Fix some bugs in the dynamic engraver and PostScript backend

[lilypond.git] / Documentation / user / introduction.itely

diff --git a/Documentation/user/introduction.itely b/Documentation/user/introduction.itely
index 68129817e2f95118f89571e221099ab541d12c55..57169827742bd242cec1cc7bf8252f11f141988d 100644 (file)
--- a/Documentation/user/introduction.itely
+++ b/Documentation/user/introduction.itely
@@ -6,12 +6,12 @@
 
 
 @menu
-* Engraving::
-* Automated engraving::
-* What symbols to engrave?::
-* Music representation::
-* Example applications::
-* About this manual::
+* Engraving::                   
+* Automated engraving::         
+* What symbols to engrave?::    
+* Music representation::        
+* Example applications::        
+* About this manual::           
 @end menu
 
 
@@ -82,7 +82,8 @@ computer edition.
 @end ifnotinfo
 @ifinfo
 @c workaround for makeinfo-4.6: line breaks and multi-column cookies
-@image{henle-flat-bw,,,png} @image{baer-flat-bw,,,png} @image{lily-flat-bw,,,png}
+@image{henle-flat-bw,,,png} @image{baer-flat-bw,,,png}
+@image{lily-flat-bw,,,png}
 @end ifinfo
 
 @item @tab
@@ -122,7 +123,7 @@ music = {
    \stemDown
    b'8[ e'' a' e'']
    \stemNeutral
-   e'8[ e'8 e'8 e'8]  
+   e'8[ e'8 e'8 e'8]
 }
 
 \score
@@ -148,7 +149,7 @@ music = {
    \stemDown
    b'8[ e'' a' e'']
    \stemNeutral
-   e'8[ e'8 e'8 e'8]  
+   e'8[ e'8 e'8 e'8]
 }
 \score
 {
@@ -172,7 +173,8 @@ constant rhythm.  The spacing should reflect that.  Unfortunately, the
 eye deceives us a little; not only does it notice the distance between
 note heads, it also takes into account the distance between
 consecutive stems.  As a result, the notes of an up-stem/@/down-stem
-combination should be put farther apart, and the notes of a down-stem/@/up-stem
+combination should be put farther apart, and the notes of a
+down-stem/@/up-stem
 combination should be put closer together, all depending on the
 combined vertical positions of the notes.  The first two measures are
 printed with this correction, the last two measures without.  The notes
@@ -340,11 +342,11 @@ fragment.
    <d f g>
    \once \override NoteHead #'style = #'cross
    <d f g>
-   \applyOutput #mc-squared
+   \applyOutput #'Voice #mc-squared
    <d f g>
    <<
       { d8[ es-( fis^^ g] fis2-) }
-      \repeat unfold 5 { \applyOutput #mc-squared s8 }
+      \repeat unfold 5 { \applyOutput #'Voice #mc-squared s8 }
    >>
 }
 @end lilypond
@@ -515,7 +517,7 @@ polyphony?  In polyphonic notation, many voices can share a staff.
 
 @lilypond[quote,ragged-right]
 \include "engraver-example.ily"
-\new Staff << \topVoice \\ \botVoice >> 
+\new Staff << \topVoice \\ \botVoice >>
 @end lilypond
 
 In this situation, the accidentals and staff are shared, but the stems,
@@ -581,7 +583,7 @@ c4
 @noindent
 Chords can be constructed with @code{<<} and @code{>>} enclosing the notes
 
-@c < > is not a music expression, 
+@c < > is not a music expression,
 @c so we use <<>> iso. <> to drive home the point of
 @c expressions.  Don't change this back --hwn.
 @example
@@ -691,12 +693,7 @@ gives a gentle introduction to typesetting music.  First time
 users should start here.
 
 @item
-@emph{@ref{Example templates}}
-provides templates of LilyPond pieces.  Just cut and paste a
-template into a file, add notes, and you're done!
-
-@item
-@emph{@ref{Putting it all together}}
+@emph{@ref{Working on LilyPond projects}}
 demonstrates practical uses of LilyPond.
 
 @item
@@ -727,7 +724,7 @@ details about complicated or unusual notation.
 explains how to fine tune layout.
 
 @item
-@emph{@ref{Output formats}}
+@emph{@ref{Global issues}}
 discusses issues which affect the global output, such as selecting
 paper size or which MIDI instruments to use.
 
@@ -748,8 +745,15 @@ The
 @emph{@ref{Literature list}}
 contains a set of useful reference books for those who wish to know
 more on notation and engraving.
+
+@item
+@emph{@ref{Example templates}}
+provides templates of LilyPond pieces.  Just cut and paste a
+template into a file, add notes, and you're done!
+
 @end itemize
 
+
 Once you are an experienced user, you can use the manual as reference:
 there is an extensive index@footnote{If you are looking for something,
 and you cannot find it in the manual, that is considered a bug.  In
@@ -856,7 +860,7 @@ vary from system to system.  On occasion, this manual refers to
 initialization and example files.  Throughout this manual, we refer to
 input files relative to the top-directory of the source archive.  For
 example, @file{input/@/test/@/bla@/.ly} may refer to the file
-@file{lilypond@/-2.6.0/@/input/@/test/@/bla@/.ly}.  On binary packages
+@file{lilypond@/-2.8.0/@/input/@/test/@/bla@/.ly}.  On binary packages
 for the Unix platform, the documentation and examples can typically be
 found somewhere below @file{/usr/@/share/@/doc/@/lilypond/}.
 Initialization files, for example @file{scm/@/lily@/.scm}, or