypond[quote,raggedright]
nam = \lyricmode { cymc cyms cymr hh hhc hho hhho hhp cb hc
bd sn ss tomh tommh tomml toml tomfh tomfl }
mus = \drummode { cymc cyms cymr hh | hhc hho hhho hhp | \break cb hc
} \mus
\context Lyrics \nam
>>
- \paper {
+ \layout {
%% need to do this, because of indented @itemize
linewidth= 9 \cm
\context { \Score
@seealso
-Init files: @file{ly/drumpitch-init.ly}.
+Init files: @file{ly/@/drumpitch@/-init@/.ly}.
Program reference: @internalsref{DrumStaff}, @internalsref{DrumVoice}.
The distance between the two staves is the same for all systems in the
score. It is possible to override this per system, but it does require
an arcane command incantation. See
-@inputfileref{input/test,piano-staff-distance.ly}.
+@inputfileref{input/@/test,piano@/-staff@/-distance@/.ly}.
@node Automatic staff changes
@internalsref{ExtenderEvent}, @internalsref{LyricHyphen}, and
@internalsref{LyricExtender}
-Examples: @inputfileref{input/test,lyric-hyphen-retain.ly}.
+Examples: @inputfileref{input/@/test,lyric@/-hyphen@/-retain@/.ly}.
@internalsref{Lyrics}, @internalsref{Melisma_translator}.
Examples: @ref{Small ensembles},
-@inputfileref{input/regression,lyric-combine-new.ly},
+@inputfileref{input/@/regression,lyric@/-combine@/-new@/.ly},
@c TODO: make separate section for melismata
-@inputfileref{input/test,lyrics-melisma-variants.ly}.
-@inputfileref{input/test,lyrics-melisma-faster.ly}.
+@inputfileref{input/@/test,lyrics@/-melisma@/-variants@/.ly}.
+@inputfileref{input/@/test,lyrics@/-melisma@/-faster@/.ly}.
@refbugs
for example,
@example
- \paper @{
+ \layout @{
\context @{
\Voice
\consists Ambitus_engraver
This results in the following output
@lilypond[quote,raggedright]
-\paper {
+\layout {
\context {
\Staff
\consists Ambitus_engraver
@internalsref{AmbitusLine}, @internalsref{AmbitusNoteHead},
@internalsref{AmbitusAccidental}.
-Examples: @inputfileref{input/regression,ambitus.ly}.
+Examples: @inputfileref{input/@/regression,ambitus@/.ly}.
@refbugs
\set TabStaff.minimumFret = #8
e16 fis gis a b4
@end example
-@lilypond[quote,noindent,raggedright]
+@lilypond[quote,raggedright]
frag = {
\key e \major
e16 fis gis a b4
* Chord names::
* Chords mode::
* Printing chord names::
+* Fret diagrams::
* Improvisation::
@end menu
@subsection Chord names
@cindex Chords
-LilyPond has support for both printing chord names. Chords may be
-entered in musical chord notation, i.e. @code{< .. >}, but they can
-also be entered by name. Internally, the chords are represented as a
-set of pitches, so they can be transposed
+LilyPond has support for printing chord names. Chords may be entered
+in musical chord notation, i.e. @code{< .. >}, but they can also be
+entered by name. Internally, the chords are represented as a set of
+pitches, so they can be transposed
@lilypond[quote,raggedright,verbatim,raggedright]
<f bes d'>
}
- << \context ChordNames \twoWays
- \context Voice \twoWays >>
+<< \context ChordNames \twoWays
+ \context Voice \twoWays >>
@end lilypond
This example also shows that the chord printing routines do not try to
names. A chord is entered by the root, which is entered like a
normal pitch
-@lilypond[quote,raggedright,fragment,verbatim,relative=2]
+@lilypond[quote,raggedright,fragment,verbatim]
\chordmode { es4. d8 c2 }
@end lilypond
@cindex @code{chordNameExceptions}
@item chordNameExceptions
This is a list that contains the chords that have special formatting.
-For an example of tuning this property, see
-@inputfileref{input/regression,chord-name-exceptions.ly}.
+
+The exceptions list should be encoded as encoded as
+@verbatim
+ @{ <c f g bes>1 \markup @{ \\super \"7\" \"wahh\" @} @}
+@end verbatim
+
+To get this information into @code{chordNameExceptions} takes a little
+manoeuvring. The following code transforms @code{chExceptionMusic}
+(which is a sequential music) into a list of exceptions.
+@example
+ (sequential-music-to-chord-exceptions chExceptionMusic #t)
+@end example
+Then,
+@example
+(append
+ (sequential-music-to-chord-exceptions chExceptionMusic #t)
+ ignatzekExceptions)
+@end example
+adds the new exceptions to the default ones, which are defined in
+@file{ly/@/chord@/-modifier@/-init@/.ly}.
+
+For an example of tuning this property, see also
+@inputfileref{input/@/regression,chord@/-name@/-exceptions@/.ly}.
@cindex exceptions, chord names.
This property contains the markup object used for the 7th step, when
it is major. Predefined options are @code{whiteTriangleMarkup} and
@code{blackTriangleMarkup}. See
-@inputfileref{input/regression,chord-name-major7.ly} for an example.
+@inputfileref{input/@/regression,chord@/-name@/-major7@/.ly} for an example.
@cindex @code{chordNameSeparator}
@item chordNameSeparator
@code{\semiGermanChords} set these variables. The effect is
demonstrated here,
-@lilypondfile[raggedright,]{chord-names-german.ly}
+@lilypondfile[raggedright]{chord-names-german.ly}
There are also two other chord name schemes implemented: an alternate
Jazz chord notation, and a systematic scheme called Banter chords. The
alternate jazz notation is also shown on the chart in @ref{Chord name
chart}. Turning on these styles is described in the input file
-@inputfileref{input/test,chord-names-jazz.ly}.
+@inputfileref{input/@/test,chord@/-names@/-jazz@/.ly}.
@cindex Banter
@cindex jazz chords
@seealso
-Examples: @inputfileref{input/regression,chord-name-major7.ly},
-@inputfileref{input/regression,chord-name-exceptions.ly},
-@inputfileref{input/test,chord-names-jazz.ly},
-@inputfileref{input/test,chords-without-melody.ly}.
+Examples: @inputfileref{input/@/regression,chord@/-name@/-major7@/.ly},
+@inputfileref{input/@/regression,chord@/-name@/-exceptions@/.ly},
+@inputfileref{input/@/test,chord@/-names@/-jazz@/.ly},
+@inputfileref{input/@/test,chords@/-without@/-melody@/.ly}.
-Init files: @file{scm/chords-ignatzek.scm}, and @file{scm/chord-entry.scm}.
+Init files: @file{scm/@/chords@/-ignatzek@/.scm}, and
+@file{scm/@/chord@/-entry@/.scm}.
@refbugs
@code{< .. >} syntax.
+@node Fret diagrams
+@subsection Fret diagrams
+@cindex fret diagrams
+@cindex chord diagrams
+
+Fret diagrams can be added to music as a markup to the desired note. The
+markup contains information about the desired fret diagram, as shown in the
+following example
+
+@lilypond[verbatim, raggedright, quote]
+\context Voice {
+ d' ^\markup \fret-diagram #"6-x;5-x;4-o;3-2;2-3;1-2;"
+ d' d' d'
+ fis' ^\markup \override #'(size . 0.75) {
+ \override #'(finger-code . below-string) {
+ \fret-diagram-verbose #'((place-fret 6 2 1) (barre 6 1 2)
+ (place-fret 5 4 3) (place-fret 4 4 4)
+ (place-fret 3 3 2) (place-fret 2 2 1)
+ (place-fret 1 2 1))
+ }
+ }
+ fis' fis' fis'
+ c' ^\markup \override #'(dot-radius . 0.35) {
+ \override #'(finger-code . in-dot) {
+ \override #'(dot-color . white) {
+ \fret-diagram-terse #"x;3-1-(;5-2;5-3;5-4;3-1-);"
+ }
+ }
+ }
+ c' c' c'
+}
+@end lilypond
+
+
+There are three different fret-diagram markup interfaces: standard, terse,
+and verbose. The three interfaces produce equivalent markups, but have
+varying amounts of information in the markup string. Details about the
+markup interfaces are found at @ref{Overview of text markup commands}.
+
+You can set a number of graphical properties according to your preference.
+Details about the property interface to fret diagrams are found at
+@internalsref{fret-diagram-interface}.
+
+
+@seealso
+
+Examples: @inputfileref{input/@/test,fret@/-diagram@/.ly}
+
+
@node Improvisation
@subsection Improvisation
}
@end lilypond
-The file @file{scm/translation-functions.scm} contains the definitions
+The file @file{scm/@/translation@/-functions@/.scm} contains the definitions
of @code{format-mark-numbers} (the default format) and
@code{format-mark-letters}. These can be used as inspiration for other
formatting functions.
Program reference: @internalsref{MarkEvent}, @internalsref{RehearsalMark}.
-Init files: @file{scm/translation-functions.scm} contains the
+Init files: @file{scm/@/translation@/-functions@/.scm} contains the
definition of @code{format-mark-numbers} and
@code{format-mark-letters}. They can be used as inspiration for other
formatting functions.
-Examples: @inputfileref{input/regression,rehearsal-mark-letter.ly},
+Examples: @inputfileref{input/@/regression,rehearsal@/-mark@/-letter@/.ly},
-@inputfileref{input/regression,rehearsal-mark-number.ly}.
+@inputfileref{input/@/regression,rehearsal@/-mark@/-number@/.ly}.
@node Bar numbers
Bar numbers can be typeset at regular intervals instead of at the
beginning of each line. This is illustrated in the following example,
whose source is available as
-@inputfileref{input/test,bar-number-regular-interval.ly}
+@inputfileref{input/@/test,bar@/-number@/-regular@/-interval@/.ly}
@lilypondfile[raggedright,quote]{bar-number-regular-interval.ly}
+Bar numbers can be manually changed by setting the
+@code{Staff.currentBarNumber} property
+
+@c fragproblem? -gp
+@lilypond[raggedright,quote]
+\relative c' {
+ \repeat unfold 4 {c4 c c c} \break
+ \set Score.currentBarNumber = #50
+ \repeat unfold 4 {c4 c c c}
+}
+@end lilypond
+
@seealso
Program reference: @internalsref{BarNumber}.
-Examples: @inputfileref{input/test,bar-number-every-five-reset.ly},
-and @inputfileref{input/test,bar-number-regular-interval.ly}.
+Examples:
+@inputfileref{input/@/test,bar@/-number@/-every@/-five@/-reset@/.ly},
+and @inputfileref{input/@/test,bar@/-number@/-regular@/-interval@/.ly}.
@refbugs
@end lilypond
For longer instrument names, it may be useful to increase the
-@code{indent} setting in the @code{\paper} block.
+@code{indent} setting in the @code{\layout} block.
@seealso
@cindex fermata on multi-measure rest
Texts can be added to multi-measure rests by using the
-@var{note}-@code{markup} syntax (see @ref{Text markup}). In this case, the number is
-replaced. If you need both texts and the number, you must add the
-number by hand. A variable (@code{\fermataMarkup}) is provided for
+@var{note}-@code{markup} syntax (see @ref{Text markup}).
+A variable (@code{\fermataMarkup}) is provided for
adding fermatas
@lilypond[quote,raggedright,verbatim,fragment]
\set Score.skipBars = ##t
\time 3/4
- R2.*10^\markup { \number 10 }_\markup { "Ad lib" }
+ R2.*10^\markup { "Ad lib" }
R2.^\fermataMarkup
@end lilypond
@lilypond[quote,raggedright,verbatim]
-\paper {
+\layout {
\context { \RemoveEmptyStaffContext }
}
Another application is making ossia sections, i.e. alternative
melodies on a separate piece of staff, with help of a Frenched
-staff. See @inputfileref{input/test,ossia.ly} for an example.
+staff. See @inputfileref{input/@/test,ossia@/.ly} for an example.
@node Different editions from one source
This defines a note with a conditional fingering indication.
-By applying the @code{\keepWithTag} command, tagged expressions
-can be filtered. For example,
+By applying the @code{\keepWithTag} and @code{\removeWithTag}
+commands, tagged expressions can be filtered. For example,
@example
<<
@var{the music}
\tag #'(original-part transposed-part) @dots{}
@end example
+
+
@seealso
-Examples: @inputfileref{input/regression,tag-filter.ly}.
+Examples: @inputfileref{input/@/regression,tag@/-filter@/.ly}.
@refbugs
Setting
@example
- \set Staff.quotedEventTypes = #'(note-event articulation-event dynamic-event)
+\set Staff.quotedEventTypes =
+ #'(note-event articulation-event dynamic-event)
@end example
@noindent
@var{music} can not contain @code{\new} and @code{\context Voice}
statements that would switch to a different Voice.
+Quoting grace notes is broken and can even cause LilyPond to crash.
@seealso
In this manual: @ref{Instrument transpositions}.
-Examples: @inputfileref{input/regression,quote.ly}
-@inputfileref{input/regression,quote-transposition.ly}
+Examples: @inputfileref{input/@/regression,quote@/.ly}
+@inputfileref{input/@/regression,quote@/-transposition@/.ly}
Program reference: @internalsref{QuoteMusic}.
@seealso
-Examples: @inputfileref{input/regression,note-head-style.ly} gives an
+Examples: @inputfileref{input/@/regression,note@/-head@/-style@/.ly} gives an
overview over all available note head styles.
>
}
}
-\paper {
+\layout {
interscoreline = 1
\context { \Score \remove "Bar_number_engraver" }
\context { \Staff
As shown, not all accidentals are supported by each style. When
trying to access an unsupported accidental, LilyPond will switch to a
different style, as demonstrated in
-@inputfileref{input/test,ancient-accidentals.ly}.
+@inputfileref{input/@/test,ancient@/-accidentals@/.ly}.
Similarly to local accidentals, the style of the key signature can be
controlled by the @code{style} property of the
Program reference: @internalsref{KeySignature}.
-Examples: @inputfileref{input/test,ancient-accidentals.ly}.
+Examples: @inputfileref{input/@/test,ancient@/-accidentals@/.ly}.
@node Ancient rests
@subsection Ancient rests
There are no 32th and 64th rests specifically for the mensural or
neo-mensural style. Instead, the rests from the default style will be
-taken. See @inputfileref{input/test,rests.ly} for a chart of all
+taken. See @inputfileref{input/@/test,rests@/.ly} for a chart of all
rests.
There are no rests in Gregorian Chant notation; instead, it uses
right side of each clef in the example column denotes the @code{c'}
with respect to that clef.
-@multitable @columnfractions .4 .4 .2
-
+@multitable @columnfractions .4 .4 .2
@item
-@b{Description} @tab
-@b{Supported Clefs} @tab
+@b{Description}
+@tab
+@b{Supported Clefs}
+@tab
@b{Example}
@item
-modern style mensural C clef @tab
-@code{neomensural-c1}, @code{neomensural-c2},
-@code{neomensural-c3}, @code{neomensural-c4} @tab
-@lilypond[fragment,raggedright,quote,relative=1,notime]
+modern style mensural C clef
+@tab
+@code{neomensural-c1}, @code{neomensural-c2},@*
+@code{neomensural-c3}, @code{neomensural-c4}
+@tab
+@lilypond[fragment,relative=1,notime]
\clef "neomensural-c2" c
@end lilypond
@item
petrucci style mensural C clefs, for use on different staff lines
-(the examples shows the 2nd staff line C clef).
-
+(the examples shows the 2nd staff line C clef)
@tab
-@code{petrucci-c1}
-@code{petrucci-c2}
-@code{petrucci-c3}
-@code{petrucci-c4}
+@code{petrucci-c1}, @code{petrucci-c2},@*
+@code{petrucci-c3}, @code{petrucci-c4},@*
@code{petrucci-c5}
-
@tab
-@lilypond[fragment,quote,relative=1,notime,indent=0.0\mm]
+@lilypond[fragment,relative=1,notime]
\clef "petrucci-c2" c
@end lilypond
@item
-petrucci style mensural F clef @tab
-@code{petrucci-f} @tab
-@lilypond[fragment,quote,relative=1,notime,indent=0.0\mm]
+petrucci style mensural F clef
+@tab
+@code{petrucci-f}
+@tab
+@lilypond[fragment,relative=1,notime]
\clef "petrucci-f" c
@end lilypond
@item
-petrucci style mensural G clef @tab
-@code{petrucci-g} @tab
-@lilypond[fragment,quote,relative=1,notime,indent=0.0\mm]
+petrucci style mensural G clef
+@tab
+@code{petrucci-g}
+@tab
+@lilypond[fragment,relative=1,notime]
\clef "petrucci-g" c
@end lilypond
@item
-historic style mensural C clef @tab
-@code{mensural-c1}, @code{mensural-c2}, @code{mensural-c3},
-@code{mensural-c4} @tab
-@lilypond[fragment,quote,relative=1,notime,indent=0.0\mm]
+historic style mensural C clef
+@tab
+@code{mensural-c1}, @code{mensural-c2},@*
+@code{mensural-c3}, @code{mensural-c4}
+@tab
+@lilypond[fragment,relative=1,notime]
\clef "mensural-c2" c
@end lilypond
@item
-historic style mensural F clef @tab
-@code{mensural-f} @tab
-@lilypond[fragment,quote,relative=1,notime,indent=0.0\mm]
+historic style mensural F clef
+@tab
+@code{mensural-f}
+@tab
+@lilypond[fragment,relative=1,notime]
\clef "mensural-f" c
@end lilypond
@item
-historic style mensural G clef @tab
-@code{mensural-g} @tab
-@lilypond[fragment,quote,relative=1,notime,indent=0.0\mm]
+historic style mensural G clef
+@tab
+@code{mensural-g}
+@tab
+@lilypond[fragment,relative=1,notime]
\clef "mensural-g" c
@end lilypond
@item
-Editio Vaticana style do clef @tab
-@code{vaticana-do1}, @code{vaticana-do2}, @code{vaticana-do3} @tab
-@lilypond[fragment,quote,relative=1,notime,indent=0.0\mm]
+Editio Vaticana style do clef
+@tab
+@code{vaticana-do1}, @code{vaticana-do2},@*
+@code{vaticana-do3}
+@tab
+@lilypond[fragment,relative=1,notime]
\override Staff.StaffSymbol #'line-count = #4
\clef "vaticana-do2" c
@end lilypond
@item
-Editio Vaticana style fa clef @tab
-@code{vaticana-fa1}, @code{vaticana-fa2} @tab
-@lilypond[quote,relative=1,notime,indent=0.0\mm,fragment]
+Editio Vaticana style fa clef
+@tab
+@code{vaticana-fa1}, @code{vaticana-fa2}
+@tab
+@lilypond[fragment,relative=1,notime]
\override Staff.StaffSymbol #'line-count = #4
\clef "vaticana-fa2" c
@end lilypond
@item
-Editio Medicaea style do clef @tab
-@code{medicaea-do1}, @code{medicaea-do2}, @code{medicaea-do3} @tab
-@lilypond[fragment,quote,relative=1,notime,indent=0.0\mm]
+Editio Medicaea style do clef
+@tab
+@code{medicaea-do1}, @code{medicaea-do2},@*
+@code{medicaea-do3}
+@tab
+@lilypond[fragment,relative=1,notime]
\override Staff.StaffSymbol #'line-count = #4
\clef "medicaea-do2" c
@end lilypond
@item
-Editio Medicaea style fa clef @tab
-@code{medicaea-fa1}, @code{medicaea-fa2} @tab
-@lilypond[fragment,quote,relative=1,notime,indent=0.0\mm]
+Editio Medicaea style fa clef
+@tab
+@code{medicaea-fa1}, @code{medicaea-fa2}
+@tab
+@lilypond[fragment,relative=1,notime]
\override Staff.StaffSymbol #'line-count = #4
\clef "medicaea-fa2" c
@end lilypond
@item
-historic style hufnagel do clef @tab
-@code{hufnagel-do1}, @code{hufnagel-do2}, @code{hufnagel-do3} @tab
-@lilypond[fragment,quote,relative=1,notime,indent=0.0\mm]
+historic style hufnagel do clef
+@tab
+@code{hufnagel-do1}, @code{hufnagel-do2},@*
+@code{hufnagel-do3}
+@tab
+@lilypond[fragment,relative=1,notime]
\override Staff.StaffSymbol #'line-count = #4
\clef "hufnagel-do2" c
@end lilypond
@item
-historic style hufnagel fa clef @tab
-@code{hufnagel-fa1}, @code{hufnagel-fa2} @tab
-@lilypond[fragment,quote,relative=1,notime,indent=0.0\mm]
+historic style hufnagel fa clef
+@tab
+@code{hufnagel-fa1}, @code{hufnagel-fa2}
+@tab
+@lilypond[fragment,relative=1,notime]
\override Staff.StaffSymbol #'line-count = #4
\clef "hufnagel-fa2" c
@end lilypond
@item
-historic style hufnagel combined do/fa clef @tab
-@code{hufnagel-do-fa} @tab
-@lilypond[fragment,quote,relative=1,notime,indent=0.0\mm]
+historic style hufnagel combined do/fa clef
+@tab
+@code{hufnagel-do-fa}
+@tab
+@lilypond[fragment,relative=1,notime]
\clef "hufnagel-do-fa" c
@end lilypond
-
@end multitable
following table
@lilypond[quote,raggedright]
-\paper {
+\layout {
indent = 0.0
\context { \Staff
\remove Staff_symbol_engraver
provided. These are specifically designed for use with notation in
Editio Vaticana style.
-@lilypond[quote,raggedright,verbatim,noindent]
+@lilypond[quote,raggedright,verbatim]
\include "gregorian-init.ly"
\score {
\context VaticanaVoice {
used in different flavors of notational style.
For typesetting custodes, just put a @internalsref{Custos_engraver} into the
-@internalsref{Staff} context when declaring the @code{\paper} block,
+@internalsref{Staff} context when declaring the @code{\layout} block,
as shown in the following example
@example
-\paper @{
+\layout @{
\context @{
\Staff
\consists Custos_engraver
\break
g'
}
-\paper {
+\layout {
\context { \Staff \consists Custos_engraver }
}
}
Program reference: @internalsref{Custos}.
-Examples: @inputfileref{input/regression,custos.ly}.
+Examples: @inputfileref{input/@/regression,custos@/.ly}.
@node Divisiones
single antiphonal/responsorial chant to mark the end of each section.
-To use divisiones, include the file @code{gregorian-init.ly}. It
+To use divisiones, include the file @file{gregorian@/-init@/.ly}. It
contains definitions that you can apply by just inserting
@code{\divisioMinima}, @code{\divisioMaior}, @code{\divisioMaxima},
and @code{\finalis} at proper places in the input. Some editions use
@emph{virgula} or @emph{caesura} instead of divisio minima.
-Therefore, @code{gregorian-init.ly} also defines @code{\virgula} and
+Therefore, @file{gregorian@/-init@/.ly} also defines @code{\virgula} and
@code{\caesura}
@lilypondfile[quote,raggedright]{divisiones.ly}
Program reference: @internalsref{BreathingSign}, @internalsref{BreathingSignEvent}.
-Examples: @inputfileref{input/test,divisiones.ly}.
+Examples: @inputfileref{input/@/test,divisiones@/.ly}.
@node Ligatures
@subsection Ligatures
There is limited support for white mensural ligatures.
-To engrave white mensural ligatures, in the paper block the
+To engrave white mensural ligatures, in the layout block the
@internalsref{Mensural_ligature_engraver} has to be put into the
@internalsref{Voice} context, and remove the
@internalsref{Ligature_bracket_engraver}
@example
-\paper @{
+\layout @{
\context @{
\Voice
\remove Ligature_bracket_engraver
s4
\[ e1 f1 a\breve g\longa \]
}
- \paper {
+ \layout {
\context {
\Voice
\remove Ligature_bracket_engraver
@multitable @columnfractions .4 .2 .2 .2
@item
-@b{Neuma aut@*Neumarum Elementa} @tab
-@b{Figurae@*Rectae} @tab
-@b{Figurae@*Liquescentes Auctae} @tab
-@b{Figurae@*Liquescentes Deminutae}
+@b{Neuma aut@*
+Neumarum Elementa}
+@tab
+@b{Figurae@*
+Rectae}
+@tab
+@b{Figurae@*
+Liquescentes@*
+Auctae}
+@tab
+@b{Figurae@*
+Liquescentes@*
+Deminutae}
-@c TODO: \paper block is identical in all of the below examples.
+@c TODO: \layout block is identical in all of the below examples.
@c Therefore, it should somehow be included rather than duplicated all
@c the time. --jr
@item
@code{1. Punctum}
@tab
-@lilypond[quote,noindent,staffsize=26,nofragment,linewidth=1.5\cm]
+@lilypond[staffsize=26,linewidth=1.5\cm]
\include "gregorian-init.ly"
\score {
\transpose c c' {
\[ \inclinatum b \]
\noBreak s^\markup {"b"}
}
-\paper { \neumeDemoPaper }}
+\layout { \neumeDemoLayout }}
@end lilypond
@tab
-@lilypond[quote,noindent,staffsize=26,nofragment,linewidth=2.5\cm]
+@lilypond[staffsize=26,linewidth=2.5\cm]
\include "gregorian-init.ly"
\score {
\transpose c c' {
\[ \inclinatum \auctum b \]
\noBreak s^\markup {"e"}
}
-\paper { \neumeDemoPaper }}
+\layout { \neumeDemoLayout }}
@end lilypond
@tab
-@lilypond[quote,noindent,staffsize=26,nofragment,linewidth=1.0\cm]
+@lilypond[staffsize=26,linewidth=1.0\cm]
\include "gregorian-init.ly"
\score {
\transpose c c' {
\[ \inclinatum \deminutum b \]
\noBreak s^\markup {"f"}
}
-\paper { \neumeDemoPaper }}
+\layout { \neumeDemoLayout }}
@end lilypond
@item
@code{2. Virga}
@tab
-@lilypond[quote,noindent,staffsize=26,nofragment,linewidth=1.0\cm]
+@lilypond[staffsize=26,linewidth=1.0\cm]
\include "gregorian-init.ly"
\score {
\transpose c c' {
\[ \virga b \]
\noBreak s^\markup {"g"}
}
-\paper { \neumeDemoPaper }}
+\layout { \neumeDemoLayout }}
@end lilypond
@tab
@tab
@item
@code{3. Apostropha vel Stropha}
@tab
-@lilypond[quote,noindent,staffsize=26,nofragment,linewidth=1.0\cm]
+@lilypond[staffsize=26,linewidth=1.0\cm]
\include "gregorian-init.ly"
\score {
\transpose c c' {
\[ \stropha b \]
\noBreak s^\markup {"h"}
}
-\paper { \neumeDemoPaper }}
+\layout { \neumeDemoLayout }}
@end lilypond
@tab
-@lilypond[quote,noindent,staffsize=26,nofragment,linewidth=1.0\cm]
+@lilypond[staffsize=26,linewidth=1.0\cm]
\include "gregorian-init.ly"
\score {
\transpose c c' {
\[ \stropha \auctum b \]
\noBreak s^\markup {"i"}
}
-\paper { \neumeDemoPaper }}
+\layout { \neumeDemoLayout }}
@end lilypond
@tab
@item
@code{4. Oriscus}
@tab
-@lilypond[quote,noindent,staffsize=26,nofragment,linewidth=1.0\cm]
+@lilypond[staffsize=26,linewidth=1.0\cm]
\include "gregorian-init.ly"
\score {
\transpose c c' {
\[ \oriscus b \]
\noBreak s^\markup {"j"}
}
-\paper { \neumeDemoPaper }}
+\layout { \neumeDemoLayout }}
@end lilypond
@tab
@tab
@item
@code{5. Clivis vel Flexa}
@tab
-@lilypond[quote,noindent,staffsize=26,nofragment,linewidth=1.0\cm]
+@lilypond[staffsize=26,linewidth=1.0\cm]
\include "gregorian-init.ly"
\score {
\transpose c c' {
\[ b \flexa g \]
s^\markup {"k"}
}
-\paper { \neumeDemoPaper }}
+\layout { \neumeDemoLayout }}
@end lilypond
@tab
-@lilypond[quote,noindent,staffsize=26,nofragment,linewidth=2.0\cm]
+@lilypond[staffsize=26,linewidth=2.0\cm]
\include "gregorian-init.ly"
\score {
\transpose c c' {
\[ b \flexa \auctum \ascendens g \]
\noBreak s^\markup {"m"}
}
-\paper { \neumeDemoPaper }}
+\layout { \neumeDemoLayout }}
@end lilypond
@tab
-@lilypond[quote,noindent,staffsize=26,nofragment,linewidth=1.0\cm]
+@lilypond[staffsize=26,linewidth=1.0\cm]
\include "gregorian-init.ly"
\score {
\transpose c c' {
\[ b \flexa \deminutum g \]
s^\markup {"n"}
}
-\paper { \neumeDemoPaper }}
+\layout { \neumeDemoLayout }}
@end lilypond
@item
@code{6. Podatus vel Pes}
@tab
-@lilypond[quote,noindent,staffsize=26,nofragment,linewidth=1.0\cm]
+@lilypond[staffsize=26,linewidth=1.0\cm]
\include "gregorian-init.ly"
\score {
\transpose c c' {
\[ g \pes b \]
s^\markup {"o"}
}
-\paper { \neumeDemoPaper }}
+\layout { \neumeDemoLayout }}
@end lilypond
@tab
-@lilypond[quote,noindent,staffsize=26,nofragment,linewidth=2.0\cm]
+@lilypond[staffsize=26,linewidth=2.0\cm]
\include "gregorian-init.ly"
\score {
\transpose c c' {
\[ g \pes \auctum \ascendens b \]
\noBreak s^\markup {"q"}
}
-\paper { \neumeDemoPaper }}
+\layout { \neumeDemoLayout }}
@end lilypond
@tab
-@lilypond[quote,noindent,staffsize=26,nofragment,linewidth=1.0\cm]
+@lilypond[staffsize=26,linewidth=1.0\cm]
\include "gregorian-init.ly"
\score {
\transpose c c' {
\[ g \pes \deminutum b \]
s^\markup {"r"}
}
-\paper { \neumeDemoPaper }}
+\layout { \neumeDemoLayout }}
@end lilypond
@item
@code{7. Pes Quassus}
@tab
-@lilypond[quote,noindent,staffsize=26,nofragment,linewidth=1.0\cm]
+@lilypond[staffsize=26,linewidth=1.0\cm]
\include "gregorian-init.ly"
\score {
\transpose c c' {
\[ \oriscus g \pes \virga b \]
s^\markup {"s"}
}
-\paper { \neumeDemoPaper }}
+\layout { \neumeDemoLayout }}
@end lilypond
@tab
-@lilypond[quote,noindent,staffsize=26,nofragment,linewidth=1.0\cm]
+@lilypond[staffsize=26,linewidth=1.0\cm]
\include "gregorian-init.ly"
\score {
\transpose c c' {
\[ \oriscus g \pes \auctum \descendens b \]
s^\markup {"t"}
}
-\paper { \neumeDemoPaper }}
+\layout { \neumeDemoLayout }}
@end lilypond
@tab
@item
@code{8. Quilisma Pes}
@tab
-@lilypond[quote,noindent,staffsize=26,nofragment,linewidth=1.0\cm]
+@lilypond[staffsize=26,linewidth=1.0\cm]
\include "gregorian-init.ly"
\score {
\transpose c c' {
\[ \quilisma g \pes b \]
s^\markup {"u"}
}
-\paper { \neumeDemoPaper }}
+\layout { \neumeDemoLayout }}
@end lilypond
@tab
-@lilypond[quote,noindent,staffsize=26,nofragment,linewidth=1.0\cm]
+@lilypond[staffsize=26,linewidth=1.0\cm]
\include "gregorian-init.ly"
\score {
\transpose c c' {
\[ \quilisma g \pes \auctum \descendens b \]
s^\markup {"v"}
}
-\paper { \neumeDemoPaper }}
+\layout { \neumeDemoLayout }}
@end lilypond
@tab
@item
@code{9. Podatus Initio Debilis}
@tab
-@lilypond[quote,noindent,staffsize=26,nofragment,linewidth=1.0\cm]
+@lilypond[staffsize=26,linewidth=1.0\cm]
\include "gregorian-init.ly"
\score {
\transpose c c' {
\[ \deminutum g \pes b \]
s^\markup {"w"}
}
-\paper { \neumeDemoPaper }}
+\layout { \neumeDemoLayout }}
@end lilypond
@tab
-@lilypond[quote,noindent,staffsize=26,nofragment,linewidth=1.0\cm]
+@lilypond[staffsize=26,linewidth=1.0\cm]
\include "gregorian-init.ly"
\score {
\transpose c c' {
\[ \deminutum g \pes \auctum \descendens b \]
s^\markup {"x"}
}
-\paper { \neumeDemoPaper }}
+\layout { \neumeDemoLayout }}
@end lilypond
@tab
@item
@code{10. Torculus}
@tab
-@lilypond[quote,noindent,staffsize=26,nofragment,linewidth=1.0\cm]
+@lilypond[staffsize=26,linewidth=1.0\cm]
\include "gregorian-init.ly"
\score {
\transpose c c' {
\[ a \pes b \flexa g \]
s^\markup {"y"}
}
-\paper { \neumeDemoPaper }}
+\layout { \neumeDemoLayout }}
@end lilypond
@tab
-@lilypond[quote,noindent,staffsize=26,nofragment,linewidth=1.0\cm]
+@lilypond[staffsize=26,linewidth=1.0\cm]
\include "gregorian-init.ly"
\score {
\transpose c c' {
\[ a \pes b \flexa \auctum \descendens g \]
s^\markup {"z"}
}
-\paper { \neumeDemoPaper }}
+\layout { \neumeDemoLayout }}
@end lilypond
@tab
-@lilypond[quote,noindent,staffsize=26,nofragment,linewidth=1.0\cm]
+@lilypond[staffsize=26,linewidth=1.0\cm]
\include "gregorian-init.ly"
\score {
\transpose c c' {
\[ a \pes b \flexa \deminutum g \]
s^\markup {"A"}
}
-\paper { \neumeDemoPaper }}
+\layout { \neumeDemoLayout }}
@end lilypond
@item
@code{11. Torculus Initio Debilis}
@tab
-@lilypond[quote,noindent,staffsize=26,nofragment,linewidth=1.0\cm]
+@lilypond[staffsize=26,linewidth=1.0\cm]
\include "gregorian-init.ly"
\score {
\transpose c c' {
\[ \deminutum a \pes b \flexa g \]
s^\markup {"B"}
}
-\paper { \neumeDemoPaper }}
+\layout { \neumeDemoLayout }}
@end lilypond
@tab
-@lilypond[quote,noindent,staffsize=26,nofragment,linewidth=1.0\cm]
+@lilypond[staffsize=26,linewidth=1.0\cm]
\include "gregorian-init.ly"
\score {
\transpose c c' {
\[ \deminutum a \pes b \flexa \auctum \descendens g \]
s^\markup {"C"}
}
-\paper { \neumeDemoPaper }}
+\layout { \neumeDemoLayout }}
@end lilypond
@tab
-@lilypond[quote,noindent,staffsize=26,nofragment,linewidth=1.0\cm]
+@lilypond[staffsize=26,linewidth=1.0\cm]
\include "gregorian-init.ly"
\score {
\transpose c c' {
\[ \deminutum a \pes b \flexa \deminutum g \]
s^\markup {"D"}
}
-\paper { \neumeDemoPaper }}
+\layout { \neumeDemoLayout }}
@end lilypond
@item
@code{12. Porrectus}
@tab
-@lilypond[quote,noindent,staffsize=26,nofragment,linewidth=1.0\cm]
+@lilypond[staffsize=26,linewidth=1.0\cm]
\include "gregorian-init.ly"
\score {
\transpose c c' {
\[ a \flexa g \pes b \]
s^\markup {"E"}
}
-\paper { \neumeDemoPaper }}
+\layout { \neumeDemoLayout }}
@end lilypond
@tab
-@lilypond[quote,noindent,staffsize=26,nofragment,linewidth=1.0\cm]
+@lilypond[staffsize=26,linewidth=1.0\cm]
\include "gregorian-init.ly"
\score {
\transpose c c' {
\[ a \flexa g \pes \auctum \descendens b \]
s^\markup {"F"}
}
-\paper { \neumeDemoPaper }}
+\layout { \neumeDemoLayout }}
@end lilypond
@tab
-@lilypond[quote,noindent,staffsize=26,nofragment,linewidth=1.0\cm]
+@lilypond[staffsize=26,linewidth=1.0\cm]
\include "gregorian-init.ly"
\score {
\transpose c c' {
\[ a \flexa g \pes \deminutum b \]
s^\markup {"G"}
}
-\paper { \neumeDemoPaper }}
+\layout { \neumeDemoLayout }}
@end lilypond
@item
@code{13. Climacus}
@tab
-@lilypond[quote,noindent,staffsize=26,nofragment,linewidth=1.0\cm]
+@lilypond[staffsize=26,linewidth=1.0\cm]
\include "gregorian-init.ly"
\score {
\transpose c c' {
\[ \virga b \inclinatum a \inclinatum g \]
s^\markup {"H"}
}
- \paper { \neumeDemoPaper }
+ \layout { \neumeDemoLayout }
}
@end lilypond
@tab
-@lilypond[quote,noindent,staffsize=26,nofragment,linewidth=1.0\cm]
+@lilypond[staffsize=26,linewidth=1.0\cm]
\include "gregorian-init.ly"
\score {
\transpose c c' {
\[ \virga b \inclinatum a \inclinatum \auctum g \]
s^\markup {"I"}
}
-\paper { \neumeDemoPaper }}
+\layout { \neumeDemoLayout }}
@end lilypond
@tab
-@lilypond[quote,noindent,staffsize=26,nofragment,linewidth=1.0\cm]
+@lilypond[staffsize=26,linewidth=1.0\cm]
\include "gregorian-init.ly"
\score {
\transpose c c' {
\[ \virga b \inclinatum a \inclinatum \deminutum g \]
s^\markup {"J"}
}
-\paper { \neumeDemoPaper }}
+\layout { \neumeDemoLayout }}
@end lilypond
@item
@code{14. Scandicus}
@tab
-@lilypond[quote,noindent,staffsize=26,nofragment,linewidth=1.0\cm]
+@lilypond[staffsize=26,linewidth=1.0\cm]
\include "gregorian-init.ly"
\score {
\transpose c c' {
\[ g \pes a \virga b \]
s^\markup {"K"}
}
-\paper { \neumeDemoPaper }}
+\layout { \neumeDemoLayout }}
@end lilypond
@tab
-@lilypond[quote,noindent,staffsize=26,nofragment,linewidth=1.0\cm]
+@lilypond[staffsize=26,linewidth=1.0\cm]
\include "gregorian-init.ly"
\score {
\transpose c c' {
\[ g \pes a \pes \auctum \descendens b \]
s^\markup {"L"}
}
-\paper { \neumeDemoPaper }}
+\layout { \neumeDemoLayout }}
@end lilypond
@tab
-@lilypond[quote,noindent,staffsize=26,nofragment,linewidth=1.0\cm]
+@lilypond[staffsize=26,linewidth=1.0\cm]
\include "gregorian-init.ly"
\score {
\transpose c c' {
\[ g \pes a \pes \deminutum b \]
s^\markup {"M"}
}
-\paper { \neumeDemoPaper }}
+\layout { \neumeDemoLayout }}
@end lilypond
@item
@code{15. Salicus}
@tab
-@lilypond[quote,noindent,staffsize=26,nofragment,linewidth=1.0\cm]
+@lilypond[staffsize=26,linewidth=1.0\cm]
\include "gregorian-init.ly"
\score {
\transpose c c' {
\[ g \oriscus a \pes \virga b \]
s^\markup {"N"}
}
-\paper { \neumeDemoPaper }}
+\layout { \neumeDemoLayout }}
@end lilypond
@tab
-@lilypond[quote,noindent,staffsize=26,nofragment,linewidth=1.0\cm]
+@lilypond[staffsize=26,linewidth=1.0\cm]
\include "gregorian-init.ly"
\score {
\transpose c c' {
\[ g \oriscus a \pes \auctum \descendens b \]
s^\markup {"O"}
}
-\paper { \neumeDemoPaper }}
+\layout { \neumeDemoLayout }}
@end lilypond
@tab
@item
@code{16. Trigonus}
@tab
-@lilypond[quote,noindent,staffsize=26,nofragment,linewidth=1.0\cm]
+@lilypond[staffsize=26,linewidth=1.0\cm]
\include "gregorian-init.ly"
\score {
\transpose c c' {
\[ \stropha b \stropha b \stropha a \]
s^\markup {"P"}
}
- \paper { \neumeDemoPaper }
+ \layout { \neumeDemoLayout }
}
@end lilypond
@tab
ligature. The third column shows the code fragment that produces this
ligature, using @code{g}, @code{a} and @code{b} as example pitches.
-@multitable @columnfractions .1 .4 .5
-
+@multitable @columnfractions .02 .31 .67
@item
-@b{#} @tab
-@b{Name} @tab
+@b{#}
+@tab
+@b{Name}
+@tab
@b{Input Language}
@item
-a @tab
-Punctum @tab
+a
+@tab
+Punctum
+@tab
@code{\[ b \]}
@item
-b @tab
-Punctum Inclinatum @tab
+b
+@tab
+Punctum Inclinatum
+@tab
@code{\[ \inclinatum b \]}
@item
-c @tab
-Punctum Auctum Ascendens @tab
+c
+@tab
+Punctum Auctum@*
+Ascendens
+@tab
@code{\[ \auctum \ascendens b \]}
@item
-d @tab
-Punctum Auctum Descendens @tab
+d
+@tab
+Punctum Auctum@*
+Descendens
+@tab
@code{\[ \auctum \descendens b \]}
@item
-e @tab
-Punctum Inclinatum Auctum @tab
+e
+@tab
+Punctum Inclinatum@*
+Auctum
+@tab
@code{\[ \inclinatum \auctum b \]}
@item
-f @tab
-Punctum Inclinatum Parvum @tab
+f
+@tab
+Punctum Inclinatum@*
+Parvum @tab
@code{\[ \inclinatum \deminutum b \]}
@item
-g @tab
-Virga @tab
+g
+@tab
+Virga
+@tab
@code{\[ \virga b \]}
@item
-h @tab
-Stropha @tab
+h
+@tab
+Stropha
+@tab
@code{\[ \stropha b \]}
@item
-i @tab
-Stropha Aucta @tab
+i
+@tab
+Stropha Aucta
+@tab
@code{\[ \stropha \auctum b \]}
@item
-j @tab
-Oriscus @tab
+j
+@tab
+Oriscus
+@tab
@code{\[ \oriscus b \]}
@item
-k @tab
-Clivis vel Flexa @tab
+k
+@tab
+Clivis vel Flexa
+@tab
@code{\[ b \flexa g \]}
@item
-l @tab
-Clivis Aucta Descendens @tab
+l
+@tab
+Clivis Aucta@*
+Descendens
+@tab
@code{\[ b \flexa \auctum \descendens g \]}
@item
-m @tab
-Clivis Aucta Ascendens @tab
+m
+@tab
+Clivis Aucta@*
+Ascendens
+@tab
@code{\[ b \flexa \auctum \ascendens g \]}
@item
-n @tab
-Cephalicus @tab
+n
+@tab
+Cephalicus
+@tab
@code{\[ b \flexa \deminutum g \]}
@item
-o @tab
-Podatus vel Pes @tab
+o
+@tab
+Podatus vel Pes
+@tab
@code{\[ g \pes b \]}
@item
-p @tab
-Pes Auctus Descendens @tab
+p
+@tab
+Pes Auctus@*
+Descendens
+@tab
@code{\[ g \pes \auctum \descendens b \]}
@item
-q @tab
-Pes Auctus Ascendens @tab
+q
+@tab
+Pes Auctus@*
+Ascendens
+@tab
@code{\[ g \pes \auctum \ascendens b \]}
@item
-r @tab
-Epiphonus @tab
+r
+@tab
+Epiphonus
+@tab
@code{\[ g \pes \deminutum b \]}
@item
-s @tab
-Pes Quassus @tab
+s
+@tab
+Pes Quassus
+@tab
@code{\[ \oriscus g \pes \virga b \]}
@item
-t @tab
-Pes Quassus Auctus Descendens @tab
+t
+@tab
+Pes Quassus@*
+Auctus Descendens @tab
@code{\[ \oriscus g \pes \auctum \descendens b \]}
@item
-u @tab
-Quilisma Pes @tab
+u
+@tab
+Quilisma Pes
+@tab
@code{\[ \quilisma g \pes b \]}
@item
-v @tab
-Quilisma Pes Auctus Descendens @tab
+v
+@tab
+Quilisma Pes@*
+Auctus Descendens
+@tab
@code{\[ \quilisma g \pes \auctum \descendens b \]}
@item
-w @tab
-Pes Initio Debilis @tab
+w
+@tab
+Pes Initio Debilis
+@tab
@code{\[ \deminutum g \pes b \]}
@item
-x @tab
-Pes Auctus Descendens Initio Debilis @tab
+x
+@tab
+Pes Auctus Descendens@*
+Initio Debilis
+@tab
@code{\[ \deminutum g \pes \auctum \descendens b \]}
@item
-y @tab
-Torculus @tab
+y
+@tab
+Torculus
+@tab
@code{\[ a \pes b \flexa g \]}
@item
-z @tab
-Torculus Auctus Descendens @tab
+z
+@tab
+Torculus Auctus@*
+Descendens
+@tab
@code{\[ a \pes b \flexa \auctum \descendens g \]}
@item
-A @tab
-Torculus Deminutus @tab
+A
+@tab
+Torculus Deminutus
+@tab
@code{\[ a \pes b \flexa \deminutum g \]}
@item
-B @tab
-Torculus Initio Debilis @tab
+B
+@tab
+Torculus Initio Debilis
+@tab
@code{\[ \deminutum a \pes b \flexa g \]}
@item
-C @tab
-Torculus Auctus Descendens Initio Debilis @tab
+C
+@tab
+Torculus Auctus@*
+Descendens Initio Debilis
+@tab
@code{\[ \deminutum a \pes b \flexa \auctum \descendens g \]}
@item
-D @tab
-Torculus Deminutus Initio Debilis @tab
+D
+@tab
+Torculus Deminutus@*
+Initio Debilis
+@tab
@code{\[ \deminutum a \pes b \flexa \deminutum g \]}
@item
-E @tab
-Porrectus @tab
+E
+@tab
+Porrectus
+@tab
@code{\[ a \flexa g \pes b \]}
@item
-F @tab
-Porrectus Auctus Descendens @tab
+F
+@tab
+Porrectus Auctus@*
+Descendens
+@tab
@code{\[ a \flexa g \pes \auctum \descendens b \]}
@item
-G @tab
-Porrectus Deminutus @tab
+G
+@tab
+Porrectus Deminutus
+@tab
@code{\[ a \flexa g \pes \deminutum b \]}
@item
-H @tab
-Climacus @tab
+H
+@tab
+Climacus
+@tab
@code{\[ \virga b \inclinatum a \inclinatum g \]}
@item
-I @tab
-Climacus Auctus @tab
+I
+@tab
+Climacus Auctus
+@tab
@code{\[ \virga b \inclinatum a \inclinatum \auctum g \]}
@item
-J @tab
-Climacus Deminutus @tab
+J
+@tab
+Climacus Deminutus
+@tab
@code{\[ \virga b \inclinatum a \inclinatum \deminutum g \]}
@item
-K @tab
-Scandicus @tab
+K
+@tab
+Scandicus
+@tab
@code{\[ g \pes a \virga b \]}
@item
-L @tab
-Scandicus Auctus Descendens @tab
+L
+@tab
+Scandicus Auctus@*
+Descendens
+@tab
@code{\[ g \pes a \pes \auctum \descendens b \]}
@item
-M @tab
-Scandicus Deminutus @tab
+M
+@tab
+Scandicus Deminutus
+@tab
@code{\[ g \pes a \pes \deminutum b \]}
@item
-N @tab
-Salicus @tab
+N
+@tab
+Salicus
+@tab
@code{\[ g \oriscus a \pes \virga b \]}
@item
-O @tab
-Salicus Auctus Descendens @tab
+O
+@tab
+Salicus Auctus Descendens
+@tab
@code{\[ g \oriscus a \pes \auctum \descendens b \]}
@item
-P @tab
-Trigonus @tab
+P
+@tab
+Trigonus
+@tab
@code{\[ \stropha b \stropha b \stropha a \]}
-
@end multitable
@refcommands
proper values, so you can immediately go ahead entering the chant, as
the following excerpt demonstrates
-@lilypond[quote,raggedright,verbatim,noindent]
+@lilypond[quote,raggedright,verbatim]
\include "gregorian-init.ly"
\score {
<<
grob properties to proper values, so you can immediately go ahead
entering the chant, as the following excerpt demonstrates
-@lilypond[quote,raggedright,verbatim,noindent]
+@lilypond[quote,raggedright,verbatim]
\score {
<<
\context MensuralVoice = "discantus" \transpose c c' {
context.
@verbatim
-\paper{
+\layout{
\context{ \Score \remove "Timing_engraver" }
\context{ \Staff \consists "Timing_engraver" }
}
@end verbatim
@lilypond[quote,raggedright]
-\paper{
+\layout{
\context{ \Score \remove "Timing_engraver" }
\context{ \Staff \consists "Timing_engraver" }
}
@end lilypond
The following example (from
-@inputfileref{input/regression,cluster.ly}) shows what the result
+@inputfileref{input/@/regression,cluster@/.ly}) shows what the result
looks like
@lilypondfile[raggedright,quote]{cluster.ly}
@internalsref{Cluster_spanner_engraver}, and
@internalsref{ClusterNoteEvent}.
-Examples: @inputfileref{input/regression,cluster.ly}.
+Examples: @inputfileref{input/@/regression,cluster@/.ly}.
@refbugs
@menu
* Balloon help::
-* Blank music paper::
+* Blank music sheet::
* Hidden notes::
* Easy Notation note heads::
@end menu
Program reference: @internalsref{text-balloon-interface}.
-Examples: @inputfileref{input/regression,balloon.ly}.
+Examples: @inputfileref{input/@/regression,balloon@/.ly}.
-@node Blank music paper
-@subsection Blank music paper
+@node Blank music sheet
+@subsection Blank music sheet
-A blank music paper can be produced also by using invisible notes, and
+A blank music sheet can be produced also by using invisible notes, and
removing @code{Bar_number_engraver}.
projects / lilypond.git / blobdiff