Fix some bugs in the dynamic engraver and PostScript backend

[lilypond.git] / Documentation / user / music-glossary.tely

diff --git a/Documentation/user/music-glossary.tely b/Documentation/user/music-glossary.tely
index 8a0e8231a87f456995180a27c974e22b8211474b..5a809089dd80b0f102f8ffd833d16cc79d445a08 100644 (file)
--- a/Documentation/user/music-glossary.tely
+++ b/Documentation/user/music-glossary.tely
@@ -452,21 +452,21 @@ accidental.
 
 @lilypond[fragment,notime,line-width=13.0\cm]
 \set Score.automaticBars = ##f
-%\override TextScript #'font-style = #'large
-\oldaddlyrics
-\context Staff \relative c'' {
-  gis1 gisis ges geses g!
-}
-\context Lyrics \lyrics {
-  \override Lyrics .LyricText #'self-alignment-X = #-1
-  sharp "db. sharp" flat "db. flat" natural
-}
+<< 
+  \context Staff \relative c'' {
+    gis1 gisis ges geses g!
+  }
+  \lyrics {
+    \override Lyrics .LyricText #'self-alignment-X = #-1
+    sharp "db. sharp" flat "db. flat" natural
+  }
+>>
 @end lilypond
 
 @node accelerando
 @section accelerando
 
-ES: acelerando,
+ES: accelerando,
 I: accelerando,
 F: accelerando, en accélérant,
 D: accelerando, schneller werden,
@@ -560,7 +560,7 @@ C clef setting middle C on the middle line of the staff
 @node ambit
 @section ambit
 
-ES: ambitus,
+ES: ámbito,
 I: ambitus,
 F: ambitus,
 D: ambitus,
@@ -576,6 +576,7 @@ the pitch range that a musical instrument is capable of playing.
 @node ancient minor scale
 @section ancient minor scale
 
+ES: escala menor antigua
 I: scala minore naturale,
 F: forme du mode mineur ancien, troisème mode, mode hellénique
 D: reines Moll,
@@ -700,7 +701,7 @@ FI: arpeggio, murtosointu.
 @node ascending interval
 @section ascending interval
 
-ES: Intervalo ascendente,
+ES: intervalo ascendente,
 I: intervallo ascendente,
 F: intervalle ascendant,
 D: steigendes Intervall,
@@ -728,6 +729,7 @@ FI: ylinouseva intervalli.
 @node autograph
 @section autograph
 
+ES: manuscrito,
 I: autografo,
 F: manuscrit,
 D: Autograph, Handschrift,
@@ -767,7 +769,7 @@ ES: compás, @aref{measure}.
 @node bar line
 @section bar line
 
-ES: ?,
+ES: barra, línea divisoria,
 I: stanghetta, barra (di divisione),
 F: barre (de mesure),
 D: Taktstrich,
@@ -826,6 +828,7 @@ A clef setting with middle C on the first top ledger line.
 @node bass
 @section bass
 
+ES: bajo,
 I: basso,
 F: basse,
 D: Bass,
@@ -842,6 +845,7 @@ an abbreviation for double bass.
 @node beam
 @section beam
 
+ES: barra
 I: coda,
 F: barre,
 D: Balken,
@@ -866,7 +870,7 @@ The number of beams determines the note value of the connected notes.
 @node beat
 @section beat
 
-ES: tiempo,
+ES: tiempo, parte (de compás)
 I: tempi,
 F: temps,
 D: Takt, Taktschlag, Zeit (im Takt),
@@ -940,6 +944,7 @@ trumpet, trombone, french horn, and tube.
 @node breath mark
 @section breath mark
 
+ES: respiración,
 I: respiro,
 F: respiration,
 D: Atemzeichen, Trennungszeichen,
@@ -952,7 +957,7 @@ Indication of where to breathe in vocal and wind instrument parts.
 @node breve
 @section breve
 
-ES: breve,
+ES: cuadrada, breve,
 I: breve,
 F: brève,
 D: Brevis,
@@ -984,7 +989,7 @@ FI: C, c.
 @node C clef
 @section C clef
 
-ES: Clave de do,
+ES: clave de do,
 I: chiave di do,
 F: clé d'ut,
 D: C-Schlüssel,
@@ -999,19 +1004,19 @@ lines.
 @lilypond[fragment,notime,line-width=13.0\cm]
 \set Score.automaticBars = ##f
 \override Score.Clef #'full-size-change = ##t
-%\override Score.LyricText #'font-style = #'large
-\oldaddlyrics
-\context Staff \relative c' {
-  \clef soprano c1 s s
-  \clef mezzosoprano c s s
-  \clef alto c s s
-  \clef tenor c s s
-  \clef baritone c s s
-}
-\context Lyrics \lyrics {
-  \override Lyrics .LyricText #'self-alignment-X = #-1
-  "Soprano  " "Mezzosoprano  " "Alto  " "Tenor  " Baritone
-}
+<<
+  \context Staff \relative c' {
+    \clef soprano c1 
+    \clef mezzosoprano c 
+    \clef alto c 
+    \clef tenor c 
+    \clef baritone c 
+  }
+  \context Lyrics \lyrics {
+    \override Lyrics .LyricText #'self-alignment-X = #-1
+    "Soprano  " "Mezzosoprano  " "Alto  " "Tenor  " Baritone
+  }
+>>
 @end lilypond
 
 @node cadence
@@ -1108,16 +1113,16 @@ chords are denoted open chords
 @lilypond[fragment,notime,line-width=13.0\cm]
 \set Score.automaticBars = ##f
 %\override TextScript #'font-style = #'large
-\oldaddlyrics
+<<
 \context Staff \relative c'' {
-  <g b d>1 s s
-  <g bes d> s s
-  <g bes des> s s
-  <g b dis> s s
-  <g b d f> s s
-  <g b d f a> s s
+  <g b d>1 
+  <g bes d>
+  <g bes des>
+  <g b dis> 
+  <g b d f> 
+  <g b d f a> 
 }
-\context Lyrics \lyrics{
+\lyrics{
   "major  "
   "minor  "
   "diminished  "
@@ -1125,6 +1130,7 @@ chords are denoted open chords
   "seventh-chord  "
   ninth-chord
 }
+>>
 @end lilypond
 
 @node chromatic scale
@@ -1220,6 +1226,7 @@ pitch contained in the cluster would be notated as an ordinary note.
 @node comma
 @section comma
 
+ES: coma, comma
 I: comma,
 F: comma,
 D: Komma,
@@ -1255,6 +1262,7 @@ Intervals larger than an octave.
 @node complement
 @section complement
 
+ES: intervalo invertido
 I: rivolto,
 F: intervalle complémentaire,
 D: Komplementärintervall,
@@ -1416,7 +1424,7 @@ abbreviation ``cresc.''.
 @node cue-notes
 @section cue-notes
 
-ES: notas guia,
+ES: notas guía,
 I: notine,
 F: petites notes précédent l'entrée d'in instrument, réplique,
 D: Stichnoten,
@@ -1466,7 +1474,7 @@ of the 20th century
 @node D
 @section D
 
-ES: Re,
+ES: re,
 I: re,
 F: ré,
 D: D, d,
@@ -1576,7 +1584,7 @@ music but also to some extent in newer jazz music.
 \set Score.automaticBars = ##f
 %\override Score.LyricText #'font-style = #'large
 %\override Score.TextScript #'font-style = #'large
-\oldaddlyrics
+<<
   \context Staff \relative c' {
     c1 d
     \override TextScript #'padding = #-4
@@ -1585,79 +1593,77 @@ music but also to some extent in newer jazz music.
   \context Lyrics \lyrics {
     Ionian
   }
+>>
 @end lilypond
 
 @lilypond[fragment,notime,ragged-right]
 \set Score.automaticBars = ##f
-%\override Score.LyricText #'font-style = #'large
-%\override Score.TextScript #'font-style = #'large
-\oldaddlyrics
+<<
   \context Staff \relative c' {
     d1
     \override TextScript #'padding = #-4
     e^"~~ S" f g a b^"~~ S" c d
   }
-  \context Lyrics \lyrics {
+  \lyrics {
     Dorian
   }
+>>
 @end lilypond
 
 @lilypond[fragment,notime,ragged-right]
 \set Score.automaticBars = ##f
-%\override Score.LyricText #'font-style = #'large
-%\override Score.TextScript #'font-style = #'large
-\oldaddlyrics
+<<
   \relative c' {
     \override TextScript #'padding = #-4
     e1^"~~ S" f g a b^"~~ S" c d e
   }
-  \context Lyrics \lyrics {
+  \lyrics {
     Phrygian
   }
+>>
 @end lilypond
 
 @lilypond[fragment,notime,ragged-right]
 \set Score.automaticBars = ##f
-%\override Score.LyricText #'font-style = #'large
-%\override Score.TextScript #'font-style = #'large
-\oldaddlyrics
+<<
   \relative c' {
     f1 g a
     \override TextScript #'padding = #-4
     b^"~~ S" c d e^"~~ S" f
   }
-  \context Lyrics \lyrics {
+  \lyrics {
     Lydian
   }
+>>
 @end lilypond
 
 @lilypond[fragment,notime,ragged-right]
 \set Score.automaticBars = ##f
-%\override Score.LyricText #'font-style = #'large
-%\override Score.TextScript #'font-style = #'large
-\oldaddlyrics
+<<
   \relative c'' {
     g1 a
     \override TextScript #'padding = #-4
     b^"~~ S" c d e^"~~ S" f g }
-  \context Lyrics \lyrics {
+  \lyrics {
     Mixolydian
   }
+>>
 @end lilypond
 
 @lilypond[fragment,notime,ragged-right]
 \set Score.automaticBars = ##f
 %\override Score.LyricText #'font-style = #'large
 %\override Score.TextScript #'font-style = #'large
-\oldaddlyrics
+<<
   \relative c'' {
     a1
     \override TextScript #'padding = #-4
     b^"~~ S" c d e^"~~ S" f g a
   }
-  \context Lyrics \lyrics {
+  \lyrics {
     Aeolian
   }
+>>
 @end lilypond
 
 From the beginning of the 17th century the scales used in European
@@ -1667,39 +1673,35 @@ harmonic minor scale type an augmented second (A) occurs between the 6th and
 
 @lilypond[fragment,notime,ragged-right]
 \set Score.automaticBars = ##f
-%\override Score.LyricText #'font-style = #'large
-%\override Score.TextScript #'font-style = #'large
-\oldaddlyrics
+<<
   \relative c' {
     c1 d
     \override TextScript #'padding = #-4
     e^"~~ S" f g a b^"~~ S" c
   }
-  \context Lyrics \lyrics {
+ \lyrics {
     Major
   }
+>>
 @end lilypond
 
 @lilypond[fragment,notime,ragged-right]
 \set Score.automaticBars = ##f
-%\override Score.LyricText #'font-style = #'large
-%\override Score.TextScript #'font-style = #'large
-\oldaddlyrics
+<<
   \relative c'' {
     a1
     \override TextScript #'padding = #-4
     b^"~~ S" c d e^"~~ S" f g a
   }
-  \context Lyrics \lyrics {
+ \lyrics {
     "ancient minor"
   }
+>>
 @end lilypond
 
 @lilypond[fragment,notime,ragged-right]
 \set Score.automaticBars = ##f
-%\override Score.LyricText #'font-style = #'large
-%\override Score.TextScript #'font-style = #'large
-\oldaddlyrics
+<<
   \relative c'' {
     a1
     \override TextScript #'padding = #-4
@@ -1708,22 +1710,24 @@ harmonic minor scale type an augmented second (A) occurs between the 6th and
   \context Lyrics \lyrics {
     "Harmonic minor"
   }
+>>
 @end lilypond
 
 @lilypond[fragment,notime,line-width=13.0\cm]
 \set Score.automaticBars = ##f
 %\override Score.LyricText #'font-style = #'large
 %\override Score.TextScript #'font-style = #'large
-\oldaddlyrics
+<<
   \relative c'' {
     a1
     \override TextScript #'padding = #-4
     b^"~~ S" c d e fis gis^"~~ S"
     a g! f!^"~~ S" e d c^"~~ S" b a
   }
-  \context Lyrics \lyrics {
+   \lyrics {
     "Melodic minor"
   }
+>>
 @end lilypond
 
 @node diminished interval
@@ -1786,7 +1790,7 @@ Opposite of @aref{conjunct movement}.
 @node dissonant interval
 @section dissonant interval
 
-ES: intervalo disonante, disonancias,
+ES: intervalo disonante, disonancia,
 I: intervallo dissonante, dissonanza,
 F: dissonance,
 D: Dissonanz,
@@ -1800,6 +1804,7 @@ FI: dissonanssi, dissonoiva intervalli, riitasointi.
 @node dominant ninth chord
 @section dominant ninth chord
 
+ES: acorde de novena de dominante,
 I: accordo di nona di dominante,
 F: accord de neuvième dominante,
 D: Domi@-nant@-nonen@-akkord,
@@ -1898,6 +1903,7 @@ FI: kaksoisappogiatura, kaksoisetuhele.
 @node double bar line
 @section double bar line
 
+ES: doble barra,
 I: doppia barra,
 F: double barre,
 D: Doppelstrich,
@@ -1911,7 +1917,7 @@ Indicates the end of a section within a movement.
 @node double dotted note
 @section double dotted note
 
-ES: nota con dos puntillos,
+ES: nota con doble puntillo,
 I: nota doppiamente puntata,
 F: note doublement pointée,
 D: doppelt punktierte Note,
@@ -2067,7 +2073,7 @@ FI: kahdeksasosatauko.
 @node engraving
 @section engraving
 
-ES: Grabar
+ES: grabar,
 I: incisione,
 F: gravure,
 D: Notenstechen, Notendruck
@@ -2100,21 +2106,21 @@ but equal pitch.
 
 @lilypond[fragment,notime,line-width=13.0\cm]
 \set Score.automaticBars = ##f
-%\override Score.TextScript #'font-style = #'large
-\oldaddlyrics
+<<
 \context Staff \relative c'' {
-  gis1 s s as s s <des g,!> s s <cis g!> s s
+  gis1  as <des g,!>  <cis g!> 
 }
 \context Lyrics \lyrics {
   \override Lyrics .LyricText #'self-alignment-X = #-1
   "g sharp  " "a flat  " "dim fifth  " "augm fourth"
 }
+>>
 @end lilypond
 
 @node equal temperament
 @section equal temperament
 
-ES: ?,
+ES: temperamento igual,
 I: temperamento equabile,
 F: tempérament égal,
 D: gleichschwebende Stimmung,
@@ -2129,7 +2135,7 @@ Tuning system dividing the octave into 12 equal @aref{semitone}s
 @node expression mark
 @section expression mark
 
-ES: ?,
+ES: expresión,
 I: segno d'espressione,
 F: signe d'expression, indication de nuance,
 D: Vortragszeichen,
@@ -2157,7 +2163,7 @@ FI: F, f.
 @node F clef
 @section F clef
 
-ES: Clave de Fa,
+ES: clave de fa,
 I: chiave di fa,
 F: clé de fa,
 D: F-Schlüssel,
@@ -2176,8 +2182,7 @@ symbol indicates playing an octave lower (for example on double bass
 @lilypond[fragment,notime,line-width=13.0\cm]
 \set Score.automaticBars = ##f
 \override Staff.Clef #'full-size-change = ##t
-%\override Score.LyricText #'font-style = #'large
-\oldaddlyrics
+<<
 \relative c {
   \clef varbaritone
   f1
@@ -2190,14 +2195,14 @@ symbol indicates playing an octave lower (for example on double bass
   \clef "F_8"
   f1
 }
-\context Lyrics \lyrics {
-%  \override Lyrics .LyricText #'self-alignment-X = #-1
+ \lyrics {
   "baritone  "
   "bass  "
   "sub-bass  "
   "octaved up  "
   "octaved down"
 }
+>>
 @end lilypond
 
 @c F:  'point d'orgue' on a note, 'point d'arret' on a rest.
@@ -2365,14 +2370,13 @@ variants of the base chords.
 
 @lilypond[fragment,notime,line-width=13.0\cm]
 \set Score.automaticBars = ##f
-%\override Score.LyricText #'font-style = #'large
-%\override Score.TextScript #'font-style = #'large
-\oldaddlyrics
+<<
 \context Voice \relative c'' {
   <g e c >1 < a f d > < b g e >
   <c a f > < d b g > < e c a > < f d b > }
 \context Lyrics \lyrics {
   T Sp Dp S D Tp \markup{ D\translate #(cons -2 0) {"|"}  } }
+>>
 @end lilypond
 
 @node G
@@ -2390,7 +2394,7 @@ FI: G, g.
 @node G clef
 @section G clef
 
-ES: Clave de sol,
+ES: clave de sol,
 I: chiave di sol,
 F: clé de sol,
 D: G-Schlüssel, Violinschlüssel,
@@ -2448,7 +2452,7 @@ Letting the pitch slide fluently from one note to the other.
 @node grace notes
 @section grace notes
 
-ES: ?,
+ES: mordente,
 I: abbellimenti,
 F: fioriture,
 D: Verzierungen, Vorschläge, Vor@-schlags@-noten,
@@ -2463,6 +2467,7 @@ counted in the rhythm of the bar.  @aref{appoggiatura}.
 @node grand staff
 @section grand staff
 
+ES: sistema de piano,
 I: accolatura,
 F: accolade,
 D: Akkolade,
@@ -2512,7 +2517,7 @@ FI: puolinuotti.
 @node half rest
 @section half rest
 
-ES: ?,
+ES: silencio de blanca,
 I: pausa di minima,
 F: demi-pause,
 UK: minim rest,
@@ -2548,17 +2553,18 @@ section.  @aref{functional harmony}.
     \partial 4 < c g e >4 |
     < c a f > < b g d > < c g e >2
   }
-%  %\override Score.LyricText #'font-style = #'large
-  \oldaddlyrics
-  \context Staff = SB \relative c {
-    \clef bass
-    \partial 4 c4 | f, g c2
-    \bar "|."
-  }
-  \context Lyrics \lyrics {
-    T S D T
-  }
+  <<
+    \context Staff = SB \relative c {
+      \clef bass
+      \partial 4 c4 | f, g c2
+      \bar "|."
+    }
+    \lyrics {
+      T S D T
+    }
+  >>
 >>
+
 @end lilypond
 
 @node harmony
@@ -2642,65 +2648,62 @@ of such two intervals forms an octave.
 
 @lilypond[fragment,notime,line-width=13.0\cm]
 \set Score.automaticBars = ##f
-%\override Score.LyricText #'font-style = #'large
-%\override Score.TextScript #'font-style = #'large
-\oldaddlyrics
+<<
 \context Voice \relative c'' {
-  < g g >1 s
-  < g as >^"minor" s
-  < g a! > s
-  < g ais >^"augm" s
-  < gis bes >^"dimin" s
-  < g! bes >^"minor" s
-  < g b! >^"major" s
-  < g bis >^"augm" s
+  < g g >1 
+  < g as >^"minor" 
+  < g a! > 
+  < g ais >^"augm" 
+  < gis bes >^"dimin" 
+  < g! bes >^"minor" 
+  < g b! >^"major" 
+  < g bis >^"augm" 
 }
 \context Lyrics \lyrics {
   "unisone " "second " "second " "second "
   "third  " "third " "third " "third"
 }
+>>
 @end lilypond
 
 @lilypond[fragment,notime,line-width=13.0\cm]
 \set Score.automaticBars = ##f
-%\override Score.LyricText #'font-style = #'large
-%\override Score.TextScript #'font-style = #'large
-\oldaddlyrics
+<<
 \context Staff \relative c'' {
-  < g c >1^"perfect" s
-  < g cis >^"augm" s
-  < g d' >^"perfect" s
-  < g des' > ^"dimin" s
-  < gis es' >^"dimin" s
-  < g! es' >^"minor" s
-  < g e'! >^"major" s
-  < g eis' >^"augm" s
+  < g c >1^"perfect" 
+  < g cis >^"augm" 
+  < g d' >^"perfect" 
+  < g des' > ^"dimin" 
+  < gis es' >^"dimin" 
+  < g! es' >^"minor" 
+  < g e'! >^"major" 
+  < g eis' >^"augm" 
 }
-\context Lyrics \lyrics {
+ \lyrics {
   "fourth  " "fourth  " "fifth  " "fifth  "
   "sixth  " "sixth  " "sixth  " "sixth"
 }
+>>
 @end lilypond
 
 @lilypond[fragment,notime,line-width=13.0\cm]
 \set Score.automaticBars = ##f
-%\override Score.LyricText #'font-style = #'large
-%\override Score.TextScript #'font-style = #'large
-\oldaddlyrics
+<<
 \context Staff \relative c'' {
-  < gis f'! >1^"dimin" s
-  < g! f'! >^"minor" s
-  < g fis' >^"major" s
-  < g g' > s
-  < g as' >^"minor" s
-  < g a'! >^"major" s
-  < g bes' >^"minor" s
-  < g b'! >^"major" s
+  < gis f'! >1^"dimin" 
+  < g! f'! >^"minor" 
+  < g fis' >^"major" 
+  < g g' > 
+  < g as' >^"minor" 
+  < g a'! >^"major" 
+  < g bes' >^"minor" 
+  < g b'! >^"major" 
 }
 \context Lyrics \lyrics {
   "seventh " "seventh " "seventh " "octave "
   "none " "none " "decime " "decime"
 }
+>>
 @end lilypond
 
 @node inverted interval
@@ -2730,6 +2733,7 @@ The difference between an interval and an octave.
 @node just intonation
 @section just intonation
 
+ES: entonación justa,
 I: intonazione giusta,
 F: intonation juste,
 D: reine Stimmung,
@@ -2760,7 +2764,7 @@ there are 12@w{ }keys, one on@w{ }c, one on c-sharp, etc.
 @node key signature
 @section key signature
 
-ES: armadura de clave,
+ES: armadura (de la clave),
 I: armatura di chiave,
 F: armure, armature [de la clé],
 D: Vorzeichen, Tonart,
@@ -2825,7 +2829,7 @@ A ledger line is an extension of the staff.
 @node legato
 @section legato
 
-ES: ligado,
+ES: legato,
 I: legato,
 F: legato, lié,
 D: legato,
@@ -2840,20 +2844,20 @@ unlike (b) @emph{leggiero} or @emph{non-legato}, (c) @emph{portato}, and
 
 @lilypond[fragment,notime,line-width=13.0\cm]
 \set Score.automaticBars = ##f
-\oldaddlyrics
-\context Staff \relative c'' {
-  c4-( d e-) \bar "||"
-  c4-- d-- e-- \bar "||"
-  c4-.-( d-. e-.-) \bar "||"
-  c4-. d-. e-. \bar "||"
-}
-\context Lyrics \lyrics {
-%  \override Lyrics .LyricText #'font-style = #'large
-  a
-  b "" ""
-  c
-  d
-}
+<<
+  \context Staff \relative c'' {
+    c4-( d e-) \bar "||"
+    c4-- d-- e-- \bar "||"
+    c4-.-( d-. e-.-) \bar "||"
+    c4-. d-. e-. \bar "||"
+  }
+  \lyrics {
+    a1
+    b
+    c
+    d
+  }
+>>
 @end lilypond
 
 @node legato curve
@@ -2869,7 +2873,7 @@ unlike (b) @emph{leggiero} or @emph{non-legato}, (c) @emph{portato}, and
 @node lilypond
 @section lilypond
 
-ES: estanque de lilas,
+ES: estanque de nenúfares,
 I: stagno del giglio,
 F: étang de lis,
 UK: lily pond,
@@ -2884,6 +2888,8 @@ A pond with lilies floating in it, also the name of a music typesetter.
 @node ligature
 @section ligature
 
+ES: ligadura
+
 A ligature is a coherent graphical symbol that represents at least two
 distinct notes.  Ligatures originally appeared in the manuscripts of
 Gregorian chant notation roughly since the 9th century to denote
@@ -2947,7 +2953,7 @@ Note value: double length of @aref{breve}.
 @node lyrics
 @section lyrics
 
-ES: .,
+ES: letra (de la canción),
 I: .,
 F: .,
 D: Liedtext,
@@ -2987,6 +2993,7 @@ FI: duuri.
 @node meantone temperament
 @section meantone temperament
 
+ES: afinación mesotónica,
 I: accordatura mesotonica,
 F: tempérament mésotonique,
 D: mitteltönige Stimmung,
@@ -3038,6 +3045,7 @@ harmony}, @aref{relative key}.
 @node melisma
 @section melisma
 
+ES: melisma,
 NL: melisma,
 FI: melisma, laulettavan tavun sävelkuvio.
 
@@ -3366,7 +3374,7 @@ and hears a tone.
 @node note head
 @section note head
 
-ES: oval,
+ES: cabeza,
 I: testa, testina, capocchia,
 F: t@^ete de la note,
 D: Notenkopf,
@@ -3385,7 +3393,7 @@ instrument.
 @node note value
 @section note value
 
-ES: valor,
+ES: valor (duración),
 I: valore, durata,
 F: durée, valeur (d'une note),
 D: Notenwert,
@@ -3771,7 +3779,7 @@ FI: neljännesosatauko.
 @node quintuplet
 @section quintuplet
 
-ES: quintillo,
+ES: cinquillo,
 I: quintina,
 F: quintolet,
 D: Quintole,
@@ -3891,7 +3899,7 @@ no common metrical unit (beat).
 @node ritardando
 @section ritardando
 
-ES: retardando,
+ES: ritardando,
 I: ritardando,
 F: ritardando,
 D: Ritardando, langsamer werden,
@@ -3948,16 +3956,15 @@ sub@-do@-mi@-nant (S) and V = dominant (D).
 
 @lilypond[fragment,notime,line-width=13.0\cm]
 \set Score.automaticBars = ##f
-%\override Score.LyricText #'font-style = #'large
-%\set minVerticalAlign = #8
-\oldaddlyrics
+<<
 \context Staff \relative c' {
   c1 d e f g a b c
 }
-\context Lyrics \lyrics {
+ \lyrics {
   << { I II III IV V VI VII I }
-    { T "" "" S D } >>
+     { T "" ""  S  D } >>
 }
+>>
 @end lilypond
 
 @aref{functional harmony}.
@@ -4040,6 +4047,7 @@ FI: septimi.
 @node sextuplet
 @section sextuplet
 
+ES: seisillo,
 I: sestina,
 F: sextolet,
 D: Sextole,
@@ -4092,7 +4100,7 @@ FI: kuudestoistaosanuotti.
 @node sixteenth rest
 @section sixteenth rest
 
-ES: silencia de semicorchea,
+ES: silencio de semicorchea,
 I: pausa di semicroma,
 F: quart de soupir,
 UK: semiquaver rest,
@@ -4136,7 +4144,7 @@ FI: kuudeskymmenesneljäsosanuotti.
 @node sixty-fourth rest
 @section sixty-fourth rest
 
-ES: silencia de semifusa,
+ES: silencio de semifusa,
 I: pausa di semibiscroma,
 F: seizième de soupir,
 UK: hemidemisemiquaver rest,
@@ -4151,7 +4159,7 @@ FI: kuudeskymmenesneljäsosatauko.
 @node slur
 @section slur
 
-ES: ligadura,
+ES: ligadura (de expresión),
 I: legatura (di portamento or espressiva),
 F: liaison, coulé,
 D: Bogen, Legatobogen, Phrasierungsbogen,
@@ -4167,6 +4175,7 @@ breath in singing.
 @node solmization
 @section solmization
 
+ES: solmisación,
 I: solmisazione,
 F: solmisation,
 D: Solmisation,
@@ -4243,7 +4252,7 @@ The highest female voice.
 @node staccato
 @section staccato
 
-ES: staccato,
+ES: picado (staccato),
 I: staccato,
 F: staccato, piqué, détaché,
 D: Staccato,
@@ -4361,7 +4370,7 @@ The fourth @aref{scale degree}.  @aref{functional harmony}.
 @node submediant
 @section submediant
 
-ES: superdominante,
+ES: submediante,
 I: sopratonica,
 F: sous-médiante,
 D: Submediante,
@@ -4431,7 +4440,7 @@ A symphony may be defined as a @aref{sonata} for orchestra.
 @node syncopation
 @section syncopation
 
-ES: sincopado,
+ES: síncopa,
 I: sincope,
 F: syncope,
 D: Synkope,
@@ -4459,6 +4468,7 @@ the underlaying (normal) pulse and the actual (abnormal) rhythm.
 @node syntonic comma
 @section syntonic comma
 
+ES: coma sintónica,
 I: comma sintonico (o didimico),
 F: comma syntonique,
 D: syntonisches Komma,
@@ -4474,6 +4484,7 @@ tuning (@aref{Pythagorean comma}), equal to 22@w{ }cents.
 @node system
 @section system
 
+ES: sistema,
 I: accollatura,
 F: système,
 D: Notensystem,
@@ -4634,17 +4645,14 @@ with figures designating the chief @aref{interval}s and
         < bes g >8 as < as f > g < g es > f < d f > es | < g es >4 }
     >>
   }
-  \oldaddlyrics
+  <<
     \context Staff = rh \relative c' {
     \clef bass
     \key es \major
     es8 c d bes c as bes16 as g f | es4
-  }
-  \context Lyrics \lyrics {
-    \override Lyrics .VerticalAlign #'threshold = #'(6 . 12)
-    << { "" "6" "" "4" "" "6" "" "" "6" "4" }
-      { "" "" "" "2" "" "" "" "" "" "2" } >>
-  }
+    }
+    \figures { s8 <6> s <4 2> s <6> s16 s <6> <4 2>  }
+  >>
 >>
 @end lilypond
 
@@ -4691,7 +4699,7 @@ FI: tahtiosoitus.
 @node tone
 @section tone
 
-ES: sonido,
+ES: tono,
 I: suono,
 F: ton,
 D: Ton,
@@ -4707,7 +4715,7 @@ Music from the 20th century may be based on atonal sounds.
 @node tonic
 @section tonic
 
-ES: tonica,
+ES: tónica,
 I: tonica,
 F: tonique,
 D: Tonika,
@@ -4771,7 +4779,7 @@ FI: diskanttiavain.
 @node tremolo
 @section tremolo
 
-ES: tremolo,
+ES: trémolo,
 I: tremolo,
 F: trémolo,
 D: Tremolo,
@@ -4885,7 +4893,7 @@ second).
 @node turn
 @section turn
 
-ES: grupo,
+ES: grupeto,
 I: gruppetto,
 F: grupetto,
 D: Doppelschlag,
@@ -5077,7 +5085,7 @@ symphony orchestra are flute, oboe, clarinet, saxophone, and bassoon.
 @item
   @tab brevis
   @tab brevis
-  @tab breve
+  @tab cuadrada
 
 @item