texi2html: Remove no-longer-needed def; Also implement default TOC for index page

[lilypond.git] / Documentation / user / guitar.itely

diff --git a/Documentation/user/guitar.itely b/Documentation/user/guitar.itely
index 7f0b97e81d84441ceaaa396bb6c770dd588d83ae..f53b6630d5c934cab6cd08fbc32ef360fdf14110 100644 (file)
--- a/Documentation/user/guitar.itely
+++ b/Documentation/user/guitar.itely
@@ -30,7 +30,7 @@
 @end menu
 
 @node String number indications
-@unnumberedsubsubsec String number indications
+@subsubsection String number indications
 
 @cindex String numbers
 
@@ -45,11 +45,11 @@ with @code{\}@var{number},
 @seealso
 
 Internals Reference: @internalsref{StringNumber},
-@lsr{guitar/,string-number.ly}.
+@c @lsr{guitar/,string-number.ly}.
 
 
 @node Tablatures basic
-@unnumberedsubsubsec Tablatures basic
+@subsubsection Tablatures basic
 @cindex Tablatures basic
 
 Tablature notation is used for notating music for plucked string
@@ -98,7 +98,7 @@ frag = {
 @end lilypond
 
 
-@commonprop
+@snippets
 
 To print tablatures with stems down and horizontal beams,
 initialize the @code{TabStaff} with this code:
@@ -110,9 +110,9 @@ initialize the @code{TabStaff} with this code:
 
 @seealso
 
-Internals Reference: @internalsref{TabStaff}, @internalsref{TabVoice}.
+Internals Reference: @internalsref{TabNoteHead}, @internalsref{TabStaff}, @internalsref{TabVoice}.
 
-@refbugs
+@knownissues
 
 Chords are not handled in a special way, and hence the automatic
 string selector may easily select the same string to two notes in a
@@ -136,7 +136,7 @@ melodia = \partcombine { e4 g g g }{ e4 e e e }
 
 
 @node Non-guitar tablatures
-@unnumberedsubsubsec Non-guitar tablatures
+@subsubsection Non-guitar tablatures
 @cindex Non-guitar tablatures
 
 You can change the tuning of the strings.  A string tuning is given as
@@ -177,14 +177,14 @@ The file @file{scm/@/output@/-lib@/.scm} contains the predefined string
 tunings.
 Internals Reference: @internalsref{Tab_note_heads_engraver}.
 
-@refbugs
+@knownissues
 
 No guitar special effects have been implemented.
 
 
 
 @node Banjo tablatures
-@unnumberedsubsubsec Banjo tablatures
+@subsubsection Banjo tablatures
 @cindex Banjo tablatures
 
 LilyPond has basic support for five stringed banjo.  When making tablatures
@@ -223,7 +223,7 @@ The file @file{scm/@/output@/-lib@/.scm} contains predefined banjo tunings.
 
 
 @node Fret diagrams
-@unnumberedsubsubsec Fret diagrams
+@subsubsection Fret diagrams
 @cindex fret diagrams
 @cindex chord diagrams
 
@@ -259,7 +259,7 @@ following example
 There are three different fret-diagram markup interfaces: standard, terse,
 and verbose.  The three interfaces produce equivalent markups, but have
 varying amounts of information in the markup string.  Details about the
-markup interfaces are found at @ref{Overview of text markup commands}.
+markup interfaces are found at @ref{Text markup commands}.
 
 You can set a number of graphical properties according to your preference.
 Details about the property interface to fret diagrams are found at
@@ -268,11 +268,11 @@ Details about the property interface to fret diagrams are found at
 
 @seealso
 
-Examples: @lsrdir{guitar}
+Examples: @c @lsrdir{guitar}
 
 
 @node Right hand fingerings
-@unnumberedsubsubsec Right hand fingerings
+@subsubsection Right hand fingerings
 
 Right hand fingerings in chords can be entered using
 @code{@var{note}-\rightHandFinger @var{finger}}
@@ -291,7 +291,7 @@ short, for example @code{RH},
 @cindex fingerings, right hand, for guitar 
 @cindex right hand fingerings for guitar
  
-@commonprop
+@snippets
 
 You may exercise greater control over right handing fingerings by
 setting @code{strokeFingerOrientations},
@@ -328,7 +328,7 @@ Internals Reference: @internalsref{StrokeFinger}
 
 
 @node Other guitar issues
-@unnumberedsubsubsec Other guitar issues
+@subsubsection Other guitar issues
 
 This example demonstrates how to include guitar position and
 barring indications.
@@ -348,8 +348,8 @@ Stopped (X) note heads are used in guitar music to signal a place where the
 guitarist must play a certain note or chord, with its fingers just
 touching the strings instead of fully pressing them.  This gives the sound a
 percussive noise-like sound that still maintains part of the original
-pitch.  It is notated with cross noteheads; this is
-demonstrated in @ref{Special noteheads}.
+pitch.  It is notated with cross note heads; this is
+demonstrated in @ref{Special note heads}.