version that you are working on. See TRANSLATION for details.
@end ignore
-@c \version "2.11.51"
+@c \version "2.12.0"
@node Notation manual tables
@appendix Notation manual tables
+@c Please do not delete the following @ignore block.
+@ignore
+Note for editors and translators: In the following menu, two entries
+are needed to link to a pair of automatically generated sections.
+Please keep them and, if using emacs, do not run
+texinfo-all-menus-update without manually restoring them back. These
+menu entries are:
+
+* Text markup commands::
+* Text markup list commands::
+
+and they should go just after
+* Note head styles::
+
+and just before
+* List of articulations::
+@end ignore
+
@menu
-* Chord name chart::
+* Chord name chart::
* Common chord modifiers::
-* MIDI instruments::
-* List of colors::
-* The Feta font::
-* Note head styles::
-* Text markup commands::
-* Text markup list commands::
-* List of articulations::
-* All context properties::
-* Layout properties::
-* Identifiers::
-* Scheme functions::
+* Predefined fretboard diagrams::
+* MIDI instruments::
+* List of colors::
+* The Feta font::
+* Note head styles::
+* Text markup commands::
+* Text markup list commands::
+* List of articulations::
+* Percussion notes::
+* All context properties::
+* Layout properties::
+* Identifiers::
+* Scheme functions::
@end menu
@tab
@code{5} or nothing
@tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
c1:5
}
@tab
@code{m} or @code{m5}
@tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
c1:m
}
@tab
@code{aug}
@tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
c1:aug
}
@tab
@code{dim}
@tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
c1:dim
}
@tab
@code{7}
@tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
c1:7
}
@tab
@code{maj7} or @code{maj}
@tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
c1:maj7
}
@tab
@code{m7}
@tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
c1:m7
}
@tab
@code{dim7}
@tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
c1:dim7
}
@tab
@code{aug7}
@tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
c1:aug7
}
@tab
Diminished triad, minor seventh
@tab
-@code{dim5m7}
+@code{m7.5-}
@tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
- c1:dim5m7
+ c1:m7.5-
}
@end lilypond
@tab
Minor triad, major seventh
@tab
-@code{7m5}
+@code{maj7.5-}
@tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
- c1:7m5
+ c1:maj7.5-
}
@end lilypond
@tab
@code{6}
@tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
c1:6
}
@tab
@code{m6}
@tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
c1:m6
}
@tab
@code{9}
@tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
c1:9
}
@item
Major ninth
@tab
-TODO
+Major seventh, major ninth
@tab
@code{maj9}
@tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
c1:maj9
}
@item
Minor ninth
@tab
-TODO
+Minor seventh, major ninth
@tab
@code{m9}
@tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
c1:m9
}
@tab
@code{11}
@tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
c1:11
}
@item
Major eleventh
@tab
-TODO
+Major ninth, perfect eleventh
@tab
@code{maj11}
@tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
c1:maj11
}
@item
Minor eleventh
@tab
-TODO
+Minor ninth, perfect eleventh
@tab
@code{m11}
@tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
c1:m11
}
@end lilypond
+@item
+Dominant thirteenth
+@tab
+Dominant ninth, major thirteenth
+@tab
+@code{13}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:13
+}
+@end lilypond
+
@item
Dominant thirteenth
@tab
@tab
@code{13.11}
@tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
c1:13.11
}
@item
Major thirteenth
@tab
-TODO
+Major eleventh, major thirteenth
@tab
@code{maj13.11}
@tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
c1:maj13.11
}
@item
Minor thirteenth
@tab
-TODO
+Minor eleventh, major thirteenth
@tab
@code{m13.11}
@tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
c1:m13.11
}
@item
Suspended second
@tab
-TODO
+Major second, perfect fifth
@tab
@code{sus2}
@tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
c1:sus2
}
@item
Suspended fourth
@tab
-TODO
+Perfect fourth, perfect fifth
@tab
@code{sus4}
@tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
c1:sus4
}
@end multitable
+@node Predefined fretboard diagrams
+@appendixsec Predefined fretboard diagrams
+
+The chart below shows the predefined fretboard diagrams.
+
+@lilypondfile{display-predefined-fretboards.ly}
+
@node MIDI instruments
@appendixsec MIDI instruments
acoustic grand contrabass lead 7 (fifths)
bright acoustic tremolo strings lead 8 (bass+lead)
electric grand pizzicato strings pad 1 (new age)
-honky-tonk orchestral strings pad 2 (warm)
+honky-tonk orchestral harp pad 2 (warm)
electric piano 1 timpani pad 3 (polysynth)
electric piano 2 string ensemble 1 pad 4 (choir)
harpsichord string ensemble 2 pad 5 (bowed)
Here is a chart showing all scripts available,
-@lilypondfile[ragged-right,quote]{script-chart.ly}
+@lilypondfile[quote]{script-chart.ly}
+
+
+@node Percussion notes
+@appendixsec Percussion notes
+@lilypondfile[quote]{percussion-chart.ly}
@node All context properties