version that you are working on. See TRANSLATION for details.
@end ignore
+@c \version "2.11.38"
+
@c A menu is needed before every deeper *section nesting of @node's; run
@c M-x texinfo-all-menus-update
@c to automatically fill in these menus before saving changes
@node Non-musical notation
@chapter Non-musical notation
-This section deals with general lilypond issues, rather than
+This section deals with general LilyPond issues, rather than
specific notation.
@menu
@end table
Here is a demonstration of the fields available. Note that you
-may use any @ref{Text markup}, commands in the header.
+may use any @ref{Formatting text}, commands in the header.
@lilypond[quote,verbatim,line-width=11.0\cm]
\paper {
A particular place of a score can be marked using the @code{\label}
command, either at top-level or inside music. This label can then be
-refered to in a markup, to get the number of the page where the marked
+referred to in a markup, to get the number of the page where the marked
point is placed, using the @code{\page-ref} markup command.
@lilypond[verbatim,line-width=11.0\cm]
@end enumerate
The reason why a gauge is needed is that, at the time markups are
-interpreted, the page breaking has not yet occured, so the page numbers
+interpreted, the page breaking has not yet occurred, so the page numbers
are not yet known. To work around this issue, the actual markup
interpretation is delayed to a later time; however, the dimensions of
the markup have to be known before, so a gauge is used to decide these
\fill-line { \null "Table des matières" \null }
\hspace #1
}
- %% use larfer font size
+ %% use larger font size
tocItemMarkup = \markup \large \fill-line {
\fromproperty #'toc:text \fromproperty #'toc:page
}
}
@end verbatim
-Note how the toc element text and page number are refered to in
+Note how the toc element text and page number are referred to in
the @code{tocItemMarkup} definition.
New commands and markups may also be defined to build more elaborated
marks translate to a fixed fraction of the available MIDI volume
range, crescendi and decrescendi make the volume vary linearly between
their two extremes. The fractions can be adjusted by
-@code{dynamicAbsoluteVolumeFunction} in @internalsref{Voice} context.
+@code{dynamicAbsoluteVolumeFunction} in @rinternals{Voice} context.
For each type of MIDI instrument, a volume range can be defined. This
gives a basic equalizer control, which can enhance the quality of
the MIDI output remarkably. The equalizer can be controlled by