-\input texinfo @c -*- coding: utf8; mode: texinfo; -*-
+\input texinfo @c -*- coding: utf-8; mode: texinfo; -*-
@setfilename music-glosssary.info
@settitle Music Glossary
-@documentencoding utf-8
+@documentencoding UTF-8
@documentlanguage en
-@dircategory GNU music project
+@c see lilypond.tely for info installation note
+@dircategory LilyPond
@direntry
* Glossary: (lilypond/music-glossary). Glossary of music terms.
@end direntry
@ifhtml
This document is also available in
@uref{source/Documentation/user/music-glossary.pdf,PDF}
-and as @uref{source/Documentation/user/music-glossary.html,one big page}.
+and as @uref{source/Documentation/user/music-glossary-big-page.html,one big page}.
@end ifhtml
@titlepage
@top Music glossary
@end ifnottex
-This glossary was brought you by
@ifnottex
+
+This glossary was brought you by
+
@table @code
@item Adrian Mariano
Italian glossary,
Original author of LilyPond glossary, Danish glossary,
@item David González
Spanish glossary,
-@item Fran@,{c}ois Pinard
+@item François Pinard
Original glossary of GNU music project, French glossary,
@item Han-Wen Nienhuys
Dutch glossary,
* alto::
* alto clef::
* ambit::
+* anacrusis::
* ancient minor scale::
* andante::
* appoggiatura::
* arpeggio::
+* articulation::
* ascending interval::
* augmented interval::
* autograph::
* ornament::
* ossia::
* part::
+* pause::
* pennant::
* percussion::
* perfect interval::
\set Score.automaticBars = ##f
<<
\context Staff \relative c'' {
+ \set Staff.extraNatural = ##f
gis1 gisis ges geses g!
}
\lyrics {
of pitches for a given voice in a part of music. It may also denote
the pitch range that a musical instrument is capable of playing.
+@node anacrusis
+@section anacrusis
+
+@c TODO: add more languages for anacrusis
+ES: anacrusa
+F: anacrouse
+
+An anacrusis (also known as pickup or upbeat) is an incomplete measure
+of music before a section of music.
+
@node ancient minor scale
@section ancient minor scale
ES: apoyatura,
I: appoggiatura,
-F: appogiature, (port de voix),
+F: appoggiature, (port de voix),
D: Vorschlag,
NL: voorslag,
DK: forslag,
>>
@end lilypond
+@node articulation
+@section articulation
+
+@c TODO: add languages for articulation.
+Articulation refers to notation which indicates how a note or notes should
+be played. Slurs, accents, staccato, and legato are all examples of
+articulartion.
+
+
@node ascending interval
@section ascending interval
ES: manuscrito,
I: autografo,
-F: manuscrit,
+F: manuscrit, autographe
D: Autograph, Handschrift,
NL: manuscript,
DK: håndskrift, autograf,
%\override TextScript #'font-style = #'large
<<
\context Staff \relative c'' {
+ \set Staff.extraNatural = ##f
<g b d>1
<g bes d>
<g bes des>
composition methods.
@lilypond[fragment,staffsize=12,line-width=13.0\cm]
+\set Score.implicitTimeSignatureVisibility = #all-invisible
\override Score.TimeSignature #'break-visibility = #all-invisible
\context PianoStaff <<
\context Staff = SA \relative c' {
FI: cresendo, voimistuen.
Increasing volume. Indicated by a rightwards opening horizontal wedge or the
-abbreviation ``cresc.''.
+abbreviation @q{cresc.}.
@lilypond[fragment,ragged-right]
\key g \major \time 4/4
@node custos
@section custos
+F: guidon,
+D: Notenzeiger.
+
A custos is a staff symbol that appears at the end of a staff line
with monophonic musical contents (i.e., with a single voice). It
anticipates the pitch of the first note of the following line and thus
FI: da capo, alusta.
The term indicates repetition of the piece from the beginning to the end or
-to a certain place marked @emph{fine}. Mostly abbreviated as ``D.C.''.
+to a certain place marked @emph{fine}. Mostly abbreviated as @q{D.C.}.
@node dal segno
@section dal segno
S: dal segno,
FI: dal segno, lähtien merkistä.
-Abbreviated ``d.s.''. Repetition, not from the beginning, but from
+Abbreviated @q{d.s.}. Repetition, not from the beginning, but from
another place frequently near the beginning marked by a sign:
@lilypond[fragment,ragged-right]
FI: decresendo, hiljentyen.
Decreasing tone volume. Indicated by a leftwards opening horizontal wedge
-or the abbreviation ``decresc.''.
+or the abbreviation @q{decresc.}.
@lilypond[fragment,ragged-right]
\relative c'' {
ES: calderón,
I: corona,
-F: point d'orgue, point d'arr@^et,
+F: point d'orgue, point d'arrêt,
D: Fermate,
NL: fermate,
DK: fermat,
FI: johtosävel.
The seventh @aref{scale degree}, a @aref{semitone} below
-the tonic; so called because of its strong tendency to ``lead up'' (resolve
+the tonic; so called because of its strong tendency to @q{lead up} (resolve
upwards) to the tonic scale degree.
@node ledger line
ES: letra (de la canción),
I: .,
-F: .,
+F: paroles,
D: Liedtext,
NL: liedtekst,
DK: .,
@section melisma
ES: melisma,
+F: mélisme,
NL: melisma,
FI: melisma, laulettavan tavun sävelkuvio.
ES: compás,
I: tempo, metro,
-F: indication de mésure,
+F: indication de mesure, mesure,
D: Taktart, Metrum,
NL: maatsoort,
DK: taktart,
@lilypond[line-width=13.0\cm]
\score{
\relative c'' {
+ \set Score.implicitTimeSignatureVisibility = #all-invisible
\override Score.TimeSignature #'break-visibility = #all-invisible
- %\override Score.TextScript #'font-style = #'large
\time 4/4
\key g \major
\partial 8 g16\startGroup fis |
ES: cabeza,
I: testa, testina, capocchia,
-F: t@^ete de la note,
+F: tête de la note,
D: Notenkopf,
NL: nootballetje,
DK: nodehovede,
or voice. 2.@tie{}in contrapuntal music @aref{counterpoint} the single
melodic line of the contrapunctal web.
+@node pause
+@section pause
+
+@ref{fermata}.
+
@node pennant
@section pennant
@node quintuplet
@section quintuplet
-ES: cinquillo,
+ES: cinquillo, quintillo.
I: quintina,
F: quintolet,
D: Quintole,
falls into three sections called @emph{exposition}, @emph{development} and
@emph{recapitulation}. In the exposition the composer introduces some musical
ideas, consisting of a number of themes; in the development section the
-composer `develops' this material, and in the recapitulation the composer
+composer @q{develops} this material, and in the recapitulation the composer
repeats the exposition, with certain modifications. The exposition contains a
number of themes that fall into two groups, often called first and second
subject. Other melodies occurring in each group are considered as
ES: indicación de tempo,
I: indicazione di tempo,
-F: indication de temps,
+F: indication de tempo,
D: Zeitmaß, Tempobezeichnung,
NL: tempo aanduiding,
DK: tempobetegelse,
ES: bajo cifrado,
I: basso continuo, basso numerato,
-F: basse chiffrée,
+F: basse chiffrée, basse continue,
D: Generalbass, bezifferter Bass,
NL: basso continuo, becijferde bas
DK: generalbas,
ES: indicación de compás,
I: segni di tempo,
-F: chiffrage (chiffres indicateurs), signe de valeur,
+F: chiffrage (chiffres indicateurs), signe de valeur, indication de mesure,
D: Taktangabe, Angabe der Taktart,
NL: maatsoort,
DK: taktangivelse,
projects / lilypond.git / blobdiff