]> git.donarmstrong.com Git - lilypond.git/blobdiff - Documentation/user/notation-appendices.itely
lilypond-book robustness: ensure EOL at the end of @verbatim
[lilypond.git] / Documentation / user / notation-appendices.itely
index 83d9fc28abef537e9d9cd56bd0db2faa946c744c..bba5f751b1134d6d8a7a7b97a4b9483340dd394e 100644 (file)
@@ -1,16 +1,51 @@
-\version "2.3.16"
-@c Note: -*-texinfo-*-
+@c -*- coding: utf-8; mode: texinfo; -*-
 @c This file is part of lilypond.tely
+@ignore
+    Translation of GIT committish: FILL-IN-HEAD-COMMITTISH
 
-@node Notation manual details
-@appendix Notation manual details
+    When revising a translation, copy the HEAD committish of the
+    version that you are working on.  See TRANSLATION for details.
+@end ignore
+
+@c \version "2.12.0"
+
+@node Notation manual tables
+@appendix Notation manual tables
+
+@c Please do not delete the following @ignore block.
+@ignore
+Note for editors and translators: In the following menu, two entries
+are needed to link to a pair of automatically generated sections.
+Please keep them and, if using emacs, do not run
+texinfo-all-menus-update without manually restoring them back. These
+menu entries are:
+
+* Text markup commands::
+* Text markup list commands::
+
+and they should go just after
+* Note head styles::
+
+and just before
+* List of articulations::
+@end ignore
 
 @menu
-* Chord name chart::            
-* MIDI instruments::            
-* The Feta font::               
-* All context properties::      
-* Layout properties::           
+* Chord name chart::
+* Common chord modifiers::
+* Predefined fretboard diagrams::
+* MIDI instruments::
+* List of colors::
+* The Feta font::
+* Note head styles::
+* Text markup commands::
+* Text markup list commands::
+* List of articulations::
+* Percussion notes::
+* All context properties::
+* Layout properties::
+* Identifiers::
+* Scheme functions::
 @end menu
 
 
@@ -23,71 +58,834 @@ names, along with the pitches they represent.
 
 @lilypondfile{chord-names-jazz.ly}
 
+@node Common chord modifiers
+@appendixsec Common chord modifiers
+
+The following table shows chord modifiers that can be used in
+@code{\chordmode} to generate standard chord structures.
+
+@multitable @columnfractions .2 .3 .2 .2
+
+@item
+@b{Chord type}
+@tab
+@b{Intervals}
+@tab
+@b{Modifier(s)}
+@tab
+@b{Example}
+
+
+@item
+Major
+@tab
+Major third, perfect fifth
+@tab
+@code{5} or nothing
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:5
+}
+@end lilypond
+
+@item
+Minor
+@tab
+Minor third, perfect fifth
+@tab
+@code{m} or @code{m5}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:m
+}
+@end lilypond
+
+@item
+Augmented
+@tab
+Major third, augmented fifth
+@tab
+@code{aug}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:aug
+}
+@end lilypond
+
+@item
+Diminished
+@tab
+Minor third, diminished fifth
+@tab
+@code{dim}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:dim
+}
+@end lilypond
+
+@item
+Dominant seventh
+@tab
+Major triad, minor seventh
+@tab
+@code{7}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:7
+}
+@end lilypond
+
+@item
+Major seventh
+@tab
+Major triad, major seventh
+@tab
+@code{maj7} or @code{maj}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:maj7
+}
+@end lilypond
+
+@item
+Minor seventh
+@tab
+Minor triad, minor seventh
+@tab
+@code{m7}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:m7
+}
+@end lilypond
+
+@item
+Diminished seventh
+@tab
+Diminished triad, diminished seventh
+@tab
+@code{dim7}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:dim7
+}
+@end lilypond
+
+@item
+Augmented seventh
+@tab
+Augmented triad, minor seventh
+@tab
+@code{aug7}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:aug7
+}
+@end lilypond
+
+@item
+Half-diminished seventh
+@tab
+Diminished triad, minor seventh
+@tab
+@code{m7.5-}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:m7.5-
+}
+@end lilypond
+
+@item
+Minor-major seventh
+@tab
+Minor triad, major seventh
+@tab
+@code{maj7.5-}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:maj7.5-
+}
+@end lilypond
+
+@item
+Major sixth
+@tab
+Major triad, sixth
+@tab
+@code{6}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:6
+}
+@end lilypond
+
+@item
+Minor sixth
+@tab
+Minor triad, sixth
+@tab
+@code{m6}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:m6
+}
+@end lilypond
+
+@item
+Dominant ninth
+@tab
+Dominant seventh, major ninth
+@tab
+@code{9}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:9
+}
+@end lilypond
+
+@item
+Major ninth
+@tab
+Major seventh, major ninth
+@tab
+@code{maj9}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:maj9
+}
+@end lilypond
+
+@item
+Minor ninth
+@tab
+Minor seventh, major ninth
+@tab
+@code{m9}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:m9
+}
+@end lilypond
+
+@item
+Dominant eleventh
+@tab
+Dominant ninth, perfect eleventh
+@tab
+@code{11}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:11
+}
+@end lilypond
+
+@item
+Major eleventh
+@tab
+Major ninth, perfect eleventh
+@tab
+@code{maj11}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:maj11
+}
+@end lilypond
+
+@item
+Minor eleventh
+@tab
+Minor ninth, perfect eleventh
+@tab
+@code{m11}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:m11
+}
+@end lilypond
+
+@item
+Dominant thirteenth
+@tab
+Dominant ninth, major thirteenth
+@tab
+@code{13}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:13
+}
+@end lilypond
+
+@item
+Dominant thirteenth
+@tab
+Dominant eleventh, major thirteenth
+@tab
+@code{13.11}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:13.11
+}
+@end lilypond
+
+@item
+Major thirteenth
+@tab
+Major eleventh, major thirteenth
+@tab
+@code{maj13.11}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:maj13.11
+}
+@end lilypond
+
+@item
+Minor thirteenth
+@tab
+Minor eleventh, major thirteenth
+@tab
+@code{m13.11}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:m13.11
+}
+@end lilypond
+
+@item
+Suspended second
+@tab
+Major second, perfect fifth
+@tab
+@code{sus2}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:sus2
+}
+@end lilypond
+
+@item
+Suspended fourth
+@tab
+Perfect fourth, perfect fifth
+@tab
+@code{sus4}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:sus4
+}
+@end lilypond
+
+
+@end multitable
+
+@node Predefined fretboard diagrams
+@appendixsec Predefined fretboard diagrams
+
+The chart below shows the predefined fretboard diagrams.
+
+@lilypondfile{display-predefined-fretboards.ly}
+
 @node MIDI instruments
 @appendixsec MIDI instruments
 
 The following is a list of names that can be used for the
 @code{midiInstrument} property.
 
-@example 
-"acoustic grand"            "contrabass"           "lead 7 (fifths)"
-"bright acoustic"           "tremolo strings"      "lead 8 (bass+lead)"
-"electric grand"            "pizzicato strings"    "pad 1 (new age)"
-"honky-tonk"                "orchestral strings"   "pad 2 (warm)"
-"electric piano 1"          "timpani"              "pad 3 (polysynth)"
-"electric piano 2"          "string ensemble 1"    "pad 4 (choir)"
-"harpsichord"               "string ensemble 2"    "pad 5 (bowed)"
-"clav"                      "synthstrings 1"       "pad 6 (metallic)"
-"celesta"                   "synthstrings 2"       "pad 7 (halo)"
-"glockenspiel"              "choir aahs"           "pad 8 (sweep)"
-"music box"                 "voice oohs"           "fx 1 (rain)"
-"vibraphone"                "synth voice"          "fx 2 (soundtrack)"
-"marimba"                   "orchestra hit"        "fx 3 (crystal)"
-"xylophone"                 "trumpet"              "fx 4 (atmosphere)"
-"tubular bells"             "trombone"             "fx 5 (brightness)"
-"dulcimer"                  "tuba"                 "fx 6 (goblins)"
-"drawbar organ"             "muted trumpet"        "fx 7 (echoes)"
-"percussive organ"          "french horn"          "fx 8 (sci-fi)"
-"rock organ"                "brass section"        "sitar"
-"church organ"              "synthbrass 1"         "banjo"
-"reed organ"                "synthbrass 2"         "shamisen"
-"accordion"                 "soprano sax"          "koto"
-"harmonica"                 "alto sax"             "kalimba"
-"concertina"                "tenor sax"            "bagpipe"
-"acoustic guitar (nylon)"   "baritone sax"         "fiddle"
-"acoustic guitar (steel)"   "oboe"                 "shanai"
-"electric guitar (jazz)"    "english horn"         "tinkle bell"
-"electric guitar (clean)"   "bassoon"              "agogo"
-"electric guitar (muted)"   "clarinet"             "steel drums"
-"overdriven guitar"         "piccolo"              "woodblock"
-"distorted guitar"          "flute"                "taiko drum"
-"guitar harmonics"          "recorder"             "melodic tom"
-"acoustic bass"             "pan flute"            "synth drum"
-"electric bass (finger)"    "blown bottle"         "reverse cymbal"
-"electric bass (pick)"      "shakuhachi"           "guitar fret noise"
-"fretless bass"             "whistle"              "breath noise"
-"slap bass 1"               "ocarina"              "seashore"
-"slap bass 2"               "lead 1 (square)"      "bird tweet"
-"synth bass 1"              "lead 2 (sawtooth)"    "telephone ring"
-"synth bass 2"              "lead 3 (calliope)"    "helicopter"
-"violin"                    "lead 4 (chiff)"       "applause"
-"viola"                     "lead 5 (charang)"     "gunshot"
-"cello"                     "lead 6 (voice)" 
-@end example 
+@example
+acoustic grand            contrabass           lead 7 (fifths)
+bright acoustic           tremolo strings      lead 8 (bass+lead)
+electric grand            pizzicato strings    pad 1 (new age)
+honky-tonk                orchestral harp      pad 2 (warm)
+electric piano 1          timpani              pad 3 (polysynth)
+electric piano 2          string ensemble 1    pad 4 (choir)
+harpsichord               string ensemble 2    pad 5 (bowed)
+clav                      synthstrings 1       pad 6 (metallic)
+celesta                   synthstrings 2       pad 7 (halo)
+glockenspiel              choir aahs           pad 8 (sweep)
+music box                 voice oohs           fx 1 (rain)
+vibraphone                synth voice          fx 2 (soundtrack)
+marimba                   orchestra hit        fx 3 (crystal)
+xylophone                 trumpet              fx 4 (atmosphere)
+tubular bells             trombone             fx 5 (brightness)
+dulcimer                  tuba                 fx 6 (goblins)
+drawbar organ             muted trumpet        fx 7 (echoes)
+percussive organ          french horn          fx 8 (sci-fi)
+rock organ                brass section        sitar
+church organ              synthbrass 1         banjo
+reed organ                synthbrass 2         shamisen
+accordion                 soprano sax          koto
+harmonica                 alto sax             kalimba
+concertina                tenor sax            bagpipe
+acoustic guitar (nylon)   baritone sax         fiddle
+acoustic guitar (steel)   oboe                 shanai
+electric guitar (jazz)    english horn         tinkle bell
+electric guitar (clean)   bassoon              agogo
+electric guitar (muted)   clarinet             steel drums
+overdriven guitar         piccolo              woodblock
+distorted guitar          flute                taiko drum
+guitar harmonics          recorder             melodic tom
+acoustic bass             pan flute            synth drum
+electric bass (finger)    blown bottle         reverse cymbal
+electric bass (pick)      shakuhachi           guitar fret noise
+fretless bass             whistle              breath noise
+slap bass 1               ocarina              seashore
+slap bass 2               lead 1 (square)      bird tweet
+synth bass 1              lead 2 (sawtooth)    telephone ring
+synth bass 2              lead 3 (calliope)    helicopter
+violin                    lead 4 (chiff)       applause
+viola                     lead 5 (charang)     gunshot
+cello                     lead 6 (voice)
+@end example
+
+
+@node List of colors
+@appendixsec List of colors
+
+@subsubheading Normal colors
+
+Usage syntax is detailed in @ref{Coloring objects}.
+
+@cindex List of colors
+@cindex Colors, list of
+
+@verbatim
+black       white          red         green
+blue        cyan           magenta     yellow
+grey        darkred        darkgreen   darkblue
+darkcyan    darkmagenta    darkyellow
+@end verbatim
+
+
+@subsubheading X color names
+
+X color names come several variants:
+
+Any name that is spelled as a single word with capitalization
+(e.g. @q{LightSlateBlue}) can also be spelled as space separated
+words without capitalization (e.g. @q{light slate blue}).
+
+The word @q{grey} can always be spelled @q{gray} (e.g. @q{DarkSlateGray}).
+
+Some names can take a numerical suffix (e.g. @q{LightSalmon4}).
+
+
+@subsubheading Color Names without a numerical suffix:
+
+@verbatim
+snow           GhostWhite      WhiteSmoke      gainsboro       FloralWhite
+OldLace                linen           AntiqueWhite    PapayaWhip      BlanchedAlmond
+bisque         PeachPuff       NavajoWhite     moccasin        cornsilk
+ivory          LemonChiffon    seashell        honeydew        MintCream
+azure          AliceBlue       lavender        LavenderBlush   MistyRose
+white          black           DarkSlateGrey   DimGrey         SlateGrey
+LightSlateGrey grey            LightGrey       MidnightBlue    navy
+NavyBlue       CornflowerBlue  DarkSlateBlue   SlateBlue       MediumSlateBlue
+LightSlateBlue MediumBlue      RoyalBlue       blue            DodgerBlue
+DeepSkyBlue    SkyBlue         LightSkyBlue    SteelBlue       LightSteelBlue
+LightBlue      PowderBlue      PaleTurquoise   DarkTurquoise   MediumTurquoise
+turquoise      cyan            LightCyan       CadetBlue       MediumAquamarine
+aquamarine     DarkGreen       DarkOliveGreen  DarkSeaGreen    SeaGreen
+MediumSeaGreen LightSeaGreen   PaleGreen       SpringGreen     LawnGreen
+green          chartreuse      MediumSpringGreen       GreenYellow     LimeGreen
+YellowGreen    ForestGreen     OliveDrab       DarkKhaki       khaki
+PaleGoldenrod  LightGoldenrodYellow    LightYellow     yellow  gold
+LightGoldenrod goldenrod       DarkGoldenrod   RosyBrown       IndianRed
+SaddleBrown    sienna          peru            burlywood       beige
+wheat          SandyBrown      tan             chocolate       firebrick
+brown          DarkSalmon      salmon          LightSalmon     orange
+DarkOrange     coral           LightCoral      tomato          OrangeRed
+red            HotPink         DeepPink        pink            LightPink
+PaleVioletRed  maroon          MediumVioletRed VioletRed       magenta
+violet         plum            orchid          MediumOrchid    DarkOrchid
+DarkViolet     BlueViolet      purple          MediumPurple    thistle
+DarkGrey       DarkBlue        DarkCyan        DarkMagenta     DarkRed
+LightGreen
+@end verbatim
+
+
+@subsubheading Color names with a numerical suffix
+
+In the following names the suffix N can be a number in the range 1-4:
+
+@verbatim
+snowN          seashellN       AntiqueWhiteN   bisqueN         PeachPuffN
+NavajoWhiteN   LemonChiffonN   cornsilkN       ivoryN          honeydewN
+LavenderBlushN MistyRoseN      azureN          SlateBlueN      RoyalBlueN
+blueN          DodgerBlueN     SteelBlueN      DeepSkyBlueN    SkyBlueN
+LightSkyBlueN  LightSteelBlueN LightBlueN      LightCyanN      PaleTurquoiseN
+CadetBlueN     turquoiseN      cyanN           aquamarineN     DarkSeaGreenN
+SeaGreenN      PaleGreenN      SpringGreenN    greenN          chartreuseN
+OliveDrabN     DarkOliveGreenN khakiN          LightGoldenrodN LightYellowN
+yellowN                goldN           goldenrodN      DarkGoldenrodN  RosyBrownN
+IndianRedN     siennaN         burlywoodN      wheatN          tanN
+chocolateN     firebrickN      brownN          salmonN         LightSalmonN
+orangeN                DarkOrangeN     coralN          tomatoN         OrangeRedN
+redN           DeepPinkN       HotPinkN        pinkN           LightPinkN
+PaleVioletRedN maroonN         VioletRedN      magentaN        orchidN
+plumN          MediumOrchidN   DarkOrchidN     purpleN         MediumPurpleN
+thistleN
+@end verbatim
+
+
+@subsubheading Grey Scale
+
+A grey scale can be obtained using:
+
+@example
+greyN
+@end example
+
+@noindent
+Where N is in the range 0-100.
+
 
 @node The Feta font
 @appendixsec The Feta font
 
-The following symbols are available in the Feta font and may be
+@cindex Feta font
+@cindex Font, Feta
+
+The following symbols are available in the Emmentaler font and may be
 accessed directly using text markup such as @code{g^\markup @{
-\musicglyph #"scripts-segno" @}}, see @ref{Text markup}.
+\musicglyph #"scripts.segno" @}}, see @ref{Formatting text}.
+
+
+@menu
+* Clef glyphs::
+* Time Signature glyphs::
+* Number glyphs::
+* Accidental glyphs::
+* Default Notehead glyphs::
+* Special Notehead glyphs::
+* Shape-note Notehead glyphs::
+* Rest glyphs::
+* Flag glyphs::
+* Dot glyphs::
+* Dynamic glyphs::
+* Script glyphs::
+* Arrowhead glyphs::
+* Bracket-tip glyphs::
+* Pedal glyphs::
+* Accordion glyphs::
+* Vaticana glyphs::
+* Medicaea glyphs::
+* Hufnagel glyphs::
+* Mensural glyphs::
+* Neomensural glyphs::
+* Petrucci glyphs::
+* Solesmes glyphs::
+@end menu
+
+
+@node Clef glyphs
+@unnumberedsubsec Clef glyphs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+             \doc-chars #clefs
+@end lilypond
+
+
+@node Time Signature glyphs
+@unnumberedsubsec Time Signature glyphs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+             \doc-chars #timesig
+@end lilypond
 
 
-@lilypondfile[noindent]{feta16list.ly}
+@node Number glyphs
+@unnumberedsubsec Number glyphs
 
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+             \doc-chars #numbers
+@end lilypond
 
-@lilypondfile[noindent]{parmesan16list.ly}
 
+@node Accidental glyphs
+@unnumberedsubsec Accidental glyphs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+             \doc-chars #accidentals
+@end lilypond
+
+
+@node Default Notehead glyphs
+@unnumberedsubsec Default Notehead glyphs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+             \doc-chars #default-noteheads
+@end lilypond
+
+
+@node Special Notehead glyphs
+@unnumberedsubsec Special Notehead glyphs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+             \doc-chars #special-noteheads
+@end lilypond
+
+
+@node Shape-note Notehead glyphs
+@unnumberedsubsec Shape-note Notehead glyphs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+             \doc-chars #shape-note-noteheads
+@end lilypond
+
+
+@node Rest glyphs
+@unnumberedsubsec Rest glyphs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+             \doc-chars #rests
+@end lilypond
+
+
+@node Flag glyphs
+@unnumberedsubsec Flag glyphs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+             \doc-chars #flags
+@end lilypond
+
+
+@node Dot glyphs
+@unnumberedsubsec Dot glyphs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+             \doc-chars #dots
+@end lilypond
+
+
+@node Dynamic glyphs
+@unnumberedsubsec Dynamic glyphs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+             \doc-chars #dynamics
+@end lilypond
+
+
+@node Script glyphs
+@unnumberedsubsec Script glyphs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+             \doc-chars #scripts
+@end lilypond
+
+
+@node Arrowhead glyphs
+@unnumberedsubsec Arrowhead glyphs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+             \doc-chars #arrowheads
+@end lilypond
+
+
+@node Bracket-tip glyphs
+@unnumberedsubsec Bracket-tip glyphs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+             \doc-chars #brackettips
+@end lilypond
+
+
+@node Pedal glyphs
+@unnumberedsubsec Pedal glyphs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+             \doc-chars #pedal
+@end lilypond
+
+
+@node Accordion glyphs
+@unnumberedsubsec Accordion glyphs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+             \doc-chars #accordion
+@end lilypond
+
+
+@node Vaticana glyphs
+@unnumberedsubsec Vaticana glyphs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+             \doc-chars #vaticana
+@end lilypond
+
+
+@node Medicaea glyphs
+@unnumberedsubsec Medicaea glyphs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+             \doc-chars #medicaea
+@end lilypond
+
+
+@node Hufnagel glyphs
+@unnumberedsubsec Hufnagel glyphs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+             \doc-chars #hufnagel
+@end lilypond
+
+
+@node Mensural glyphs
+@unnumberedsubsec Mensural glyphs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+             \doc-chars #mensural
+@end lilypond
+
+
+@node Neomensural glyphs
+@unnumberedsubsec Neomensural glyphs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+             \doc-chars #neomensural
+@end lilypond
+
+
+@node Petrucci glyphs
+@unnumberedsubsec Petrucci glyphs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+             \doc-chars #petrucci
+@end lilypond
+
+
+@node Solesmes glyphs
+@unnumberedsubsec Solesmes glyphs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+             \doc-chars #solesmes
+@end lilypond
+
+
+@node Note head styles
+@appendixsec Note head styles
+
+@cindex note head styles
+The following styles may be used for note heads.
+
+@lilypondfile[noindent]{note-head-style.ly}
+
+@include markup-commands.tely
+
+@include markup-list-commands.tely
+
+@node List of articulations
+@appendixsec List of articulations
+
+@cindex accent
+@cindex marcato
+@cindex staccatissimo
+@cindex espressivo
+@cindex fermata
+@cindex stopped
+@cindex staccato
+@cindex portato
+@cindex tenuto
+@cindex upbow
+@cindex downbow
+@cindex foot marks
+@cindex organ pedal marks
+@cindex turn
+@cindex open
+@cindex stopped
+@cindex flageolet
+@cindex reverseturn
+@cindex trill
+@cindex prall
+@cindex mordent
+@cindex prallprall
+@cindex prallmordent
+@cindex prall, up
+@cindex prall, down
+@cindex thumb marking
+@cindex segno
+@cindex coda
+@cindex varcoda
+
+
+@lilypondfile[quote,texidoc]{script-chart.ly}
+
+
+@node Percussion notes
+@appendixsec Percussion notes
+
+@lilypondfile[quote]{percussion-chart.ly}
 
 
 @node All context properties
@@ -101,3 +899,15 @@ accessed directly using text markup such as @code{g^\markup @{
 
 @include layout-properties.tely
 
+
+@node Identifiers
+@appendixsec Identifiers
+
+@include identifiers.tely
+
+
+@node Scheme functions
+@appendixsec Scheme functions
+
+@include scheme-functions.tely
+