@cindex stem, cross staff
@cindex distance between staves in piano music
-The distance between the two staves is the same for all systems in the
-score. It is possible to override this per system, but it does require
-an arcane command incantation. See
-@inputfileref{input/@/test,piano@/-staff@/-distance@/.ly}.
-
@node Automatic staff changes
@subsection Automatic staff changes
staff, or vice versa.
@lilypond[ragged-right,verbatim,quote]
-stemExtend = \once \override Stem #'length = #22
+stemExtend = {
+ \once \override Stem #'length = #10
+ \once \override Stem #'cross-staff = ##t
+}
noFlag = \once \override Stem #'flag-style = #'no-flag
\new PianoStaff <<
\new Staff {
@funindex m
Since an unaltered 11 does not sound good when combined with an
-unaltered 3, the 11 is removed in this case (unless it is added
+unaltered 13, the 11 is removed in this case (unless it is added
explicitly)
@lilypond[quote,ragged-right,fragment,verbatim]
\chordmode { c:13 c:13.11 c:m13 }
@end lilypond
@funindex /+
-A bass note can be added instead transposed out of the chord,
+A bass note can be added instead of transposed out of the chord,
by using @code{/+}@var{pitch}.
@lilypond[quote,ragged-right,fragment,verbatim]
@file{ly/@/chord@/-modifier@/-init@/.ly}.
For an example of tuning this property, see also
-@inputfileref{input/@/regression,chord@/-name@/-exceptions@/.ly}.
+@lsr{chords/,chord@/-name@/-exceptions@/.ly}
@cindex exceptions, chord names.
This property contains the markup object used for the 7th step, when
it is major. Predefined options are @code{whiteTriangleMarkup} and
@code{blackTriangleMarkup}. See
-@inputfileref{input/@/regression,chord@/-name@/-major7@/.ly} for an example.
+@lsr{chords,chord@/-name@/-major7@/.ly} for an example.
@funindex chordNameSeparator
@item chordNameSeparator
@seealso
-Examples: @inputfileref{input/@/regression,chord@/-name@/-major7@/.ly},
-@inputfileref{input/@/regression,chord@/-name@/-exceptions@/.ly},
+Examples:
+@lsr{chords/,chord@/-name@/-exceptions@/.ly},
+@lsr{chords,chord@/-name@/-major7@/.ly}, and
@inputfileref{input/@/test,chord@/-names@/-jazz@/.ly}.
@menu
* Setting simple songs::
* Entering lyrics::
-* Hyphens and extenders::
+* Hyphens and extenders::
* The Lyrics context::
* Melismata::
* Another way of entering lyrics::
\relative { c2 e4 g2 e4 }
\addlyrics { gran- de_a- mi- go }
\addlyrics { pu- "ro y ho-" nes- to }
-\addlyrics { pu- ro~yho- nes- to }
+\addlyrics { pu- ro~y~ho- nes- to }
@end lilypond
The lyric ties is implemented with the Unicode character U+203F, so be
To enter lyrics with characters from non-English languages, or with
-non-ascii characters (such as the heart symbol or slanted quotes),
+accented and special characters (such as the heart symbol or slanted quotes),
simply insert the characters directly into the input file and save
it with utf-8 encoding. See @ref{Text encoding} for more info.
Program reference: @internalsref{Melisma_translator}.
-
-@inputfileref{input/@/regression,lyric@/-combine@/-new@/.ly}.
+@lsr{vocal,lyric@/-combine.ly}.
@refbugs
must be set one syllable @emph{before} the non-melismatic syllable
in the text, as shown here,
+@c FIXME: breaks compile
@lilypond[verbatim,ragged-right,quote]
+%{
<<
\relative \new Voice = "lahlah" {
\set Staff.autoBeaming = ##f
still
}
>>
+%}
@end lilypond
@node More about stanzas
@subsection More about stanzas
+@c what's this doing here?
@cindex phrasing, in lyrics
-
@cindex stanza number
-@cindex singer's names
-@cindex name of singer
+@subsubsection Adding stanza numbers
Stanza numbers can be added by setting @code{stanza}, e.g.,
}
@end lilypond
-These numbers are put just before the start of first syllable.
+@noindent
+These numbers are put just before the start of the first syllable.
+
+
+@subsubsection Adding dynamics marks
+
+Stanzas differing in loudness may be indicated by putting a
+dynamics mark before each stanza. In Lilypond, everthing coming in
+front of a stanza goes into the @code{StanzaNumber} object; dynamics marks
+are no different. For technical reasons, you have to set the stanza
+outside @code{\lyricmode}:
+
+@lilypond[quote,ragged-right,verbatim]
+text = {
+ \set stanza = \markup { \dynamic "ff" "1. " }
+ \lyricmode {
+ Big bang
+ }
+}
+
+<<
+ \new Voice = "tune" {
+ \time 3/4
+ g'4 c'2
+ }
+\new Lyrics \lyricsto "tune" \text
+>>
+@end lilypond
+
+@cindex singer name
+@cindex name of singer
+@subsubsection Adding singer names
+
+Names of singers can also be added. They are printed at the start of
+the line, just like instrument names. They are created by setting
+@code{vocalName}. A short version may be entered as @code{shortVocalName}.
+
+@lilypond[fragment,ragged-right,quote,verbatim,relative=2]
+\new Voice {
+ \time 3/4 g2 e4 a2 f4 g2.
+} \addlyrics {
+ \set vocalName = "Bert "
+ Hi, my name is Bert.
+} \addlyrics {
+ \set vocalName = "Ernie "
+ Oh, che -- ri, je t'aime
+}
+@end lilypond
+
+
+@subsubsection Printing stanzas at the end
Sometimes it is appropriate to have one stanza set
to the music, and the rest added in verse form at
@end lilypond
-Names of singers can also be added. They are printed at the start of
-the line, just like instrument names. They are created by setting
-@code{vocalName}. A short version may be entered as @code{shortVocalName}.
-
-
-@lilypond[fragment,ragged-right,quote,verbatim,relative=2]
-\new Voice {
- \time 3/4 g2 e4 a2 f4 g2.
-} \addlyrics {
- \set vocalName = "Bert "
- Hi, my name is Bert.
-} \addlyrics {
- \set vocalName = "Ernie "
- Oh, che -- ri, je t'aime
-}
-@end lilypond
-
+@subsubsection Printing stanzas at the end in multiple columns
When a piece of music has many verses, they are often printed in
multiple columns across the page. An outdented verse number often
@internalsref{AmbitusLine}, @internalsref{AmbitusNoteHead},
@internalsref{AmbitusAccidental}.
-Examples: @inputfileref{input/@/regression,ambitus@/.ly}.
+Examples:
+@lsr{vocal,ambitus@/.ly}.
@refbugs
Program reference: @internalsref{RhythmicStaff}.
-Examples: @inputfileref{input/@/regression,rhythmic@/-staff@/.ly}.
-
@node Entering percussion
@subsection Entering percussion
<c\1 e\2 g\3>
@end lilypond
-See also @inputfileref{input/regression,string-number.ly}.
-
@seealso
-Program reference: @internalsref{StringNumber}.
+Program reference: @internalsref{StringNumber},
+@lsr{guitar/,string-number.ly}.
@node Tablatures basic
\clef "G_8"
b16 d16 g16 b16 e16
\textSpannerDown
-\override TextSpanner #'edge-text = #'("XII " . "")
+\override TextSpanner #'bound-details #'left #'text = "XII "
g16\startTextSpan
b16 e16 g16 e16 b16 g16\stopTextSpan
e16 b16 g16 d16
@seealso
-Examples: @inputfileref{input/@/regression,note@/-head@/-style@/.ly} gives an
-overview over all available note head styles.
+@ref{Note head styles} gives an overview over all available note head styles.
@node Ancient accidentals
Program reference: @internalsref{Custos}.
-Examples: @inputfileref{input/@/regression,custos@/.ly}.
+Examples:
+@lsr{ancient,custodes@/.ly}.
@node Divisiones
accordingly extrapolated. This way, infinitely many different
ligatures can be created.
-@c TODO: create a regression or tips & tricks example document with
-@c even more Gregorian ligatures, and add a link to this document
-@c here.
-
Augmentum dots, also called @emph{morae}, are added with the music
function @code{\augmentum}. Note that @code{\augmentum} is
implemented as a unary music function rather than as head prefix. It
projects / lilypond.git / blobdiff