@cindex staff switching
@cindex cross staff
-@funindex followVoice
+@findex followVoice
Whenever a voice switches to another staff, a line connecting the notes
can be printed automatically. This is switched on by setting
@refcommands
-@funindex \showStaffSwitch
+@findex \showStaffSwitch
@code{\showStaffSwitch},
-@funindex \hideStaffSwitch
+@findex \hideStaffSwitch
@code{\hideStaffSwitch}.
@end lilypond
@cindex modifiers, in chords.
-@funindex aug
-@funindex dim
-@funindex maj
-@funindex sus
-@funindex m
+@findex aug
+@findex dim
+@findex maj
+@findex sus
+@findex m
Since an unaltered 11 does not sound good when combined with an
unaltered 3, the 11 is removed in this case (unless it is added
\chordmode { c:13 c:13.11 c:m13 }
@end lilypond
-@funindex /
+@findex /
An inversion (putting one pitch of the chord on the bottom), as well
as bass notes, can be specified by appending
@lilypond[quote,ragged-right,fragment,verbatim]
\chordmode { c1 c/g c/f }
@end lilypond
-@funindex /+
+@findex /+
A bass note can be added instead transposed out of the chord,
by using @code{/+}@var{pitch}.
following properties
@table @code
-@funindex chordNameExceptions
+@findex chordNameExceptions
@item chordNameExceptions
This is a list that contains the chords that have special formatting.
@cindex exceptions, chord names.
-@funindex majorSevenSymbol
+@findex majorSevenSymbol
@item majorSevenSymbol
This property contains the markup object used for the 7th step, when
it is major. Predefined options are @code{whiteTriangleMarkup} and
@code{blackTriangleMarkup}. See
@inputfileref{input/@/regression,chord@/-name@/-major7@/.ly} for an example.
-@funindex chordNameSeparator
+@findex chordNameSeparator
@item chordNameSeparator
Different parts of a chord name are normally separated by a
slash. By setting @code{chordNameSeparator}, you can specify other
}
@end lilypond
-@funindex chordRootNamer
+@findex chordRootNamer
@item chordRootNamer
The root of a chord is usually printed as a letter with an optional
alteration. The transformation from pitch to letter is done by this
function. Special note names (for example, the German ``H'' for a
B-chord) can be produced by storing a new function in this property.
-@funindex chordNoteNamer
+@findex chordNoteNamer
@item chordNoteNamer
The default is to print single pitch, e.g., the bass note, using the
@code{chordRootNamer}. The @code{chordNoteNamer} property can be set
to a specialized function to change this behavior. For example, the
base can be printed in lower case.
-@funindex chordPrefixSpacer
+@findex chordPrefixSpacer
@item chordPrefixSpacer
The ``m'' for minor chords is usually printed right after the root of
the chord. By setting @code{chordPrefixSpacer}, you can fix a spacer
@refcommands
-@funindex \germanChords
+@findex \germanChords
@code{\germanChords},
-@funindex \semiGermanChords
+@findex \semiGermanChords
@code{\semiGermanChords}.
-@funindex \italianChords
+@findex \italianChords
@code{\italianChords}.
-@funindex \frenchChords
+@findex \frenchChords
@code{\frenchChords}.
@subsection Entering lyrics
@cindex lyrics
-@funindex \lyricmode
+@findex \lyricmode
@cindex punctuation
Lyrics are entered in a special input mode. This mode is introduced
\lyricmode @{ twinkle@}
@end example
-@funindex \property in \lyricmode
+@findex \property in \lyricmode
@noindent
Similarly, a period which follows an alphabetic sequence is included in
\override Score . LyricText #'font-shape = #'italic
@end example
-@funindex _
+@findex _
@cindex spaces, in lyrics
@cindex quotes, in lyrics
@node The Lyrics context
@subsection The Lyrics context
-Lyrics are printed by interpreting them in the context called
+Lyrics are printed by interpreting them in the context caleld
@internalsref{Lyrics}.
@example
@end example
@cindex automatic syllable durations
-@funindex \lyricsto
+@findex \lyricsto
@cindex lyrics and melodies
This will place the lyrics according to the durations that were
@refcommands
@code{\melisma}, @code{\melismaEnd}
-@funindex \melismaEnd
-@funindex \melisma
+@findex \melismaEnd
+@findex \melisma
@seealso
Names of singers can also be added. They are printed at the start of
the line, just like instrument names. They are created by setting
-@code{vocalName}. A short version may be entered as @code{shortVocalName}.
+@code{vocalName}. A short version may be entered as @code{vocNam}.
@lilypond[fragment,ragged-right,quote,verbatim,relative=2]
}
@end lilypond
-@funindex minimumFret
+@findex minimumFret
@cindex fret
When no string is specified, the first string that does not give a
@node Ancient note heads
@subsection Ancient note heads
-@cindex note heads, ancient
+@cindex note heads
+
For ancient notation, a note head style other than the @code{default}
style may be chosen. This is accomplished by setting the @code{style}
\include "gregorian-init.ly"
\score {
\new VaticanaVoice {
+ \override Staff.StaffSymbol #'color = #red
+ \override Staff.LedgerLineSpanner #'color = #red
\override TextScript #'font-family = #'typewriter
\override TextScript #'font-shape = #'upright
\override Script #'padding = #-0.1
@refcommands
-@funindex \virgula
+@findex \virgula
@code{\virgula},
-@funindex \caesura
+@findex \caesura
@code{\caesura},
-@funindex \divisioMinima
+@findex \divisioMinima
@code{\divisioMinima},
-@funindex \divisioMaior
+@findex \divisioMaior
@code{\divisioMaior},
-@funindex \divisioMaxima
+@findex \divisioMaxima
@code{\divisioMaxima},
-@funindex \finalis
+@findex \finalis
@code{\finalis}.
@seealso
The following head prefixes are supported
-@funindex \virga
+@findex \virga
@code{\virga},
-@funindex \stropha
+@findex \stropha
@code{\stropha},
-@funindex \inclinatum
+@findex \inclinatum
@code{\inclinatum},
-@funindex \auctum
+@findex \auctum
@code{\auctum},
-@funindex \descendens
+@findex \descendens
@code{\descendens},
-@funindex \ascendens
+@findex \ascendens
@code{\ascendens},
-@funindex \oriscus
+@findex \oriscus
@code{\oriscus},
-@funindex \quilisma
+@findex \quilisma
@code{\quilisma},
-@funindex \deminutum
+@findex \deminutum
@code{\deminutum},
-@funindex \cavum
+@findex \cavum
@code{\cavum},
-@funindex \linea
+@findex \linea
@code{\linea}.
Head prefixes can be accumulated, though restrictions apply. For
example, either @code{\descendens} or @code{\ascendens} can be applied
to a head, but not both to the same head.
-@funindex \pes
-@funindex \flexa
+@findex \pes
+@findex \flexa
Two adjacent heads can be tied together with the @code{\pes} and
@code{\flexa} infix commands for a rising and falling line of melody,
respectively.
\score {
<<
\new VaticanaVoice = "cantus" {
- \[ c'\melisma c' \flexa a \]
- \[ a \flexa \deminutum g\melismaEnd \]
- f \divisioMinima
- \[ f\melisma \pes a c' c' \pes d'\melismaEnd \]
- c' \divisioMinima \break
- \[ c'\melisma c' \flexa a \]
- \[ a \flexa \deminutum g\melismaEnd \] f \divisioMinima
+ \override Staff.StaffSymbol #'color = #red
+ \override Staff.LedgerLineSpanner #'color = #red
+ \override Score.BarNumber #'transparent = ##t {
+ \[ c'\melisma c' \flexa a \]
+ \[ a \flexa \deminutum g\melismaEnd \]
+ f \divisioMinima
+ \[ f\melisma \pes a c' c' \pes d'\melismaEnd \]
+ c' \divisioMinima \break
+ \[ c'\melisma c' \flexa a \]
+ \[ a \flexa \deminutum g\melismaEnd \] f \divisioMinima
+ }
}
\new Lyrics \lyricsto "cantus" {
San- ctus, San- ctus, San- ctus
Support for such suggested accidentals is included, and can be
switched on by setting @code{suggestAccidentals} to true.
-@funindex suggestAccidentals
+@findex suggestAccidentals
@lilypond[verbatim,fragment,relative=1]
fis gis