@cindex staff switching
@cindex cross staff
-@findex followVoice
+@funindex followVoice
Whenever a voice switches to another staff, a line connecting the notes
can be printed automatically. This is switched on by setting
@refcommands
-@findex \showStaffSwitch
+@funindex \showStaffSwitch
@code{\showStaffSwitch},
-@findex \hideStaffSwitch
+@funindex \hideStaffSwitch
@code{\hideStaffSwitch}.
@end lilypond
@cindex modifiers, in chords.
-@findex aug
-@findex dim
-@findex maj
-@findex sus
-@findex m
+@funindex aug
+@funindex dim
+@funindex maj
+@funindex sus
+@funindex m
Since an unaltered 11 does not sound good when combined with an
unaltered 3, the 11 is removed in this case (unless it is added
\chordmode { c:13 c:13.11 c:m13 }
@end lilypond
-@findex /
+@funindex /
An inversion (putting one pitch of the chord on the bottom), as well
as bass notes, can be specified by appending
@lilypond[quote,ragged-right,fragment,verbatim]
\chordmode { c1 c/g c/f }
@end lilypond
-@findex /+
+@funindex /+
A bass note can be added instead transposed out of the chord,
by using @code{/+}@var{pitch}.
\consists "Volta_engraver"
}
\chordmode { \repeat volta 2 {
- f1:maj f:7 bes:7
- c:maj
+ f1:maj7 f:7 bes:7
+ c:maj7
} \alternative {
es e
}
following properties
@table @code
-@findex chordNameExceptions
+@funindex chordNameExceptions
@item chordNameExceptions
This is a list that contains the chords that have special formatting.
@cindex exceptions, chord names.
-@findex majorSevenSymbol
+@funindex majorSevenSymbol
@item majorSevenSymbol
This property contains the markup object used for the 7th step, when
it is major. Predefined options are @code{whiteTriangleMarkup} and
@code{blackTriangleMarkup}. See
@inputfileref{input/@/regression,chord@/-name@/-major7@/.ly} for an example.
-@findex chordNameSeparator
+@funindex chordNameSeparator
@item chordNameSeparator
Different parts of a chord name are normally separated by a
slash. By setting @code{chordNameSeparator}, you can specify other
}
@end lilypond
-@findex chordRootNamer
+@funindex chordRootNamer
@item chordRootNamer
The root of a chord is usually printed as a letter with an optional
alteration. The transformation from pitch to letter is done by this
function. Special note names (for example, the German ``H'' for a
B-chord) can be produced by storing a new function in this property.
-@findex chordNoteNamer
+@funindex chordNoteNamer
@item chordNoteNamer
The default is to print single pitch, e.g., the bass note, using the
@code{chordRootNamer}. The @code{chordNoteNamer} property can be set
to a specialized function to change this behavior. For example, the
base can be printed in lower case.
-@findex chordPrefixSpacer
+@funindex chordPrefixSpacer
@item chordPrefixSpacer
The ``m'' for minor chords is usually printed right after the root of
the chord. By setting @code{chordPrefixSpacer}, you can fix a spacer
@refcommands
-@findex \germanChords
+@funindex \germanChords
@code{\germanChords},
-@findex \semiGermanChords
+@funindex \semiGermanChords
@code{\semiGermanChords}.
-@findex \italianChords
+@funindex \italianChords
@code{\italianChords}.
-@findex \frenchChords
+@funindex \frenchChords
@code{\frenchChords}.
@subsection Entering lyrics
@cindex lyrics
-@findex \lyricmode
+@funindex \lyricmode
@cindex punctuation
Lyrics are entered in a special input mode. This mode is introduced
\lyricmode @{ twinkle@}
@end example
-@findex \property in \lyricmode
+@funindex \property in \lyricmode
@noindent
Similarly, a period which follows an alphabetic sequence is included in
\override Score . LyricText #'font-shape = #'italic
@end example
-@findex _
+@funindex _
@cindex spaces, in lyrics
@cindex quotes, in lyrics
@node The Lyrics context
@subsection The Lyrics context
-Lyrics are printed by interpreting them in the context caleld
+Lyrics are printed by interpreting them in the context called
@internalsref{Lyrics}.
@example
@end example
@cindex automatic syllable durations
-@findex \lyricsto
+@funindex \lyricsto
@cindex lyrics and melodies
This will place the lyrics according to the durations that were
@refcommands
@code{\melisma}, @code{\melismaEnd}
-@findex \melismaEnd
-@findex \melisma
+@funindex \melismaEnd
+@funindex \melisma
@seealso
Names of singers can also be added. They are printed at the start of
the line, just like instrument names. They are created by setting
-@code{vocalName}. A short version may be entered as @code{vocNam}.
+@code{vocalName}. A short version may be entered as @code{shortVocalName}.
@lilypond[fragment,ragged-right,quote,verbatim,relative=2]
}
@end lilypond
-@findex minimumFret
+@funindex minimumFret
@cindex fret
When no string is specified, the first string that does not give a
@node Ancient note heads
@subsection Ancient note heads
-@cindex note heads
-
+@cindex note heads, ancient
For ancient notation, a note head style other than the @code{default}
style may be chosen. This is accomplished by setting the @code{style}
@refcommands
-@findex \virgula
+@funindex \virgula
@code{\virgula},
-@findex \caesura
+@funindex \caesura
@code{\caesura},
-@findex \divisioMinima
+@funindex \divisioMinima
@code{\divisioMinima},
-@findex \divisioMaior
+@funindex \divisioMaior
@code{\divisioMaior},
-@findex \divisioMaxima
+@funindex \divisioMaxima
@code{\divisioMaxima},
-@findex \finalis
+@funindex \finalis
@code{\finalis}.
@seealso
The following head prefixes are supported
-@findex \virga
+@funindex \virga
@code{\virga},
-@findex \stropha
+@funindex \stropha
@code{\stropha},
-@findex \inclinatum
+@funindex \inclinatum
@code{\inclinatum},
-@findex \auctum
+@funindex \auctum
@code{\auctum},
-@findex \descendens
+@funindex \descendens
@code{\descendens},
-@findex \ascendens
+@funindex \ascendens
@code{\ascendens},
-@findex \oriscus
+@funindex \oriscus
@code{\oriscus},
-@findex \quilisma
+@funindex \quilisma
@code{\quilisma},
-@findex \deminutum
+@funindex \deminutum
@code{\deminutum},
-@findex \cavum
+@funindex \cavum
@code{\cavum},
-@findex \linea
+@funindex \linea
@code{\linea}.
Head prefixes can be accumulated, though restrictions apply. For
example, either @code{\descendens} or @code{\ascendens} can be applied
to a head, but not both to the same head.
-@findex \pes
-@findex \flexa
+@funindex \pes
+@funindex \flexa
Two adjacent heads can be tied together with the @code{\pes} and
@code{\flexa} infix commands for a rising and falling line of melody,
respectively.
Support for such suggested accidentals is included, and can be
switched on by setting @code{suggestAccidentals} to true.
-@findex suggestAccidentals
+@funindex suggestAccidentals
@lilypond[verbatim,fragment,relative=1]
fis gis
projects / lilypond.git / blobdiff