version that you are working on. See TRANSLATION for details.
@end ignore
-@c \version "2.11.51"
+@c \version "2.11.61"
-@node Input syntax
-@chapter Input syntax
+@node General input and output
+@chapter General input and output
-This section deals with general LilyPond input syntax issues,
+This section deals with general LilyPond input and output issues,
rather than specific notation.
@menu
-* Input structure::
-* Titles and headers::
-* Working with input files::
-* Controlling output::
-* MIDI output::
+* Input structure::
+* Titles and headers::
+* Working with input files::
+* Controlling output::
+* MIDI output::
@end menu
these files end with @code{.ly}.
@menu
-* Structure of a score::
-* Multiple scores in a book::
-* File structure::
+* Structure of a score::
+* Multiple scores in a book::
+* File structure::
@end menu
@end example
This can be used later on in the file by entering @code{\foo}. The
-name of an variable should have alphabetic characters only; no
+name of a variable should have alphabetic characters only; no
numbers, underscores or dashes.
@end itemize
some pieces include a lot more information.
@menu
-* Creating titles::
-* Custom titles::
-* Reference to page numbers::
-* Table of contents::
+* Creating titles::
+* Custom titles::
+* Reference to page numbers::
+* Table of contents::
@end menu
@funindex poet
@item poet
-Name of the poet, flush-left below the subtitle.
+Name of the poet, flush-left below the subsubtitle.
+
+@funindex instrument
+@item instrument
+Name of the instrument, centered below the subsubtitle. Also
+centered at the top of pages (other than the first page).
@funindex composer
@item composer
-Name of the composer, flush-right below the subtitle.
+Name of the composer, flush-right below the subsubtitle.
@funindex meter
@item meter
Meter string, flush-left below the poet.
-@funindex opus
-@item opus
-Name of the opus, flush-right below the composer.
-
@funindex arranger
@item arranger
-Name of the arranger, flush-right below the opus.
-
-@funindex instrument
-@item instrument
-Name of the instrument, centered below the arranger. Also
-centered at the top of pages (other than the first page).
+Name of the arranger, flush-right below the composer.
@funindex piece
@item piece
-Name of the piece, flush-left below the instrument.
+Name of the piece, flush-left below the meter.
+
+@funindex opus
+@item opus
+Name of the opus, flush-right below the arranger.
@cindex page breaks, forcing
@funindex breakbefore
\book {
\header {
dedication = "dedicated to me"
- title = \markup \center-align { "Title first line" "Title second line,
+ title = \markup \center-column { "Title first line" "Title second line,
longer" }
subtitle = "the subtitle,"
subsubtitle = #(string-append "subsubtitle LilyPond version "
(lilypond-version))
poet = "Poet"
- composer = \markup \center-align { "composer" \small "(1847-1973)" }
+ composer = \markup \center-column { "composer" \small "(1847-1973)" }
texttranslator = "Text Translator"
meter = \markup { \teeny "m" \tiny "e" \normalsize "t" \large "e" \huge
"r" }
}
@end lilypond
-@funindex printallheaders
+@funindex print-all-headers
@noindent
You may change this behavior (and print all the headers when defining
@code{\header} inside @code{\score}) by using
@example
\paper@{
- printallheaders=##t
+ print-all-headers = ##t
@}
@end example
@section Working with input files
@menu
-* Including LilyPond files::
-* Different editions from one source::
-* Text encoding::
-* Displaying LilyPond notation::
+* Including LilyPond files::
+* Different editions from one source::
+* Text encoding::
+* Displaying LilyPond notation::
@end menu
structure while leaving the notation untouched.
@menu
-* Using variables::
-* Using tags::
+* Using variables::
+* Using tags::
@end menu
@node Using variables
@end lilypond
To enter a single character for which the Unicode escape sequence
-is known but which is not available in the editor being used, enter
+is known but which is not available in the editor being used, use
+@code{\char ##xhhhh} within a @code{\markup} block, where
+@code{hhhh} is the hexadecimal code for the character required.
+For example, @code{\char ##x03BE} enters the Unicode U+03BE
+character, which has the Unicode name @qq{Greek Small Letter Xi}.
+Any Unicode hexadecimal code may be substituted, and if all special
+characters are entered in this format it is not necessary to save
+the input file in UTF-8 format. Of course, a font containing all
+such encoded characters must be installed and available to LilyPond.
+
+The following example shows UTF-8 coded characters being used in
+four places -- in a rehearsal mark, as articulation text, in lyrics
+and as stand-alone text below the score:
-@example
-#(ly:export (ly:wide-char->utf-8 #x03BE))
-@end example
-
-where in this example @code{x03BE} is the hexadecimal code for the
-Unicode U+03BE character, which has the Unicode name @qq{Greek Small
-Letter Xi}. Any Unicode hexadecimal code may be substituted, and
-if all special characters are entered in this format it is not
-necessary to save the input file in UTF-8 format.
+@lilypond[quote,verbatim]
+\score {
+ \relative c'' {
+ c1 \mark \markup { \char ##x03EE }
+ c1_\markup { \tiny { \char ##x03B1 " to " \char ##x03C9 } }
+ }
+ \addlyrics { O \markup { \concat{ Ph \char ##x0153 be! } } }
+}
+\markup { "Copyright 2008" \char ##x00A9 }
+@end lilypond
-@knownissues
+To enter the copyright sign in the copyright notice use:
-The @code{ly:export} format may be used in text within @code{\mark} or
-@code{\markup} commands but not in lyrics.
+@example
+\header @{
+ copyright = \markup @{ \char ##x00A9 "2008" @}
+@}
+@end example
@node Displaying LilyPond notation
@subsection Displaying LilyPond notation
@section Controlling output
@menu
-* Extracting fragments of music::
-* Skipping corrected music::
+* Extracting fragments of music::
+* Skipping corrected music::
@end menu
@node Extracting fragments of music
(or 14 if you do not use drums). Other staves will remain silent.
@menu
-* Creating MIDI files::
-* MIDI block::
-* What goes into the MIDI output?::
-* Repeats in MIDI::
-* Controlling MIDI dynamics::
+* Creating MIDI files::
+* MIDI block::
+* What goes into the MIDI output?::
+* Repeats in MIDI::
+* Controlling MIDI dynamics::
+* Percussion in MIDI::
@end menu
@node Creating MIDI files
@item Dynamic marks
@item Crescendi, decrescendi over multiple notes
@item Tempo changes entered with a tempo marking
+@item Lyrics
@end itemize
@unnumberedsubsubsec Unsupported in MIDI
@item Crescendi, decrescendi over a single note
@item Tremolos entered with @q{@code{:}[@var{number}]}
@item Figured bass
-@c TODO Check Lyrics
-@item Lyrics
@end itemize
@ignore
@c Delete when satisfied this is adequately covered elsewhere -td
-@node Microtones in MIDI
-@subsection Microtones in MIDI
+@n ode Microtones in MIDI
+@s ubsection Microtones in MIDI
@cindex microtones in MIDI
@end ignore
+@node Percussion in MIDI
+@subsection Percussion in MIDI
+
+Percussion instruments are generally notated in a @code{DrumStaff}
+context and when notated in this way they are outputted correctly
+to MIDI channel@tie{}10, but some pitched percussion instruments,
+like the xylophone, marimba, vibraphone, timpani, etc., are
+treated like @qq{normal} instruments and music for these instruments
+should be entered in a normal @code{Staff} context, not a
+@code{DrumStaff} context, to obtain the correct MIDI output.
+
+Some non-pitched percussion sounds included in the general MIDI
+standard, like melodic tom, taiko drum, synth drum, etc., cannot
+be reached via MIDI channel@tie{}10, so the notation for such
+instruments should also be entered in a normal @code{Staff}
+context, using suitable normal pitches.
+
+Many percussion instruments are not included in the general MIDI
+standard, e.g. castanets. The easiest, although unsatisfactory,
+method of producing some MIDI output when writing for such
+instruments is to substitute the nearest sound from the standard
+set.
+
+@c TODO Expand with examples, and any other issues
+
+@knownissues
+
+Because the general MIDI standard does not contain rim shots, the
+sidestick is used for this purpose instead.
+