@c \version "2.11.38"
-@c Andrew's TODO List
-@c references - first pass complete
-@c manual changes - first pass complete
-@c automatic changes - first pass complete
-@c staff-change lines - started
-@c cross-staff stems
-@c pedals
-@c accordian discant symbols
+@c "I have finished the first draft." -AH
@node Keyboard instruments
@section Keyboard instruments
+@lilypondfile[quote]{keyboard-headword.ly}
+
+FIXME add sentence
+
@menu
* Common notation for keyboards::
* Piano::
@node Common notation for keyboards
@subsection Common notation for keyboards
+FIXME add sentence
+
@menu
* References for keyboards::
* Changing staff manually::
@end itemize
-@snippets
-@c @lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
+@c @snippets
+@c @lilypondfile[verbatim,lilyquote,ragged-right,texidoc]
@c {creating-slurs-across-voices.ly}
@seealso
@knownissues
-Dynamics are not centered, but workarounds do exist. See the
-@q{piano centered dynamics} template in @rlearning{Piano templates}.
-
+Dynamics are not automatically centered, but workarounds do exist. One
+option is the @q{piano centered dynamics} template under
+@rlearning{Piano templates}; another option is to add dynamics
+normally and then increase their staff-paddingm as discussed in
+@rlearning{Moving objects}.
@node Changing staff manually
@subsubsection Changing staff manually
\change Staff = up
}
\new Staff = "down" {
- \clef "bass"
+ \clef bass
s1 % keep staff alive
}
>>
}
\new Staff = "down" {
\key g \major
- \clef "bass"
+ \clef bass
}
>>
@end lilypond
@seealso
-Notation Reference: @ref{Changing staff manually}.
+Notation Reference:
+@ref{Changing staff manually}.
+
+Snippets:
+@rlsr{Keyboards}.
-Internals Reference: @rinternals{AutoChangeMusic}.
+Internals Reference:
+@rinternals{AutoChangeMusic}.
@knownissues
@funindex followVoice
Whenever a voice switches to another staff, a line connecting the
-notes can be printed automatically. This is switched on by
-setting @code{followVoice} to true, or by the shorthand commands
-@code{\showStaffSwitch} and @code{\hideStaffSwitch}.
+notes can be printed automatically:
@lilypond[quote,ragged-right,fragment,relative=1,verbatim]
\new PianoStaff <<
- \new Staff="one" {
+ \new Staff = "one" {
\showStaffSwitch
c1
\change Staff=two
b2 a
}
- \new Staff="two" { \clef bass s1*2 }
+ \new Staff = "two" { \clef bass s1*2 }
>>
@end lilypond
-@seealso
-
-Internals Reference: @rinternals{VoiceFollower}.
-
@predefined
@funindex \showStaffSwitch
-@code{\showStaffSwitch},
@funindex \hideStaffSwitch
-@code{\hideStaffSwitch}.
+@code{\showStaffSwitch}, @code{\hideStaffSwitch}.
+
+@seealso
+
+Snippets:
+@rlsr{Keyboards}.
+
+Internals Reference:
+@rinternals{VoiceFollower}.
@node Cross-staff stems
@subsubsection Cross-staff stems
+@cindex cross-staff notes
+@cindex notes, cross-staff
+@cindex cross-staff stems
+@cindex stems, cross-staff
+
Chords that cross staves may be produced by increasing the length
of the stem in the lower staff, so it reaches the stem in the upper
staff, or vice versa.
@lilypond[ragged-right,verbatim,quote]
-stemExtend = {
- \once \override Stem #'length = #10
- \once \override Stem #'cross-staff = ##t
-}
-noFlag = \once \override Stem #'flag-style = #'no-flag
\new PianoStaff <<
- \new Staff {
- \stemDown \stemExtend
- f'4
- \stemExtend \noFlag
- f'8
+ \new Staff \relative c' {
+ f8 e4 d8 <f bes,>2
}
- \new Staff {
- \clef bass
- a4 a8
+ \new Staff \relative c' {
+ << {
+ \clef bass
+ \stemUp
+ \override Stem #'length = #12
+ \override Stem #'cross-staff = ##t
+ \override Stem #'flag-style = #'no-flag
+ a8 g4 f8
+ } \\
+ { f,2 d' }
+ >>
}
>>
@end lilypond
+@snippets
+@lilypondfile[verbatim,lilyquote,ragged-right,texidoc]
+{indicating-cross-staff-chords-with-arpeggio-bracket.ly}
+
+@seealso
+
+Snippets:
+@rlsr{Keyboards}.
+
+Internals Reference:
+@rinternals{Stem}
+
@node Piano
@subsection Piano
@node Piano pedals
@subsubsection Piano pedals
-@cindex Pedals
-
-Pianos have pedals that alter the way sound is produced. Generally, a
-piano has three pedals, sustain, una corda, and sostenuto.
-
-
-Piano pedal instruction can be expressed by attaching
-@code{\sustainDown}, @code{\sustainUp}, @code{\unaCorda},
-@code{\treCorde}, @code{\sostenutoDown} and @code{\sostenutoUp} to a
-note or chord
+@cindex piano pedals
+@cindex pedals, piano
+@cindex sustain pedal
+@cindex sostenuto pedal
+@cindex una corde
+@cindex tre corde
+@funindex \sustainDown
+@funindex \sustainUp
+@funindex \sostenutoDown
+@funindex \sostenutoUp
+@funindex \unaCorda
+@funindex \treCorde
+
+Pianos generally have three pedals that alter the way sound is
+produced: @notation{sustain}, @notation{sostenuto}
+(@notation{sos.}), and @notation{una corde} (@notation{U.C.}).
+Sustain pedals are also found on vibraphones and celestas.
+
+FIXME: see policy for allowed lilypond[] options.
+(ie use [relative=2])
@lilypond[quote,ragged-right,fragment,verbatim]
-c'4\sustainDown c'4\sustainUp
-@end lilypond
-
-What is printed can be modified by setting @code{pedal@var{X}Strings},
-where @var{X} is one of the pedal types: @code{Sustain},
-@code{Sostenuto} or @code{UnaCorda}. Refer to
-@rinternals{SustainPedal} in the program reference for more
-information.
-
-Pedals can also be indicated by a sequence of brackets, by setting the
-@code{pedalSustainStyle} property to bracket objects
-
-@lilypond[quote,ragged-right,fragment,verbatim,relative=2]
-\set Staff.pedalSustainStyle = #'bracket
-c\sustainDown d e
-b\sustainUp\sustainDown
-b g \sustainUp a \sustainDown \bar "|."
-@end lilypond
-
-A third style of pedal notation is a mixture of text and brackets,
-obtained by setting the @code{pedalSustainStyle} property to
-@code{mixed}
-
-@lilypond[quote,ragged-right,fragment,verbatim,relative=2]
-\set Staff.pedalSustainStyle = #'mixed
-c\sustainDown d e
-b\sustainUp\sustainDown
-b g \sustainUp a \sustainDown \bar "|."
+\relative c' {
+ c4\sustainDown d e g
+ <c, f a>1\sustainUp
+ c4\sostenutoDown e g c,
+ <bes d f>1\sostenutoUp
+ c4\unaCorda d e g
+ <d fis a>1\treCorde
+}
@end lilypond
-The default @q{*Ped.} style for sustain and damper pedals corresponds to
-style @code{#'text}. The sostenuto pedal uses @code{mixed} style by
-default.
+There are three styles of pedal indications: text, bracket, and mixed.
+The sustain pedal and the una corda pedal use the text style by default
+while the sostenuto pedal uses mixed by default.
-@lilypond[quote,ragged-right,fragment,verbatim,relative=2]
-c\sostenutoDown d e c, f g a\sostenutoUp
+@lilypond[quote,ragged-right,fragment,verbatim]
+\relative c'' {
+ c4\sustainDown g c2\sustainUp
+ \set Staff.pedalSustainStyle = #'mixed
+ c4\sustainDown g c d
+ d\sustainUp\sustainDown g, c2\sustainUp
+ \set Staff.pedalSustainStyle = #'bracket
+ c4\sustainDown g c d
+ d\sustainUp\sustainDown g, c2
+ \bar "|."
+}
@end lilypond
-For fine-tuning the appearance of a pedal bracket, the properties
-@code{edge-width}, @code{edge-height}, and @code{shorten-pair} of
-@code{PianoPedalBracket} objects (see
-@rinternals{PianoPedalBracket} in the Internals Reference) can be
-modified. For example, the bracket may be extended to the right edge
-of the note head
-
-@lilypond[quote,ragged-right,fragment,verbatim,relative=2]
-\override Staff.PianoPedalBracket #'shorten-pair = #'(0 . -1.0)
-c\sostenutoDown d e c, f g a\sostenutoUp
-@end lilypond
+The placement of the pedal commands matches the physical movement of the
+sustain pedal during piano performance. Pedalling to the final barline
+is indicated by omitting the final pedal up command.
-@noindent
-Note that overrides must be placed before the note at which the
-pedal bracket starts.
+@seealso
-@c TODO Check relative positions of the sustain pedal and
-@c dynamics are correct (they collided in 2.11.44).
-@c Give example showing this.
+Notation Reference:
+@ref{Ties}.
-@seealso
+Snippets:
+@rlsr{Keyboards}.
-Notation Reference: @ref{Ties} (laissez vibrer).
+Internals Reference:
+@rinternals{SustainPedal},
+@rinternals{SustainPedalLineSpanner},
+@rinternals{SostenutoPedal},
+@rinternals{SostenutoPedalLineSpanner},
+@rinternals{UnaCordaPedal},
+@rinternals{UnaCordaPedalLineSpanner},
+@rinternals{PianoPedalBracket},
+@rinternals{Piano_pedal_engraver}.
@node Accordion
@subsection Accordion
+FIXME add sentence
+
@menu
* Discant symbols::
@end menu
@node Discant symbols
@subsubsection Discant symbols
+@cindex accordion discant symbols
+@cindex discant symbols, accordion
+@cindex accordion shifts
+
+@c FIXME: use @notation, not @q.
+@c FIXME: you might want to submit some of these terms to the MG.
+@c If so, send an email to Kurt about this.
-@c TODO Add text from -user and lsr 194
-TBC
+Accordions are often built with more than one set of reeds that may be
+in unison with, an octave above, or an octave below the written pitch.
+Each accordian maker has different names for the @q{shifts} that
+select the various reed combinations, such as @q{oboe}, @q{musette}, or
+@q{bandonium}, so a system of symbols has come into use to simplify
+the performance instructions.
+
+@snippets
+
+@c FIXME: invalid snippet name. Check the GDP snippet list.
+@c @lilypondfile[verbatim,lilyquote,ragged-right,texidoc]
+@c {accordion-discant-symbols.ly}
+
+@seealso
+
+Snippets:
+@rlsr{Keyboards}.
projects / lilypond.git / blobdiff