@c @evenheading @thispage @| @|
@c @oddheading @| @| @thispage @|
-@itemize
+@ignore
+ glossary by Christian Mondrup
+
+ spanish by David González <dgonzal@quanta.net.py>
+
+@end ignore
+
+@itemize
+@item ES - Spanish
@item I - Italian
@item F - French
@item D - German
@table @strong
@item A
-I: la, F: la, D: A, a, NL: a, DK: a, S: a, N: a.
+ES: la
+: la, F: la, D: A, a, NL: a, DK: a, S: a, N: a.
@item accent
-I: accento, F: accent, D: Akzent, NL: accent, DK: accent, S: accent, N:
+ES: acento, I: accento, F: accent, D: Akzent, NL: accent, DK: accent, S: accent, N:
The stress of one tone over others.
@item accidental
-I: alterazione, accidente, F: alt@'eration accidentelle, D: Vorzeichen,
+ES: alteración, I: alterazione, accidente, F: alt@'eration accidentelle, D: Vorzeichen,
Versetzungszeichen, NL: voorteken, DK: l@o{}st fortegn, S: tillf@"alligt
f@"ortecken, N:
g!1_"natural" s2
}
@end lilypond
-@item accelerando
-I: accelerando, F: accelerando, en acc@'el@'erant, D: accelerando, Schneller,
+@item accelerando
+ES: acelerando, I: accelerando, F: accelerando, en acc@'el@'erant, D: accelerando, Schneller,
NL: accelerando, DK: accelerando, S: accelerando, N:
Still faster tempo.
@item adagio
-I: adagio, F: adagio, lent, D: Adagio, Langsam, NL: adagio, DK: adagio, S:
+ES: adagio, I: adagio, F: adagio, lent, D: Adagio, Langsam, NL: adagio, DK: adagio, S:
adagio, N: adagio.
It. comfortable, easy. 1. Slow tempo, slower - especially in even meter - than
@w{@ar{}@strong{sonata}s}, symphonies etc.
@item allegro
-I: allegro, F: allegro, D: Allegro, Schnell, Fr@"ohlich, Lustig, NL: allegro,
+ES: allegro, I: allegro, F: allegro, D: Allegro, Schnell, Fr@"ohlich, Lustig, NL: allegro,
DK: allegro, S: allegro, N: allegro.
It. cheerful. Quick tempo. Also used as a title for pieces in a quick tempo,
especially the first and last movements of a @w{@ar{}@strong{sonata}}.
@item alto
-I: contralto, F: alto, D: Alt, NL: alt, DK: alt, S: alt, N: alt.
+ES: alto, I: contralto, F: alto, D: Alt, NL: alt, DK: alt, S: alt, N: alt.
A female voice of low range (@emph{contralto}). Originally the alto was a high
male voice (hence the name) which by the use of falsetto reached the height of
tenor}}.
@item alto clef
-I: chiave di contralto, F: clef d'ut troisi@`eme ligne, D: Altschl@"ussel,
+ES: clave de do en tercera, I: chiave di contralto, F: clef d'ut troisi@`eme ligne, D: Altschl@"ussel,
Bratschenschl@"ussel, NL: alt sleutel, DK: altn@o{}gle, S: altklav, N:
C clef setting central C on the middle line of the staff
@end lilypond
@item andante
-I: andante, F: andante, D: Andante, NL: andante, DK: andante, S: andante,
+ES: andante, I: andante, F: andante, D: Andante, NL: andante, DK: andante, S: andante,
N: andante.
walking tempo/character
-@item appoggiatura
-I: appoggiatura, F: appogiature, (port de voix), D: Vorschlag, NL: voorslag,
+@item appoggiatura
+ES: apoyatura, I: appoggiatura, F: appogiature, (port de voix), D: Vorschlag, NL: voorslag,
DK: forslag, S: f@"orslag, N:
Ornamental note, usually a second, that is melodically connected with the main
@end lilypond
@item arpeggio
-I: arpeggio, F: arp@`ege, D: Arpeggio, Akkordbrechungen, gebrochener
+ES: arpegio, I: arpeggio, F: arp@`ege, D: Arpeggio, Akkordbrechungen, gebrochener
Akkord, NL: gebroken akoord, DK: arpeggio, akkordbrydning, S: arpeggio, N:
@
@end lilypond
@item ascending interval
-I: intervallo ascendente, F: intervalle ascendant, D: steigendes Intervall,
+ES: Intervalo ascendente, I: intervallo ascendente, F: intervalle ascendant, D: steigendes Intervall,
NL: stijgend interval, DK:@w{ }stigende interval, S: stigande intervall, N:
A distance between a starting lower note and a higher ending note.
@item augmented interval
-I: intervallo aumentato, F: intervalle augment@'e, D: @"uberm@"a@ss{}iges
+ES: intervalo aumentado, I: intervallo aumentato, F: intervalle augment@'e, D: @"uberm@"a@ss{}iges
Intervall, NL: overmatig interval, DK: forst@o{}rret interval, S:
@"overstigande intervall, N:
engraving. This required more skill than did engraving.
@item B
-I: si, F: si, D: H, h, NL: b, DK: h, S: h, N: h.
+ES: si, I: si, F: si, D: H, h, NL: b, DK: h, S: h, N: h.
@item backfall; forefall
@w{@ar{}@strong{appoggiatura}}
@item bar line
-I: stanghetta, barra (di divisione), F: barre (de mesure), D: Taktstrich, NL:
+ES: , I: stanghetta, barra (di divisione), F: barre (de mesure), D: Taktstrich, NL:
maatstreep, DK: taktstreg, S: taktstreck, N:
@item bar
-@w{@ar{}@strong{measure}}
+ES: compás, @w{@ar{}@strong{measure}}
@item baritone
-I: baritono, F: bariton, D: Bariton, NL: bariton, DK: baryton, S: baryton, N:
+ES: barítono, I: baritono, F: bariton, D: Bariton, NL: bariton, DK: baryton, S: baryton, N:
baryton.
The male voice intermediate between the @w{@ar{}@strong{bass}} and the
@w{@ar{}@strong{tenor}}.
@item baritone clef
+ES: clave de fa en tercera
I: chiave di baritono, F: clef de ut cinqui@`eme ligne, clef de troisi@`eme
ligne, D: Barytonschl@"ussel, NL: baritonsleutel, DK: barytonn@o{}gle, S:
barytonklav, N: .
@w{@ar{}@strong{f clef}}
@item bass clef
-I: chiave di basso, F: cl@'e de fa quatri@`eme ligne, D: Bass-Schl@"ussel, NL:
+ES: clave de fa en cuarta, I: chiave di basso, F: cl@'e de fa quatri@`eme ligne, D: Bass-Schl@"ussel, NL:
bassleutel, DK: basn@o{}gle, S: basklav, N:
A clef setting with central C on the first top ledger line. @w{@ar{}@strong{f
@end lilypond
@item beat
-I: tempi, F: temps, D: Taktschlag, Zeit (im Takt), NL: tel, DK: (takt)slag, S:
+ES: tiempo, I: tempi, F: temps, D: Taktschlag, Zeit (im Takt), NL: tel, DK: (takt)slag, S:
taktslag, N:
Note value used for counting, most often half-, fourth- and eighth notes. The
@w{@ar{}@strong{tie}}
@item brace
+ES: llave, corchete
I: graffa, F: accolade, D: Klammer, Klavierklammer, Akkolade, Chorklammer, NL:
accolade, teksthaak, DK: klamme, S: klammer, N:
@end lilypond
@item brass
-I: ottoni, D: Blechbl@"aser, NL: koper (blazers), F: cuivres,
+ES: metales, I: ottoni, D: Blechbl@"aser, NL: koper (blazers), F: cuivres,
DK: messingbl@ae{}sere, S: brassinstrument, m@"assingsinstrument, N:
A family of blown musical instruments made of brass all using a cup formed
Indication of where to breathe in vocal and wind instrument parts.
@item breve
-I: breve, F: br@`eve, D: Brevis, NL: brevis, DK: brevis, S: brevis, N:
+ES: breve, I: breve, F: br@`eve, D: Brevis, NL: brevis, DK: brevis, S: brevis, N:
@w{@ar{}@strong{Note value}} twice as long as a whole note. Mainly used
in pre-1650 music.
@end lilypond
@item C
-I: do, F: ut, D: C, c, NL: c, DK: c, S: c, N: c
+ES: do, I: do, F: ut, D: C, c, NL: c, DK: c, S: c, N: c
@item C clef
-I: chiave di do, F: cl@'e d'ut, D: C-Schl@"ussel, NL: C-sleutel, DK:
+ES: Clave de do, I: chiave di do, F: cl@'e d'ut, D: C-Schl@"ussel, NL: C-sleutel, DK:
c-n@o{}gle, S: c-klav, N:
Clef symbol indicating the position of the central C. Used on all note
}
@end lilypond
-@item cadence
-I: cadenza, F: cadence, D: Kadenz, NL: cadens, DK: kadence, S: kadens, N: .
+@item cadence
+ES: cadencia, I: cadenza, F: cadence, D: Kadenz, NL: cadens, DK: kadence, S: kadens, N: .
@w{@ar{}@strong{harmonic cadence}} @w{@ar{}@strong{functional harmony}}
@item cadenza
-I: cadenza, F: cadence, D: Kadenz, NL: cadens, DK: kadence, S: kadens, N: .
+ES: cadenza, I: cadenza, F: cadence, D: Kadenz, NL: cadens, DK: kadence, S: kadens, N: .
An extended, improvisatory style section inserted near the end of
movement. The purpose of a cadenza is to give the singer or player a chance to
by the composer.
@item canon
-I: canone, F: canon, D: Kanon, NL: canon, DK: kanon, S: kanon, N: .
+ES: canon, I: canone, F: canon, D: Kanon, NL: canon, DK: kanon, S: kanon, N: .
@w{@ar{}@strong{counterpoint}}
@item cent
-I: cent, F: cent, D: Cent, NL: cent, DK: cent, S: cent, N: .
+ES: cent, I: cent, F: cent, D: Cent, NL: cent, DK: cent, S: cent, N: .
Logarithmic unit of measurement. 1 cent is 1/1200 of an octave (1/100 of an
equally tempered @w{@ar{}@strong{semitone}}) @w{@ar{}@strong{equal temperament}}
@w{@ar{}@strong{middle C}}
@item chord
-I: accordo, F: accord, D: Akkord, NL: akkoord, DK: akkord, S: ackord, N: .
+ES: acorde, I: accordo, F: accord, D: Akkord, NL: akkoord, DK: akkord, S: ackord, N: .
Three or more tones sounding simultaneously. In traditional European music the
base chord is a @emph{triad} consisting of 2 thirds. @emph{Major} (major +
@end lilypond
@item chromatic scale
-I: scala cromatica, F: gamme chromatique, D: Chromatische Tonleiter, NL:
+ES: escala cromática, I: scala cromatica, F: gamme chromatique, D: Chromatische Tonleiter, NL:
chromatische toonladder, DK: kromatisk skala, S: kromatisk skala, N: .
A scale consisting of all 11 @w{@ar{}@strong{semitone}}s.
@end lilypond
@item chromaticism
-I: cromatismo, F: chromatisme, D: Chromatik, NL: chromatiek, DK: kromatik, S:
+ES: cromatismo, I: cromatismo, F: chromatisme, D: Chromatik, NL: chromatiek, DK: kromatik, S:
kromatik, N:
Use of tones extraneous to a @w{@ar{}@strong{diatonic scale}} (minor, major).
-@item church mode; ecclesiastical mode
-I: modo ecclesiastico, F: mode eccl@'esiastique, D: Kirchentonart, NL:
+@item church mode; ecclesiastical mode ES: modo eclesiástico, I: modo
+ecclesiastico, F: mode eccl@'esiastique, D: Kirchentonart, NL:
kerktoonladder, DK: kirketoneart, S: kyrkotonart, N:
@w{@ar{}@strong{diatonic scale}}
@item clef
-I: chiave, F: cl@'e, clef, D: Schl@"ussel, Schl@"ussel, Notenschl@"ussel, NL:
+ES: clave, I: chiave, F: cl@'e, clef, D: Schl@"ussel, Schl@"ussel, Notenschl@"ussel, NL:
sleutel, DK: n@o{}gle, S: klav, N:
@w{@ar{}@strong{c clef}} @w{@ar{}@strong{f clef}} @w{@ar{}@strong{g clef}}
@w{@ar{}@strong{meter}}
@item compound interval
-I: intervallo composto, F: intervalle compos@'e, D: Weites Intervall(?), NL:
+ES: intervalo compuesto, I: intervallo composto, F: intervalle compos@'e, D: Weites Intervall(?), NL:
samengesteld interval, DK: sammensat interval, S: sammansatt intervall, N: .
Intervals larger than an octave
@w{@ar{}@strong{inverted interval}}
@item conjunct movement
-I: moto congiunto, F: mouvement conjoint, D: schrittweise/stufenweise
+ES: movimiento conjunto, I: moto congiunto, F: mouvement conjoint, D: schrittweise/stufenweise
Bewegung, NL: , DK: trinvis bev@ae{}gelse, S: stegvis r@"orelse, N:
Melody moving in the narrow steps of the scale;
\notes\relative c'' { g4 g g a | b2 a | g4 b a a | g1 \bar "||"; }
@end lilypond
-@item consonance
-I: consonanza, F: consonance, D: Konsonanz, NL: consonant, DK: konsonans, S:
+@item consonance
+ES: consonancia, I: consonanza, F: consonance, D: Konsonanz, NL: consonant, DK: konsonans, S:
konsonans, N:
@w{@ar{}@strong{harmony}}
@item contralto
-I: contralto, F: contralto, D: Alt, NL: contralto, DK: alt, S: alt, N:
+ES: contralto, I: contralto, F: contralto, D: Alt, NL: contralto, DK: alt, S: alt, N:
@w{@ar{}@strong{alto}}
-@item counterpoint
-I: contrappunto, F: contrepoint, D: Kontrapunkt, NL: contrapunt, DK:
+@item counterpoint
+ES: contrapunto, I: contrappunto, F: contrepoint, D: Kontrapunkt, NL: contrapunt, DK:
kontrapunkt, S: kontrapunkt, N: .
From latin @emph{punctus contra punctum}, note against note. The combination
@end lilypond
@item counter tenor
-I: controtenore, F: contre-tenor, D: Kontratenor, NL: contratenor, DK:
+ES: contratenor, I: controtenore, F: contre-tenor, D: Kontratenor, NL: contratenor, DK:
kontratenor, S: kontratenor, counter tenor, N: kontratenor
@w{@ar{}@strong{contralto}}
required more skill than engraving.
@item crescendo
-I: crescendo, F: crescendo, D: Crescendo, Lauter, NL: crescendo, DK:
+ES: crescendo, I: crescendo, F: crescendo, D: Crescendo, Lauter, NL: crescendo, DK:
crescendo, S: crescendo, N:@w{ }crescendo.
Increasing volume. Indicated by a rightwards opening horizontal wedge or the
@end lilypond
@item cue-notes
-I: notine, F: petites notes pr@'ec@'edent l'entr@'ee d'in instrument,
+ES: notas guia, I: notine, F: petites notes pr@'ec@'edent l'entr@'ee d'in instrument,
r@'eplique, D: Stichnoten, NL: stichnoten, DK: stiknoder, S: inprickningar, N:
In a separate part notes belonging to another part with the purpose of hinting
when to start playing. Usually printed in a smaller type.
@item D
-I: re, F: r@'e, D: D, d, NL: d, DK: d, S: d, N: d
+ES: Re, I: re, F: r@'e, D: D, d, NL: d, DK: d, S: d, N: d
-@item da capo
-I: da capo, F: da capo, depuis le commencement, D: da capo, von Anfang, NL: da
+@item da capo
+ES: da capo, I: da capo, F: da capo, depuis le commencement, D: da capo, von Anfang, NL: da
capo, DK: da capo, S: da capo, N: .
The term indicates repetition of the piece from the beginning to the end or to
a certain place marked @emph{fine}. Mostly abbreviated D.C.
@item dal segno
-I: dal segno, F: dal segno, depuis le signe, D: dal segno, NL: dal segno, DK:
+ES: dal segno, I: dal segno, F: dal segno, depuis le signe, D: dal segno, NL: dal segno, DK:
dal segno, S: dal segno, N: .
abbreviated d.s. Repetition, not from the beginning, but from another place
@end lilypond
@item decrescendo
-I: decrescendo, D: Decrescendo, Leiser, NL: decrescendo, DK: decrescendo, S:
+ES: decrescendo, I: decrescendo, D: Decrescendo, Leiser, NL: decrescendo, DK: decrescendo, S:
decrescendo, N: decrescendo
Decreasing tone volume. Indicated by a leftwards opening horizontal wedge
@end lilypond
@item descending interval
-I: intervallo discendente, F: intervalle descendant, D: fallendes Intervall,
+ES: intervalo descendente, I: intervallo discendente, F: intervalle descendant, D: fallendes Intervall,
absteigendes Intervall, NL: dalend interval, DK:@w{ }faldende interval, S:
fallande intervall, N:
An distance between a starting higher note and a lower ending note.
@item diatonic scale
-I: scala diatonica, F: gamme diatonique, D: diatonische Tonleiter, NL:
+ES: escala diatónica, I: scala diatonica, F: gamme diatonique, D: diatonische Tonleiter, NL:
diatonische toonladder, DK: diatonisk skala, S: diatonisk skala, N:
A scale consisting of 5 @w{@ar{}@strong{whole tones}} and 2
@end lilypond
@item diminished interval
-I: intervallo diminuito, F: intervalle diminu@'e, D: vermindertes Intervall,
+ES: intervalo disminuído, I: intervallo diminuito, F: intervalle diminu@'e, D: vermindertes Intervall,
NL: verminderd interval, DK: formindsket interval, S: f@"orminskat
intervall, N: .
@w{@ar{}@strong{interval}}
@item diminuendo
-I: diminuendo, F: diminuendo, D: Diminuendo, NL: diminuendo, DK: diminuendo,
+ES: diminuendo, I: diminuendo, F: diminuendo, D: Diminuendo, NL: diminuendo, DK: diminuendo,
S:@w{ }diminuendo, N:@w{ }diminuendo.
@w{@ar{}@strong{decrescendo}}
@item disjunct movement
-I: moto disgiunto, F: mouvement disjoint, D:
+ES: movimiendo disjunto, I: moto disgiunto, F: mouvement disjoint, D:
sprunghafte Bewegung, NL: , DK: springende bev@ae{}gelse, S: hoppande
r@"orelse, N:
@end lilypond
@item dissonant interval; dissonance
+ES: intervalo disonante, disonancias,
I: intervallo dissonante, dissonanza, F: dissonance, D: Dissonanz, NL:
dissonant interval; dissonant, DK: dissonerende interval, dissonans, S:
dissonans, N: .
@w{@ar{}@strong{chord}} @w{@ar{}@strong{functional harmony}}
@item dominant seventh chord
-I: accordo di settima di dominante, F: accord de septi@`eme dominante, D:
+ES: acorde de séptima de dominante, I: accordo di settima di dominante, F: accord de septi@`eme dominante, D:
Dominantseptakkord, NL: dominant septiem akkoord, DK: dominantseptimakkord, S:
dominantseptimackord, N:
@w{@w{@ar{}@strong{chord}} @ar{}@strong{functional harmony}}
@item dominant
-I: dominante, F: dominante, D: Dominante, NL: dominant, DK: dominant, S:
+ES: dominante, I: dominante, F: dominante, D: Dominante, NL: dominant, DK: dominant, S:
dominant, N: .
The fifth @w{@ar{}@strong{scale degree}} @w{@ar{}@strong{functional harmony}}
@item dorian mode
-I: modo dorico, F: mode dorien, D: Dorischer Kirchenton, NL: dorische
+ES: modo dórico, I: modo dorico, F: mode dorien, D: Dorischer Kirchenton, NL: dorische
toonladder, dorischer Kirchenton, DK: dorisk skala, S: dorisk tonart, N:
@w{@ar{}@strong{diatonic scale}}
@item dot (augmentation dot)
-I: punto (di valore), F: point, D: Punkt (Verl@"angerungspunkt), NL: punt, DK:
+ES: puntillo, I: punto (di valore), F: point, D: Punkt (Verl@"angerungspunkt), NL: punt, DK:
punkt, S: punkt, N:
@w{@ar{}@strong{dotted note}}
@item dotted note
-I: nota puntata, F: note point@'ee, D: punktierte Note, NL: gepuncteerde noot,
+ES: nota con puntillo, I: nota puntata, F: note point@'ee, D: punktierte Note, NL: gepuncteerde noot,
DK: punkteret node, S: punkterad not, N:
@w{@ar{}@strong{note value}}
@item double appoggiatura
-I: appoggiatura doppia, F: appoggiature double, D: doppelter Vorschlag, NL:
+ES: apoyatura doble, I: appoggiatura doppia, F: appoggiature double, D: doppelter Vorschlag, NL:
dubbele voorslag, DK: dobbelt forslag, S: dubbelslag, N:
@w{@ar{}@strong{appoggiatura}}
Indicates the end of a section within a movement.
@item double dotted note
-I: nota doppiamente puntata, F: note doublement point@'ee, D:
+ES: nota con dos puntillos, I: nota doppiamente puntata, F: note doublement point@'ee, D:
doppel-punktierte Note, NL: dubbelgepuncteerde noot, DK:
dob@-belt@-punk@-te@-ret node, S: dub@-bel@-punk@-te@-rad not, N: .
@w{@ar{}@strong{note value}}
@item double flat
-
+ES: doble bemol,
I: doppio bemolle, F: double b@'emol, D: Doppel-B, NL: dubbelmol,
DK:@w{ }dob@-belt-b, S: dubbelbe, N: .
@w{@ar{}@strong{accidental}}
@item double sharp
-I: doppio diesis, F: double di@`ese, D: Doppelkreuz, NL: dubbelkruis,
+ES: doble sostenido, I: doppio diesis, F: double di@`ese, D: Doppelkreuz, NL: dubbelkruis,
DK:@w{ }dob@-belt@-kryds, S: dubbelkors, N: .
@w{@ar{}@strong{accidental}}
@item double trill
-I: doppio trillo, F: trille double, D: Doppeltriller, NL: dubbele triller, DK:
+ES: trino doble, I: doppio trillo, F: trille double, D: Doppeltriller, NL: dubbele triller, DK:
dobbelttrille, S: dubbeldrill, N: .
A simultaneous trill on two notes, usually in the distance of a third.
@item duple meter
-I: tempo binario, F: temps binaire, D: zweiteiliger Takt, NL: tweedelige
+ES: tiempo binario, I: tempo binario, F: temps binaire, D: zweiteiliger Takt, NL: tweedelige
maatsoort, DK: todelt takt, S: tv@aa{}takt, N: .
@w{@ar{}@strong{meter}}
@item duplet
-I: duina, F: duolet, D: Duole, NL: duool, DK: duol, S: duol, N: .
+ES: dosillo, I: duina, F: duolet, D: Duole, NL: duool, DK: duol, S: duol, N: .
@w{@ar{}@strong{note value}}
@item duration
-I: durata, F: dur@'ee, D: Dauer, L@"ange, NL: duur, lengte, DK: varighed, S:
+ES: duración, I: durata, F: dur@'ee, D: Dauer, L@"ange, NL: duur, lengte, DK: varighed, S:
tonl@"angd, N: .
@w{@ar{}@strong{note value}}
@w{@ar{}@strong{syntonic comma}}
@item E
-I: mi, F: mi, D: E, e, NL: e, DK: e, S: e, N: e.
+ES: mi, I: mi, F: mi, D: E, e, NL: e, DK: e, S: e, N: e.
@item eighth note
-I: croma, F: croche, UK: quaver, D: Achtel, Achtelnote, NL: achtste noot, DK:
+ES: corchea, I: croma, F: croche, UK: quaver, D: Achtel, Achtelnote, NL: achtste noot, DK:
ottendedelsnode, S: @aa{}ttondelsnot, N: .
@w{@ar{}@strong{note value}}
@item eighth rest
-I: pausa di croma, F: demi-soupir, UK: quaver rest, D: Achtelpause, NL:
+ES: silencio de corchea, I: pausa di croma, F: demi-soupir, UK: quaver rest, D: Achtelpause, NL:
achtste rust, DK:@w{ }ottendedelspause, S: @aa{}ttonddelspaus, N: .
@w{@ar{}@strong{note value}}
@item engraving
-I: incisione, F: gravure, D: Notenstechen, NL: steken, DK: nodestik, S:
+ES: Grabar, I: incisione, F: gravure, D: Notenstechen, NL: steken, DK: nodestik, S:
nottryck, N: .
Engraving means incising or etching a metal plate for
plate of metal. Now also the term for the art of music typesetting.
@item enharmonic
-I: enarmonico, F: enharmonique, D: enharmonisch, NL: enharmonisch, DK:
+ES: enharmónico, I: enarmonico, F: enharmonique, D: enharmonisch, NL: enharmonisch, DK:
enharmonisk, S: enharmonisk, N: .
Two notes, intervals, or scales are enharmonic if they have different names
@w{@ar{}@strong{andante}}, @w{@ar{}@strong{allegro}})
@item F
-I: fa, F: fa, D: F, f, NL: f, DK: f, S: f, N: f.
+ES: fa, I: fa, F: fa, D: F, f, NL: f, DK: f, S: f, N: f.
@item F clef
-I: chiave di fa, F: cl@'e de fa, D: F-Schl@"ussel, NL: F-sleutel, DK:
+ES: Clave de Fa, I: chiave di fa, F: cl@'e de fa, D: F-Schl@"ussel, NL: F-sleutel, DK:
F-n@o{}gle, S: f-klav, N: .
The position between the dots of the key symbol is the line of the F below
@end lilypond
@item fermata
-I: corona, F: pause, D: Fermate, NL: fermate, DK: fermat, S: fermat, N: .
+ES: Calderón, I: corona, F: pause, D: Fermate, NL: fermate, DK: fermat, S: fermat, N: .
Prolonged note or rest of indefinite duration.
@end lilypond
@item fifth
-I: quinta, F: quinte, D: Quinte, NL: kwint, DK: kvint, S: kvint, N:
+ES: quinta, I: quinta, F: quinte, D: Quinte, NL: kwint, DK: kvint, S: kvint, N:
kvint.
@w{@ar{}@strong{interval}}
@item figured bass
-@w{@ar{}@strong{thorough bass}}
+ES: bajo cifrado, @w{@ar{}@strong{thorough bass}}
@item fingering
-I: diteggiatura, F: doigt@'e, D: Fingersatz, NL: vingerzetting, DK:
+ES: digitación, I: diteggiatura, F: doigt@'e, D: Fingersatz, NL: vingerzetting, DK:
fingers@ae{}tning, S: fingers@"attning, N: .
The methodical use of fingers in the playing of instruments.
@item flag; pennant
+ES: corchete,
I: coda (uncinata), bandiera, F: crochet, D: Fahne, F@"ahnchen, NL: vlaggetje,
DK: fane, S: flagga, N: .
@end lilypond
@item flat
-I: bemolle, F: b@'emol, D: B, b, NL: mol, DK: b, S: bef@"ortecken, N: .
+ES: bemol, I: bemolle, F: b@'emol, D: B, b, NL: mol, DK: b, S: bef@"ortecken, N: .
@w{@ar{}@strong{accidental}}
@w{@ar{}@strong{appoggiatura}}
@item forte
-I: forte, F: forte, D: forte, Laut, NL: forte, DK: forte, S: forte, N: .
+ES: forte, I: forte, F: forte, D: forte, Laut, NL: forte, DK: forte, S: forte, N: .
Loud, abbreviated @b{f}, @emph{fortissimo} (@b{ff}) very loud,
@emph{mezzoforte} (@b{mf}) medium loud.
@item fourth
-I: quarta, F: quarte, D: Quarte, NL: kwart, DK: kvart, S: kvart, N: .
+ES: cuarta, I: quarta, F: quarte, D: Quarte, NL: kwart, DK: kvart, S: kvart, N: .
@w{@ar{}@strong{interval}}
-@item fugue
-I: fuga, F: fugue, D: Fuge, NL: fuga, DK: fuga, S: fuga, N: .
+@item fugue
+ES: fuga, I: fuga, F: fugue, D: Fuge, NL: fuga, DK: fuga, S: fuga, N: .
@w{@ar{}@strong{counterpoint}}
@item functional harmony
-I: armonia funzionale, F: @'etude des functions, D: Funktionslehre, NL: , DK:
+ES: armonía funcional, I: armonia funzionale, F: @'etude des functions, D: Funktionslehre, NL: , DK:
funktionsanalyse, funktionsharmonik, S: funktionsl@"ara, N:
A system of harmonic analysis. It is based on the idea that, in a given key,
@end lilypond
@item G
-I: sol, F: sol, D: G, g, NL: g, DK: g, S: g, N: g.
+ES: sol, I: sol, F: sol, D: G, g, NL: g, DK: g, S: g, N: g.
@item G clef
-I: chiave di sol, F: cl@'e de sol, D: G-Schl@"ussel, Violinschl@"ussel, NL:
+ES: Clave de sol, I: chiave di sol, F: cl@'e de sol, D: G-Schl@"ussel, Violinschl@"ussel, NL:
G-sleutel, DK: g-n@o{}gle, S: g-klav, N: .
A clef symbol indicating the G above central C. Used on the first and second
@end lilypond
@item glissando
-I: glissando, F: glissando, D: Glissando, NL: glissando, DK: glissando, S:
+ES: glissando, I: glissando, F: glissando, D: Glissando, NL: glissando, DK: glissando, S:
glissando, N: glissando.
Letting the pitch slide fluently from one note to the other
A combination of two staffs with a brace. Usually used for piano music.
@item grave
-I: grave, F: grave, D: grave, langsam, traurig, NL: grave, ernstig, DK: grave, S: grave, N:
+ES: grave, I: grave, F: grave, D: grave, langsam, traurig, NL: grave, ernstig, DK: grave, S: grave, N:
.
Slow, solemn.
@item half note
-I: minima, F: blanche, UK: minim, D: Halbe, halbe Note, NL: halve noot, DK:
+ES: blanca, I: minima, F: blanche, UK: minim, D: Halbe, halbe Note, NL: halve noot, DK:
halvnode, S: halvnot, N: .
@w{@ar{}@strong{note value}}
@w{@ar{}@strong{note value}}
@item harmonic cadence
-I: cadenza (armonica), F: cadence harmonique, D: Schlusskadenz, NL:
+ES: cadencia (armónica), I: cadenza (armonica), F: cadence harmonique, D: Schlusskadenz, NL:
harmonische cadens, DK: harmonisk kadence, S: (harmonisk) kadens, N: .
Sequence of chords that terminate a musical phrase or
@end lilypond
@item harmony
-I: armonia, F: harmonie, D: Harmonie, Zusammenklang, NL: harmonie, DK:
+ES: armonía , I: armonia, F: harmonie, D: Harmonie, Zusammenklang, NL: harmonie, DK:
samklang, S: samklang, N:
Tones sounding simultaneously. Two note harmonies fall into the cathegories
Three note harmony @w{@ar{}@strong{chord}}
@item homophony
-I: omofonia, F: homophonie, D: Homophonie, NL: homofonie, DK: homofoni, S:
+ES: homofonía, I: omofonia, F: homophonie, D: Homophonie, NL: homofonie, DK: homofoni, S:
homofoni, N: .
Music in which one voice leads melodically followed by the other voices more
or less in the same rhythm. In contrast to @w{@ar{}@strong{polyphony}}.
@item interval
-I: intervallo, F: intervalle, D: Intervall, NL: interval, DK: interval, S:
+ES: intervalo, I: intervallo, F: intervalle, D: Intervall, NL: interval, DK: interval, S:
intervall, N: .
Difference in pitch between two notes. Intervals may be perfect, minor, major,
@end lilypond
@item inverted interval
-I: intervallo rivolto, F: intervalle renvers@'e, D: umgekerhtes Intervall, NL:
+ES: intervalo invertido, I: intervallo rivolto, F: intervalle renvers@'e, D: umgekerhtes Intervall, NL:
interval inversie, DK: omvendingsinterval, S: intervallets omv@"andning, N: .
The difference between an interval and an octave.
@w{natural} fifths and thirds. @w{@ar{}@strong{temperament}}
@item key
-I: tonalit@`a, F: tonalit@'e, D: Tonart, NL: toonsoort, DK: toneart, S:
+ES: tonalidad, I: tonalit@`a, F: tonalit@'e, D: Tonart, NL: toonsoort, DK: toneart, S:
tonart, N: .
According to the 12 tones of the @w{@ar{}@strong{chromatic scale}} there are 12
keys, one on c, one on c-sharp etc. @w{@ar{}@strong{key signature}}
@item key signature
-I: armatura di chiave, F: armure, armature [de la cl@'e], D: Vorzeichen,
+ES: armadura de clave, I: armatura di chiave, F: armure, armature [de la cl@'e], D: Vorzeichen,
Tonart, NL: @w{ }toon@-soort (voortekens), DK: faste fortegn,
S: tonartssignatur, N: .
key of the music. @w{@ar{}@strong{accidental}}
@item largo
-I: largo, F: largo, D: Largo, Langsam, Breit, NL: largo, DK: largo, S: largo,
+ES: largo, I: largo, F: largo, D: Largo, Langsam, Breit, NL: largo, DK: largo, S: largo,
N: largo
Very slow in tempo, usually combined with great
expressiveness. @emph{Larghetto} less slow than largo.
@item leading note
-I: sensibile, F: note sensible, D: Leitton, NL: leidtoon, DK: ledetone, S:
+ES: sensible, I: sensibile, F: note sensible, D: Leitton, NL: leidtoon, DK: ledetone, S:
ledton, N: .
The seventh @w{@ar{}@strong{scale degree}}, a @w{@ar{}@strong{semitone}} below
@item ledger line; leger line
-I: tagli addizionali, F: ligne suppl@'ementaire, D: Hilfslinie, NL:
+ES: líneas adicionales, I: tagli addizionali, F: ligne suppl@'ementaire, D: Hilfslinie, NL:
hulplijntje, DK: hj@ae{}lpelinie, S: hj@"alplinje, N: .
A ledger line is an extension of the staff.
@end lilypond
@item legato
-I: legato, F: legato, li@'e, D: legato, NL: legato, DK: legato, S: legato, N:
+ES: ligado, I: legato, F: legato, li@'e, D: legato, NL: legato, DK: legato, S: legato, N:
.
To be performed without any perceptible interruption between the notes (a)
@w{@ar{}@strong{slur}} @w{@ar{}@strong{legato}}
@item lilypond
+ES: estanque de lilas,
I: stagno del giglio, F: @'etang de lis, UK: lily pond, D: Seerosenteich, NL:
le@-lie@-vij@-ver, DK: liliedam, S: liljedamm, N: .
A pond with lilies floating in it, also the name of a music typesetter.
@item line
-I: linea, F: ligne, D: Linie, Notenlinie, NL: lijn, DK: nodelinie, S:
+ES: línea, I: linea, F: ligne, D: Linie, Notenlinie, NL: lijn, DK: nodelinie, S:
notlinje, N: .
@w{@ar{}@strong{staff}}
-@item long appoggiatura
-I: appoggiatura lunga, F: appoggiature longue, D: langer Vorschlag, DK: langt
+@item long appoggiatura
+ES: apoyatura larga, I: appoggiatura lunga, F: appoggiature longue, D: langer Vorschlag, DK: langt
forslag, S: l@aa{}ngt f@"orslag, N: .
@w{@ar{}@strong{appoggiatura}}
@item longa
-I: longa, F: longa, D: Longa, NL: longa, DK: longa, S: longa, N: longa
+ES: longa, I: longa, F: longa, D: Longa, NL: longa, DK: longa, S: longa, N: longa
note value: double length of @w{@ar{}@strong{brevis}}. @w{@ar{}@strong{note value}}
@end lilypond
@item major interval
-I: intervallo maggiore, F: intervalle majeur, D: gro@ss{}es Intervall, NL:
+ES: intervalo mayor, I: intervallo maggiore, F: intervalle majeur, D: gro@ss{}es Intervall, NL:
groot interval, DK: stort interval, S: stort intervall, N: .
@w{@ar{}@strong{interval}}
@item major
-I: maggiore, F: [mode] majeur, D: Dur, NL: majeur, DK: dur, S: dur, N: dur.
+ES: mayor, I: maggiore, F: [mode] majeur, D: Dur, NL: majeur, DK: dur, S: dur, N: dur.
@w{@ar{}@strong{diatonic scale}}
tuning keyboard instruments for performance of pre-1650 music.
@item measure, bar
-I: misura, battuta, F: mesure, D: Takt, NL: maat, DK: takt, S: takt, N: takt.
+ES: compás, I: misura, battuta, F: mesure, D: Takt, NL: maat, DK: takt, S: takt, N: takt.
A group of @w{@ar{}@strong{beat}}s (units of musical time) the first of which
bears an accent. Such groups in numbers of two or more recur consistently
bar-lines. @w{@ar{}@strong{meter}}
@item mediant
-I: mediante, modale, F: m@'ediante, NL: mediant, D: Mediant, DK: mediant, S:
+ES: mediante, I: mediante, modale, F: m@'ediante, NL: mediant, D: Mediant, DK: mediant, S:
mediant, N: .
1. The third @b{scale degree}. 2. A @w{@ar{}@strong{chord}} having its base tone
@w{@ar{}@strong{cadenza}}
@item meter, time
-I: tempo, metro, F: m@`etre, D: Taktart, Metrum, NL: maatsoort, DK: taktart,
+ES: compás, I: tempo, metro, F: m@`etre, D: Taktart, Metrum, NL: maatsoort, DK: taktart,
S: taktart, N: .
The basic scheme of @ar{}@w{}@strong{note value}s and @ar{}@w{}@strong{accent}s
@end lilypond
@item metronome
-I: metronomo, F: m@'etronome, D: Metronom, NL: metronoom,
+ES: metrónomo, I: metronomo, F: m@'etronome, D: Metronom, NL: metronoom,
DK:@w{ }me@-tro@-nom, S:@w{ }me@-tro@-nom, N: metronom.
Device indicating the exact tempo of a piece. @w{@ar{}@strong{metronomic
indication}}
@item metronomic indication
-I: indicazione metronomica, F: indication m@'etronomique, D: Metronomangabe,
+ES: indicación metronómica, I: indicazione metronomica, F: indication m@'etronomique, D: Metronomangabe,
NL: metronoom aanduiding, DK: metronomtal, S: metronomangivelse, N: .
Exact tempo indication (in beats per minute). Also denoted by
M.M. (M@"alzel's Metronom)
@item mezzo-soprano
-I: mezzo-soprano, F: mezzo-soprano, D: Mezzosopran, NL: mezzosopraan, DK:
+ES: mezzo soprano, I: mezzo-soprano, F: mezzo-soprano, D: Mezzosopran, NL: mezzosopraan, DK:
mezzosopran, S: mezzosopran, N: mezzosopran.
The female voice between @w{@ar{}@strong{soprano}} and
@w{@ar{}@strong{contralto}}.
@item middle C
-I: do centrale, F: do central, D: eingestrichenes c, NL: centrale c, DK:
+ES: do central, I: do centrale, F: do central, D: eingestrichenes c, NL: centrale c, DK:
enstreget c, S: ettstruket c, N:
First C below the 440 Hz A.
@end lilypond
@item minor interval
-I: intervallo minore, F: intervalle mineur, D: kleines Intervall, NL: klein
+ES: intervalo mayor, I: intervallo minore, F: intervalle mineur, D: kleines Intervall, NL: klein
interval, DK: lille interval, S: litet intervall, N: .
@w{@ar{}@strong{interval}}
@item minor
-I: minore, F: mode mineur, D: Moll, NL: mineur, DK: mol, S: moll, N: .
+ES: menor, I: minore, F: mode mineur, D: Moll, NL: mineur, DK: mol, S: moll, N: .
@w{@ar{}@strong{diatonic scale}}
@item mode
-I: modo, F: mode, D: Modus, NL: modus, DK: skala, S: modus, skala, N: .
+ES: modo, I: modo, F: mode, D: Modus, NL: modus, DK: skala, S: modus, skala, N: .
@w{@ar{}@strong{church mode}} @w{@ar{}@strong{diatonic scale}}
@item modulation
-I: modulazione, F: modulation, D: Modulation, NL: modulatie, DK: modulation,
+ES: modulación, I: modulazione, F: modulation, D: Modulation, NL: modulatie, DK: modulation,
S: modulering, N: .
Moving from one @w{@ar{}@strong{key}} to another. For example the second
@w{@ar{}@strong{ornament}}
@item motive; motif
+ES: tema,
I: inciso, F: incise, D: Motiv, NL: motief, DK: motiv, S: motiv, N: .
The briefest intelligible and self-contained fragment of a musical theme or
@end lilypond
@item movement
-I: movimento, F: mouvement, D: Satz, NL: deel, DK: sats, S: sats, N: .
+ES: movimiento, I: movimento, F: mouvement, D: Satz, NL: deel, DK: sats, S: sats, N: .
Greater musical works like @w{@ar{}@strong{symphony}} and
@w{@ar{}@strong{sonata}} most often consist of several - more or less -
independant pieces called movements.
@item multibar rest
-I: pausa multipla, F: pause multiple, NL: meermaats rust, D:
+ES: compases de espera, I: pausa multipla, F: pause multiple, NL: meermaats rust, D:
mehrtaktige Pause, DK: flertaktspause, S: flertaktspaus, N: .
@
@w{@ar{}@strong{diatonic scale}}
@item natural sign
-I: bequadro, F: b@'ecarre, D: Aufl@"osungszeichen, NL: herstellingsteken,
+ES: becuadro, I: bequadro, F: b@'ecarre, D: Aufl@"osungszeichen, NL: herstellingsteken,
DK:@w{ }op@-l@o{}sningstegn, S: @aa{}terst@"allningstecken, N: .
@w{@ar{}@strong{accidental}}
@w{@ar{}@strong{appoggiatura}}
@item ninth
-I: nona, F: neuvi@`eme, D: None, NL: noon, DK: none, S: nona, N: .
+ ES: novena, I: nona, F: neuvi@`eme, D: None, NL: noon, DK: none, S: nona, N: .
@w{@ar{}@strong{interval}}
@w{@ar{}@strong{legato}}
@item note
-I: nota, F: note, D: Note, NL: noot, DK: node, S: not, N: ,
+ES: nota, I: nota, F: note, D: Note, NL: noot, DK: node, S: not, N: ,
Notes are signs by means of which music is fixed in writing. The term is also
used for the sound indicated by a note, and even for the key of the piano
and hears a tone.
@item note head
-I: testa, testina, capocchia, F: t@^ete de la note, D: Notenkopf, NL:
+ES: oval, I: testa, testina, capocchia, F: t@^ete de la note, D: Notenkopf, NL:
nootballetje, DK: nodehovede, S: nothuvud, N: .
A head like sign which indicates pitch by its position on a
instrument.
@item note value
-I: valore, durata, F: dur@'ee, valeur (d'une note), D: Notenwert, NL:
+ES: valor, I: valore, durata, F: dur@'ee, valeur (d'une note), D: Notenwert, NL:
nootwaarde, DK nodev@ae{}rdi, S: notv@"arde, N: .
Note values (durations) are measured as fractions, normally 1/2, of the next
@w{@ar{}@strong{g clef}} @w{@ar{}@strong{f clef}}
@item octave
-I: ottava, F: octave, D: Oktave, NL: octaaf, DK: oktav, S: oktav, N: .
+ES: octava, I: ottava, F: octave, D: Oktave, NL: octaaf, DK: oktav, S: oktav, N: .
@w{@ar{}@strong{interval}}
@item ornament; embellishment; accessory
+ES: adorno,
I: abbellimento, fioriture, F: agr@'ement, ornement, D: Verzierung, Ornament,
NL: versiering, DK: forsiring, S: ornament, N: .
@w{@ar{}@strong{appoggiatura}}
@item ossia
-I: ossia, F: ossia, D: Ossia, NL: alternatief, DK: ossia, S: ossia, N: .
+ES: ossia, I: ossia, F: ossia, D: Ossia, NL: alternatief, DK: ossia, S: ossia, N: .
Ossia (otherwise) marks an alternative. It is an added staff or piano
score, usually only a few measures long, which presents another version
of the music, for example for small hands.
@item part
-I: voce, parte, F: partie, D: Stimme, NL: partij, DK: stemme, S: st@"amma, N: .
+ES: parte, I: voce, parte, F: partie, D: Stimme, NL: partij, DK: stemme, S: st@"amma, N: .
1. In instrumental or choral music the music for the single instrument
or voice. 2. in contrapuntal music @w{@ar{}@strong{counterpoint}} the single
melodic line of the contrapuntal web.
@item percussion
-I: percussioni, F: percussion, D: Schlagzeug, NL: slagwerk, DK: slagt@o{}j, S:
+ES: percusión, I: percussioni, F: percussion, D: Schlagzeug, NL: slagwerk, DK: slagt@o{}j, S:
slagverk, N: .
A family of musical instruments which are played on by striking or
and xylophone.
@item perfect interval
-
+ES: intervalo justo,
I: intervallo giusto, F: intervalle juste, D: reines Intervall, NL: rein
interval, DK: rent interval, S: rent intervall, N: .
@w{@ar{}@strong{interval}}
@item phrase
-I: frase, F: phrase, D: Phrase, NL: frase, zin, DK: frase, S: fras, N: .
+ES: frase, I: frase, F: phrase, D: Phrase, NL: frase, zin, DK: frase, S: fras, N: .
A natural division of the melodic line, comparable to a sentence of speech.
@item phrasing
-I: fraseggio, F: phras@'e, D: Phrasierung, NL: frasering, DK: frasering, S:
+ES: fraseo, I: fraseggio, F: phras@'e, D: Phrasierung, NL: frasering, DK: frasering, S:
fra@-se@-ring, N: .
The clear rendering in musical performance of the @w{@ar{}@strong{phrase}}s of
the melody. Phrasing may be indicated by a @w{@ar{}@strong{slur}}.
-@item piano
-I: piano, F: piano, D: piano, leise, NL: piano, DK: piano, S: piano, N: .
+@item piano
+ES: piano, I: piano, F: piano, D: piano, leise, NL: piano, DK: piano, S: piano, N: .
@emph{piano} (@b{p}) soft, @emph{pianissimo} (@b{pp}) very soft,
@emph{mezzopiano} (@b{mp}) medium soft.
@item pitch
-I: altezza, F: hauteur, D: Tonh@"ohe, NL: toonhoogte, DK: toneh@o{}jde, S:
+ES: altura, I: altezza, F: hauteur, D: Tonh@"ohe, NL: toonhoogte, DK: toneh@o{}jde, S:
tonh@"ojd, N: .
@item pizzicato
-I: pizzicato, F: pizzicato, D: pizzicato, NL: pizzicato, getokkeld, DK:
+ES: pizzicato, I: pizzicato, F: pizzicato, D: pizzicato, NL: pizzicato, getokkeld, DK:
pizzicato, S: pizzicato.
Play by plucking the strings.
@item polyphony
-I: polifonia, F: polyphonie, D: Polyphonie, NL: polyfonie, DK: polyfoni, S:
+ES: polifonía, I: polifonia, F: polyphonie, D: Polyphonie, NL: polyfonie, DK: polyfoni, S:
polyfoni, N: .
Music written in a combination of several simultaneous voices (parts) of a
@w{@ar{}@strong{legato}}
@item presto
-I: presto, F: presto, D: Presto, Sehr schnell, NL: presto, Sehr schnell, DK:
+ES: presto, I: presto, F: presto, D: Presto, Sehr schnell, NL: presto, Sehr schnell, DK:
presto, S: presto, N: .
Very quick, i.e. quicker than @w{@ar{}@strong{allegro}}. @emph{prestissimo}
denotes the highest possible degree of speed.
@item Pythagorean comma
+ES: coma pitagórico,
I: comma pitagorico, F: comma pythagoricien, D: Pythagor@"aisches Komma, NL:
komma van Pythagoras, DK: pythagor@ae{}isk komma, S: pytagoreiskt komma, N: .
called the Pythagorean comma.
@item quadruplet
-I: quartina, F: quartolet, D: Quartole, NL: kwartool, DK: kvartol, S: kvartol,
+ES: cuatrillo, I: quartina, F: quartolet, D: Quartole, NL: kwartool, DK: kvartol, S: kvartol,
N: .
@w{@ar{}@strong{note value}}
@item quarter note
-I: semiminima, nera, F: noire, UK: crotchet, D: Viertel, Viertelnote, NL:
+ES: negra, I: semiminima, nera, F: noire, UK: crotchet, D: Viertel, Viertelnote, NL:
kwartnoot, DK: fjerdedelsnode, S: fj@"ardedelsnot, N:
@w{@ar{}@strong{note value}}
@item quarter rest
-I: pausa di semiminima, F: soupir, UK: crotchet rest, D: Viertelpause, NL:
+ES: silencio de negra, I: pausa di semiminima, F: soupir, UK: crotchet rest, D: Viertelpause, NL:
kwart rust, DK:@w{ }fjerdedelspause, S: fj@"ardedelspaus, N: .
@w{@ar{}@strong{note value}}
@item quintuplet
-I: quintina, F: quintuplet, D: Quintole, NL: kwintool, DK: kvintol, S:
+ES: quintillo, I: quintina, F: quintuplet, D: Quintole, NL: kwintool, DK: kvintol, S:
kvintol, N: .
@w{@ar{}@strong{note value}}
@item rallentando
-I: rallentando, F: rallentando, D: rallentando, langsamer, NL: rallentando, DK:
+ES: rallentando, I: rallentando, F: rallentando, D: rallentando, langsamer, NL: rallentando, DK:
rallentando, S: rallentando, N: rallentando.
Abbreviation "rall.". @w{@ar{}@strong{ritardando}}
@item relative key
-I: tonalit@`a relativa, F: tonalit@'e relative, D: Paralleltonart, DK:
+ES: relativa, I: tonalit@`a relativa, F: tonalit@'e relative, D: Paralleltonart, DK:
paralleltoneart, S: parallelltonart, N: .
@w{@ar{}@strong{Major}} and @w{@ar{}@strong{minor}} @w{@ar{}@strong{key}} with
@end lilypond
@item repeat
-I: ritornello, F: barre de reprise, D: Wiederholung, NL: herhaling, DK:
+ES: barra de repetición, I: ritornello, F: barre de reprise, D: Wiederholung, NL: herhaling, DK:
gen@-ta@-gel@-se, S: repris, N: .
@
@end lilypond
@item rest
-I: pausa, F: silence, D: Pause, NL: rust, DK: pause, S: paus, N: .
+ES: silencio, I: pausa, F: silence, D: Pause, NL: rust, DK: pause, S: paus, N: .
@w{@ar{}@strong{note value}}
@item rhythm
-I: ritmo, F: rythme, D: Rhythmus, NL: ritme, DK: rytme, S: rytm, N: .
+ES: ritmo, I: ritmo, F: rythme, D: Rhythmus, NL: ritme, DK: rytme, S: rytm, N: .
(a) metrical rhythm in which every time value is a multiple or fraction of a
fixed unit of time, called @w{@ar{}@strong{beat}}, and in which the normal
common metrical unit (beat).
@item ritardando
-I: ritardando, F: ritardando, D: Ritardando, Langsamer, NL: ritardando, DK:
+ES: retardando, I: ritardando, F: ritardando, D: Ritardando, Langsamer, NL: ritardando, DK:
ritardando, S: ritardando, N: .
Gradually slackening in speed. Mostly abbreviated to rit. or ritard.
@item ritenuto
-I: ritenuto, F: ritenuto, D: Ritenuto, NL: ritenuto, DK: ritenuto, S:
+ES: ritenuto, I: ritenuto, F: ritenuto, D: Ritenuto, NL: ritenuto, DK: ritenuto, S:
ritenuto, N: .
Immediate reduction of speed.
@item scale
-I: scala, F: gamme, D: Tonleiter, NL: toonladder, DK: Skala, S: skala, N: .
+ES: escala, I: scala, F: gamme, D: Tonleiter, NL: toonladder, DK: Skala, S: skala, N: .
@w{@ar{}@strong{diatonic scale}}
@item scale degree
-I: grado della scala, F: degr@'e [de la gamme], D: Tonleiterstufe, NL: trap
+ES: grados de la escala, I: grado della scala, F: degr@'e [de la gamme], D: Tonleiterstufe, NL: trap
[van de toonladder], DK: skalatrin, S: skalsteg (?), N: .
Names and symbols used in harmonic analysis to denote tones of the scale as
@w{@ar{}@strong{functional harmony}}
@item score
-I: partitura, F: partition, D: Partitur, NL: partituur, DK: partitur, S:
+ES: partitura, I: partitura, F: partition, D: Partitur, NL: partituur, DK: partitur, S:
partitur, N: .
A copy of orchestral, choral or chamber music showing what each instrument is
other on different @w{@ar{}@strong{stave}}s.
@item second
-I: secunda, F: seconde, D: Sekunde, NL: secunde, DK: sekund, S: sekund, N: .
+ES: segunda, I: secunda, F: seconde, D: Sekunde, NL: secunde, DK: sekund, S: sekund, N: .
The @w{@ar{}@strong{interval}} between two neigbouring tones of a scale. A
@w{@ar{}@strong{diatonic scale}} consists of alternating
of a se@-cond depends on the scale degrees in question.
@item semitone
-I: semitono, F: demi-ton, D: Halbton, NL: halve toon, DK: halvtone, S:
+ES: semitono, I: semitono, F: demi-ton, D: Halbton, NL: halve toon, DK: halvtone, S:
halvton, N: .
The @w{@ar{}@strong{interval}} of a minor second. The (usually) smallest
@end lilypond
@item seventh
-I: settima, F: septi@`eme, D: Septime, NL: septiem, DK: septim, S: septim, N: .
+ES: séptima, I: settima, F: septi@`eme, D: Septime, NL: septiem, DK: septim, S: septim, N: .
@w{@ar{}@strong{interval}}
@w{@ar{}@strong{note value}}
@item sharp
-I: diesis, F: di@`ese, D: Kreuz, NL: kruis, DK: kryds, S: korsf@"ortecken, N: .
+ES: sostenido, I: diesis, F: di@`ese, D: Kreuz, NL: kruis, DK: kryds, S: korsf@"ortecken, N: .
@w{@ar{}@strong{accidental}}
@w{@ar{}@strong{appoggiatura}}
@item sixteenth note
-I: semicroma, F: double croche, UK: semiquaver, D: Sechzehntel,
+ES: semicorchea, I: semicroma, F: double croche, UK: semiquaver, D: Sechzehntel,
Sechzehntelnote, NL:@w{ }zes@-ti@-ende noot, DK: sekstendedelsnode, S:
sextondelsnot, N: .
@w{@ar{}@strong{note value}}
@item sixteenth rest
-I: pausa di semicroma, F: quart de soupir, UK: semiquaver rest, D:
+ES: silencia de semicorchea, I: pausa di semicroma, F: quart de soupir, UK: semiquaver rest, D:
Sechzehntelpause, NL: zestiende rust, DK: sekstendedelspause, S:
sextondelspaus, N: .
@w{@ar{}@strong{note value}}
@item sixth
-I: sesta, F: sixte, D: Sexte, NL: sext, DK: sekst, S: sext, N: .
+ES: sexta, I: sesta, F: sixte, D: Sexte, NL: sext, DK: sekst, S: sext, N: .
@w{@ar{}@strong{interval}}
@item sixty-fourth note
+ES: semifusa,
I: semibiscroma, F: quadruple croche, UK: hemidemisemiquaver, D:
Vierundsechzigstel, Vierundsechzigstelnote, NL: vierenzestigste noot, DK:
fi@-re@-og@-tred@-sinds@-ty@-ven@-de@-dels@-no@-de, S:
@w{@ar{}@strong{note value}}
@item sixty-fourth rest
+ES: silencia de semifusa,
I: pausa di semibiscroma, F: seizi@`eme de soupir, UK: hemidemisemiquaver
rest, D: Vierundsechzigstelpause, NL: vierenzestigste rust, DK:
fi@-re@-og@-tred@-sinds@-ty@-ven@-de@-dels@-pau@-se, S:
@w{@ar{}@strong{note value}}
@item slur
-I: legatura (di portamento or espressiva), F: liaison, coul@'e, D: Bogen,
+ES: ligadura, I: legatura (di portamento or espressiva), F: liaison, coul@'e, D: Bogen,
Bindebogen, Legatobogen, Phrasierungsbogen, NL: binding, bindingsboog,
DK:@w{ }legatobue, fraseringsbue, S: b@aa{}ge, N: .
(@emph{ti})). @w{@ar{}@strong{scale degree}}.
@item sonata
-I: sonata, F: sonate, D: Sonate, NL: sonate, DK: sonate, S: sonat, N: .
+ES: sonata, I: sonata, F: sonate, D: Sonate, NL: sonate, DK: sonate, S: sonat, N: .
In its present-day meaning a sonata denotes an instrumental composition for
piano or for some other instrument with piano accompaniment, which consists of
three or four independant pieces, called movements.
@item sonata form
-I: forma sonata, F: [en] forme de sonate, D: Sonatenform, NL: hoofdvorm,
+ES: forma sonata, I: forma sonata, F: [en] forme de sonate, D: Sonatenform, NL: hoofdvorm,
sonatevorm, DK: sonateform, S: sonatform, N: .
A form used frequently for single movements of the @w{@ar{}@strong{sonata}},
tonic is @w{@ar{}@strong{minor}}.
@item soprano
-I: soprano, F: soprano, D: Sopran, NL: sopraan, DK: sopran, S: sopran, N: .
+ES: soprano, I: soprano, F: soprano, D: Sopran, NL: sopraan, DK: sopran, S: sopran, N: .
The highest female voice.
@item staccato
-I: staccato, F: staccato, piqu@'e, d@'etach@'e, D: staccato, NL: staccato, DK:
+ES: staccato, I: staccato, F: staccato, piqu@'e, d@'etach@'e, D: staccato, NL: staccato, DK:
staccato, S: staccato, N:
Playing the note(s) short. Staccato is indicated by a dot above or below the
@end lilypond
@item staff
-I: pentagramma, rigo (musicale), F: port@'ee, D: Notensystem, NL: (noten)balk;
+ES: pentagrama, I: pentagramma, rigo (musicale), F: port@'ee, D: Notensystem, NL: (noten)balk;
partij, DK: nodesystem, S: notsystem, N: .
pl. staves or staffs. A series of (normally 5) horizontal lines upon and
@w{@ar{}@strong{percussion}} instruments may have fewer lines.
@item stem
-I: gamba, F: queue, D: Hals, Notenhals, Stiel, NL: stok, DK: hals, S: skaft,
+ES: plica, I: gamba, F: queue, D: Hals, Notenhals, Stiel, NL: stok, DK: hals, S: skaft,
N: .
Vertical line above or below a @w{@ar{}@strong{note head}} shorter than a whole
@end lilypond
@item strings
-I: archi, F: cordes, D: Streicher, NL: strijkers, DK: strygere, S:
+ES: arcos, cuerdas, I: archi, F: cordes, D: Streicher, NL: strijkers, DK: strygere, S:
str@aa{}kar, N: .
A family of stringed musical instruments played with a bow. Strings commonly
used in a symphony orchestra are violin, viola, violoncello and double bass.
@item strong beat
-I: tempo forte, F: temps fort, D: betonter Taktteil oder -schlag, NL: thesis,
+ES: tiempo fuerte, I: tempo forte, F: temps fort, D: betonter Taktteil oder -schlag, NL: thesis,
D: betonet taktslag, S: betonat taktslag, N: .
@w{@ar{}@strong{beat}} @w{@ar{}@strong{accent}} @w{@ar{}@strong{measure}}
@w{@ar{}@strong{rhythm}}
@item subdominant
-I: sottodominante, F: sous-dominante, D: Subdominante, NL: subdominant, DK:
+ES: subdominante, I: sottodominante, F: sous-dominante, D: Subdominante, NL: subdominant, DK:
subdominant, S: subdominant, N: .
The fourth @w{@ar{}@strong{scale degree}}. @w{@ar{}@strong{functional
harmony}}
@item submediant
-I: sopratonica, F: sous-m@'ediante, D: Submediant, NL: submediant, DK:
+ES: superdominante, I: sopratonica, F: sous-m@'ediante, D: Submediant, NL: submediant, DK:
Submediant, S: submediant, N: .
The sixth @w{@ar{}@strong{scale degree}}.
@item subtonic
-I: sottotonica, F: sous-tonique, D: Subtonika, NL: subtonica, DK: Subtonika, S:
+ES: sensible, I: sottotonica, F: sous-tonique, D: Subtonika, NL: subtonica, DK: Subtonika, S:
subtonika, N: .
The seventh @w{@ar{}@strong{scale degree}}
@item superdominant
-I: sopradominante, F: sus-dominante, D: Superdominant, NL: superdominant, DK:
+ES: superdominante, I: sopradominante, F: sus-dominante, D: Superdominant, NL: superdominant, DK:
superdominant, S: superdominant, N: .
The sixth @w{@ar{}@strong{scale degree}}
@item supertonic
-I: sopratonica, F: sus-tonique, D: Supertonika, NL: supertonica, DK:
+ES: supertónica, I: sopratonica, F: sus-tonique, D: Supertonika, NL: supertonica, DK:
supertonika, S: supertonika, N: .
The second @w{@ar{}@strong{scale degree}}.
@item symphony
-I: sinfonia, F: symphonie, D: Sinfonie, NL: symfonie, DK: symfoni, S: symfoni,
+ES: sinfonía, I: sinfonia, F: symphonie, D: Sinfonie, NL: symfonie, DK: symfoni, S: symfoni,
N: .
A symphony may be defined as a @w{@ar{}@strong{sonata}} for orchestra.
@item syncopation
-I: sincope, F: syncope, D: Synkope, NL: syncope, DK: synkope, S: synkop, N: .
+ES: sincopado, I: sincope, F: syncope, D: Synkope, NL: syncope, DK: synkope, S: synkop, N: .
Any deliberate upsetting of the normal pulse of @w{@ar{}@strong{meter}},
@w{@ar{}@strong{accent}} and @w{@ar{}@strong{rhythm}}. Our system of musical
writing down of keyboard, chamber, choral or orchestral music.
@item temperament
-I: temperamento, F: temp@'erament, D: Stimmung, Temperatur, NL: temperament,
+ES: temperamento, I: temperamento, F: temp@'erament, D: Stimmung, Temperatur, NL: temperament,
DK: temperatur, S: temperatur, N: .
Systems of tuning in which the intervals deviate from the accoustically pure
temperament}}
@item tempo indication
-I: indicazione di tempo, F: indication de temps, D: Zeitma@ss{},
+ES: indicación de tempo, I: indicazione di tempo, F: indication de temps, D: Zeitma@ss{},
Tempobezeichnung, NL: tempo aanduiding, DK: tempobetegelse, S:
tempobeteckning, N: .
@w{@ar{}@strong{allegro}} and @w{@ar{}@strong{presto}}.
@item tenor
-I: tenore, F: t@'enor, D: Tenor, NL: tenor, DK: tenor, S: tenor, N: .
+ES: tenor, I: tenore, F: t@'enor, D: Tenor, NL: tenor, DK: tenor, S: tenor, N: .
The highest voice of men (apart from @w{@ar{}@strong{counter tenor}})
@item tenth
-I: decima, F: dixi@`eme, D: Dezime, NL: deciem, DK: decim, S: decima, N: .
+ES: décima, I: decima, F: dixi@`eme, D: Dezime, NL: deciem, DK: decim, S: decima, N: .
@w{@ar{}@strong{note value}}
@item third
-I: terza, F: tierce, D: Terz, NL: terts, DK: terts, S: ters, N: .
+ES: tercera, I: terza, F: tierce, D: Terz, NL: terts, DK: terts, S: ters, N: .
@w{@ar{}@strong{interval}}
@item thirty-second note
-
+ES: fusa,
I: biscroma, F: triple croche, UK: demisemiquaver, D:
Zweiunddrei@ss{}igstel, Zweiunddrei@ss{}igstelnote, NL: twee-endertig@-ste
noot, DK: toogtredivtedelsnode, S: trettiotv@aa{}ondelsnot, N: .
@w{@ar{}@strong{note value}}
@item thirty-second rest
-
+ES: silencio de fusa,
I: pausa di biscroma, F: huiti@`eme de soupir, UK: demisemiquaver rest, D:
Zweiunddrei@ss{}igstel@-pause, NL: 32e rust, DK: toogtredivtedelspause, S:
trettiotv@aa{}ondelspaus, N: .
@w{@ar{}@strong{note value}}
@item thorough bass; figured bass
+ES: bajo cifrado,
I: basso continuo, basso numerato, F: basse chiffr@'ee, D: Generalbass,
bezifferter Bass, NL: basso continuo, DK:@w{ }generalbas, S: generalbas, N: .
@end lilypond
@item tie; bind
+ES: ligadura de prolongación,
I: legatura (di valore), F: liaison, D: Haltebogen, NL: overbinding, DK:
bindebue, S: bindeb@aa{}ge, @"overbindning, N: .
@item time signature
+ES: cifra indicadora de compás,
I: segni di tempo, F: chiffrage (chiffres indicateurs), signe de valeur, D:
Taktangabe, Angabe der Taktart, NL: maatsoort, DK: taktangivelse, S:
taktartssignatur, N: .
@w{@ar{}@strong{meter}}
@item tone
-I: suono, F: ton, D: Ton, NL: toon, DK: tone, S: ton, N: .
+ES: sonido, I: suono, F: ton, D: Ton, NL: toon, DK: tone, S: ton, N: .
A sound of definite pitch and duration, as distinct from @emph{noise}. Tone is
a primary building material of music. Music from the 20th century may be based
on non tone related sounds.
@item tonic
-I: tonica, F: tonique, D: Tonika, NL: tonica, DK: tonika, S: tonika, N: .
+ES: tonica, I: tonica, F: tonique, D: Tonika, NL: tonica, DK: tonika, S: tonika, N: .
The first @w{@ar{}@strong{scale degree}}@w{@ar{}@strong{functional harmony}}
@item transposition
-I: trasposizione, F: transposition, D: Transposition, NL: transpositie, DK:
+ES: transposición, I: trasposizione, F: transposition, D: Transposition, NL: transpositie, DK:
transposition, S: transponering, N: .
Shifting a melody up or down in pitch, while keeping the same relative pitches.
@end lilypond
@item treble clef
-I: chiave di violino, F: cl@'e de sol, D: Violinschl@"ussel,
+ES: clave de sol, I: chiave di violino, F: cl@'e de sol, D: Violinschl@"ussel,
Sopranschl@"ussel, NL: viool sleutel, DK:@w{ }diskantn@o{}gle, S: diskantklav,
N: .
@w{@ar{}@strong{G clef}}
@item tremolo
-I: tremolo, F: tr@'emolo, D: Tremolo, NL: tremolo, DK: tremolo, S: tremolo, N:
+ES: tremolo, I: tremolo, F: tr@'emolo, D: Tremolo, NL: tremolo, DK: tremolo, S: tremolo, N:
.
On stringed instruments (@w{@ar{}@strong{strings}}) the quick reiteration of
@end lilypond
@item triad
-I: triade, F: triade, accord parfait, accord de trois sons, D: Dreiklang, NL:
+ES: tríada, I: triade, F: triade, accord parfait, accord de trois sons, D: Dreiklang, NL:
drieklank, DK: treklang, S: treklang, N:
@w{@ar{}@strong{chord}}
@item trill; shake
+ES: trino,
I: trillo, F: trille, tremblement, battement (cadence), D: Triller, NL:
triller, DK:@w{ }trille, S:@w{ }drill, N:@w{ }.
@w{@ar{}@strong{ornament}}
@item triple meter
-I: tempo ternario, F: mesure ternaire, D: dreiteiliger Takt, NL: driedelige
+ES: compás compuesto , I: tempo ternario, F: mesure ternaire, D: dreiteiliger Takt, NL: driedelige
maatsoort, DK: tredelt takt, S: tretakt, N: .
@w{@ar{}@strong{meter}}
@item triplet
-I: terzina, F: triolet, D: Triole, NL: triool, DK: triol, S: triol, N: .
+ES: tresillo, I: terzina, F: triolet, D: Triole, NL: triool, DK: triol, S: triol, N: .
@w{@ar{}@strong{note value}}
@item tritone
-I: tritono, F: triton, D: Tritonus, NL: tritoon, DK: tritonus, S: tritonus, N:
+ES: trítono, I: tritono, F: triton, D: Tritonus, NL: tritoon, DK: tritonus, S: tritonus, N:
.
@w{@ar{}@strong{interval}}
@item tuning fork
-I: diapason, corista, F: diapason, D: Stimmgabel, NL: stemvork, DK:
+ES: diapasón, I: diapason, corista, F: diapason, D: Stimmgabel, NL: stemvork, DK:
stemmegaffel, S: st@"amgaffel, N: .
A two-pronged piece of steel used to indicate absolute pitch. Tuning forks
give the international pitch for the tone @emph{a} (440 vibrations per second.)
@item turn; gruppetto
+ES: grupo,
I: gruppetto, F: grupetto, D: Doppelschlag, NL: dubbelslag, DK: dobbeltslag,
S: dubbelslag, N: .
@item unison
-I: unisono, F: unisson, D: Unison, unisono, NL: unisono, DK: unison, S:
+ES: unísono, I: unisono, F: unisson, D: Unison, unisono, NL: unisono, DK: unison, S:
unison, N: .
Playing of the same notes or the same melody by various instruments (voices)
different octave.
@item upbeat
-I: anacrusi, F: anacrouse, D: Auftakt, NL: opmaat, DK: optakt, S:
+ES: entrada anacrúsica, I: anacrusi, F: anacrouse, D: Auftakt, NL: opmaat, DK: optakt, S:
upptakt, N:
Initial note(s) of a melody occurring before the first bar
@end lilypond
@item voice
-I: voce, F: voix, D: Stimme, NL: stem, DK: stemme, S: st@"amma, N: ,
+ES: voz, I: voce, F: voix, D: Stimme, NL: stem, DK: stemme, S: st@"amma, N: ,
1. Human voices: @w{@ar{}@strong{soprano}}, @w{@ar{}@strong{mezzo-soprano}},
@w{@ar{}@strong{contralto}}, @w{@ar{}@strong{tenor}},
of a polyphonic composition.
@item weak beat
-I: tempo debole, arsi, F: temps faible, D: unbetonter Taktteil oder -schlag,
+ES: tiempo débil, I: tempo debole, arsi, F: temps faible, D: unbetonter Taktteil oder -schlag,
NL: arsis, DK: ubetonet taktslag, S: obetonat taktslag, N: .
@w{@ar{}@strong{beat}} @w{@ar{}@strong{measure}} @w{@ar{}@strong{rhythm}}
@item whole note
-I: semibreve, F: ronde, UK: semibreve, D: Ganze, Ganze Note, NL: hele noot,
+ES: redonda, I: semibreve, F: ronde, UK: semibreve, D: Ganze, Ganze Note, NL: hele noot,
DK: helnode, S: helnot, N: .
@w{@ar{}@strong{note value}}
@item whole rest
-I: pausa di semibreve, F: pause, UK: semibreve rest, D: Ganze Pause, NL: hele
+ES: silencio de redonda, I: pausa di semibreve, F: pause, UK: semibreve rest, D: Ganze Pause, NL: hele
rust, DK: helnodespause, S: helpaus, N: .
@w{@ar{}@strong{note value}}
@item whole tone
-I: tono intero, F: ton entier, D: Ganzton, NL: hele toon, DK: heltone, S:
+ES: tono, I: tono intero, F: ton entier, D: Ganzton, NL: hele toon, DK: heltone, S:
helton, N: .
The @w{@ar{}@strong{interval}} of a major second. The interval between two
black and white keys - is a whole tone.
@item woodwind
-I: legni, F: le bois, D: Holzbl@"aser, NL: houtblazers, DK tr@ae{}bl@ae{}sere,
+ES: maderas, I: legni, F: le bois, D: Holzbl@"aser, NL: houtblazers, DK tr@ae{}bl@ae{}sere,
S: tr@"abl@aa{}sare, N: .
A family of blown wooden musical instruments. Today some of these instruments
@end table
@bye
+
projects / lilypond.git / blobdiff