@c @pagesizes 10.3in
@c @everyheading @| @thispage @|
-@evenheading @thispage @| @|
-@oddheading @| @| @thispage @|
+@c @evenheading @thispage @| @|
+@c @oddheading @| @| @thispage @|
+
+@ignore
+ glossary by Christian Mondrup
+
+ spanish by David González <dgonzal@quanta.net.py>
+
+@end ignore
-@itemize
+@itemize
+@item ES - Spanish
@item I - Italian
@item F - French
@item D - German
@table @strong
@item A
-I: la, F: la, D: A, a, NL: a, DK: a, S: a, N: a.
+ES: la
+: la, F: la, D: A, a, NL: a, DK: a, S: a, N: a.
@item accent
-I: accento, F: accent, D: Akzent, NL: accent, DK: accent, S: accent, N:
+ES: acento, I: accento, F: accent, D: Akzent, NL: accent, DK: accent, S: accent, N:
The stress of one tone over others.
@item accidental
-I: alterazione, accidente, F: alt@'eration accidentelle, D: Vorzeichen,
+ES: alteración, I: alterazione, accidente, F: alt@'eration accidentelle, D: Vorzeichen,
Versetzungszeichen, NL: voorteken, DK: l@o{}st fortegn, S: tillf@"alligt
f@"ortecken, N:
@
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
-\property Voice.textStyle = "large"
+\property Voice.TextScript \set #'font-style = #'large
\notes\relative c'' {
gis1_"sharp" s s2
gisis1_"db. sharp" s s2
geses1_"db. flat" s s2
g!1_"natural" s2
}
-@end mudela
-@item accelerando
-I: accelerando, F: accelerando, en acc@'el@'erant, D: accelerando, Schneller,
+@end lilypond
+@item accelerando
+ES: acelerando, I: accelerando, F: accelerando, en acc@'el@'erant, D: accelerando, Schneller,
NL: accelerando, DK: accelerando, S: accelerando, N:
Still faster tempo.
@item adagio
-I: adagio, F: adagio, lent, D: Adagio, Langsam, NL: adagio, DK: adagio, S:
+ES: adagio, I: adagio, F: adagio, lent, D: Adagio, Langsam, NL: adagio, DK: adagio, S:
adagio, N: adagio.
It. comfortable, easy. 1. Slow tempo, slower - especially in even meter - than
@w{@ar{}@strong{sonata}s}, symphonies etc.
@item allegro
-I: allegro, F: allegro, D: Allegro, Schnell, Fr@"ohlich, Lustig, NL: allegro,
+ES: allegro, I: allegro, F: allegro, D: Allegro, Schnell, Fr@"ohlich, Lustig, NL: allegro,
DK: allegro, S: allegro, N: allegro.
It. cheerful. Quick tempo. Also used as a title for pieces in a quick tempo,
especially the first and last movements of a @w{@ar{}@strong{sonata}}.
@item alto
-I: contralto, F: alto, D: Alt, NL: alt, DK: alt, S: alt, N: alt.
+ES: alto, I: contralto, F: alto, D: Alt, NL: alt, DK: alt, S: alt, N: alt.
A female voice of low range (@emph{contralto}). Originally the alto was a high
male voice (hence the name) which by the use of falsetto reached the height of
tenor}}.
@item alto clef
-I: chiave di contralto, F: clef d'ut troisi@`eme ligne, D: Altschl@"ussel,
+ES: clave de do en tercera, I: chiave di contralto, F: clef d'ut troisi@`eme ligne, D: Altschl@"ussel,
Bratschenschl@"ussel, NL: alt sleutel, DK: altn@o{}gle, S: altklav, N:
C clef setting central C on the middle line of the staff
@
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
\notes\relative c'' {
a1 b c d e f g a }
-@end mudela
+@end lilypond
@item andante
-I: andante, F: andante, D: Andante, NL: andante, DK: andante, S: andante,
+ES: andante, I: andante, F: andante, D: Andante, NL: andante, DK: andante, S: andante,
N: andante.
walking tempo/character
-@item appoggiatura
-I: appoggiatura, F: appogiature, (port de voix), D: Vorschlag, NL: voorslag,
+@item appoggiatura
+ES: apoyatura, I: appoggiatura, F: appogiature, (port de voix), D: Vorschlag, NL: voorslag,
DK: forslag, S: f@"orslag, N:
Ornamental note, usually a second, that is melodically connected with the main
@
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\emptyText
-%\property Voice.textEmptyDimension = ##t
-\property Voice.textStyle = "large"
+%\property Voice.textNonEmpty = ##f
+\property Voice.TextScript \set #'font-style = #'large
\notes\relative c'' {
\key d \major;
\time 4/4;
<d4_"notation" a fis> r
-{ \property Grace.stemStyle = ""
+{ \property Grace.Stem \override #'flag-style = ##f
\grace g16 }
fis8 e16 fis
-{ \property Grace.stemStyle = ""
+{ \property Grace.Stem \override #'flag-style = ##f
\grace a16 }
g8 fis16 g | a4 \bar "||"; }
\notes\relative c'' {
<d4_"performance" a fis> r g16 () fis e fis a () g fis g | a4 \bar "||"; }
-@end mudela
+@end lilypond
An appoggiatura may have more notes preceding the main note.
@
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\emptyText
-\property Voice.textStyle = "large"
+\property Voice.TextScript \set #'font-style = #'large
\notes\relative c'' {
\key as \major;
\time 2/4;
\grace { [as16 ( bes] } < ) c4 as >
\grace { [as16 ( bes] } < ) c4 as > \bar "||";
\grace { bes16 } as8_"performance" as16 bes as8 g |
- < \context Voice = va { \stemup as32 bes c8. as32 bes c8. }
- \context Voice = vb { \stemdown as16 ~ as8. as16 ~ as8. } >
+ < \context Voice = va { \stemUp as32 bes c8. as32 bes c8. }
+ \context Voice = vb { \stemDown as16 ~ as8. as16 ~ as8. } >
\bar "||";
}
-@end mudela
+@end lilypond
@item arpeggio
-I: arpeggio, F: arp@`ege, D: Arpeggio, Akkordbrechungen, gebrochener
+ES: arpegio, I: arpeggio, F: arp@`ege, D: Arpeggio, Akkordbrechungen, gebrochener
Akkord, NL: gebroken akoord, DK: arpeggio, akkordbrydning, S: arpeggio, N:
@
-@mudela[13pt,eps]
-\context GrandStaff <
- \notes\relative c'' {
+@lilypond[13pt,eps]
+ \notes \context PianoStaff <
+ \context Staff = SA \relative c'' {
\time 4/4;
\clef treble;
r8 g16 c e g, c e r8 g,16 c e g, c e |
r8 a,16 d f a, d f r8 a,16 d f a, d f \bar "||"; }
- \notes\relative c' {
+ \context Staff = SB \relative c' {
\clef bass;
< \context Voice = va {
- \stemup
+ \stemUp
r16 e8. () e4 r16 e8. () e4 |
r16 d8. () d4 r16 d8. () d4 }
\context Voice = vb {
- \stemdown
+ \stemDown
c2 c | c c } >
}
>
-@end mudela
+@end lilypond
@item ascending interval
-I: intervallo ascendente, F: intervalle ascendant, D: steigendes Intervall,
+ES: Intervalo ascendente, I: intervallo ascendente, F: intervalle ascendant, D: steigendes Intervall,
NL: stijgend interval, DK:@w{ }stigende interval, S: stigande intervall, N:
A distance between a starting lower note and a higher ending note.
@item augmented interval
-I: intervallo aumentato, F: intervalle augment@'e, D: @"uberm@"a@ss{}iges
+ES: intervalo aumentado, I: intervallo aumentato, F: intervalle augment@'e, D: @"uberm@"a@ss{}iges
Intervall, NL: overmatig interval, DK: forst@o{}rret interval, S:
@"overstigande intervall, N:
engraving. This required more skill than did engraving.
@item B
-I: si, F: si, D: H, h, NL: b, DK: h, S: h, N: h.
+ES: si, I: si, F: si, D: H, h, NL: b, DK: h, S: h, N: h.
@item backfall; forefall
@w{@ar{}@strong{appoggiatura}}
@item bar line
-I: stanghetta, barra (di divisione), F: barre (de mesure), D: Taktstrich, NL:
+ES: , I: stanghetta, barra (di divisione), F: barre (de mesure), D: Taktstrich, NL:
maatstreep, DK: taktstreg, S: taktstreck, N:
@item bar
-@w{@ar{}@strong{measure}}
+ES: compás, @w{@ar{}@strong{measure}}
@item baritone
-I: baritono, F: bariton, D: Bariton, NL: bariton, DK: baryton, S: baryton, N:
+ES: barítono, I: baritono, F: bariton, D: Bariton, NL: bariton, DK: baryton, S: baryton, N:
baryton.
The male voice intermediate between the @w{@ar{}@strong{bass}} and the
@w{@ar{}@strong{tenor}}.
@item baritone clef
+ES: clave de fa en tercera
I: chiave di baritono, F: clef de ut cinqui@`eme ligne, clef de troisi@`eme
ligne, D: Barytonschl@"ussel, NL: baritonsleutel, DK: barytonn@o{}gle, S:
barytonklav, N: .
@w{@ar{}@strong{f clef}}
@item bass clef
-I: chiave di basso, F: cl@'e de fa quatri@`eme ligne, D: Bass-Schl@"ussel, NL:
+ES: clave de fa en cuarta, I: chiave di basso, F: cl@'e de fa quatri@`eme ligne, D: Bass-Schl@"ussel, NL:
bassleutel, DK: basn@o{}gle, S: basklav, N:
A clef setting with central C on the first top ledger line. @w{@ar{}@strong{f
@
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
\emptyText
-\property Voice.textStyle = "large"
+\property Voice.TextScript \set #'font-style = #'large
\notes\relative c'' {
[g8_"1/8" g g g] s16
[g16_"1/16" g g g] s16
[g32_"1/32" s32 g32 s32 g32 s32 g32] s16
[g64_"1/64" s32 g64 s32 g64 s32 g64] s32 }
-@end mudela
+@end lilypond
@item beat
-I: tempi, F: temps, D: Taktschlag, Zeit (im Takt), NL: tel, DK: (takt)slag, S:
+ES: tiempo, I: tempi, F: temps, D: Taktschlag, Zeit (im Takt), NL: tel, DK: (takt)slag, S:
taktslag, N:
Note value used for counting, most often half-, fourth- and eighth notes. The
@
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\key g \major;
\time 4/4;
\notes\relative c'' { g4 c b a | g1 \bar "||";}
\time 3/8;
\notes\relative c'' { g8 d' c | b c a | g4. \bar "||";}
-@end mudela
+@end lilypond
@item bind
@w{@ar{}@strong{tie}}
@item brace
+ES: llave, corchete
I: graffa, F: accolade, D: Klammer, Klavierklammer, Akkolade, Chorklammer, NL:
accolade, teksthaak, DK: klamme, S: klammer, N:
for connecting piano staves, angular brackets for connecting parts in an
orchestral or choral score.
-@
-
-@mudela[13pt,eps]
-\context GrandStaff <
- \property GrandStaff.minVerticalAlign = 12
- \notes\relative c'' { \clef treble; g4 e c2 }
- \notes\relative c { \clef bass; c1 \bar "|."; } >
-@end mudela
-
-@
+@lilypond[13pt,eps]
+\notes\context GrandStaff <
+ \relative c''\context Staff = SA { \clef treble; g4 e c2 }
+ \relative c \context Staff = SB { \clef bass; c1 \bar "|."; } >
+@end lilypond
-@mudela[13pt,eps]
-%\context StaffGroup <
-\context ChoirStaff <
- \property StaffGroup.minVerticalAlign = 12
- \notes\relative c'' { \clef treble; g4 e c2 }
- \notes\relative c { \clef bass; c1 \bar "|."; } >
-@end mudela
+@lilypond[13pt,eps]
+\context StaffGroup <
+% \property StaffGroup.minVerticalAlign = 12
+ \notes\relative c'' \context Staff = SA { \clef treble; g4 e c2 }
+ \notes\relative c \context Staff = SB { \clef bass; c1 \bar "|."; } >
+@end lilypond
@item brass
-I: ottoni, D: Blechbl@"aser, NL: koper (blazers), F: cuivres,
+ES: metales, I: ottoni, D: Blechbl@"aser, NL: koper (blazers), F: cuivres,
DK: messingbl@ae{}sere, S: brassinstrument, m@"assingsinstrument, N:
A family of blown musical instruments made of brass all using a cup formed
Indication of where to breathe in vocal and wind instrument parts.
@item breve
-I: breve, F: br@`eve, D: Brevis, NL: brevis, DK: brevis, S: brevis, N:
+ES: breve, I: breve, F: br@`eve, D: Brevis, NL: brevis, DK: brevis, S: brevis, N:
@w{@ar{}@strong{Note value}} twice as long as a whole note. Mainly used
in pre-1650 music.
@
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
\notes\relative c'' { g\breve }
-@end mudela
+@end lilypond
@item C
-I: do, F: ut, D: C, c, NL: c, DK: c, S: c, N: c
+ES: do, I: do, F: ut, D: C, c, NL: c, DK: c, S: c, N: c
@item C clef
-I: chiave di do, F: cl@'e d'ut, D: C-Schl@"ussel, NL: C-sleutel, DK:
+ES: Clave de do, I: chiave di do, F: cl@'e d'ut, D: C-Schl@"ussel, NL: C-sleutel, DK:
c-n@o{}gle, S: c-klav, N:
Clef symbol indicating the position of the central C. Used on all note
@
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
-\property Staff.clefStyle = #"fullSizeChanges"
-\property Staff.textStyle = #"large"
-\property Lyrics.textStyle = #"large"
+\property Score.Clef \override #'full-size-change = ##t
+\property Score.LyricText \set #'font-style = #'large
\addlyrics
-\notes\relative c' {
- \clef soprano; c1 s s
- \clef mezzosoprano; c s s
- \clef alto; c s s
- \clef tenor; c s s
- \clef baritone; c s
+\context Staff \notes\relative c' {
+ \clef soprano; c1
+ \clef mezzosoprano; c
+ \clef alto; c
+ \clef tenor; c
+ \clef baritone; c
}
\context Lyrics \lyrics {
Soprano Mezzosoprano Alto Tenor Baritone
}
-@end mudela
+@end lilypond
-@item cadence
-I: cadenza, F: cadence, D: Kadenz, NL: cadens, DK: kadence, S: kadens, N: .
+@item cadence
+ES: cadencia, I: cadenza, F: cadence, D: Kadenz, NL: cadens, DK: kadence, S: kadens, N: .
@w{@ar{}@strong{harmonic cadence}} @w{@ar{}@strong{functional harmony}}
@item cadenza
-I: cadenza, F: cadence, D: Kadenz, NL: cadens, DK: kadence, S: kadens, N: .
+ES: cadenza, I: cadenza, F: cadence, D: Kadenz, NL: cadens, DK: kadence, S: kadens, N: .
An extended, improvisatory style section inserted near the end of
movement. The purpose of a cadenza is to give the singer or player a chance to
by the composer.
@item canon
-I: canone, F: canon, D: Kanon, NL: canon, DK: kanon, S: kanon, N: .
+ES: canon, I: canone, F: canon, D: Kanon, NL: canon, DK: kanon, S: kanon, N: .
@w{@ar{}@strong{counterpoint}}
@item cent
-I: cent, F: cent, D: Cent, NL: cent, DK: cent, S: cent, N: .
+ES: cent, I: cent, F: cent, D: Cent, NL: cent, DK: cent, S: cent, N: .
Logarithmic unit of measurement. 1 cent is 1/1200 of an octave (1/100 of an
equally tempered @w{@ar{}@strong{semitone}}) @w{@ar{}@strong{equal temperament}}
@w{@ar{}@strong{middle C}}
@item chord
-I: accordo, F: accord, D: Akkord, NL: akkoord, DK: akkord, S: ackord, N: .
+ES: acorde, I: accordo, F: accord, D: Akkord, NL: akkoord, DK: akkord, S: ackord, N: .
Three or more tones sounding simultaneously. In traditional European music the
base chord is a @emph{triad} consisting of 2 thirds. @emph{Major} (major +
@
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
\property Voice.textNonEmpty = ##t
-\property Voice.textStyle = "large"
+\property Voice.TextScript \set #'font-style = #'large
\time 4/4;
\notes\relative c'' {
<g1_"major" b d>
<g_"seventh-chord~" b d f>
<g_"ninth-chord" b d f a> s s2
}
-@end mudela
+@end lilypond
@item chromatic scale
-I: scala cromatica, F: gamme chromatique, D: Chromatische Tonleiter, NL:
+ES: escala cromática, I: scala cromatica, F: gamme chromatique, D: Chromatische Tonleiter, NL:
chromatische toonladder, DK: kromatisk skala, S: kromatisk skala, N: .
A scale consisting of all 11 @w{@ar{}@strong{semitone}}s.
@
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
\notes\relative c' { c1 cis d dis e f fis g gis a ais b c }
-@end mudela
+@end lilypond
@item chromaticism
-I: cromatismo, F: chromatisme, D: Chromatik, NL: chromatiek, DK: kromatik, S:
+ES: cromatismo, I: cromatismo, F: chromatisme, D: Chromatik, NL: chromatiek, DK: kromatik, S:
kromatik, N:
Use of tones extraneous to a @w{@ar{}@strong{diatonic scale}} (minor, major).
-@item church mode; ecclesiastical mode
-I: modo ecclesiastico, F: mode eccl@'esiastique, D: Kirchentonart, NL:
+@item church mode; ecclesiastical mode ES: modo eclesiástico, I: modo
+ecclesiastico, F: mode eccl@'esiastique, D: Kirchentonart, NL:
kerktoonladder, DK: kirketoneart, S: kyrkotonart, N:
@w{@ar{}@strong{diatonic scale}}
@item clef
-I: chiave, F: cl@'e, clef, D: Schl@"ussel, Schl@"ussel, Notenschl@"ussel, NL:
+ES: clave, I: chiave, F: cl@'e, clef, D: Schl@"ussel, Schl@"ussel, Notenschl@"ussel, NL:
sleutel, DK: n@o{}gle, S: klav, N:
@w{@ar{}@strong{c clef}} @w{@ar{}@strong{f clef}} @w{@ar{}@strong{g clef}}
@w{@ar{}@strong{meter}}
@item compound interval
-I: intervallo composto, F: intervalle compos@'e, D: Weites Intervall(?), NL:
+ES: intervalo compuesto, I: intervallo composto, F: intervalle compos@'e, D: Weites Intervall(?), NL:
samengesteld interval, DK: sammensat interval, S: sammansatt intervall, N: .
Intervals larger than an octave
@w{@ar{}@strong{inverted interval}}
@item conjunct movement
-I: moto congiunto, F: mouvement conjoint, D: schrittweise/stufenweise
+ES: movimiento conjunto, I: moto congiunto, F: mouvement conjoint, D: schrittweise/stufenweise
Bewegung, NL: , DK: trinvis bev@ae{}gelse, S: stegvis r@"orelse, N:
Melody moving in the narrow steps of the scale;
@
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\key g \major; \time 4/4;
\notes\relative c'' { g4 g g a | b2 a | g4 b a a | g1 \bar "||"; }
-@end mudela
+@end lilypond
-@item consonance
-I: consonanza, F: consonance, D: Konsonanz, NL: consonant, DK: konsonans, S:
+@item consonance
+ES: consonancia, I: consonanza, F: consonance, D: Konsonanz, NL: consonant, DK: konsonans, S:
konsonans, N:
@w{@ar{}@strong{harmony}}
@item contralto
-I: contralto, F: contralto, D: Alt, NL: contralto, DK: alt, S: alt, N:
+ES: contralto, I: contralto, F: contralto, D: Alt, NL: contralto, DK: alt, S: alt, N:
@w{@ar{}@strong{alto}}
-@item counterpoint
-I: contrappunto, F: contrepoint, D: Kontrapunkt, NL: contrapunt, DK:
+@item counterpoint
+ES: contrapunto, I: contrappunto, F: contrepoint, D: Kontrapunkt, NL: contrapunt, DK:
kontrapunkt, S: kontrapunkt, N: .
From latin @emph{punctus contra punctum}, note against note. The combination
@
-@mudela[13pt,eps]
-\property Score.timeSignatureStyle = "C2/2"
-\context GrandStaff <
- \notes\relative c' {
+@lilypond[13pt,eps]
+\property Score.TimeSignature \override #'style = #'C2/2
+\notes\context PianoStaff <
+ \context Staff = SA \relative c' {
\key bes \major;
\time 4/4;
\clef treble;
< \context Voice = rha {
- \stemup
+ \stemUp
r1 | r2 r8 g'8 bes d, |
cis4 d r8 e!16 f g8 f16 e |
f8 g16 a bes8 a16 g a8
}
\context Voice = rhb {
- \stemdown
+ \stemDown
r1 | r | r | r2 s8
}
>
}
- \notes\relative c' {
+ \context Staff = SB \relative c' {
\clef bass;
\key bes \major;
< \context Voice = lha {
- \stemup
+ \stemUp
r8 d es g, fis4 g | r8 a16 bes c8 bes16 a bes4 g |
r8 a16 g f8 g16 a bes8 g e! cis' |
d4. e!8 f
}
\context Voice = lhb {
- \stemdown
+ \stemDown
r1 | r | r | r2 s8
} >
}
>
-@end mudela
+@end lilypond
@item counter tenor
-I: controtenore, F: contre-tenor, D: Kontratenor, NL: contratenor, DK:
+ES: contratenor, I: controtenore, F: contre-tenor, D: Kontratenor, NL: contratenor, DK:
kontratenor, S: kontratenor, counter tenor, N: kontratenor
@w{@ar{}@strong{contralto}}
required more skill than engraving.
@item crescendo
-I: crescendo, F: crescendo, D: Crescendo, Lauter, NL: crescendo, DK:
+ES: crescendo, I: crescendo, F: crescendo, D: Crescendo, Lauter, NL: crescendo, DK:
crescendo, S: crescendo, N:@w{ }crescendo.
Increasing volume. Indicated by a rightwards opening horizontal wedge or the
@
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\key g \major; \time 4/4;
\notes\relative c'' { g4 \< a b c | \! d1 \bar "|."; }
-@end mudela
+@end lilypond
@item cue-notes
-I: notine, F: petites notes pr@'ec@'edent l'entr@'ee d'in instrument,
+ES: notas guia, I: notine, F: petites notes pr@'ec@'edent l'entr@'ee d'in instrument,
r@'eplique, D: Stichnoten, NL: stichnoten, DK: stiknoder, S: inprickningar, N:
In a separate part notes belonging to another part with the purpose of hinting
when to start playing. Usually printed in a smaller type.
@item D
-I: re, F: r@'e, D: D, d, NL: d, DK: d, S: d, N: d
+ES: Re, I: re, F: r@'e, D: D, d, NL: d, DK: d, S: d, N: d
-@item da capo
-I: da capo, F: da capo, depuis le commencement, D: da capo, von Anfang, NL: da
+@item da capo
+ES: da capo, I: da capo, F: da capo, depuis le commencement, D: da capo, von Anfang, NL: da
capo, DK: da capo, S: da capo, N: .
The term indicates repetition of the piece from the beginning to the end or to
a certain place marked @emph{fine}. Mostly abbreviated D.C.
@item dal segno
-I: dal segno, F: dal segno, depuis le signe, D: dal segno, NL: dal segno, DK:
+ES: dal segno, I: dal segno, F: dal segno, depuis le signe, D: dal segno, NL: dal segno, DK:
dal segno, S: dal segno, N: .
abbreviated d.s. Repetition, not from the beginning, but from another place
@
-@mudela[13pt,eps]
-\property Voice.textStyle = "large"
+@lilypond[13pt,eps]
+\property Voice.TextScript \set #'font-style = #'large
\key g \major; \time 4/4;
\notes\relative c'' { d1 | g,4^\segno a b c | b a g2_"d.s." \bar "|."; }
-@end mudela
+@end lilypond
@item decrescendo
-I: decrescendo, D: Decrescendo, Leiser, NL: decrescendo, DK: decrescendo, S:
+ES: decrescendo, I: decrescendo, D: Decrescendo, Leiser, NL: decrescendo, DK: decrescendo, S:
decrescendo, N: decrescendo
Decreasing tone volume. Indicated by a leftwards opening horizontal wedge
@
-@mudela[13pt,eps]
-\key g \major; \time 4/4;
-\notes\relative c'' { d4 \> c b a | \! g1 \bar "|."; }
-@end mudela
+@lilypond[13pt,eps]
+\context Staff \notes\relative c'' {\key g \major; \time 4/4;
+ d4 \> c b a | \! g1 \bar "|."; }
+@end lilypond
@item descending interval
-I: intervallo discendente, F: intervalle descendant, D: fallendes Intervall,
+ES: intervalo descendente, I: intervallo discendente, F: intervalle descendant, D: fallendes Intervall,
absteigendes Intervall, NL: dalend interval, DK:@w{ }faldende interval, S:
fallande intervall, N:
An distance between a starting higher note and a lower ending note.
@item diatonic scale
-I: scala diatonica, F: gamme diatonique, D: diatonische Tonleiter, NL:
+ES: escala diatónica, I: scala diatonica, F: gamme diatonique, D: diatonische Tonleiter, NL:
diatonische toonladder, DK: diatonisk skala, S: diatonisk skala, N:
A scale consisting of 5 @w{@ar{}@strong{whole tones}} and 2
@
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\emptyText
\property Score.barNonAuto = ##t
-\property Lyrics.textStyle = "large"
-\property Voice.textStyle = "large"
+\property Lyrics.LyricText \set #'font-style = #'large
+\property Voice.TextScript \set #'font-style = #'large
\addlyrics
\notes\relative c' {
c1 d
- \property Voice.textScriptPadding = #-10
+ \property Voice.TextScript \set #'padding = #-10
e^"~~ S" f g a
- \property Voice.textScriptPadding = #-4
+ \property Voice.TextScript \set #'padding = #-4
b^"~~ S" c }
\context Lyrics \lyrics { Ionian }
-@end mudela
+@end lilypond
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\emptyText
\property Score.barNonAuto = ##t
-\property Lyrics.textStyle = "large"
-\property Voice.textStyle = "large"
+\property Lyrics.LyricText \set #'font-style = #'large
+\property Voice.TextScript \set #'font-style = #'large
\addlyrics
\notes\relative c' {
d1
- \property Voice.textScriptPadding = #-10
+ \property Voice.TextScript \set #'padding = #-10
e^"~~ S"
f g a
- \property Voice.textScriptPadding = #-4
+ \property Voice.TextScript \set #'padding = #-4
b^"~~ S" c d }
\context Lyrics \lyrics { Dorian }
-@end mudela
+@end lilypond
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\emptyText
\property Score.barNonAuto = ##t
-\property Lyrics.textStyle = "large"
-\property Voice.textStyle = "large"
+\property Lyrics.LyricText \set #'font-style = #'large
+\property Voice.TextScript \set #'font-style = #'large
\addlyrics
\notes\relative c' {
- \property Voice.textScriptPadding = #-10
+ \property Voice.TextScript \set #'padding = #-10
e1^"~~ S"
f g a
- \property Voice.textScriptPadding = #-4
+ \property Voice.TextScript \set #'padding = #-4
b^"~~ S" c d e }
\context Lyrics \lyrics { Phrygian }
-@end mudela
+@end lilypond
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\emptyText
\property Score.barNonAuto = ##t
-\property Lyrics.textStyle = "large"
-\property Voice.textStyle = "large"
+\property Lyrics.LyricText \set #'font-style = #'large
+\property Voice.TextScript \set #'font-style = #'large
\addlyrics
\notes\relative c' {
f1 g a
- \property Voice.textScriptPadding = #-4
+ \property Voice.TextScript \set #'padding = #-4
b^"~~ S" c d
- \property Voice.textScriptPadding = #0
+ \property Voice.TextScript \set #'padding = #0
e^"~~ S" f }
\context Lyrics \lyrics { Lydian }
-@end mudela
+@end lilypond
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\emptyText
\property Score.barNonAuto = ##t
-\property Lyrics.textStyle = "large"
-\property Voice.textStyle = "large"
+\property Lyrics.LyricText \set #'font-style = #'large
+\property Voice.TextScript \set #'font-style = #'large
\addlyrics
\notes\relative c'' {
g1 a
- \property Voice.textScriptPadding = #-4
+ \property Voice.TextScript \set #'padding = #-4
b^"~~ S" c d
- \property Voice.textScriptPadding = #0
+ \property Voice.TextScript \set #'padding = #0
e^"~~ S" f g }
\context Lyrics \lyrics { Mixolydian }
-@end mudela
+@end lilypond
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\emptyText
\property Score.barNonAuto = ##t
-\property Lyrics.textStyle = "large"
-\property Voice.textStyle = "large"
+\property Lyrics.LyricText \set #'font-style = #'large
+\property Voice.TextScript \set #'font-style = #'large
\addlyrics
\notes\relative c'' {
a1
- \property Voice.textScriptPadding = #-4
+ \property Voice.TextScript \set #'padding = #-4
b^"~~ S" c d
- \property Voice.textScriptPadding = #0
+ \property Voice.TextScript \set #'padding = #0
e^"~~ S" f g a }
\context Lyrics \lyrics { Aeolian }
-@end mudela
+@end lilypond
From the beginning of the 17th century the scales used in European
compositional music are primarily the major and the minor scales. In the
harmonic minor scale type an augmented second (A) occurs between the 6th and
7th tone.
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\emptyText
\property Score.barNonAuto = ##t
-\property Lyrics.textStyle = "large"
-\property Voice.textStyle = "large"
+\property Lyrics.LyricText \set #'font-style = #'large
+\property Voice.TextScript \set #'font-style = #'large
\addlyrics
\notes\relative c' {
c1 d
- \property Voice.textScriptPadding = #-10
+ \property Voice.TextScript \set #'padding = #-10
e^"~~ S" f g a
- \property Voice.textScriptPadding = #-4
+ \property Voice.TextScript \set #'padding = #-4
b^"~~ S" c }
\context Lyrics \lyrics { Major }
-@end mudela
+@end lilypond
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\emptyText
\property Score.barNonAuto = ##t
-\property Lyrics.textStyle = "large"
-\property Voice.textStyle = "large"
+\property Lyrics.LyricText \set #'font-style = #'large
+\property Voice.TextScript \set #'font-style = #'large
\addlyrics
\notes\relative c'' {
a1
- \property Voice.textScriptPadding = #-4
+ \property Voice.TextScript \set #'padding = #-4
b^"~~ S" c d
- \property Voice.textScriptPadding = #0
+ \property Voice.TextScript \set #'padding = #0
e^"~~ S" f g a }
\context Lyrics \lyrics { "ancient minor" }
-@end mudela
+@end lilypond
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\emptyText
\property Score.barNonAuto = ##t
-\property Lyrics.textStyle = "large"
-\property Voice.textStyle = "large"
+\property Lyrics.LyricText \set #'font-style = #'large
+\property Voice.TextScript \set #'font-style = #'large
\addlyrics
\notes\relative c'' {
a1
- \property Voice.textScriptPadding = #-4
+ \property Voice.TextScript \set #'padding = #-4
b^"~~ S" c d
- \property Voice.textScriptPadding = #0
+ \property Voice.TextScript \set #'padding = #0
e^"~~ S"
- \property Voice.textScriptPadding = #1
+ \property Voice.TextScript \set #'padding = #1
f!^"~~ A"
gis^"~~ S"
a }
\context Lyrics \lyrics { "Harmonic minor" }
-@end mudela
+@end lilypond
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\emptyText
\property Score.barNonAuto = ##t
-\property Lyrics.textStyle = "large"
-\property Voice.textStyle = "large"
+\property Lyrics.LyricText \set #'font-style = #'large
+\property Voice.TextScript \set #'font-style = #'large
\addlyrics
\notes\relative c'' {
a1
- \property Voice.textScriptPadding = #-4
+ \property Voice.TextScript \set #'padding = #-4
b^"~~ S" c d e fis
- \property Voice.textScriptPadding = #0
+ \property Voice.TextScript \set #'padding = #0
gis^"~~ S" a g!
- \property Voice.textScriptPadding = #-1
+ \property Voice.TextScript \set #'padding = #-1
f!^"~~ S" e d
- \property Voice.textScriptPadding = #-4
+ \property Voice.TextScript \set #'padding = #-4
c^"~~ S" b a
}
\context Lyrics \lyrics { "Melodic minor" }
-@end mudela
+@end lilypond
@item diminished interval
-I: intervallo diminuito, F: intervalle diminu@'e, D: vermindertes Intervall,
+ES: intervalo disminuído, I: intervallo diminuito, F: intervalle diminu@'e, D: vermindertes Intervall,
NL: verminderd interval, DK: formindsket interval, S: f@"orminskat
intervall, N: .
@w{@ar{}@strong{interval}}
@item diminuendo
-I: diminuendo, F: diminuendo, D: Diminuendo, NL: diminuendo, DK: diminuendo,
+ES: diminuendo, I: diminuendo, F: diminuendo, D: Diminuendo, NL: diminuendo, DK: diminuendo,
S:@w{ }diminuendo, N:@w{ }diminuendo.
@w{@ar{}@strong{decrescendo}}
@item disjunct movement
-I: moto disgiunto, F: mouvement disjoint, D:
+ES: movimiendo disjunto, I: moto disgiunto, F: mouvement disjoint, D:
sprunghafte Bewegung, NL: , DK: springende bev@ae{}gelse, S: hoppande
r@"orelse, N:
@
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\key a \major;
\time 4/4;
\notes\relative c' {
\partial 8; e8 | a4. gis8 b a e cis |
fis2 d4. \bar "||"; }
-@end mudela
+@end lilypond
@item dissonant interval; dissonance
+ES: intervalo disonante, disonancias,
I: intervallo dissonante, dissonanza, F: dissonance, D: Dissonanz, NL:
dissonant interval; dissonant, DK: dissonerende interval, dissonans, S:
dissonans, N: .
@w{@ar{}@strong{chord}} @w{@ar{}@strong{functional harmony}}
@item dominant seventh chord
-I: accordo di settima di dominante, F: accord de septi@`eme dominante, D:
+ES: acorde de séptima de dominante, I: accordo di settima di dominante, F: accord de septi@`eme dominante, D:
Dominantseptakkord, NL: dominant septiem akkoord, DK: dominantseptimakkord, S:
dominantseptimackord, N:
@w{@w{@ar{}@strong{chord}} @ar{}@strong{functional harmony}}
@item dominant
-I: dominante, F: dominante, D: Dominante, NL: dominant, DK: dominant, S:
+ES: dominante, I: dominante, F: dominante, D: Dominante, NL: dominant, DK: dominant, S:
dominant, N: .
The fifth @w{@ar{}@strong{scale degree}} @w{@ar{}@strong{functional harmony}}
@item dorian mode
-I: modo dorico, F: mode dorien, D: Dorischer Kirchenton, NL: dorische
+ES: modo dórico, I: modo dorico, F: mode dorien, D: Dorischer Kirchenton, NL: dorische
toonladder, dorischer Kirchenton, DK: dorisk skala, S: dorisk tonart, N:
@w{@ar{}@strong{diatonic scale}}
@item dot (augmentation dot)
-I: punto (di valore), F: point, D: Punkt (Verl@"angerungspunkt), NL: punt, DK:
+ES: puntillo, I: punto (di valore), F: point, D: Punkt (Verl@"angerungspunkt), NL: punt, DK:
punkt, S: punkt, N:
@w{@ar{}@strong{dotted note}}
@item dotted note
-I: nota puntata, F: note point@'ee, D: punktierte Note, NL: gepuncteerde noot,
+ES: nota con puntillo, I: nota puntata, F: note point@'ee, D: punktierte Note, NL: gepuncteerde noot,
DK: punkteret node, S: punkterad not, N:
@w{@ar{}@strong{note value}}
@item double appoggiatura
-I: appoggiatura doppia, F: appoggiature double, D: doppelter Vorschlag, NL:
+ES: apoyatura doble, I: appoggiatura doppia, F: appoggiature double, D: doppelter Vorschlag, NL:
dubbele voorslag, DK: dobbelt forslag, S: dubbelslag, N:
@w{@ar{}@strong{appoggiatura}}
Indicates the end of a section within a movement.
@item double dotted note
-I: nota doppiamente puntata, F: note doublement point@'ee, D:
+ES: nota con dos puntillos, I: nota doppiamente puntata, F: note doublement point@'ee, D:
doppel-punktierte Note, NL: dubbelgepuncteerde noot, DK:
dob@-belt@-punk@-te@-ret node, S: dub@-bel@-punk@-te@-rad not, N: .
@w{@ar{}@strong{note value}}
@item double flat
-
+ES: doble bemol,
I: doppio bemolle, F: double b@'emol, D: Doppel-B, NL: dubbelmol,
DK:@w{ }dob@-belt-b, S: dubbelbe, N: .
@w{@ar{}@strong{accidental}}
@item double sharp
-I: doppio diesis, F: double di@`ese, D: Doppelkreuz, NL: dubbelkruis,
+ES: doble sostenido, I: doppio diesis, F: double di@`ese, D: Doppelkreuz, NL: dubbelkruis,
DK:@w{ }dob@-belt@-kryds, S: dubbelkors, N: .
@w{@ar{}@strong{accidental}}
@item double trill
-I: doppio trillo, F: trille double, D: Doppeltriller, NL: dubbele triller, DK:
+ES: trino doble, I: doppio trillo, F: trille double, D: Doppeltriller, NL: dubbele triller, DK:
dobbelttrille, S: dubbeldrill, N: .
A simultaneous trill on two notes, usually in the distance of a third.
@item duple meter
-I: tempo binario, F: temps binaire, D: zweiteiliger Takt, NL: tweedelige
+ES: tiempo binario, I: tempo binario, F: temps binaire, D: zweiteiliger Takt, NL: tweedelige
maatsoort, DK: todelt takt, S: tv@aa{}takt, N: .
@w{@ar{}@strong{meter}}
@item duplet
-I: duina, F: duolet, D: Duole, NL: duool, DK: duol, S: duol, N: .
+ES: dosillo, I: duina, F: duolet, D: Duole, NL: duool, DK: duol, S: duol, N: .
@w{@ar{}@strong{note value}}
@item duration
-I: durata, F: dur@'ee, D: Dauer, L@"ange, NL: duur, lengte, DK: varighed, S:
+ES: duración, I: durata, F: dur@'ee, D: Dauer, L@"ange, NL: duur, lengte, DK: varighed, S:
tonl@"angd, N: .
@w{@ar{}@strong{note value}}
@w{@ar{}@strong{syntonic comma}}
@item E
-I: mi, F: mi, D: E, e, NL: e, DK: e, S: e, N: e.
+ES: mi, I: mi, F: mi, D: E, e, NL: e, DK: e, S: e, N: e.
@item eighth note
-I: croma, F: croche, UK: quaver, D: Achtel, Achtelnote, NL: achtste noot, DK:
+ES: corchea, I: croma, F: croche, UK: quaver, D: Achtel, Achtelnote, NL: achtste noot, DK:
ottendedelsnode, S: @aa{}ttondelsnot, N: .
@w{@ar{}@strong{note value}}
@item eighth rest
-I: pausa di croma, F: demi-soupir, UK: quaver rest, D: Achtelpause, NL:
+ES: silencio de corchea, I: pausa di croma, F: demi-soupir, UK: quaver rest, D: Achtelpause, NL:
achtste rust, DK:@w{ }ottendedelspause, S: @aa{}ttonddelspaus, N: .
@w{@ar{}@strong{note value}}
@item engraving
-I: incisione, F: gravure, D: Notenstechen, NL: steken, DK: nodestik, S:
+ES: Grabar, I: incisione, F: gravure, D: Notenstechen, NL: steken, DK: nodestik, S:
nottryck, N: .
Engraving means incising or etching a metal plate for
plate of metal. Now also the term for the art of music typesetting.
@item enharmonic
-I: enarmonico, F: enharmonique, D: enharmonisch, NL: enharmonisch, DK:
+ES: enharmónico, I: enarmonico, F: enharmonique, D: enharmonisch, NL: enharmonisch, DK:
enharmonisk, S: enharmonisk, N: .
Two notes, intervals, or scales are enharmonic if they have different names
but equal pitch.
-@
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
-\property Voice.textStyle = "large"
+\property Voice.TextScript \set #'font-style = #'large
\notes\relative c'' {
gis1_"g sharp" s as1_"a flat" s s
< des_"dim fifth" g,! > s s < cis_"augm fourth" g! > s s
}
-@end mudela
+@end lilypond
@item equal temperament
I: temperamento equabile, F: temp@'erament @'egal, D: gleichschwebende
@w{@ar{}@strong{andante}}, @w{@ar{}@strong{allegro}})
@item F
-I: fa, F: fa, D: F, f, NL: f, DK: f, S: f, N: f.
+ES: fa, I: fa, F: fa, D: F, f, NL: f, DK: f, S: f, N: f.
@item F clef
-I: chiave di fa, F: cl@'e de fa, D: F-Schl@"ussel, NL: F-sleutel, DK:
+ES: Clave de Fa, I: chiave di fa, F: cl@'e de fa, D: F-Schl@"ussel, NL: F-sleutel, DK:
F-n@o{}gle, S: f-klav, N: .
The position between the dots of the key symbol is the line of the F below
example bass recorder) while 8 below the clef symbol indicates playing an
octave lower (for example on double bass @w{@ar{}@strong{strings}}).
-@
-@c @ignore
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
-\property Staff.clefStyle = #"fullSizeChanges"
-\property Lyrics.textStyle = "large"
+\property Staff.Clef \override #'full-size-change = ##t
+\property Lyrics.LyricText \set #'font-style = #'large
\addlyrics
\notes\relative c {
% \clef "F3";
\clef varbaritone;
- f1 s
-% \clef "F4";
+ f1
\clef bass;
- f1 s
-% \clef "F5";
+ f1
\clef subbass;
- f1 s
+ f1
\clef "F^8";
- f'1 s s
+ f1
\clef "F_8";
- f,,1 s s
+ f1
}
\context Lyrics \lyrics {
baritone
"octaved up"
"octaved down"
}
-@end mudela
-@c @end ignore
+@end lilypond
@item fermata
-I: corona, F: pause, D: Fermate, NL: fermate, DK: fermat, S: fermat, N: .
+ES: Calderón, I: corona, F: pause, D: Fermate, NL: fermate, DK: fermat, S: fermat, N: .
Prolonged note or rest of indefinite duration.
-@
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\time 4/4;
\notes\relative c'' {
a4 b c2^\fermata \bar "|."; }
-@end mudela
+@end lilypond
@item fifth
-I: quinta, F: quinte, D: Quinte, NL: kwint, DK: kvint, S: kvint, N:
+ES: quinta, I: quinta, F: quinte, D: Quinte, NL: kwint, DK: kvint, S: kvint, N:
kvint.
@w{@ar{}@strong{interval}}
@item figured bass
-@w{@ar{}@strong{thorough bass}}
+ES: bajo cifrado, @w{@ar{}@strong{thorough bass}}
@item fingering
-I: diteggiatura, F: doigt@'e, D: Fingersatz, NL: vingerzetting, DK:
+ES: digitación, I: diteggiatura, F: doigt@'e, D: Fingersatz, NL: vingerzetting, DK:
fingers@ae{}tning, S: fingers@"attning, N: .
The methodical use of fingers in the playing of instruments.
@item flag; pennant
+ES: corchete,
I: coda (uncinata), bandiera, F: crochet, D: Fahne, F@"ahnchen, NL: vlaggetje,
DK: fane, S: flagga, N: .
Ornament at the end of the stem of a note used for notes with values less than
a quarter note. The number of flags determines the @w{@ar{}@strong{note value}}.
-@
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
\emptyText
-\property Voice.textStyle = "large"
+\property Voice.TextScript \set #'font-style = #'large
\notes\relative c'' {
g8_"1/8" s8
g16_"1/16" s8
g32_"1/32" s8
g64_"1/64" s8 }
-@end mudela
+@end lilypond
@item flat
-I: bemolle, F: b@'emol, D: B, b, NL: mol, DK: b, S: bef@"ortecken, N: .
+ES: bemol, I: bemolle, F: b@'emol, D: B, b, NL: mol, DK: b, S: bef@"ortecken, N: .
@w{@ar{}@strong{accidental}}
@w{@ar{}@strong{appoggiatura}}
@item forte
-I: forte, F: forte, D: forte, Laut, NL: forte, DK: forte, S: forte, N: .
+ES: forte, I: forte, F: forte, D: forte, Laut, NL: forte, DK: forte, S: forte, N: .
Loud, abbreviated @b{f}, @emph{fortissimo} (@b{ff}) very loud,
@emph{mezzoforte} (@b{mf}) medium loud.
@item fourth
-I: quarta, F: quarte, D: Quarte, NL: kwart, DK: kvart, S: kvart, N: .
+ES: cuarta, I: quarta, F: quarte, D: Quarte, NL: kwart, DK: kvart, S: kvart, N: .
@w{@ar{}@strong{interval}}
-@item fugue
-I: fuga, F: fugue, D: Fuge, NL: fuga, DK: fuga, S: fuga, N: .
+@item fugue
+ES: fuga, I: fuga, F: fugue, D: Fuge, NL: fuga, DK: fuga, S: fuga, N: .
@w{@ar{}@strong{counterpoint}}
@item functional harmony
-I: armonia funzionale, F: @'etude des functions, D: Funktionslehre, NL: , DK:
+ES: armonía funcional, I: armonia funzionale, F: @'etude des functions, D: Funktionslehre, NL: , DK:
funktionsanalyse, funktionsharmonik, S: funktionsl@"ara, N:
A system of harmonic analysis. It is based on the idea that, in a given key,
@
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\emptyText
\property Score.barNonAuto = ##t
-\property Lyrics.textStyle = "large"
-\property Voice.textStyle = "large"
+\property Lyrics.LyricText \set #'font-style = #'large
+\property Voice.TextScript \set #'font-style = #'large
\addlyrics
\notes\relative c'' {
< g1 e c > < a f d > < b g e >
< c a f > < d b g > < e c a > < f d b > }
-\context Lyrics \lyrics { T Sp Dp S D Tp "D{\\kern-5pt}$\\mid$" }
-@end mudela
+\context Lyrics \lyrics { T Sp Dp S D Tp "D{\\kern-5pt}$\\mid$" }
+@end lilypond
@item G
-I: sol, F: sol, D: G, g, NL: g, DK: g, S: g, N: g.
+ES: sol, I: sol, F: sol, D: G, g, NL: g, DK: g, S: g, N: g.
@item G clef
-I: chiave di sol, F: cl@'e de sol, D: G-Schl@"ussel, Violinschl@"ussel, NL:
+ES: Clave de sol, I: chiave di sol, F: cl@'e de sol, D: G-Schl@"ussel, Violinschl@"ussel, NL:
G-sleutel, DK: g-n@o{}gle, S: g-klav, N: .
A clef symbol indicating the G above central C. Used on the first and second
@
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
-\property Staff.clefStyle = #"fullSizeChanges"
-\property Lyrics.textStyle = "large"
+\property Staff.Clef \set #'full-size-change = ##t
+\property Lyrics.LyricText \set #'font-style = #'large
\addlyrics
\notes\relative c'' {
\clef french;
- g1 s s s s
+ g1
\clef treble;
- g s s s
+ g
\clef "G^8";
- g' s s s
+ g
\clef "G_8";
- g,, s s
+ g
}
\context Lyrics \lyrics {
"french violin clef"
"octaved up"
"octaved down"
}
-@end mudela
+@end lilypond
@item glissando
-I: glissando, F: glissando, D: Glissando, NL: glissando, DK: glissando, S:
+ES: glissando, I: glissando, F: glissando, D: Glissando, NL: glissando, DK: glissando, S:
glissando, N: glissando.
Letting the pitch slide fluently from one note to the other
A combination of two staffs with a brace. Usually used for piano music.
@item grave
-I: grave, F: grave, D: grave, langsam, traurig, NL: grave, ernstig, DK: grave, S: grave, N:
+ES: grave, I: grave, F: grave, D: grave, langsam, traurig, NL: grave, ernstig, DK: grave, S: grave, N:
.
Slow, solemn.
@item half note
-I: minima, F: blanche, UK: minim, D: Halbe, halbe Note, NL: halve noot, DK:
+ES: blanca, I: minima, F: blanche, UK: minim, D: Halbe, halbe Note, NL: halve noot, DK:
halvnode, S: halvnot, N: .
@w{@ar{}@strong{note value}}
@w{@ar{}@strong{note value}}
@item harmonic cadence
-I: cadenza (armonica), F: cadence harmonique, D: Schlusskadenz, NL:
+ES: cadencia (armónica), I: cadenza (armonica), F: cadence harmonique, D: Schlusskadenz, NL:
harmonische cadens, DK: harmonisk kadence, S: (harmonisk) kadens, N: .
Sequence of chords that terminate a musical phrase or
@
-@mudela[13pt,eps]
-\context GrandStaff <
- \notes\relative c'' {
+@lilypond[13pt,eps]
+\notes\context PianoStaff <
+ \context Staff = SA \relative c'' {
\time 4/4;
\clef treble;
\partial 4; < c4 g e > | < c a f > < b g d > < c2 g e > }
- \property Lyrics.textStyle = "large"
+ \property Lyrics.LyricText \set #'font-style = #'large
\addlyrics
- \notes\relative c {
+ \context Staff = SB \relative c {
\clef bass;
\partial 4; c4 | f, g c2
\bar "|."; }
\context Lyrics \lyrics { T S D T } >
-@end mudela
+@end lilypond
@item harmony
-I: armonia, F: harmonie, D: Harmonie, Zusammenklang, NL: harmonie, DK:
+ES: armonía , I: armonia, F: harmonie, D: Harmonie, Zusammenklang, NL: harmonie, DK:
samklang, S: samklang, N:
Tones sounding simultaneously. Two note harmonies fall into the cathegories
@
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
-\property Voice.textStyle = "large"
+\property Voice.TextScript \set #'font-style = #'large
\notes\relative c'' {
<g1_"unisone" g> s
<g1_"third" b> s
<g1_"octave" g'> s
<g1_"decime" b'> s s
}
-@end mudela
+@end lilypond
Dissonances:
@
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
-\property Voice.textStyle = "large"
+\property Voice.TextScript \set #'font-style = #'large
\notes\relative c'' {
<g1_"second" a> s
<g1_"seventh" f'> s
<g1_"ninth" a'> s s
}
-@end mudela
+@end lilypond
Three note harmony @w{@ar{}@strong{chord}}
@item homophony
-I: omofonia, F: homophonie, D: Homophonie, NL: homofonie, DK: homofoni, S:
+ES: homofonía, I: omofonia, F: homophonie, D: Homophonie, NL: homofonie, DK: homofoni, S:
homofoni, N: .
Music in which one voice leads melodically followed by the other voices more
or less in the same rhythm. In contrast to @w{@ar{}@strong{polyphony}}.
@item interval
-I: intervallo, F: intervalle, D: Intervall, NL: interval, DK: interval, S:
+ES: intervalo, I: intervallo, F: intervalle, D: Intervall, NL: interval, DK: interval, S:
intervall, N: .
Difference in pitch between two notes. Intervals may be perfect, minor, major,
@
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
-\property Lyrics.textStyle = "large"
-\property Voice.textStyle = "large"
+\property Score.LyricText \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large
\addlyrics
-\notes\relative c'' {
+\context Staff \notes\relative c'' {
< g1 g > s
< g^"minor" as > s
< g^"major" a! > s
}
\context Lyrics \lyrics {
unisone second second second third third third third }
-@end mudela
+@end lilypond
@
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
-\property Lyrics.textStyle = "large"
-\property Voice.textStyle = "large"
+\property Score.LyricText \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large
\addlyrics
-\notes\relative c'' {
+\context Staff \notes\relative c'' {
< g1^"perfect" c > s
< g^"augm" cis > s
< g^"perfect" d' > s
}
\context Lyrics \lyrics {
fourth fourth fifth fifth sixth sixth sixth sixth }
-@end mudela
+@end lilypond
@
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
-\property Lyrics.textStyle = "large"
-\property Voice.textStyle = "large"
+\property Score.LyricText \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large
\addlyrics
-\notes\relative c'' {
+\context Staff \notes\relative c'' {
< gis1^"dimin" f'! > s
< g!^"minor" f'! > s
< g^"major" fis' > s
}
\context Lyrics \lyrics {
seventh seventh seventh octave none none decime decime }
-@end mudela
+@end lilypond
@item inverted interval
-I: intervallo rivolto, F: intervalle renvers@'e, D: umgekerhtes Intervall, NL:
+ES: intervalo invertido, I: intervallo rivolto, F: intervalle renvers@'e, D: umgekerhtes Intervall, NL:
interval inversie, DK: omvendingsinterval, S: intervallets omv@"andning, N: .
The difference between an interval and an octave.
@
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
-\property Voice.textStyle = "large"
-\notes\relative c'' {
+\property Score.TextScript \set #'font-style = #'large
+\context Staff \notes\relative c'' {
< g1_"second" a > s < g'_"seventh" a, > s \bar "||";
< g,_"third" b > s < g'_"sixth" b, > s \bar "||";
< g,_"fourth" c > s < g'_"fifth" c, > s \bar "||";
}
-@end mudela
+@end lilypond
@item just intonation
I: intonazione giusta, F: intonation juste, D: reine Stimmung, NL: reine
@w{natural} fifths and thirds. @w{@ar{}@strong{temperament}}
@item key
-I: tonalit@`a, F: tonalit@'e, D: Tonart, NL: toonsoort, DK: toneart, S:
+ES: tonalidad, I: tonalit@`a, F: tonalit@'e, D: Tonart, NL: toonsoort, DK: toneart, S:
tonart, N: .
According to the 12 tones of the @w{@ar{}@strong{chromatic scale}} there are 12
keys, one on c, one on c-sharp etc. @w{@ar{}@strong{key signature}}
@item key signature
-I: armatura di chiave, F: armure, armature [de la cl@'e], D: Vorzeichen,
+ES: armadura de clave, I: armatura di chiave, F: armure, armature [de la cl@'e], D: Vorzeichen,
Tonart, NL: @w{ }toon@-soort (voortekens), DK: faste fortegn,
S: tonartssignatur, N: .
key of the music. @w{@ar{}@strong{accidental}}
@item largo
-I: largo, F: largo, D: Largo, Langsam, Breit, NL: largo, DK: largo, S: largo,
+ES: largo, I: largo, F: largo, D: Largo, Langsam, Breit, NL: largo, DK: largo, S: largo,
N: largo
Very slow in tempo, usually combined with great
expressiveness. @emph{Larghetto} less slow than largo.
@item leading note
-I: sensibile, F: note sensible, D: Leitton, NL: leidtoon, DK: ledetone, S:
+ES: sensible, I: sensibile, F: note sensible, D: Leitton, NL: leidtoon, DK: ledetone, S:
ledton, N: .
The seventh @w{@ar{}@strong{scale degree}}, a @w{@ar{}@strong{semitone}} below
@item ledger line; leger line
-I: tagli addizionali, F: ligne suppl@'ementaire, D: Hilfslinie, NL:
+ES: líneas adicionales, I: tagli addizionali, F: ligne suppl@'ementaire, D: Hilfslinie, NL:
hulplijntje, DK: hj@ae{}lpelinie, S: hj@"alplinje, N: .
A ledger line is an extension of the staff.
@
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
\notes\relative c'' { a,1 s c'' }
-@end mudela
+@end lilypond
@item legato
-I: legato, F: legato, li@'e, D: legato, NL: legato, DK: legato, S: legato, N:
+ES: ligado, I: legato, F: legato, li@'e, D: legato, NL: legato, DK: legato, S: legato, N:
.
To be performed without any perceptible interruption between the notes (a)
@
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
\emptyText
-\property Lyrics.textStyle = "large"
+\property Lyrics.LyricText \set #'font-style = #'large
\addlyrics
\notes\relative c'' {
c4( d )e \bar "||";
c4-. d-. e-. \bar "||";
}
\context Lyrics \lyrics { a "" "" b "" "" c "" "" d }
-@end mudela
+@end lilypond
@item legato curve
@w{@ar{}@strong{slur}} @w{@ar{}@strong{legato}}
@item lilypond
+ES: estanque de lilas,
I: stagno del giglio, F: @'etang de lis, UK: lily pond, D: Seerosenteich, NL:
le@-lie@-vij@-ver, DK: liliedam, S: liljedamm, N: .
A pond with lilies floating in it, also the name of a music typesetter.
@item line
-I: linea, F: ligne, D: Linie, Notenlinie, NL: lijn, DK: nodelinie, S:
+ES: línea, I: linea, F: ligne, D: Linie, Notenlinie, NL: lijn, DK: nodelinie, S:
notlinje, N: .
@w{@ar{}@strong{staff}}
-@item long appoggiatura
-I: appoggiatura lunga, F: appoggiature longue, D: langer Vorschlag, DK: langt
+@item long appoggiatura
+ES: apoyatura larga, I: appoggiatura lunga, F: appoggiature longue, D: langer Vorschlag, DK: langt
forslag, S: l@aa{}ngt f@"orslag, N: .
@w{@ar{}@strong{appoggiatura}}
@item longa
-I: longa, F: longa, D: Longa, NL: longa, DK: longa, S: longa, N: longa
+ES: longa, I: longa, F: longa, D: Longa, NL: longa, DK: longa, S: longa, N: longa
note value: double length of @w{@ar{}@strong{brevis}}. @w{@ar{}@strong{note value}}
@
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
\notes\relative c'' {
- \property Voice.noteHeadStyle = "mensural"
+ \property Voice.NoteHead \set #'style = #'mensural
g\longa
}
-@end mudela
+@end lilypond
@item major interval
-I: intervallo maggiore, F: intervalle majeur, D: gro@ss{}es Intervall, NL:
+ES: intervalo mayor, I: intervallo maggiore, F: intervalle majeur, D: gro@ss{}es Intervall, NL:
groot interval, DK: stort interval, S: stort intervall, N: .
@w{@ar{}@strong{interval}}
@item major
-I: maggiore, F: [mode] majeur, D: Dur, NL: majeur, DK: dur, S: dur, N: dur.
+ES: mayor, I: maggiore, F: [mode] majeur, D: Dur, NL: majeur, DK: dur, S: dur, N: dur.
@w{@ar{}@strong{diatonic scale}}
tuning keyboard instruments for performance of pre-1650 music.
@item measure, bar
-I: misura, battuta, F: mesure, D: Takt, NL: maat, DK: takt, S: takt, N: takt.
+ES: compás, I: misura, battuta, F: mesure, D: Takt, NL: maat, DK: takt, S: takt, N: takt.
A group of @w{@ar{}@strong{beat}}s (units of musical time) the first of which
bears an accent. Such groups in numbers of two or more recur consistently
bar-lines. @w{@ar{}@strong{meter}}
@item mediant
-I: mediante, modale, F: m@'ediante, NL: mediant, D: Mediant, DK: mediant, S:
+ES: mediante, I: mediante, modale, F: m@'ediante, NL: mediant, D: Mediant, DK: mediant, S:
mediant, N: .
1. The third @b{scale degree}. 2. A @w{@ar{}@strong{chord}} having its base tone
@w{@ar{}@strong{cadenza}}
@item meter, time
-I: tempo, metro, F: m@`etre, D: Taktart, Metrum, NL: maatsoort, DK: taktart,
+ES: compás, I: tempo, metro, F: m@`etre, D: Taktart, Metrum, NL: maatsoort, DK: taktart,
S: taktart, N: .
The basic scheme of @ar{}@w{}@strong{note value}s and @ar{}@w{}@strong{accent}s
@
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\notes\relative c'' {
\time 3/4;
\key f \major;
c es d | c bes8 a bes4 | c es d | c2 \bar "||";}
-@end mudela
+@end lilypond
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\notes\relative c' {
\time 6/8;
\key f \major;
f8 f f f a16 g a f |
c'8 c c c e16 d e c \bar "||";}
-@end mudela
+@end lilypond
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\notes\relative c'' {
\time 5/4;
\key g \major;
d4 b8 g b d d c a4 |
g8 g16 g g8 g16 g g8 fis16 g a8 fis16 e d4 \bar "||";}
-@end mudela
+@end lilypond
@item metronome
-I: metronomo, F: m@'etronome, D: Metronom, NL: metronoom,
+ES: metrónomo, I: metronomo, F: m@'etronome, D: Metronom, NL: metronoom,
DK:@w{ }me@-tro@-nom, S:@w{ }me@-tro@-nom, N: metronom.
Device indicating the exact tempo of a piece. @w{@ar{}@strong{metronomic
indication}}
@item metronomic indication
-I: indicazione metronomica, F: indication m@'etronomique, D: Metronomangabe,
+ES: indicación metronómica, I: indicazione metronomica, F: indication m@'etronomique, D: Metronomangabe,
NL: metronoom aanduiding, DK: metronomtal, S: metronomangivelse, N: .
Exact tempo indication (in beats per minute). Also denoted by
M.M. (M@"alzel's Metronom)
@item mezzo-soprano
-I: mezzo-soprano, F: mezzo-soprano, D: Mezzosopran, NL: mezzosopraan, DK:
+ES: mezzo soprano, I: mezzo-soprano, F: mezzo-soprano, D: Mezzosopran, NL: mezzosopraan, DK:
mezzosopran, S: mezzosopran, N: mezzosopran.
The female voice between @w{@ar{}@strong{soprano}} and
@w{@ar{}@strong{contralto}}.
@item middle C
-I: do centrale, F: do central, D: eingestrichenes c, NL: centrale c, DK:
+ES: do central, I: do centrale, F: do central, D: eingestrichenes c, NL: centrale c, DK:
enstreget c, S: ettstruket c, N:
First C below the 440 Hz A.
@
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
-\property Staff.clefStyle = #"fullSizeChanges"
+\property Staff.Clef \set #'full-size-change = ##t
\notes\relative c' {
\clef bass; c1 s
\clef alto; c s
\clef treble; c s
}
-@end mudela
+@end lilypond
@item minor interval
-I: intervallo minore, F: intervalle mineur, D: kleines Intervall, NL: klein
+ES: intervalo mayor, I: intervallo minore, F: intervalle mineur, D: kleines Intervall, NL: klein
interval, DK: lille interval, S: litet intervall, N: .
@w{@ar{}@strong{interval}}
@item minor
-I: minore, F: mode mineur, D: Moll, NL: mineur, DK: mol, S: moll, N: .
+ES: menor, I: minore, F: mode mineur, D: Moll, NL: mineur, DK: mol, S: moll, N: .
@w{@ar{}@strong{diatonic scale}}
@item mode
-I: modo, F: mode, D: Modus, NL: modus, DK: skala, S: modus, skala, N: .
+ES: modo, I: modo, F: mode, D: Modus, NL: modus, DK: skala, S: modus, skala, N: .
@w{@ar{}@strong{church mode}} @w{@ar{}@strong{diatonic scale}}
@item modulation
-I: modulazione, F: modulation, D: Modulation, NL: modulatie, DK: modulation,
+ES: modulación, I: modulazione, F: modulation, D: Modulation, NL: modulatie, DK: modulation,
S: modulering, N: .
Moving from one @w{@ar{}@strong{key}} to another. For example the second
@w{@ar{}@strong{ornament}}
@item motive; motif
+ES: tema,
I: inciso, F: incise, D: Motiv, NL: motief, DK: motiv, S: motiv, N: .
The briefest intelligible and self-contained fragment of a musical theme or
@
-@mudela[13pt,eps]
-\property Score.timeSignatureStyle = "C2/2"
+@lilypond[13pt,eps]
+\property Score.TimeSignature \override #'style = #'C2/2
\emptyText
-\property Voice.textStyle = "large"
+\property Voice.TextScript \set #'font-style = #'large
\notes\relative c'' {
\time 4/4;
\key g \major;
g8 d16_"------" c d8 g16 fis g8 b,16 a b8 g'16 fis |
g8 g,16 a b8 cis d16 s
}
-@end mudela
+@end lilypond
@item movement
-I: movimento, F: mouvement, D: Satz, NL: deel, DK: sats, S: sats, N: .
+ES: movimiento, I: movimento, F: mouvement, D: Satz, NL: deel, DK: sats, S: sats, N: .
Greater musical works like @w{@ar{}@strong{symphony}} and
@w{@ar{}@strong{sonata}} most often consist of several - more or less -
independant pieces called movements.
@item multibar rest
-I: pausa multipla, F: pause multiple, NL: meermaats rust, D:
+ES: compases de espera, I: pausa multipla, F: pause multiple, NL: meermaats rust, D:
mehrtaktige Pause, DK: flertaktspause, S: flertaktspaus, N: .
@
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\notes\relative c'' {
a1
\property Score.skipBars=##t R1*3
a1 }
-@end mudela
+@end lilypond
@item mixolydian mode
@w{@ar{}@strong{diatonic scale}}
@item natural sign
-I: bequadro, F: b@'ecarre, D: Aufl@"osungszeichen, NL: herstellingsteken,
+ES: becuadro, I: bequadro, F: b@'ecarre, D: Aufl@"osungszeichen, NL: herstellingsteken,
DK:@w{ }op@-l@o{}sningstegn, S: @aa{}terst@"allningstecken, N: .
@w{@ar{}@strong{accidental}}
@w{@ar{}@strong{appoggiatura}}
@item ninth
-I: nona, F: neuvi@`eme, D: None, NL: noon, DK: none, S: nona, N: .
+ ES: novena, I: nona, F: neuvi@`eme, D: None, NL: noon, DK: none, S: nona, N: .
@w{@ar{}@strong{interval}}
@w{@ar{}@strong{legato}}
@item note
-I: nota, F: note, D: Note, NL: noot, DK: node, S: not, N: ,
+ES: nota, I: nota, F: note, D: Note, NL: noot, DK: node, S: not, N: ,
Notes are signs by means of which music is fixed in writing. The term is also
used for the sound indicated by a note, and even for the key of the piano
and hears a tone.
@item note head
-I: testa, testina, capocchia, F: t@^ete de la note, D: Notenkopf, NL:
+ES: oval, I: testa, testina, capocchia, F: t@^ete de la note, D: Notenkopf, NL:
nootballetje, DK: nodehovede, S: nothuvud, N: .
A head like sign which indicates pitch by its position on a
instrument.
@item note value
-I: valore, durata, F: dur@'ee, valeur (d'une note), D: Notenwert, NL:
+ES: valor, I: valore, durata, F: dur@'ee, valeur (d'une note), D: Notenwert, NL:
nootwaarde, DK nodev@ae{}rdi, S: notv@"arde, N: .
Note values (durations) are measured as fractions, normally 1/2, of the next
@
-@mudela[13pt,eps]
-\property Voice.textStyle = "large"
+@lilypond[13pt,eps]
+\property Voice.TextScript \set #'font-style = #'large
\property Score.barNonAuto = ##t
\notes\relative c'' {
- \property Voice.noteHeadStyle = "mensural"
+ \property Voice.NoteHead \override #'style = #'mensural
g\longa_"longa" g\breve_"breve"
- \property Voice.noteHeadStyle = ""
+ \property Voice.NoteHead \revert #'style
g1_"1/1" g2_"1/2" g4_"1/4" s16 g8_"1/8" s16
g16_"1/16" s16 g32_"1/32" s16 g64_"1/64" s32 }
-@end mudela
+@end lilypond
-@mudela[13pt,eps]
-\property Voice.textStyle = "large"
+@lilypond[13pt,eps]
+\property Voice.TextScript \set #'font-style = #'large
\property Score.barNonAuto = ##t
\notes\relative c'' {
r\longa_"longa" r\breve_"breve"
r1_"1/1" r2_"1/2" r4_"1/4" s16 r8_"1/8" s16
r16_"1/16" s16 r32_"1/32" s16 r64_"1/64" s32 }
-@end mudela
+@end lilypond
An augmentation dot after a note multiplies the duration by one and a
half. Another dot adds yet a fourth of the duration.
@
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\emptyText
-\property Voice.textStyle = "large"
+\property Voice.TextScript \set #'font-style = #'large
\notes\relative c'' {
\time 4/4;
g4._"pointed" g8 g2 | g4 () g8 g g2 \bar "||";
g4.._"double pointed" g16 g2 | g4 () g8 () g16 g g2 \bar "||"; }
-@end mudela
+@end lilypond
Alternatively note values may be subdivided by other ratios. Most common is
subdivision by 3 (@emph{triplets}) and 5 (@emph{quintuplets}). Subdivisions by
@
-@mudela[13pt,eps]
-\property Voice.textStyle = "large"
+@lilypond[13pt,eps]
+\property Voice.TextScript \set #'font-style = #'large
\emptyText
\notes\relative c'' {
\time 4/4;
g4 g g \bar "||";
\times 6/4 {g8_"quadruplets" g g g} |
g8 g g g g4 \bar "||";}
-@end mudela
+@end lilypond
@
@w{@ar{}@strong{g clef}} @w{@ar{}@strong{f clef}}
@item octave
-I: ottava, F: octave, D: Oktave, NL: octaaf, DK: oktav, S: oktav, N: .
+ES: octava, I: ottava, F: octave, D: Oktave, NL: octaaf, DK: oktav, S: oktav, N: .
@w{@ar{}@strong{interval}}
@item ornament; embellishment; accessory
+ES: adorno,
I: abbellimento, fioriture, F: agr@'ement, ornement, D: Verzierung, Ornament,
NL: versiering, DK: forsiring, S: ornament, N: .
note first while in the music from the preceding baroque and classic periods
the upper note is played first.
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
<
\context Staff = sa {
\emptyText
- \property Voice.textStyle = "large"
+ \property Voice.TextScript \set #'font-style = #'large
\notes\relative c'' {
c2._"pre-1850" b4\trill | c1 \bar "||";
c2._"post-1850" b4\trill | c1 \bar "||";
c2. b32 c b c \times 4/5 { b c b c b } | c1
}
>
-@end mudela
+@end lilypond
Other frequently used ornaments are the @emph{turn}, the @emph{mordent} and the
@emph{prall} (inverted mordent).
@
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
<
\context Staff = sa {
\emptyText
- \property Voice.textStyle = "large"
+ \property Voice.TextScript \set #'font-style = #'large
\notes\relative c'' {
a4_"turn" b\turn c2 \bar "||";
g4_"mordent" a b\mordent a \bar "||";
e'4 [e8 ~ e32 d e d] c2
}
>
-@end mudela
+@end lilypond
@w{@ar{}@strong{appoggiatura}}
@item ossia
-I: ossia, F: ossia, D: Ossia, NL: alternatief, DK: ossia, S: ossia, N: .
+ES: ossia, I: ossia, F: ossia, D: Ossia, NL: alternatief, DK: ossia, S: ossia, N: .
Ossia (otherwise) marks an alternative. It is an added staff or piano
score, usually only a few measures long, which presents another version
of the music, for example for small hands.
@item part
-I: voce, parte, F: partie, D: Stimme, NL: partij, DK: stemme, S: st@"amma, N: .
+ES: parte, I: voce, parte, F: partie, D: Stimme, NL: partij, DK: stemme, S: st@"amma, N: .
1. In instrumental or choral music the music for the single instrument
or voice. 2. in contrapuntal music @w{@ar{}@strong{counterpoint}} the single
melodic line of the contrapuntal web.
@item percussion
-I: percussioni, F: percussion, D: Schlagzeug, NL: slagwerk, DK: slagt@o{}j, S:
+ES: percusión, I: percussioni, F: percussion, D: Schlagzeug, NL: slagwerk, DK: slagt@o{}j, S:
slagverk, N: .
A family of musical instruments which are played on by striking or
and xylophone.
@item perfect interval
-
+ES: intervalo justo,
I: intervallo giusto, F: intervalle juste, D: reines Intervall, NL: rein
interval, DK: rent interval, S: rent intervall, N: .
@w{@ar{}@strong{interval}}
@item phrase
-I: frase, F: phrase, D: Phrase, NL: frase, zin, DK: frase, S: fras, N: .
+ES: frase, I: frase, F: phrase, D: Phrase, NL: frase, zin, DK: frase, S: fras, N: .
A natural division of the melodic line, comparable to a sentence of speech.
@item phrasing
-I: fraseggio, F: phras@'e, D: Phrasierung, NL: frasering, DK: frasering, S:
+ES: fraseo, I: fraseggio, F: phras@'e, D: Phrasierung, NL: frasering, DK: frasering, S:
fra@-se@-ring, N: .
The clear rendering in musical performance of the @w{@ar{}@strong{phrase}}s of
the melody. Phrasing may be indicated by a @w{@ar{}@strong{slur}}.
-@item piano
-I: piano, F: piano, D: piano, leise, NL: piano, DK: piano, S: piano, N: .
+@item piano
+ES: piano, I: piano, F: piano, D: piano, leise, NL: piano, DK: piano, S: piano, N: .
@emph{piano} (@b{p}) soft, @emph{pianissimo} (@b{pp}) very soft,
@emph{mezzopiano} (@b{mp}) medium soft.
@item pitch
-I: altezza, F: hauteur, D: Tonh@"ohe, NL: toonhoogte, DK: toneh@o{}jde, S:
+ES: altura, I: altezza, F: hauteur, D: Tonh@"ohe, NL: toonhoogte, DK: toneh@o{}jde, S:
tonh@"ojd, N: .
@item pizzicato
-I: pizzicato, F: pizzicato, D: pizzicato, NL: pizzicato, getokkeld, DK:
+ES: pizzicato, I: pizzicato, F: pizzicato, D: pizzicato, NL: pizzicato, getokkeld, DK:
pizzicato, S: pizzicato.
Play by plucking the strings.
@item polyphony
-I: polifonia, F: polyphonie, D: Polyphonie, NL: polyfonie, DK: polyfoni, S:
+ES: polifonía, I: polifonia, F: polyphonie, D: Polyphonie, NL: polyfonie, DK: polyfoni, S:
polyfoni, N: .
Music written in a combination of several simultaneous voices (parts) of a
@w{@ar{}@strong{legato}}
@item presto
-I: presto, F: presto, D: Presto, Sehr schnell, NL: presto, Sehr schnell, DK:
+ES: presto, I: presto, F: presto, D: Presto, Sehr schnell, NL: presto, Sehr schnell, DK:
presto, S: presto, N: .
Very quick, i.e. quicker than @w{@ar{}@strong{allegro}}. @emph{prestissimo}
denotes the highest possible degree of speed.
@item Pythagorean comma
+ES: coma pitagórico,
I: comma pitagorico, F: comma pythagoricien, D: Pythagor@"aisches Komma, NL:
komma van Pythagoras, DK: pythagor@ae{}isk komma, S: pytagoreiskt komma, N: .
called the Pythagorean comma.
@item quadruplet
-I: quartina, F: quartolet, D: Quartole, NL: kwartool, DK: kvartol, S: kvartol,
+ES: cuatrillo, I: quartina, F: quartolet, D: Quartole, NL: kwartool, DK: kvartol, S: kvartol,
N: .
@w{@ar{}@strong{note value}}
@item quarter note
-I: semiminima, nera, F: noire, UK: crotchet, D: Viertel, Viertelnote, NL:
+ES: negra, I: semiminima, nera, F: noire, UK: crotchet, D: Viertel, Viertelnote, NL:
kwartnoot, DK: fjerdedelsnode, S: fj@"ardedelsnot, N:
@w{@ar{}@strong{note value}}
@item quarter rest
-I: pausa di semiminima, F: soupir, UK: crotchet rest, D: Viertelpause, NL:
+ES: silencio de negra, I: pausa di semiminima, F: soupir, UK: crotchet rest, D: Viertelpause, NL:
kwart rust, DK:@w{ }fjerdedelspause, S: fj@"ardedelspaus, N: .
@w{@ar{}@strong{note value}}
@item quintuplet
-I: quintina, F: quintuplet, D: Quintole, NL: kwintool, DK: kvintol, S:
+ES: quintillo, I: quintina, F: quintuplet, D: Quintole, NL: kwintool, DK: kvintol, S:
kvintol, N: .
@w{@ar{}@strong{note value}}
@item rallentando
-I: rallentando, F: rallentando, D: rallentando, langsamer, NL: rallentando, DK:
+ES: rallentando, I: rallentando, F: rallentando, D: rallentando, langsamer, NL: rallentando, DK:
rallentando, S: rallentando, N: rallentando.
Abbreviation "rall.". @w{@ar{}@strong{ritardando}}
@item relative key
-I: tonalit@`a relativa, F: tonalit@'e relative, D: Paralleltonart, DK:
+ES: relativa, I: tonalit@`a relativa, F: tonalit@'e relative, D: Paralleltonart, DK:
paralleltoneart, S: parallelltonart, N: .
@w{@ar{}@strong{Major}} and @w{@ar{}@strong{minor}} @w{@ar{}@strong{key}} with
@
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\emptyText
\property Score.barNonAuto = ##t
-\property Voice.textStyle = "large"
+\property Voice.TextScript \set #'font-style = #'large
\notes\relative c' {
\key es \major;
es1_"e flat major" f g as bes c d es
\key es \major;
c,1_"c minor" d es f g a! b! c \bar "||";
}
-@end mudela
+@end lilypond
@item repeat
-I: ritornello, F: barre de reprise, D: Wiederholung, NL: herhaling, DK:
+ES: barra de repetición, I: ritornello, F: barre de reprise, D: Wiederholung, NL: herhaling, DK:
gen@-ta@-gel@-se, S: repris, N: .
@
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\key g \major;
\time 4/4;
\notes\relative c'' {
\repeat volta 2 {g4 g d' d | e e d2 | c4 c b b | a a g2 }
}
-@end mudela
+@end lilypond
@item rest
-I: pausa, F: silence, D: Pause, NL: rust, DK: pause, S: paus, N: .
+ES: silencio, I: pausa, F: silence, D: Pause, NL: rust, DK: pause, S: paus, N: .
@w{@ar{}@strong{note value}}
@item rhythm
-I: ritmo, F: rythme, D: Rhythmus, NL: ritme, DK: rytme, S: rytm, N: .
+ES: ritmo, I: ritmo, F: rythme, D: Rhythmus, NL: ritme, DK: rytme, S: rytm, N: .
(a) metrical rhythm in which every time value is a multiple or fraction of a
fixed unit of time, called @w{@ar{}@strong{beat}}, and in which the normal
common metrical unit (beat).
@item ritardando
-I: ritardando, F: ritardando, D: Ritardando, Langsamer, NL: ritardando, DK:
+ES: retardando, I: ritardando, F: ritardando, D: Ritardando, Langsamer, NL: ritardando, DK:
ritardando, S: ritardando, N: .
Gradually slackening in speed. Mostly abbreviated to rit. or ritard.
@item ritenuto
-I: ritenuto, F: ritenuto, D: Ritenuto, NL: ritenuto, DK: ritenuto, S:
+ES: ritenuto, I: ritenuto, F: ritenuto, D: Ritenuto, NL: ritenuto, DK: ritenuto, S:
ritenuto, N: .
Immediate reduction of speed.
@item scale
-I: scala, F: gamme, D: Tonleiter, NL: toonladder, DK: Skala, S: skala, N: .
+ES: escala, I: scala, F: gamme, D: Tonleiter, NL: toonladder, DK: Skala, S: skala, N: .
@w{@ar{}@strong{diatonic scale}}
@item scale degree
-I: grado della scala, F: degr@'e [de la gamme], D: Tonleiterstufe, NL: trap
+ES: grados de la escala, I: grado della scala, F: degr@'e [de la gamme], D: Tonleiterstufe, NL: trap
[van de toonladder], DK: skalatrin, S: skalsteg (?), N: .
Names and symbols used in harmonic analysis to denote tones of the scale as
@
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\emptyText
\property Score.barNonAuto = ##t
-\property Lyrics.textStyle = "large"
-\property Lyrics.minVerticalAlign = 8
+\property Lyrics.LyricText \set #'font-style = #'large
+%\property Lyrics.minVerticalAlign = 8
\addlyrics
\notes\relative c' {
c1 d e f g a b c }
< { I II III IV V VI VII I }
{ T "" "" S D } >
}
-@end mudela
+@end lilypond
@w{@ar{}@strong{functional harmony}}
@item score
-I: partitura, F: partition, D: Partitur, NL: partituur, DK: partitur, S:
+ES: partitura, I: partitura, F: partition, D: Partitur, NL: partituur, DK: partitur, S:
partitur, N: .
A copy of orchestral, choral or chamber music showing what each instrument is
other on different @w{@ar{}@strong{stave}}s.
@item second
-I: secunda, F: seconde, D: Sekunde, NL: secunde, DK: sekund, S: sekund, N: .
+ES: segunda, I: secunda, F: seconde, D: Sekunde, NL: secunde, DK: sekund, S: sekund, N: .
The @w{@ar{}@strong{interval}} between two neigbouring tones of a scale. A
@w{@ar{}@strong{diatonic scale}} consists of alternating
of a se@-cond depends on the scale degrees in question.
@item semitone
-I: semitono, F: demi-ton, D: Halbton, NL: halve toon, DK: halvtone, S:
+ES: semitono, I: semitono, F: demi-ton, D: Halbton, NL: halve toon, DK: halvtone, S:
halvton, N: .
The @w{@ar{}@strong{interval}} of a minor second. The (usually) smallest
@
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
\notes\relative c'' { g1 gis s a bes s b c }
-@end mudela
+@end lilypond
@item seventh
-I: settima, F: septi@`eme, D: Septime, NL: septiem, DK: septim, S: septim, N: .
+ES: séptima, I: settima, F: septi@`eme, D: Septime, NL: septiem, DK: septim, S: septim, N: .
@w{@ar{}@strong{interval}}
@w{@ar{}@strong{note value}}
@item sharp
-I: diesis, F: di@`ese, D: Kreuz, NL: kruis, DK: kryds, S: korsf@"ortecken, N: .
+ES: sostenido, I: diesis, F: di@`ese, D: Kreuz, NL: kruis, DK: kryds, S: korsf@"ortecken, N: .
@w{@ar{}@strong{accidental}}
@w{@ar{}@strong{appoggiatura}}
@item sixteenth note
-I: semicroma, F: double croche, UK: semiquaver, D: Sechzehntel,
+ES: semicorchea, I: semicroma, F: double croche, UK: semiquaver, D: Sechzehntel,
Sechzehntelnote, NL:@w{ }zes@-ti@-ende noot, DK: sekstendedelsnode, S:
sextondelsnot, N: .
@w{@ar{}@strong{note value}}
@item sixteenth rest
-I: pausa di semicroma, F: quart de soupir, UK: semiquaver rest, D:
+ES: silencia de semicorchea, I: pausa di semicroma, F: quart de soupir, UK: semiquaver rest, D:
Sechzehntelpause, NL: zestiende rust, DK: sekstendedelspause, S:
sextondelspaus, N: .
@w{@ar{}@strong{note value}}
@item sixth
-I: sesta, F: sixte, D: Sexte, NL: sext, DK: sekst, S: sext, N: .
+ES: sexta, I: sesta, F: sixte, D: Sexte, NL: sext, DK: sekst, S: sext, N: .
@w{@ar{}@strong{interval}}
@item sixty-fourth note
+ES: semifusa,
I: semibiscroma, F: quadruple croche, UK: hemidemisemiquaver, D:
Vierundsechzigstel, Vierundsechzigstelnote, NL: vierenzestigste noot, DK:
fi@-re@-og@-tred@-sinds@-ty@-ven@-de@-dels@-no@-de, S:
@w{@ar{}@strong{note value}}
@item sixty-fourth rest
+ES: silencia de semifusa,
I: pausa di semibiscroma, F: seizi@`eme de soupir, UK: hemidemisemiquaver
rest, D: Vierundsechzigstelpause, NL: vierenzestigste rust, DK:
fi@-re@-og@-tred@-sinds@-ty@-ven@-de@-dels@-pau@-se, S:
@w{@ar{}@strong{note value}}
@item slur
-I: legatura (di portamento or espressiva), F: liaison, coul@'e, D: Bogen,
+ES: ligadura, I: legatura (di portamento or espressiva), F: liaison, coul@'e, D: Bogen,
Bindebogen, Legatobogen, Phrasierungsbogen, NL: binding, bindingsboog,
DK:@w{ }legatobue, fraseringsbue, S: b@aa{}ge, N: .
(@emph{ti})). @w{@ar{}@strong{scale degree}}.
@item sonata
-I: sonata, F: sonate, D: Sonate, NL: sonate, DK: sonate, S: sonat, N: .
+ES: sonata, I: sonata, F: sonate, D: Sonate, NL: sonate, DK: sonate, S: sonat, N: .
In its present-day meaning a sonata denotes an instrumental composition for
piano or for some other instrument with piano accompaniment, which consists of
three or four independant pieces, called movements.
@item sonata form
-I: forma sonata, F: [en] forme de sonate, D: Sonatenform, NL: hoofdvorm,
+ES: forma sonata, I: forma sonata, F: [en] forme de sonate, D: Sonatenform, NL: hoofdvorm,
sonatevorm, DK: sonateform, S: sonatform, N: .
A form used frequently for single movements of the @w{@ar{}@strong{sonata}},
tonic is @w{@ar{}@strong{minor}}.
@item soprano
-I: soprano, F: soprano, D: Sopran, NL: sopraan, DK: sopran, S: sopran, N: .
+ES: soprano, I: soprano, F: soprano, D: Sopran, NL: sopraan, DK: sopran, S: sopran, N: .
The highest female voice.
@item staccato
-I: staccato, F: staccato, piqu@'e, d@'etach@'e, D: staccato, NL: staccato, DK:
+ES: staccato, I: staccato, F: staccato, piqu@'e, d@'etach@'e, D: staccato, NL: staccato, DK:
staccato, S: staccato, N:
Playing the note(s) short. Staccato is indicated by a dot above or below the
@
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\key d \major;
\time 4/4;
\notes\relative c'' {
\partial 8; a8 |
d4-\staccato cis-\staccato b-\staccato cis-\staccato |
d2. \bar "||"; }
-@end mudela
+@end lilypond
@item staff
-I: pentagramma, rigo (musicale), F: port@'ee, D: Notensystem, NL: (noten)balk;
+ES: pentagrama, I: pentagramma, rigo (musicale), F: port@'ee, D: Notensystem, NL: (noten)balk;
partij, DK: nodesystem, S: notsystem, N: .
pl. staves or staffs. A series of (normally 5) horizontal lines upon and
@w{@ar{}@strong{percussion}} instruments may have fewer lines.
@item stem
-I: gamba, F: queue, D: Hals, Notenhals, Stiel, NL: stok, DK: hals, S: skaft,
+ES: plica, I: gamba, F: queue, D: Hals, Notenhals, Stiel, NL: stok, DK: hals, S: skaft,
N: .
Vertical line above or below a @w{@ar{}@strong{note head}} shorter than a whole
@
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\property Score.noAutoBeaming = ##t
\property Score.barNonAuto = ##t
\emptyText
-\property Voice.textStyle = "large"
+\property Voice.TextScript \set #'font-style = #'large
\notes\relative c'' {
g2_"1/2" g' s16
g,4_"1/4" g' s16
g,8_"1/8" g' s16
g,16_"1/16" g' s16
}
-@end mudela
+@end lilypond
@item strings
-I: archi, F: cordes, D: Streicher, NL: strijkers, DK: strygere, S:
+ES: arcos, cuerdas, I: archi, F: cordes, D: Streicher, NL: strijkers, DK: strygere, S:
str@aa{}kar, N: .
A family of stringed musical instruments played with a bow. Strings commonly
used in a symphony orchestra are violin, viola, violoncello and double bass.
@item strong beat
-I: tempo forte, F: temps fort, D: betonter Taktteil oder -schlag, NL: thesis,
+ES: tiempo fuerte, I: tempo forte, F: temps fort, D: betonter Taktteil oder -schlag, NL: thesis,
D: betonet taktslag, S: betonat taktslag, N: .
@w{@ar{}@strong{beat}} @w{@ar{}@strong{accent}} @w{@ar{}@strong{measure}}
@w{@ar{}@strong{rhythm}}
@item subdominant
-I: sottodominante, F: sous-dominante, D: Subdominante, NL: subdominant, DK:
+ES: subdominante, I: sottodominante, F: sous-dominante, D: Subdominante, NL: subdominant, DK:
subdominant, S: subdominant, N: .
The fourth @w{@ar{}@strong{scale degree}}. @w{@ar{}@strong{functional
harmony}}
@item submediant
-I: sopratonica, F: sous-m@'ediante, D: Submediant, NL: submediant, DK:
+ES: superdominante, I: sopratonica, F: sous-m@'ediante, D: Submediant, NL: submediant, DK:
Submediant, S: submediant, N: .
The sixth @w{@ar{}@strong{scale degree}}.
@item subtonic
-I: sottotonica, F: sous-tonique, D: Subtonika, NL: subtonica, DK: Subtonika, S:
+ES: sensible, I: sottotonica, F: sous-tonique, D: Subtonika, NL: subtonica, DK: Subtonika, S:
subtonika, N: .
The seventh @w{@ar{}@strong{scale degree}}
@item superdominant
-I: sopradominante, F: sus-dominante, D: Superdominant, NL: superdominant, DK:
+ES: superdominante, I: sopradominante, F: sus-dominante, D: Superdominant, NL: superdominant, DK:
superdominant, S: superdominant, N: .
The sixth @w{@ar{}@strong{scale degree}}
@item supertonic
-I: sopratonica, F: sus-tonique, D: Supertonika, NL: supertonica, DK:
+ES: supertónica, I: sopratonica, F: sus-tonique, D: Supertonika, NL: supertonica, DK:
supertonika, S: supertonika, N: .
The second @w{@ar{}@strong{scale degree}}.
@item symphony
-I: sinfonia, F: symphonie, D: Sinfonie, NL: symfonie, DK: symfoni, S: symfoni,
+ES: sinfonía, I: sinfonia, F: symphonie, D: Sinfonie, NL: symfonie, DK: symfoni, S: symfoni,
N: .
A symphony may be defined as a @w{@ar{}@strong{sonata}} for orchestra.
@item syncopation
-I: sincope, F: syncope, D: Synkope, NL: syncope, DK: synkope, S: synkop, N: .
+ES: sincopado, I: sincope, F: syncope, D: Synkope, NL: syncope, DK: synkope, S: synkop, N: .
Any deliberate upsetting of the normal pulse of @w{@ar{}@strong{meter}},
@w{@ar{}@strong{accent}} and @w{@ar{}@strong{rhythm}}. Our system of musical
@
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\emptyText
-\property Voice.textStyle = "large"
+\property Voice.TextScript \set #'font-style = #'large
\time 4/4;
\notes\relative c' {
\partial 4;
d8 dis |
e c'4 e,8 c'4 e,8 c' ( | ) c2
}
-@end mudela
+@end lilypond
@item syntonic comma; dydimic comma
writing down of keyboard, chamber, choral or orchestral music.
@item temperament
-I: temperamento, F: temp@'erament, D: Stimmung, Temperatur, NL: temperament,
+ES: temperamento, I: temperamento, F: temp@'erament, D: Stimmung, Temperatur, NL: temperament,
DK: temperatur, S: temperatur, N: .
Systems of tuning in which the intervals deviate from the accoustically pure
temperament}}
@item tempo indication
-I: indicazione di tempo, F: indication de temps, D: Zeitma@ss{},
+ES: indicación de tempo, I: indicazione di tempo, F: indication de temps, D: Zeitma@ss{},
Tempobezeichnung, NL: tempo aanduiding, DK: tempobetegelse, S:
tempobeteckning, N: .
@w{@ar{}@strong{allegro}} and @w{@ar{}@strong{presto}}.
@item tenor
-I: tenore, F: t@'enor, D: Tenor, NL: tenor, DK: tenor, S: tenor, N: .
+ES: tenor, I: tenore, F: t@'enor, D: Tenor, NL: tenor, DK: tenor, S: tenor, N: .
The highest voice of men (apart from @w{@ar{}@strong{counter tenor}})
@item tenth
-I: decima, F: dixi@`eme, D: Dezime, NL: deciem, DK: decim, S: decima, N: .
+ES: décima, I: decima, F: dixi@`eme, D: Dezime, NL: deciem, DK: decim, S: decima, N: .
@w{@ar{}@strong{note value}}
@item third
-I: terza, F: tierce, D: Terz, NL: terts, DK: terts, S: ters, N: .
+ES: tercera, I: terza, F: tierce, D: Terz, NL: terts, DK: terts, S: ters, N: .
@w{@ar{}@strong{interval}}
@item thirty-second note
-
+ES: fusa,
I: biscroma, F: triple croche, UK: demisemiquaver, D:
Zweiunddrei@ss{}igstel, Zweiunddrei@ss{}igstelnote, NL: twee-endertig@-ste
noot, DK: toogtredivtedelsnode, S: trettiotv@aa{}ondelsnot, N: .
@w{@ar{}@strong{note value}}
@item thirty-second rest
-
+ES: silencio de fusa,
I: pausa di biscroma, F: huiti@`eme de soupir, UK: demisemiquaver rest, D:
Zweiunddrei@ss{}igstel@-pause, NL: 32e rust, DK: toogtredivtedelspause, S:
trettiotv@aa{}ondelspaus, N: .
@w{@ar{}@strong{note value}}
@item thorough bass; figured bass
+ES: bajo cifrado,
I: basso continuo, basso numerato, F: basse chiffr@'ee, D: Generalbass,
bezifferter Bass, NL: basso continuo, DK:@w{ }generalbas, S: generalbas, N: .
@
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\context GrandStaff <
\notes\relative c'' {
\time 4/4;
\key es \major;
\clef treble;
< \context Voice = rha {
- \stemup
+ \stemUp
es4 d c bes | bes }
\context Voice = rhb {
- \stemdown
+ \stemDown
< bes8 g > as < as f > g < g es > f < d f > es | < g4 es > }
>
}
- \property Voice.textStyle = "large"
- \property Lyrics.textStyle = "Large"
+ \property Voice.TextScript \set #'font-style = #'large
+ \property Lyrics.LyricText \set #'font-style = #'Large
\property Lyrics.minVerticalAlign = 6
\addlyrics
\notes\relative c' {
{ "" "" "2" "" "2" "" "2" "" } >
}
>
-@end mudela
+@end lilypond
@item tie; bind
+ES: ligadura de prolongación,
I: legatura (di valore), F: liaison, D: Haltebogen, NL: overbinding, DK:
bindebue, S: bindeb@aa{}ge, @"overbindning, N: .
@
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\property Score.barNonAuto = ##t
\notes\relative c'' { g2 ~ g4. }
-@end mudela
+@end lilypond
@item time signature
+ES: cifra indicadora de compás,
I: segni di tempo, F: chiffrage (chiffres indicateurs), signe de valeur, D:
Taktangabe, Angabe der Taktart, NL: maatsoort, DK: taktangivelse, S:
taktartssignatur, N: .
@w{@ar{}@strong{meter}}
@item tone
-I: suono, F: ton, D: Ton, NL: toon, DK: tone, S: ton, N: .
+ES: sonido, I: suono, F: ton, D: Ton, NL: toon, DK: tone, S: ton, N: .
A sound of definite pitch and duration, as distinct from @emph{noise}. Tone is
a primary building material of music. Music from the 20th century may be based
on non tone related sounds.
@item tonic
-I: tonica, F: tonique, D: Tonika, NL: tonica, DK: tonika, S: tonika, N: .
+ES: tonica, I: tonica, F: tonique, D: Tonika, NL: tonica, DK: tonika, S: tonika, N: .
The first @w{@ar{}@strong{scale degree}}@w{@ar{}@strong{functional harmony}}
@item transposition
-I: trasposizione, F: transposition, D: Transposition, NL: transpositie, DK:
+ES: transposición, I: trasposizione, F: transposition, D: Transposition, NL: transpositie, DK:
transposition, S: transponering, N: .
Shifting a melody up or down in pitch, while keeping the same relative pitches.
@
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\context Staff {
\time 3/4;
\notes\relative c'' {
\key g \major;
d4 g,8 a b c | d4 g, g | e' c8 d e fis | g4 g, g \bar "|."; }
}
-@end mudela
+@end lilypond
@item treble clef
-I: chiave di violino, F: cl@'e de sol, D: Violinschl@"ussel,
+ES: clave de sol, I: chiave di violino, F: cl@'e de sol, D: Violinschl@"ussel,
Sopranschl@"ussel, NL: viool sleutel, DK:@w{ }diskantn@o{}gle, S: diskantklav,
N: .
@w{@ar{}@strong{G clef}}
@item tremolo
-I: tremolo, F: tr@'emolo, D: Tremolo, NL: tremolo, DK: tremolo, S: tremolo, N:
+ES: tremolo, I: tremolo, F: tr@'emolo, D: Tremolo, NL: tremolo, DK: tremolo, S: tremolo, N:
.
On stringed instruments (@w{@ar{}@strong{strings}}) the quick reiteration of
@
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\emptyText
\property Score.barNonAuto = ##t
-\property Voice.textStyle = "large"
+\property Voice.TextScript \set #'font-style = #'large
\notes\relative c' {
% e2:32_"a" f:32 [ e8:16 f:16 g:16 a:16 ] s4 [:32 e1_"b" g]
% e2:32_"a" f:32 [ e8:16 f:16 g:16 a:16 ] s4 \repeat "tremolo" 16 { e32_"b" g }
e2:32_"a" f:32 [ e8:16 f:16 g:16 a:16 ] s4 \repeat "tremolo" 8 { e32_"b" g }
}
-@end mudela
+@end lilypond
@item triad
-I: triade, F: triade, accord parfait, accord de trois sons, D: Dreiklang, NL:
+ES: tríada, I: triade, F: triade, accord parfait, accord de trois sons, D: Dreiklang, NL:
drieklank, DK: treklang, S: treklang, N:
@w{@ar{}@strong{chord}}
@item trill; shake
+ES: trino,
I: trillo, F: trille, tremblement, battement (cadence), D: Triller, NL:
triller, DK:@w{ }trille, S:@w{ }drill, N:@w{ }.
@w{@ar{}@strong{ornament}}
@item triple meter
-I: tempo ternario, F: mesure ternaire, D: dreiteiliger Takt, NL: driedelige
+ES: compás compuesto , I: tempo ternario, F: mesure ternaire, D: dreiteiliger Takt, NL: driedelige
maatsoort, DK: tredelt takt, S: tretakt, N: .
@w{@ar{}@strong{meter}}
@item triplet
-I: terzina, F: triolet, D: Triole, NL: triool, DK: triol, S: triol, N: .
+ES: tresillo, I: terzina, F: triolet, D: Triole, NL: triool, DK: triol, S: triol, N: .
@w{@ar{}@strong{note value}}
@item tritone
-I: tritono, F: triton, D: Tritonus, NL: tritoon, DK: tritonus, S: tritonus, N:
+ES: trítono, I: tritono, F: triton, D: Tritonus, NL: tritoon, DK: tritonus, S: tritonus, N:
.
@w{@ar{}@strong{interval}}
@item tuning fork
-I: diapason, corista, F: diapason, D: Stimmgabel, NL: stemvork, DK:
+ES: diapasón, I: diapason, corista, F: diapason, D: Stimmgabel, NL: stemvork, DK:
stemmegaffel, S: st@"amgaffel, N: .
A two-pronged piece of steel used to indicate absolute pitch. Tuning forks
give the international pitch for the tone @emph{a} (440 vibrations per second.)
@item turn; gruppetto
+ES: grupo,
I: gruppetto, F: grupetto, D: Doppelschlag, NL: dubbelslag, DK: dobbeltslag,
S: dubbelslag, N: .
@item unison
-I: unisono, F: unisson, D: Unison, unisono, NL: unisono, DK: unison, S:
+ES: unísono, I: unisono, F: unisson, D: Unison, unisono, NL: unisono, DK: unison, S:
unison, N: .
Playing of the same notes or the same melody by various instruments (voices)
different octave.
@item upbeat
-I: anacrusi, F: anacrouse, D: Auftakt, NL: opmaat, DK: optakt, S:
+ES: entrada anacrúsica, I: anacrusi, F: anacrouse, D: Auftakt, NL: opmaat, DK: optakt, S:
upptakt, N:
Initial note(s) of a melody occurring before the first bar
@
-@mudela[13pt,eps]
+@lilypond[13pt,eps]
\key f \major;
\time 4/4;
\notes\relative c' {
\partial 4; f4 | bes4. a8 bes4 c |
bes () a g f | bes4. a8 bes4 c | f,2. \bar "||"; }
-@end mudela
+@end lilypond
@item voice
-I: voce, F: voix, D: Stimme, NL: stem, DK: stemme, S: st@"amma, N: ,
+ES: voz, I: voce, F: voix, D: Stimme, NL: stem, DK: stemme, S: st@"amma, N: ,
1. Human voices: @w{@ar{}@strong{soprano}}, @w{@ar{}@strong{mezzo-soprano}},
@w{@ar{}@strong{contralto}}, @w{@ar{}@strong{tenor}},
of a polyphonic composition.
@item weak beat
-I: tempo debole, arsi, F: temps faible, D: unbetonter Taktteil oder -schlag,
+ES: tiempo débil, I: tempo debole, arsi, F: temps faible, D: unbetonter Taktteil oder -schlag,
NL: arsis, DK: ubetonet taktslag, S: obetonat taktslag, N: .
@w{@ar{}@strong{beat}} @w{@ar{}@strong{measure}} @w{@ar{}@strong{rhythm}}
@item whole note
-I: semibreve, F: ronde, UK: semibreve, D: Ganze, Ganze Note, NL: hele noot,
+ES: redonda, I: semibreve, F: ronde, UK: semibreve, D: Ganze, Ganze Note, NL: hele noot,
DK: helnode, S: helnot, N: .
@w{@ar{}@strong{note value}}
@item whole rest
-I: pausa di semibreve, F: pause, UK: semibreve rest, D: Ganze Pause, NL: hele
+ES: silencio de redonda, I: pausa di semibreve, F: pause, UK: semibreve rest, D: Ganze Pause, NL: hele
rust, DK: helnodespause, S: helpaus, N: .
@w{@ar{}@strong{note value}}
@item whole tone
-I: tono intero, F: ton entier, D: Ganzton, NL: hele toon, DK: heltone, S:
+ES: tono, I: tono intero, F: ton entier, D: Ganzton, NL: hele toon, DK: heltone, S:
helton, N: .
The @w{@ar{}@strong{interval}} of a major second. The interval between two
black and white keys - is a whole tone.
@item woodwind
-I: legni, F: le bois, D: Holzbl@"aser, NL: houtblazers, DK tr@ae{}bl@ae{}sere,
+ES: maderas, I: legni, F: le bois, D: Holzbl@"aser, NL: houtblazers, DK tr@ae{}bl@ae{}sere,
S: tr@"abl@aa{}sare, N: .
A family of blown wooden musical instruments. Today some of these instruments
@end table
@bye
+
projects / lilypond.git / blobdiff