and the @context{Voice} is inserted afterwards
@example
-\new Staff = down
+\context Staff = down
\new Voice @{ @dots{} \change Staff = up @dots{} @}
@end example
can be done by entering @code{_} for every note that is part of the
melisma.
-@lilypond[relative=1,verbatim,fragment]
+@lilypond[relative=1,verbatim,fragment,quote]
{ \set melismaBusyProperties = #'()
c d( e) f f( e) e e }
\addlyrics
{ Ky -- _ _ ri __ _ _ _ e }
@end lilypond
-In this case, you can also have ties and slurs in the melody, if you
+In this case, you can also have ties and slurs in the melody if you
set @code{melismaBusyProperties}, as is done in the example above.
-@lilypond[relative=1,verbatim,fragment,quote]
-{
- \set melismaBusyProperties = #'()
- c d( e) f f( e) e e
-}
-\addlyrics
- { Ky -- _ _ ri __ _ _ _ e }
-@end lilypond
-
@node Lyrics independent of notes
@subsubsection Lyrics independent of notes
@end lilypond
+@refbugs
+
+When using figured bass above the staff with extender lines and
+@code{implicitBassFigures} the lines may become swapped around.
+Maintaining order consistently will be impossible when multiple figures
+have overlapping extender lines. To avoid this problem, plese
+use @code{stacking-dir} on @code{BassFigureAlignment}.
+
+
@seealso
Program reference: @internalsref{NewBassFigure},