* Cross staff stems::
@end menu
-@
-refbugs
+@refbugs
Dynamics are not centered, but workarounds do exist. See the
``piano centered dynamics'' template in @ref{Piano templates}.
be intelligent. The last chord (@code{f bes d}) is not interpreted as
an inversion.
+Note that the duration of chords must be specified outside the
+@code{<>}.
+
+@example
+<c e g>2
+@end example
+
@node Chords mode
@subsection Chords mode
Any @code{_} character that appears in an unquoted word is converted
to a space. This provides a mechanism for introducing spaces into words
-without using quotes. Quoted words can also be used in Lyrics mode to
-specify words that cannot be written with the above rules. The
-following example incorporates double quotes
+without using quotes.
-@example
-\lyricmode @{ He said: "\"Let" my peo ple "go\"" @}
-@end example
+To enter lyrics with characters from non-English languages, or with
+non-ascii characters (such as the heart symbol or slanted quotes),
+simply insert the characters directly into the input file and save
+it with utf-8 encoding. See @ref{Text encoding} for more info.
-This example is slightly academic, since it gives better looking
-results using single quotes, @code{``} and @code{''}
@example
-\lyricmode @{ He said: ``Let my peo ple go'' @}
+\lyricmode @{ He said: âÂ\80Â\9cLet my peo ple goâÂ\80Â\9d. @}
@end example
-
The full definition of a word start in Lyrics mode is somewhat more
complex.
@node Bagpipe definitions
@subsection Bagpipe definitions
-LilyPond contains special definitions for bagpipe music; to use them, add
+LilyPond contains special definitions for music for the Scottish
+highland bagpipe; to use them, add
@example
\include "bagpipe.ly"
@end example
@noindent
-at the top of your input file. This lets you add the special flourishes
+at the top of your input file. This lets you add the special gracenotes
common to bagpipe music with short commands. For example, you could
write @code{\taor} instead of
notes in the appropiate octaves, so you do not need to worry about
@code{\relative} or @code{\transpose}.
-@ignore
-@lilypond[raggedright,verbatim,quote]
+@lilypond[raggedright,verbatim,quote,notime]
\include "bagpipe.ly"
-{ G4 a b c d e f g A B C }
+{ \grg G4 \grg a \grg b \grg c \grg d \grg e \grg f \grA g A }
@end lilypond
-@end ignore
+
+Bagpipe music nominally uses the key of D Major (even though that
+isn't really true). However, since that is the only key that can be used,
+the key signature is normally not written out. To set this up correctly,
+always start your music with @code{\hideKeySignature}. If you for some
+reason want to show the key signature, you can use @code{\showKeySignature}
+instead.
+
+Some modern music use cross fingering on c and f to flatten those notes.
+This can be indicated by @code{cflat} or @code{fflat}. Similarly, the
+piobaireachd high g can be written @code{gflat} when it occurs in light
+music.
@node Bagpipe example
@subsection Bagpipe example
-To be inserted soon.
+This is what the well known tune Amazing Grace looks like in bagpipe
+notation.
+
+@lilypond[verbatim,quote]
+\include "bagpipe.ly"
+\layout {
+ indent = 0.0\cm
+ \context { \Score \remove "Bar_number_engraver" }
+}
+
+\header {
+ title = "Amazing Grace"
+ meter = "Hymn"
+ arranger = "Trad. arr."
+}
+
+{
+ \hideKeySignature
+ \time 3/4
+ \grg \partial 4 a8. d16
+ \slurd d2 \grg f8[ e32 d16.]
+ \grg f2 \grg f8 e
+ \thrwd d2 \grg b4
+ \grG a2 \grg a8. d16
+ \slurd d2 \grg f8[ e32 d16.]
+ \grg f2 \grg e8. f16
+ \dblA A2 \grg A4
+ \grg A2 f8. A16
+ \grg A2 \hdblf f8[ e32 d16.]
+ \grg f2 \grg f8 e
+ \thrwd d2 \grg b4
+ \grG a2 \grg a8. d16
+ \slurd d2 \grg f8[ e32 d16.]
+ \grg f2 e4
+ \thrwd d2.
+ \slurd d2
+ \bar "|."
+}
+@end lilypond
@node Ancient notation