@documentencoding utf-8
@documentlanguage en
-@dircategory GNU music project
+@c see lilypond.tely for info installation note
+@dircategory LilyPond
@direntry
* Glossary: (lilypond/music-glossary). Glossary of music terms.
@end direntry
@c French glossary
@author Han-Wen Nienhuys @c Dutch glossary
@author Jan Nieuwenhuizen @c Dutch glossary
-@author Dadiv Gonzalez @c Spanish glossary
+@author David González @c Spanish glossary
@author Bjoern Jacke @c German glossary
@author Neil Jerram @c English glossary translations
@author Mats Bengtsson @c Swedish glossary
@top Music glossary
@end ifnottex
-This glossary was brought you by
@ifnottex
+
+This glossary was brought you by
+
@table @code
@item Adrian Mariano
Italian glossary,
German glossary,
@item Christian Mondrup
Original author of LilyPond glossary, Danish glossary,
-@item Dadiv Gonzalez
+@item David González
Spanish glossary,
@item Fran@,{c}ois Pinard
Original glossary of GNU music project, French glossary,
@node ancient minor scale
@section ancient minor scale
-ES: escala menor antigua
+ES: escala menor antigua,
I: scala minore naturale,
F: forme du mode mineur ancien, troisème mode, mode hellénique
D: reines Moll,
@node bar
@section bar
-ES: compás, @aref{measure}.
+@aref{measure}.
@node bar line
@section bar line
@node cluster
@section cluster
+ES: racimo.
+
A @emph{cluster} is a range of simultaneously sounding pitches that
may change over time. The set of available pitches to apply usually
depends on the acoustic source. Thus, in piano music, a cluster
@node comma
@section comma
-ES: coma, comma
+ES: coma, comma,
I: comma,
F: comma,
D: Komma,
@node complement
@section complement
-ES: intervalo invertido
+ES: intervalo invertido,
I: rivolto,
F: intervalle complémentaire,
D: Komplementärintervall,
composition methods.
@lilypond[fragment,staffsize=12,line-width=13.0\cm]
+\set Score.implicitTimeSignatureVisibility = #all-invisible
\override Score.TimeSignature #'break-visibility = #all-invisible
\context PianoStaff <<
\context Staff = SA \relative c' {
FI: cresendo, voimistuen.
Increasing volume. Indicated by a rightwards opening horizontal wedge or the
-abbreviation ``cresc.''.
+abbreviation @q{cresc.}.
@lilypond[fragment,ragged-right]
\key g \major \time 4/4
FI: da capo, alusta.
The term indicates repetition of the piece from the beginning to the end or
-to a certain place marked @emph{fine}. Mostly abbreviated as ``D.C.''.
+to a certain place marked @emph{fine}. Mostly abbreviated as @q{D.C.}.
@node dal segno
@section dal segno
S: dal segno,
FI: dal segno, lähtien merkistä.
-Abbreviated ``d.s.''. Repetition, not from the beginning, but from
+Abbreviated @q{d.s.}. Repetition, not from the beginning, but from
another place frequently near the beginning marked by a sign:
@lilypond[fragment,ragged-right]
FI: decresendo, hiljentyen.
Decreasing tone volume. Indicated by a leftwards opening horizontal wedge
-or the abbreviation ``decresc.''.
+or the abbreviation @q{decresc.}.
@lilypond[fragment,ragged-right]
\relative c'' {
@node disjunct movement
@section disjunct movement
-ES: movimiendo disjunto,
+ES: movimiento disjunto,
I: moto disgiunto,
F: mouvement disjoint,
D: sprunghafte Bewegung,
@node figured bass
@section figured bass
-ES: bajo cifrado, @aref{thorough bass}.
+@aref{thorough bass}.
@node fingering
@section fingering
@node grace notes
@section grace notes
-ES: mordente,
+ES: notas de adorno,
I: abbellimenti,
F: fioriture,
D: Verzierungen, Vorschläge, Vor@-schlags@-noten,
\bar "|."
}
\lyrics {
- T S D T
+ T4 S D T
}
>>
>>
<g d'>_"fifth " s
<g e'>_"sixth " s
<g g'>_"octave " s
- <g b'>_"decime" s s
+ <g b'>_"tenth" s s
}
@end lilypond
}
\context Lyrics \lyrics {
"seventh " "seventh " "seventh " "octave "
- "none " "none " "decime " "decime"
+ "ninth " "ninth " "tenth " "tenth"
}
>>
@end lilypond
FI: johtosävel.
The seventh @aref{scale degree}, a @aref{semitone} below
-the tonic; so called because of its strong tendency to ``lead up'' (resolve
+the tonic; so called because of its strong tendency to @q{lead up} (resolve
upwards) to the tonic scale degree.
@node ledger line
c4-. d-. e-. \bar "||"
}
\lyrics {
- a1
+ a2.
b
c
d
@node minor interval
@section minor interval
-ES: intervalo mayor,
+ES: intervalo menor,
I: intervallo minore,
F: intervalle mineur,
D: kleines Intervall,
@node motive
@section motive
-ES: tema,
+ES: motivo,
I: inciso,
F: incise,
D: Motiv,
The briefest intelligible and self-contained fragment of a musical theme or
subject.
-@lilypond[fragment,line-width=13.0\cm]
-\override Score.TimeSignature #'break-visibility = #all-invisible
-%\override Score.TextScript #'font-style = #'large
+@lilypond[line-width=13.0\cm]
+\score{
\relative c'' {
+ \set Score.implicitTimeSignatureVisibility = #all-invisible
+ \override Score.TimeSignature #'break-visibility = #all-invisible
\time 4/4
\key g \major
- \partial 8 g16_"------" fis |
- g8 d16_"------" c d8 g16 fis g8 b,16 a b8 g'16 fis |
+ \partial 8 g16\startGroup fis |
+ g8\stopGroup d16\startGroup c d8\stopGroup g16 fis g8 b,16 a b8 g'16 fis |
g8 g,16 a b8 cis d16 s
}
+\layout {
+ \context {
+ \Staff \consists "Horizontal_bracket_engraver"
+}}
+}
@end lilypond
@node movement
@node repeat
@section repeat
-ES: barra de repetición,
+ES: repetición,
I: ritornello,
F: barre de reprise,
D: Wiederholung,
@node scale degree
@section scale degree
-ES: grados de la escala,
+ES: grado (de la escala),
I: grado della scala,
F: degré [de la gamme],
D: Tonleiterstufe,
falls into three sections called @emph{exposition}, @emph{development} and
@emph{recapitulation}. In the exposition the composer introduces some musical
ideas, consisting of a number of themes; in the development section the
-composer `develops' this material, and in the recapitulation the composer
+composer @q{develops} this material, and in the recapitulation the composer
repeats the exposition, with certain modifications. The exposition contains a
number of themes that fall into two groups, often called first and second
subject. Other melodies occurring in each group are considered as
@node staccato
@section staccato
-ES: picado (staccato),
+ES: picado,
I: staccato,
F: staccato, piqué, détaché,
D: Staccato,
@node subtonic
@section subtonic
-ES: sensible,
+ES: subtónica,
I: sottotonica,
F: sous-tonique,
D: Subtonika,
@node tenuto
@section tenuto
-ES: tenuto,
+ES: subrayado (tenuto),
I: tenuto,
F: tenue, tenuto,
D: gehalten, tenuo,
@node transposition
@section transposition
-ES: transposición,
+ES: transporte,
I: trasposizione,
F: transposition,
D: Transposition,
@node whole tone
@section whole tone
-ES: tono,
+ES: tono (entero),
I: tono intero,
F: ton entier,
D: Ganzton,