\input texinfo
@setfilename glossary.info
+@html
+<!--- @@WEB-TITLE@@=Glossary --->
+@end html
+
+
@c @pagesizes 10.3in
@c @everyheading @| @thispage @|
@ignore
glossary by Christian Mondrup
- spanish by David González <dgonzal@quanta.net.py>
+ spanish by David Gonz@'alez <dgonzal@quanta.net.py>
@end ignore
The stress of one tone over others.
+@c F: how to distinguish between accidental and key-sig alteration?
+
@item accidental
-ES: alteración, I: alterazione, accidente, F: alt@'eration accidentelle, D: Vorzeichen,
+ES: alteraci@'on, I: alterazione, accidente, F: alt@'eration D: Vorzeichen,
Versetzungszeichen, NL: voorteken, DK: l@o{}st fortegn, S: tillf@"alligt
f@"ortecken, N:
@
@lilypond[13pt,eps]
-\emptyText
-%\property Voice.textNonEmpty = ##f
-\property Voice.TextScript \set #'font-style = #'large
-\notes\relative c'' {
+\context Voice\notes\relative c'' {
\key d \major
\time 4/4
+
+\property Score.TextScript \set #'font-style = #'large
<d4_"notation" a fis> r
-{ \property Grace.Stem \override #'flag-style = ##f
- \grace g16 }
+{ \property Voice.Stem \override #'flag-style = #""
+ \grace g16
+ \property Voice.Stem \revert #'flag-style
+ }
fis8 e16 fis
-{ \property Grace.Stem \override #'flag-style = ##f
- \grace a16 }
+{ \property Voice.Stem \override #'flag-style = #""
+ \grace a16
+ \property Voice.Stem \revert #'flag-style
+ }
g8 fis16 g | a4 \bar "||" }
\notes\relative c'' {
<d4_"performance" a fis> r g16 () fis e fis a () g fis g | a4 \bar "||" }
@
@lilypond[13pt,eps]
-\emptyText
-\property Voice.TextScript \set #'font-style = #'large
\notes\relative c'' {
\key as \major
\time 2/4
+ \property Score.TextScript \set #'font-style = #'large
\grace { bes16 } as8_"notation" as16 bes as8 g |
\grace { [as16 ( bes] } < ) c4 as >
\grace { [as16 ( bes] } < ) c4 as > \bar "||"
\grace { bes16 } as8_"performance" as16 bes as8 g |
- < \context Voice = va { \stemUp as32 bes c8. as32 bes c8. }
- \context Voice = vb { \stemDown as16 ~ as8. as16 ~ as8. } >
+ < \context Voice = va { \stemUp\tieUp as32 bes c8. as32 bes c8. }
+ \context Voice = vb { \stemDown\tieDown as16 ~ as8. as16 ~ as8. } >
\bar "||"
}
@end lilypond
maatstreep, DK: taktstreg, S: taktstreck, N:
@item bar
-ES: compás, @w{@ar{}@strong{measure}}
+ES: comp@'as, @w{@ar{}@strong{measure}}
@item baritone
-ES: barítono, I: baritono, F: bariton, D: Bariton, NL: bariton, DK: baryton, S: baryton, N:
+ES: bar@'{@dotless{i}}tono, I: baritono, F: bariton, D: Bariton, NL: bariton, DK: baryton, S: baryton, N:
baryton.
The male voice intermediate between the @w{@ar{}@strong{bass}} and the
@w{@ar{}@strong{tenor}}.
+@c F: clef de troisi@`eme ligne dropped
+
@item baritone clef
ES: clave de fa en tercera
-I: chiave di baritono, F: clef de ut cinqui@`eme ligne, clef de troisi@`eme
-ligne, D: Barytonschl@"ussel, NL: baritonsleutel, DK: barytonn@o{}gle, S:
+I: chiave di baritono, F: clef d' Ut cinqui@`eme ligne, clef de Fa troisi@`eme, D: Barytonschl@"ussel, NL: baritonsleutel, DK: barytonn@o{}gle, S:
barytonklav, N: .
C or F clef setting central C on the upper staff line. @w{@ar{}@strong{c clef}}
@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
-\emptyText
\property Voice.TextScript \set #'font-style = #'large
\notes\relative c'' {
[g8_"1/8" g g g] s16
I: graffa, F: accolade, D: Klammer, Klavierklammer, Akkolade, Chorklammer, NL:
accolade, teksthaak, DK: klamme, S: klammer, N:
-Symbol at the start of a system connecting staffs. Curly braces are used
+Symbol at the start of a system connecting staves. Curly braces are used
for connecting piano staves, angular brackets for connecting parts in an
orchestral or choral score.
\relative c \context Staff = SB { \clef bass c1 \bar "|." } >
@end lilypond
-@lilypond[13pt,eps]
+@lilypond[13pt,eps]
\context StaffGroup <
% \property StaffGroup.minVerticalAlign = #12
\notes\relative c'' \context Staff = SA { \clef treble g4 e c2 }
@
-@lilypond[13pt,eps]
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
\notes\relative c'' { g\breve }
@end lilypond
@
-@lilypond[13pt,eps]
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
\property Score.Clef \override #'full-size-change = ##t
\property Score.LyricText \set #'font-style = #'large
@
-@lilypond[13pt,eps]
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
-\property Voice.textNonEmpty = ##t
\property Voice.TextScript \set #'font-style = #'large
\time 4/4
\notes\relative c'' {
@end lilypond
@item chromatic scale
-ES: escala cromática, I: scala cromatica, F: gamme chromatique, D: Chromatische Tonleiter, NL:
+ES: escala crom@'atica, I: scala cromatica, F: gamme chromatique, D: Chromatische Tonleiter, NL:
chromatische toonladder, DK: kromatisk skala, S: kromatisk skala, N: .
A scale consisting of all 11 @w{@ar{}@strong{semitone}}s.
@
-@lilypond[13pt,eps]
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
\notes\relative c' { c1 cis d dis e f fis g gis a ais b c }
@end lilypond
Use of tones extraneous to a @w{@ar{}@strong{diatonic scale}} (minor, major).
-@item church mode; ecclesiastical mode ES: modo eclesiástico, I: modo
+@item church mode; ecclesiastical mode ES: modo eclesi@'astico, I: modo
ecclesiastico, F: mode eccl@'esiastique, D: Kirchentonart, NL:
kerktoonladder, DK: kirketoneart, S: kyrkotonart, N:
@
-@lilypond[13pt,eps]
+@lilypond[13pt,eps]
\key g \major \time 4/4
\notes\relative c'' { g4 g g a | b2 a | g4 b a a | g1 \bar "||" }
@end lilypond
@
-@lilypond[13pt,eps]
+@lilypond[13pt,eps]
\key g \major \time 4/4
\notes\relative c'' { g4 \< a b c | \! d1 \bar "|." }
@end lilypond
@
-@lilypond[13pt,eps]
+@lilypond[13pt,eps]
\property Voice.TextScript \set #'font-style = #'large
\key g \major \time 4/4
\notes\relative c'' { d1 | g,4^\segno a b c | b a g2_"d.s." \bar "|." }
@
-@lilypond[13pt,eps]
+@lilypond[13pt,eps]
\context Staff \notes\relative c'' {\key g \major \time 4/4
d4 \> c b a | \! g1 \bar "|." }
@end lilypond
An distance between a starting higher note and a lower ending note.
@item diatonic scale
-ES: escala diatónica, I: scala diatonica, F: gamme diatonique, D: diatonische Tonleiter, NL:
+ES: escala diat@'onica, I: scala diatonica, F: gamme diatonique, D: diatonische Tonleiter, NL:
diatonische toonladder, DK: diatonisk skala, S: diatonisk skala, N:
A scale consisting of 5 @w{@ar{}@strong{whole tones}} and 2
@
-@lilypond[13pt,eps]
-\emptyText
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
-\property Lyrics.LyricText \set #'font-style = #'large
-\property Voice.TextScript \set #'font-style = #'large
+\property Score.LyricText \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large
\addlyrics
-\notes\relative c' {
+ \context Staff \notes\relative c' {
c1 d
\property Voice.TextScript \set #'padding = #-10
e^"~~ S" f g a
\context Lyrics \lyrics { Ionian }
@end lilypond
-@lilypond[13pt,eps]
-\emptyText
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
-\property Lyrics.LyricText \set #'font-style = #'large
-\property Voice.TextScript \set #'font-style = #'large
+\property Score.LyricText \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large
\addlyrics
\notes\relative c' {
d1
\context Lyrics \lyrics { Dorian }
@end lilypond
-@lilypond[13pt,eps]
-\emptyText
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
-\property Lyrics.LyricText \set #'font-style = #'large
-\property Voice.TextScript \set #'font-style = #'large
+\property Score.LyricText \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large
\addlyrics
\notes\relative c' {
\property Voice.TextScript \set #'padding = #-10
\context Lyrics \lyrics { Phrygian }
@end lilypond
-@lilypond[13pt,eps]
-\emptyText
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
-\property Lyrics.LyricText \set #'font-style = #'large
-\property Voice.TextScript \set #'font-style = #'large
+\property Score.LyricText \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large
\addlyrics
\notes\relative c' {
f1 g a
\context Lyrics \lyrics { Lydian }
@end lilypond
-@lilypond[13pt,eps]
-\emptyText
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
-\property Lyrics.LyricText \set #'font-style = #'large
-\property Voice.TextScript \set #'font-style = #'large
+\property Score.LyricText \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large
\addlyrics
\notes\relative c'' {
g1 a
\context Lyrics \lyrics { Mixolydian }
@end lilypond
-@lilypond[13pt,eps]
-\emptyText
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
-\property Lyrics.LyricText \set #'font-style = #'large
-\property Voice.TextScript \set #'font-style = #'large
+\property Score.LyricText \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large
\addlyrics
\notes\relative c'' {
a1
harmonic minor scale type an augmented second (A) occurs between the 6th and
7th tone.
-@lilypond[13pt,eps]
-\emptyText
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
-\property Lyrics.LyricText \set #'font-style = #'large
-\property Voice.TextScript \set #'font-style = #'large
+\property Score.LyricText \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large
\addlyrics
\notes\relative c' {
c1 d
\context Lyrics \lyrics { Major }
@end lilypond
-@lilypond[13pt,eps]
-\emptyText
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
-\property Lyrics.LyricText \set #'font-style = #'large
-\property Voice.TextScript \set #'font-style = #'large
+\property Score.LyricText \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large
\addlyrics
\notes\relative c'' {
a1
\context Lyrics \lyrics { "ancient minor" }
@end lilypond
-@lilypond[13pt,eps]
-\emptyText
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
-\property Lyrics.LyricText \set #'font-style = #'large
-\property Voice.TextScript \set #'font-style = #'large
+\property Score.LyricText \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large
\addlyrics
\notes\relative c'' {
a1
\context Lyrics \lyrics { "Harmonic minor" }
@end lilypond
-@lilypond[13pt,eps]
-\emptyText
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
-\property Lyrics.LyricText \set #'font-style = #'large
-\property Voice.TextScript \set #'font-style = #'large
+\property Score.LyricText \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large
\addlyrics
\notes\relative c'' {
a1
@end lilypond
@item diminished interval
-ES: intervalo disminuído, I: intervallo diminuito, F: intervalle diminu@'e, D: vermindertes Intervall,
+ES: intervalo disminu@'{@dotless{i}}do, I: intervallo diminuito, F: intervalle diminu@'e, D: vermindertes Intervall,
NL: verminderd interval, DK: formindsket interval, S: f@"orminskat
intervall, N: .
@w{@ar{}@strong{chord}} @w{@ar{}@strong{functional harmony}}
@item dominant seventh chord
-ES: acorde de séptima de dominante, I: accordo di settima di dominante, F: accord de septi@`eme dominante, D:
+ES: acorde de s@'eptima de dominante, I: accordo di settima di dominante, F: accord de septi@`eme dominante, D:
Dominantseptakkord, NL: dominant septiem akkoord, DK: dominantseptimakkord, S:
dominantseptimackord, N:
The fifth @w{@ar{}@strong{scale degree}} @w{@ar{}@strong{functional harmony}}
@item dorian mode
-ES: modo dórico, I: modo dorico, F: mode dorien, D: Dorischer Kirchenton, NL: dorische
+ES: modo d@'orico, I: modo dorico, F: mode dorien, D: Dorischer Kirchenton, NL: dorische
toonladder, dorischer Kirchenton, DK: dorisk skala, S: dorisk tonart, N:
@w{@ar{}@strong{diatonic scale}}
@w{@ar{}@strong{note value}}
@item duration
-ES: duración, I: durata, F: dur@'ee, D: Dauer, L@"ange, NL: duur, lengte, DK: varighed, S:
+ES: duraci@'on, I: durata, F: dur@'ee, D: Dauer, L@"ange, NL: duur, lengte, DK: varighed, S:
tonl@"angd, N: .
@w{@ar{}@strong{note value}}
plate of metal. Now also the term for the art of music typesetting.
@item enharmonic
-ES: enharmónico, I: enarmonico, F: enharmonique, D: enharmonisch, NL: enharmonisch, DK:
+ES: enharm@'onico, I: enarmonico, F: enharmonique, D: enharmonisch, NL: enharmonisch, DK:
enharmonisk, S: enharmonisk, N: .
Two notes, intervals, or scales are enharmonic if they have different names
@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
-\property Voice.TextScript \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large
\notes\relative c'' {
gis1_"g sharp" s as1_"a flat" s s
< des_"dim fifth" g,! > s s < cis_"augm fourth" g! > s s
octave lower (for example on double bass @w{@ar{}@strong{strings}}).
-@lilypond[13pt,eps]
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
\property Staff.Clef \override #'full-size-change = ##t
-\property Lyrics.LyricText \set #'font-style = #'large
+\property Score.LyricText \set #'font-style = #'large
\addlyrics
\notes\relative c {
% \clef "F3"
}
@end lilypond
+@c F: 'point d'orgue' on a note, 'point d'arret' on a rest.
+
@item fermata
-ES: Calderón, I: corona, F: pause, D: Fermate, NL: fermate, DK: fermat, S: fermat, N: .
+ES: Calder@'on, I: corona, F: F: point d'orgue, point d'arr@^et,
+D: Fermate, NL: fermate, DK: fermat, S: fermat, N: .
Prolonged note or rest of indefinite duration.
ES: bajo cifrado, @w{@ar{}@strong{thorough bass}}
@item fingering
-ES: digitación, I: diteggiatura, F: doigt@'e, D: Fingersatz, NL: vingerzetting, DK:
+ES: digitaci@'on, I: diteggiatura, F: doigt@'e, D: Fingersatz, NL: vingerzetting, DK:
fingers@ae{}tning, S: fingers@"attning, N: .
The methodical use of fingers in the playing of instruments.
I: coda (uncinata), bandiera, F: crochet, D: Fahne, F@"ahnchen, NL: vlaggetje,
DK: fane, S: flagga, N: .
-Ornament at the end of the stem of a note used for notes with values less than
-a quarter note. The number of flags determines the @w{@ar{}@strong{note value}}.
+Ornament at the end of the stem of a note used for notes with values
+less than a quarter note. The number of flags determines the
+@w{@ar{}@strong{note value}}.
@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
-\emptyText
-\property Voice.TextScript \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large
\notes\relative c'' {
g8_"1/8" s8
g16_"1/16" s8
@w{@ar{}@strong{counterpoint}}
@item functional harmony
-ES: armonía funcional, I: armonia funzionale, F: @'etude des functions, D: Funktionslehre, NL: , DK:
+ES: armon@'{@dotless{i}}a funcional, I: armonia funzionale, F: @'etude des functions, D: Funktionslehre, NL: , DK:
funktionsanalyse, funktionsharmonik, S: funktionsl@"ara, N:
A system of harmonic analysis. It is based on the idea that, in a given key,
@
-@lilypond[13pt,eps]
-\emptyText
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
-\property Lyrics.LyricText \set #'font-style = #'large
-\property Voice.TextScript \set #'font-style = #'large
+\property Score.LyricText \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large
\addlyrics
-\notes\relative c'' {
+\context Voice \notes\relative c'' {
< g1 e c > < a f d > < b g e >
< c a f > < d b g > < e c a > < f d b > }
\context Lyrics \lyrics { T Sp Dp S D Tp "D{\\kern-5pt}$\\mid$" }
@
-@lilypond[13pt,eps]
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
\property Staff.Clef \set #'full-size-change = ##t
-\property Lyrics.LyricText \set #'font-style = #'large
+\property Score.LyricText \set #'font-style = #'large
\addlyrics
\notes\relative c'' {
\clef french
@w{@ar{}@strong{brace}}
-A combination of two staffs with a brace. Usually used for piano music.
+A combination of two staves with a brace. Usually used for piano music.
@item grave
ES: grave, I: grave, F: grave, D: grave, langsam, traurig, NL: grave, ernstig, DK: grave, S: grave, N:
@w{@ar{}@strong{note value}}
@item harmonic cadence
-ES: cadencia (armónica), I: cadenza (armonica), F: cadence harmonique, D: Schlusskadenz, NL:
+ES: cadencia (arm@'onica), I: cadenza (armonica), F: cadence harmonique, D: Schlusskadenz, NL:
harmonische cadens, DK: harmonisk kadence, S: (harmonisk) kadens, N: .
Sequence of chords that terminate a musical phrase or
@
-@lilypond[13pt,eps]
+@lilypond[13pt,eps]
\notes\context PianoStaff <
\context Staff = SA \relative c'' {
\time 4/4
\clef treble
\partial 4 < c4 g e > | < c a f > < b g d > < c2 g e > }
- \property Lyrics.LyricText \set #'font-style = #'large
+ \property Score.LyricText \set #'font-style = #'large
\addlyrics
\context Staff = SB \relative c {
\clef bass
@end lilypond
@item harmony
-ES: armonía , I: armonia, F: harmonie, D: Harmonie, Zusammenklang, NL: harmonie, DK:
+ES: armon@'{@dotless{i}}a , I: armonia, F: harmonie, D: Harmonie, Zusammenklang, NL: harmonie, DK:
samklang, S: samklang, N:
Tones sounding simultaneously. Two note harmonies fall into the cathegories
@
-@lilypond[13pt,eps]
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
-\property Voice.TextScript \set #'font-style = #'large
-\notes\relative c'' {
+\property Score.TextScript \set #'font-style = #'large
+\context Voice \notes\relative c'' {
<g1_"unisone" g> s
<g1_"third" b> s
<g1_"fourth" c> s
@
-@lilypond[13pt,eps]
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
-\property Voice.TextScript \set #'font-style = #'large
-\notes\relative c'' {
+\property Score.TextScript \set #'font-style = #'large
+\context Voice \notes\relative c'' {
<g1_"second" a> s
<g1_"seventh" f'> s
<g1_"ninth" a'> s s
Three note harmony @w{@ar{}@strong{chord}}
@item homophony
-ES: homofonía, I: omofonia, F: homophonie, D: Homophonie, NL: homofonie, DK: homofoni, S:
+ES: homofon@'{@dotless{i}}a, I: omofonia, F: homophonie, D: Homophonie, NL: homofonie, DK: homofoni, S:
homofoni, N: .
Music in which one voice leads melodically followed by the other voices more
@
-@lilypond[13pt,eps]
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
\property Score.LyricText \set #'font-style = #'large
\property Score.TextScript \set #'font-style = #'large
\addlyrics
-\context Staff \notes\relative c'' {
+\context Voice \notes\relative c'' {
< g1 g > s
< g^"minor" as > s
< g^"major" a! > s
@
-@lilypond[13pt,eps]
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
\property Score.LyricText \set #'font-style = #'large
\property Score.TextScript \set #'font-style = #'large
@
-@lilypond[13pt,eps]
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
\property Score.LyricText \set #'font-style = #'large
\property Score.TextScript \set #'font-style = #'large
@
-@lilypond[13pt,eps]
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
\property Score.TextScript \set #'font-style = #'large
\context Staff \notes\relative c'' {
@item ledger line; leger line
-ES: líneas adicionales, I: tagli addizionali, F: ligne suppl@'ementaire, D: Hilfslinie, NL:
+ES: l@'{@dotless{i}}neas adicionales, I: tagli addizionali, F: ligne suppl@'ementaire, D: Hilfslinie, NL:
hulplijntje, DK: hj@ae{}lpelinie, S: hj@"alplinje, N: .
A ledger line is an extension of the staff.
@
-@lilypond[13pt,eps]
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
\notes\relative c'' { a,1 s c'' }
@end lilypond
@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
-\emptyText
-\property Lyrics.LyricText \set #'font-style = #'large
\addlyrics
-\notes\relative c'' {
+\context Staff \notes\relative c'' {
c4( d )e \bar "||"
c4-- d-- e-- \bar "||"
c4-.( d-. )e-. \bar "||"
c4-. d-. e-. \bar "||"
}
-\context Lyrics \lyrics { a "" "" b "" "" c "" "" d }
+\context Lyrics \lyrics {
+ \property Lyrics . LyricText \set #'font-style = #'large
+ a "" "" b "" "" c "" "" d }
@end lilypond
@item legato curve
A pond with lilies floating in it, also the name of a music typesetter.
@item line
-ES: línea, I: linea, F: ligne, D: Linie, Notenlinie, NL: lijn, DK: nodelinie, S:
+ES: l@'{@dotless{i}}nea, I: linea, F: ligne, D: Linie, Notenlinie, NL: lijn, DK: nodelinie, S:
notlinje, N: .
@w{@ar{}@strong{staff}}
@
-@lilypond[13pt,eps]
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
\notes\relative c'' {
\property Voice.NoteHead \set #'style = #'mensural
tuning keyboard instruments for performance of pre-1650 music.
@item measure, bar
-ES: compás, I: misura, battuta, F: mesure, D: Takt, NL: maat, DK: takt, S: takt, N: takt.
+ES: comp@'as, I: misura, battuta, F: mesure, D: Takt, NL: maat, DK: takt, S: takt, N: takt.
A group of @w{@ar{}@strong{beat}}s (units of musical time) the first of which
bears an accent. Such groups in numbers of two or more recur consistently
@w{@ar{}@strong{cadenza}}
@item meter, time
-ES: compás, I: tempo, metro, F: m@`etre, D: Taktart, Metrum, NL: maatsoort, DK: taktart,
+ES: comp@'as, I: tempo, metro, F: indication de m@'esure, D: Taktart, Metrum, NL: maatsoort, DK: taktart,
S: taktart, N: .
The basic scheme of @ar{}@w{}@strong{note value}s and @ar{}@w{}@strong{accent}s
@end lilypond
@item metronome
-ES: metrónomo, I: metronomo, F: m@'etronome, D: Metronom, NL: metronoom,
+ES: metr@'onomo, I: metronomo, F: m@'etronome, D: Metronom, NL: metronoom,
DK:@w{ }me@-tro@-nom, S:@w{ }me@-tro@-nom, N: metronom.
Device indicating the exact tempo of a piece. @w{@ar{}@strong{metronomic
indication}}
@item metronomic indication
-ES: indicación metronómica, I: indicazione metronomica, F: indication m@'etronomique, D: Metronomangabe,
+ES: indicaci@'on metron@'omica, I: indicazione metronomica, F: indication m@'etronomique, D: Metronomangabe,
NL: metronoom aanduiding, DK: metronomtal, S: metronomangivelse, N: .
Exact tempo indication (in beats per minute). Also denoted by
@
-@lilypond[13pt,eps]
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
\property Staff.Clef \set #'full-size-change = ##t
\notes\relative c' {
@w{@ar{}@strong{church mode}} @w{@ar{}@strong{diatonic scale}}
@item modulation
-ES: modulación, I: modulazione, F: modulation, D: Modulation, NL: modulatie, DK: modulation,
+ES: modulaci@'on, I: modulazione, F: modulation, D: Modulation, NL: modulatie, DK: modulation,
S: modulering, N: .
Moving from one @w{@ar{}@strong{key}} to another. For example the second
@
-@lilypond[13pt,eps]
+@lilypond[13pt,eps]
\property Score.TimeSignature \override #'style = #'C2/2
-\emptyText
-\property Voice.TextScript \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large
\notes\relative c'' {
\time 4/4
\key g \major
@
@lilypond[13pt,eps]
-\property Voice.TextScript \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large
\property Score.barNonAuto = ##t
\notes\relative c'' {
\property Voice.NoteHead \override #'style = #'mensural
@end lilypond
@lilypond[13pt,eps]
-\property Voice.TextScript \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large
\property Score.barNonAuto = ##t
\notes\relative c'' {
r\longa_"longa" r\breve_"breve"
@
@lilypond[13pt,eps]
-\emptyText
-\property Voice.TextScript \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large
\notes\relative c'' {
\time 4/4
g4._"pointed" g8 g2 | g4 () g8 g g2 \bar "||"
@
@lilypond[13pt,eps]
-\property Voice.TextScript \set #'font-style = #'large
-\emptyText
+\property Score.TextScript \set #'font-style = #'large
\notes\relative c'' {
\time 4/4
\times 2/3 {g8_"triplets" g g} g4 g8 g g4 \bar "||"
@lilypond[13pt,eps]
<
\context Staff = sa {
- \emptyText
- \property Voice.TextScript \set #'font-style = #'large
+ \property Score.TextScript \set #'font-style = #'large
\notes\relative c'' {
c2._"pre-1850" b4\trill | c1 \bar "||"
c2._"post-1850" b4\trill | c1 \bar "||"
@lilypond[13pt,eps]
<
\context Staff = sa {
- \emptyText
- \property Voice.TextScript \set #'font-style = #'large
+ \property Score.TextScript \set #'font-style = #'large
\notes\relative c'' {
a4_"turn" b\turn c2 \bar "||"
g4_"mordent" a b\mordent a \bar "||"
melodic line of the contrapuntal web.
@item percussion
-ES: percusión, I: percussioni, F: percussion, D: Schlagzeug, NL: slagwerk, DK: slagt@o{}j, S:
+ES: percusi@'on, I: percussioni, F: percussion, D: Schlagzeug, NL: slagwerk, DK: slagt@o{}j, S:
slagverk, N: .
A family of musical instruments which are played on by striking or
Play by plucking the strings.
@item polyphony
-ES: polifonía, I: polifonia, F: polyphonie, D: Polyphonie, NL: polyfonie, DK: polyfoni, S:
+ES: polifon@'{@dotless{i}}a, I: polifonia, F: polyphonie, D: Polyphonie, NL: polyfonie, DK: polyfoni, S:
polyfoni, N: .
Music written in a combination of several simultaneous voices (parts) of a
denotes the highest possible degree of speed.
@item Pythagorean comma
-ES: coma pitagórico,
+ES: coma pitag@'orico,
I: comma pitagorico, F: comma pythagoricien, D: Pythagor@"aisches Komma, NL:
komma van Pythagoras, DK: pythagor@ae{}isk komma, S: pytagoreiskt komma, N: .
@w{@ar{}@strong{note value}}
@item quintuplet
-ES: quintillo, I: quintina, F: quintuplet, D: Quintole, NL: kwintool, DK: kvintol, S:
+ES: quintillo, I: quintina, F: quintolet, D: Quintole, NL: kwintool, DK: kvintol, S:
kvintol, N: .
@w{@ar{}@strong{note value}}
@
-@lilypond[13pt,eps]
-\emptyText
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
-\property Voice.TextScript \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large
\notes\relative c' {
\key es \major
es1_"e flat major" f g as bes c d es
@end lilypond
@item repeat
-ES: barra de repetición, I: ritornello, F: barre de reprise, D: Wiederholung, NL: herhaling, DK:
+ES: barra de repetici@'on, I: ritornello, F: barre de reprise, D: Wiederholung, NL: herhaling, DK:
gen@-ta@-gel@-se, S: repris, N: .
@
}
@end lilypond
+@c F: 'pause' if you mean a whole rest, 'silence' if you do not want to
+@c specify the rest's value.
@item rest
ES: silencio, I: pausa, F: silence, D: Pause, NL: rust, DK: pause, S: paus, N: .
@
-@lilypond[13pt,eps]
-\emptyText
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
-\property Lyrics.LyricText \set #'font-style = #'large
+\property Score.LyricText \set #'font-style = #'large
%\property Lyrics.minVerticalAlign = #8
\addlyrics
-\notes\relative c' {
+\context Staff \notes\relative c' {
c1 d e f g a b c }
\context Lyrics \lyrics {
< { I II III IV V VI VII I }
@
-@lilypond[13pt,eps]
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
\notes\relative c'' { g1 gis s a bes s b c }
@end lilypond
@item seventh
-ES: séptima, I: settima, F: septi@`eme, D: Septime, NL: septiem, DK: septim, S: septim, N: .
+ES: s@'eptima, I: settima, F: septi@`eme, D: Septime, NL: septiem, DK: septim, S: septim, N: .
@w{@ar{}@strong{interval}}
ES: pentagrama, I: pentagramma, rigo (musicale), F: port@'ee, D: Notensystem, NL: (noten)balk;
partij, DK: nodesystem, S: notsystem, N: .
-pl. staves or staffs. A series of (normally 5) horizontal lines upon and
-between which the musical notes are written, thus indicating (in connection
-with a @w{@ar{}@strong{clef}}) their pitch. Staffs for
+pl. staves. A series of (normally 5) horizontal lines upon and between
+which the musical notes are written, thus indicating (in connection
+with a @w{@ar{}@strong{clef}}) their pitch. Staves for
@w{@ar{}@strong{percussion}} instruments may have fewer lines.
@item stem
@
@lilypond[13pt,eps]
-\property Score.noAutoBeaming = ##t
+\property Score.autoBeaming = ##f
\property Score.barNonAuto = ##t
-\emptyText
-\property Voice.TextScript \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large
\notes\relative c'' {
g2_"1/2" g' s16
g,4_"1/4" g' s16
The sixth @w{@ar{}@strong{scale degree}}
@item supertonic
-ES: supertónica, I: sopratonica, F: sus-tonique, D: Supertonika, NL: supertonica, DK:
+ES: supert@'onica, I: sopratonica, F: sus-tonique, D: Supertonika, NL: supertonica, DK:
supertonika, S: supertonika, N: .
The second @w{@ar{}@strong{scale degree}}.
@item symphony
-ES: sinfonía, I: sinfonia, F: symphonie, D: Sinfonie, NL: symfonie, DK: symfoni, S: symfoni,
+ES: sinfon@'{@dotless{i}}a, I: sinfonia, F: symphonie, D: Sinfonie, NL: symfonie, DK: symfoni, S: symfoni,
N: .
A symphony may be defined as a @w{@ar{}@strong{sonata}} for orchestra.
@
@lilypond[13pt,eps]
-\emptyText
-\property Voice.TextScript \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large
\time 4/4
\notes\relative c' {
\partial 4
temperament}}
@item tempo indication
-ES: indicación de tempo, I: indicazione di tempo, F: indication de temps, D: Zeitma@ss{},
+ES: indicaci@'on de tempo, I: indicazione di tempo, F: indication de temps, D: Zeitma@ss{},
Tempobezeichnung, NL: tempo aanduiding, DK: tempobetegelse, S:
tempobeteckning, N: .
The highest voice of men (apart from @w{@ar{}@strong{counter tenor}})
@item tenth
-ES: décima, I: decima, F: dixi@`eme, D: Dezime, NL: deciem, DK: decim, S: decima, N: .
+ES: d@'ecima, I: decima, F: dixi@`eme, D: Dezime, NL: deciem, DK: decim, S: decima, N: .
@w{@ar{}@strong{note value}}
@lilypond[13pt,eps]
\context GrandStaff <
- \notes\relative c'' {
+ \context Staff = lh \notes\relative c'' {
\time 4/4
\key es \major
\clef treble
< bes8 g > as < as f > g < g es > f < d f > es | < g4 es > }
>
}
- \property Voice.TextScript \set #'font-style = #'large
- \property Lyrics.LyricText \set #'font-style = #'Large
- \property Lyrics.minVerticalAlign = #6
\addlyrics
- \notes\relative c' {
+ \context Staff = rh \notes\relative c' {
\clef bass
\key es \major
es8 c () c bes () bes as () as g16 f | es4
}
\context Lyrics \lyrics {
+ \property Lyrics . LyricText \set #'font-style = #'Large
+ \property Lyrics . VerticalAlign \override #'threshold = #'(6 . 12)
< { "" "6" "4" "6" "4" "6" "4" "6" }
{ "" "" "2" "" "2" "" "2" "" } >
}
@end lilypond
@item tie; bind
-ES: ligadura de prolongación,
+ES: ligadura de prolongaci@'on,
I: legatura (di valore), F: liaison, D: Haltebogen, NL: overbinding, DK:
bindebue, S: bindeb@aa{}ge, @"overbindning, N: .
@item time signature
-ES: cifra indicadora de compás,
+ES: cifra indicadora de comp@'as,
I: segni di tempo, F: chiffrage (chiffres indicateurs), signe de valeur, D:
Taktangabe, Angabe der Taktart, NL: maatsoort, DK: taktangivelse, S:
taktartssignatur, N: .
The first @w{@ar{}@strong{scale degree}}@w{@ar{}@strong{functional harmony}}
@item transposition
-ES: transposición, I: trasposizione, F: transposition, D: Transposition, NL: transpositie, DK:
+ES: transposici@'on, I: trasposizione, F: transposition, D: Transposition, NL: transpositie, DK:
transposition, S: transponering, N: .
Shifting a melody up or down in pitch, while keeping the same relative pitches.
@
-@lilypond[13pt,eps]
-\emptyText
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
-\property Voice.TextScript \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large
\notes\relative c' {
% e2:32_"a" f:32 [ e8:16 f:16 g:16 a:16 ] s4 [:32 e1_"b" g]
% e2:32_"a" f:32 [ e8:16 f:16 g:16 a:16 ] s4 \repeat "tremolo" 16 { e32_"b" g }
@end lilypond
@item triad
-ES: tríada, I: triade, F: triade, accord parfait, accord de trois sons, D: Dreiklang, NL:
+ES: tr@'{@dotless{i}}ada, I: triade, F: triade, accord parfait, accord de trois sons, D: Dreiklang, NL:
drieklank, DK: treklang, S: treklang, N:
@w{@ar{}@strong{chord}}
@w{@ar{}@strong{ornament}}
@item triple meter
-ES: compás compuesto , I: tempo ternario, F: mesure ternaire, D: dreiteiliger Takt, NL: driedelige
+ES: comp@'as compuesto , I: tempo ternario, F: mesure ternaire, D: dreiteiliger Takt, NL: driedelige
maatsoort, DK: tredelt takt, S: tretakt, N: .
@w{@ar{}@strong{meter}}
@w{@ar{}@strong{note value}}
@item tritone
-ES: trítono, I: tritono, F: triton, D: Tritonus, NL: tritoon, DK: tritonus, S: tritonus, N:
+ES: tr@'{@dotless{i}}tono, I: tritono, F: triton, D: Tritonus, NL: tritoon, DK: tritonus, S: tritonus, N:
.
@w{@ar{}@strong{interval}}
@item tuning fork
-ES: diapasón, I: diapason, corista, F: diapason, D: Stimmgabel, NL: stemvork, DK:
+ES: diapas@'on, I: diapason, corista, F: diapason, D: Stimmgabel, NL: stemvork, DK:
stemmegaffel, S: st@"amgaffel, N: .
A two-pronged piece of steel used to indicate absolute pitch. Tuning forks
S: dubbelslag, N: .
@item unison
-ES: unísono, I: unisono, F: unisson, D: Unison, unisono, NL: unisono, DK: unison, S:
+ES: un@'{@dotless{i}}sono, I: unisono, F: unisson, D: Unison, unisono, NL: unisono, DK: unison, S:
unison, N: .
Playing of the same notes or the same melody by various instruments (voices)
different octave.
@item upbeat
-ES: entrada anacrúsica, I: anacrusi, F: anacrouse, D: Auftakt, NL: opmaat, DK: optakt, S:
+ES: entrada anacr@'usica, I: anacrusi, F: anacrouse, lev@'ee, D: Auftakt, NL: opmaat, DK: optakt, S:
upptakt, N:
Initial note(s) of a melody occurring before the first bar
of a polyphonic composition.
@item weak beat
-ES: tiempo débil, I: tempo debole, arsi, F: temps faible, D: unbetonter Taktteil oder -schlag,
+ES: tiempo d@'ebil, I: tempo debole, arsi, F: temps faible, D: unbetonter Taktteil oder -schlag,
NL: arsis, DK: ubetonet taktslag, S: obetonat taktslag, N: .
@w{@ar{}@strong{beat}} @w{@ar{}@strong{measure}} @w{@ar{}@strong{rhythm}}
black and white keys - is a whole tone.
@item woodwind
-ES: maderas, I: legni, F: le bois, D: Holzbl@"aser, NL: houtblazers, DK tr@ae{}bl@ae{}sere,
+ES: maderas, I: legni, F: les bois, D: Holzbl@"aser, NL: houtblazers, DK tr@ae{}bl@ae{}sere,
S: tr@"abl@aa{}sare, N: .
A family of blown wooden musical instruments. Today some of these instruments
projects / lilypond.git / blobdiff