@end direntry
@ifhtml
-This document is also available in
+This document is also available in
@uref{source/Documentation/user/music-glossary.pdf,PDF}
and as @uref{source/Documentation/user/music-glossary.html,one big page}.
@end ifhtml
under the terms of the GNU Free Documentation License, Version 1.1
or any later version published by the Free Software Foundation,
without Invariant Sections.
-
+
@end titlepage
ES: alteración,
I: alterazione
F: altération
-D:
+D:
NL: verhoging of verlaging,
DK:
S:
NL: cent,
DK: cent,
S: cent,
-FI: sentti, puolisävelaskeleen sadasosa tasavireisessä
+FI: sentti, puolisävelaskeleen sadasosa tasavireisessä
viritysjärjestelmässä.
Logarithmic unit of measurement. 1@tie{}cent is 1/1200 of an octave (1/100
S: ackord,
FI: sointu.
-Three or more tones sounding simultaneously. In traditional European music
+Three or more tones sounding simultaneously. In traditional European music
the
-base chord is a @emph{triad} consisting of 2@w{ }thirds. @emph{Major} (major
+base chord is a @emph{triad} consisting of 2@w{ }thirds. @emph{Major} (major
+
minor @aref{third}) as well as @emph{minor} (minor + major third)
chords may be extended with more thirds. Four-tone @emph{seventh chords}
}
}
@end lilypond
-
+
@node D
@section D
S: hoppande rörelse,
FI: melodian hyppivä liike.
-Progressing melodically by intervals larger than a major second.
+Progressing melodically by intervals larger than a major second.
Opposite of @aref{conjunct movement}.
@lilypond[fragment,ragged-right]
S: intervall,
FI: intervalli, kahden sävelen korkeusero.
-Difference in pitch between two notes. Intervals may be perfect, minor,
+Difference in pitch between two notes. Intervals may be perfect, minor,
major,
diminished, or augmented. The augmented fourth and the diminished fifth are
identical (@aref{enharmonic}) and are called @emph{tritonus}
S: legato,
FI: legato, sitoen.
-To be performed (a) without any perceptible interruption between the notes,
+To be performed (a) without any perceptible interruption between the notes,
unlike (b) @emph{leggiero} or @emph{non-legato}, (c) @emph{portato}, and
(d) @aref{staccato}.
@node melisma
@section melisma
-NL: melisma,
+NL: melisma,
FI: melisma, laulettavan tavun sävelkuvio.
A melisma (plural: melismata) is a group of notes or tones sung on one
FI: nuotin aika-arvo.
Note values (durations) are measured as fractions, normally 1/2, of the next
-higher note value. The longest duration normally used is called
+higher note value. The longest duration normally used is called
@emph{brevis},
but sometimes (mostly in pre-baroque music) the double length note value
@emph{longa} is used.
>>
@end lilypond
-Other frequently used ornaments are the @emph{turn}, the @emph{mordent}, and
+Other frequently used ornaments are the @emph{turn}, the @emph{mordent}, and
the
@emph{prall} (inverted mordent).
NL: syntonische komma,
DK: syntonisk komma,
S: syntoniskt komma,
-FI: syntoninen komma, terssien taajuusero luonnollisessa ja Pytagorisessa
+FI: syntoninen komma, terssien taajuusero luonnollisessa ja Pytagorisessa
viritysjärjestelmässä.
Difference between the natural third and the third obtained by Pythagorean
FI: viritysavain.
A two-pronged piece of steel used to indicate absolute pitch. Tuning forks
-give the international pitch for the tone @emph{a} (440 vibrations per
+give the international pitch for the tone @emph{a} (440 vibrations per
second).
@node turn
@c @multitable @columnfractions .105 .145 .125 .125 .125 .125 .125 .125
@multitable @columnfractions .11 .14 .14 .11 .1 .1 .1 .1 .1
-@item @tab @strong{ES} @tab @strong{I} @tab @strong{F} @tab @strong{D}
-@tab @strong{NL} @tab @strong{DK} @tab @strong{S} @tab @strong{FI}
+@item @tab @strong{ES} @tab @strong{I} @tab @strong{F} @tab @strong{D}
+@tab @strong{NL} @tab @strong{DK} @tab @strong{S} @tab @strong{FI}
@item
@item
-@item @strong{c-sharp} @tab do diesis @tab do diesis @tab ut dièse @tab
+@item @strong{c-sharp} @tab do diesis @tab do diesis @tab ut dièse @tab
Cis @tab cis @tab
cis @tab cis @tab cis
@item
-@item @strong{d-flat} @tab re bemolle @tab re bemolle @tab ré bémol @tab
+@item @strong{d-flat} @tab re bemolle @tab re bemolle @tab ré bémol @tab
Des @tab des @tab
des @tab des @tab des
@item
-@item @strong{g} @tab sol @tab sol @tab sol @tab G @tab g @tab g @tab g
+@item @strong{g} @tab sol @tab sol @tab sol @tab G @tab g @tab g @tab g
@tab g
@item
-@item @strong{a-flat} @tab la bemol @tab la bemolle @tab la bémol @tab As
+@item @strong{a-flat} @tab la bemol @tab la bemolle @tab la bémol @tab As
@tab as @tab as
@tab as @tab as
@item
-@item @strong{a-sharp} @tab la sostenido @tab la diesis @tab la dièse @tab
+@item @strong{a-sharp} @tab la sostenido @tab la diesis @tab la dièse @tab
Ais @tab ais @tab
ais @tab ais @tab ais
@item
-@item @strong{b-flat} @tab si bemol @tab si bemolle @tab si bémol @tab B
+@item @strong{b-flat} @tab si bemol @tab si bemolle @tab si bémol @tab B
@tab bes @tab b
@tab b @tab b
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