@item accidental
I: alterazione, accidente, F: alt@'eration accidentelle, D: Vorzeichen,
-Versetzungszeichen, NL: voorteken, DK: l@o{}st fortegn, S: f@"ortecken, N:
+Versetzungszeichen, NL: voorteken, DK: l@o{}st fortegn, S: tillf@"alligt
+f@"ortecken, N:
@c F: alt@'eration accidentelle, D: Vorzeichen, Versetzungszeichen,
@c Akzidenz, NL: toevallig teken, I: accidento.
g!1_"natural" s2
}
@end mudela
+@item accelerando
+I: accelerando, F: accelerando, en acc@'el@'erant, D: accelerando, Schneller,
+NL: accelerando, DK: accelerando, S: accelerando, N:
+
+Still faster tempo.
+
@item adagio
-I: adagio, F: , D: Adagio, Langsam, NL: adagio, DK: adagio, S: adagio, N:
-adagio.
+I: adagio, F: adagio, lent, D: Adagio, Langsam, NL: adagio, DK: adagio, S:
+adagio, N: adagio.
It. comfortable, easy. 1. Slow tempo, slower - especially in even meter - than
@w{@ar{}@strong{andante}} and faster than @w{@ar{}@strong{largo}}. 2. A
movement in slow tempo, esepecially the scond (slow) movement of
@w{@ar{}@strong{sonata}s}, symphonies etc.
-@item accelerando
-I: accelerando, F: , D: accelerando, Schneller, NL: accelerando, DK:
-accelerando, S: accelerando, N:
-
-Still faster tempo.
-
@item allegro
-I: allegro, F: , D: Allegro, Schnell, Fr@"ohlich, Lustig, NL: allegro, DK:
-allegro, S: allegro, N: allegro.
+I: allegro, F: allegro, D: Allegro, Schnell, Fr@"ohlich, Lustig, NL: allegro,
+DK: allegro, S: allegro, N: allegro.
It. cheerful. Quick tempo. Also used as a title for pieces in a quick tempo,
especially the first and last movements of a @w{@ar{}@strong{sonata}}.
@item alto
-I: contralto, F: alto, D: Alt, NL: alt, DK: alt, S: alt, N: alt.
+I: contralto, F: alto, D: Alt, NL: alt, DK: alt, S: alt, N: alt.
A female voice of low range (@emph{contralto}). Originally the alto was a high
male voice (hence the name) which by the use of falsetto reached the height of
tenor}}.
@item alto clef
-I: chiave di contralto, F: , D: Altschl@"ussel, Bratschenschl@"ussel, NL: alt
-sleutel, DK: altn@o{}gle, S: altklav, N:
+I: chiave di contralto, F: clef d'ut troisi@`eme ligne, D: Altschl@"ussel,
+Bratschenschl@"ussel, NL: alt sleutel, DK: altn@o{}gle, S: altklav, N:
C clef setting central C on the middle line of the staff
@w{@ar{}@strong{C clef}}
%\property Voice.textEmptyDimension = ##t
\property Voice.textStyle = "large"
\notes\relative c'' {
-\key d;
+\key d \major;
\time 4/4;
<d4_"notation" a fis> r
-{ \property Grace.stemStyle = ""
+{ \property Grace.flagStyle = ""
\grace g16 }
fis8 e16 fis
-{ \property Grace.stemStyle = ""
+{ \property Grace.flagStyle = ""
\grace a16 }
g8 fis16 g | a4 \bar "||"; }
\notes\relative c'' {
\emptyText
\property Voice.textStyle = "large"
\notes\relative c'' {
- \key as;
+ \key as \major;
\time 2/4;
\grace { bes16 } as8_"notation" as16 bes as8 g |
\grace { [as16 ( bes] } < ) c4 as >
@w{@ar{}@strong{interval}}
@item autograph
-I: autografo, F: , D: Autograph, Handschrift, NL: , DK: h@aa{}ndskrift,
-autograf, S: handskrift, N: .
+I: autografo, F: manuscrit, D: Autograph, Handschrift, NL: manuscript, DK:
+h@aa{}ndskrift, autograf, S: handskrift, N: .
1. A manuscript in the composer's own hand. 2. Music prepared for
photoreproduction by freehand drawing, with only the aid of a
@w{@ar{}@strong{tenor}}.
@item baritone clef
-I: chiave di baritono, F: , D: Barytonschl@"ussel, NL: baritonsleutel, DK:
-barytonn@o{}gle, S: barytonklav, N: .
+I: chiave di baritono, F: clef de ut cinqui@`eme ligne, clef de troisi@`eme
+ligne, D: Barytonschl@"ussel, NL: baritonsleutel, DK: barytonn@o{}gle, S:
+barytonklav, N: .
C or F clef setting central C on the upper staff line. @w{@ar{}@strong{c clef}}
@w{@ar{}@strong{f clef}}
@item bass clef
-I: chiave di basso, F: cl@'e de fa, D: Bass-Schl@"ussel, NL: bassleutel, DK:
-basn@o{}gle, S: basklav, N:
+I: chiave di basso, F: cl@'e de fa quatri@`eme ligne, D: Bass-Schl@"ussel, NL:
+bassleutel, DK: basn@o{}gle, S: basklav, N:
A clef setting with central C on the first top ledger line. @w{@ar{}@strong{f
clef}}
@
@mudela[13pt,eps]
-\key g;
+\key g \major;
\time 4/4;
\notes\relative c'' { g4 c b a | g1 \bar "||";}
\time 3/8;
@
@mudela[13pt,eps]
-\context StaffGroup <
-% \context ChoirStaff <
+%\context StaffGroup <
+\context ChoirStaff <
\property StaffGroup.minVerticalAlign = 12
\notes\relative c'' { \clef treble; g4 e c2 }
\notes\relative c { \clef bass; c1 \bar "|."; } >
by the composer.
@item canon
-I: canone, F: , D: Kanon, NL: canon, DK: kanon, S: kanon, N: .
+I: canone, F: canon, D: Kanon, NL: canon, DK: kanon, S: kanon, N: .
@w{@ar{}@strong{counterpoint}}
@item cent
-I: cent, F: , D: Cent, NL: cent, DK: cent, S: cent, N: .
+I: cent, F: cent, D: Cent, NL: cent, DK: cent, S: cent, N: .
Logarithmic unit of measurement. 1 cent is 1/1200 of an octave (1/100 of an
equally tempered @w{@ar{}@strong{semitone}}) @w{@ar{}@strong{equal temperament}}
@end mudela
@item chromaticism
-I: cromatismo, F: , D: Chromatik, NL: chromatiek, DK: kromatik, S: kromatik,
-N:
+I: cromatismo, F: chromatisme, D: Chromatik, NL: chromatiek, DK: kromatik, S:
+kromatik, N:
Use of tones extraneous to a @w{@ar{}@strong{diatonic scale}} (minor, major).
@w{@ar{}@strong{interval}}
@item complement
-I: rivolto, F: , D: Komplement@"arintervall, NL: complementair interval, DK:
-komplement@ae{}rinterval, S: komplement@"arintervall (?), N:
+I: rivolto, F: intervalle compl@'ementaire, D: Komplement@"arintervall, NL:
+complementair interval, DK: komplement@ae{}rinterval, S:
+komplement@"arintervall (?), N:
@w{@ar{}@strong{inverted interval}}
@item conjunct movement
-I: moto congiunto, F: mouvement conjoint, D: enge Lage(?), NL: , DK: trinvis
-bev@ae{}gelse, S: stegvis r@"orelse, N:
+I: moto congiunto, F: mouvement conjoint, D: schrittweise/stufenweise
+Bewegung, NL: , DK: trinvis bev@ae{}gelse, S: stegvis r@"orelse, N:
Melody moving in the narrow steps of the scale;
@
@mudela[13pt,eps]
-\key g; \time 4/4;
+\key g \major; \time 4/4;
\notes\relative c'' { g4 g g a | b2 a | g4 b a a | g1 \bar "||"; }
@end mudela
\property Score.timeSignatureStyle = "C2/2"
\context GrandStaff <
\notes\relative c' {
- \key bes;
+ \key bes \major;
\time 4/4;
\clef treble;
< \context Voice = rha {
}
\notes\relative c' {
\clef bass;
- \key bes;
+ \key bes \major;
< \context Voice = lha {
\stemup
r8 d es g, fis4 g | r8 a16 bes c8 bes16 a bes4 g |
@
@mudela[13pt,eps]
-\key g; \time 4/4;
+\key g \major; \time 4/4;
\notes\relative c'' { g4 \< a b c | \! d1 \bar "|."; }
@end mudela
@item cue-notes
-I: notine, F: , D: Stichnoten, NL: stichnoten, DK: stiknoder, S:
-inprickningar, N:
+I: notine, F: petites notes pr@'ec@'edent l'entr@'ee d'in instrument,
+r@'eplique, D: Stichnoten, NL: stichnoten, DK: stiknoder, S: inprickningar, N:
In a separate part notes belonging to another part with the purpose of hinting
when to start playing. Usually printed in a smaller type.
@item D
I: re, F: r@'e, D: D, d, NL: d, DK: d, S: d, N: d
-@item da capo
-I: da capo, F: , D: da capo, von Anfang, NL: da capo, DK: da capo, S: da capo,
-N: .
+@item da capo
+I: da capo, F: da capo, depuis le commencement, D: da capo, von Anfang, NL: da
+capo, DK: da capo, S: da capo, N: .
The term indicates repetition of the piece from the beginning to the end or to
a certain place marked @emph{fine}. Mostly abbreviated D.C.
@item dal segno
-I: dal segno, F: , D: dal segno, NL: dal segno, DK: dal segno, S: dal
-segno, N: .
+I: dal segno, F: dal segno, depuis le signe, D: dal segno, NL: dal segno, DK:
+dal segno, S: dal segno, N: .
abbreviated d.s. Repetition, not from the beginning, but from another place
frequently near the beginning marked by a sign:
@mudela[13pt,eps]
\property Voice.textStyle = "large"
-\key g; \time 4/4;
+\key g \major; \time 4/4;
\notes\relative c'' { d1 | g,4^\segno a b c | b a g2_"d.s." \bar "|."; }
@end mudela
@
@mudela[13pt,eps]
-\key g; \time 4/4;
+\key g \major; \time 4/4;
\notes\relative c'' { d4 \> c b a | \! g1 \bar "|."; }
@end mudela
@w{@ar{}@strong{decrescendo}}
@item disjunct movement
-I: moto disgiunto, F: mouvement disjoint, D: , NL: , DK: springende
-bev@ae{}gelse, S: hoppande r@"orelse, N:
+I: moto disgiunto, F: mouvement disjoint, D:
+sprunghafte Bewegung, NL: , DK: springende bev@ae{}gelse, S: hoppande
+r@"orelse, N:
Melody moving in steps greater than those of the
scale. Opposite of @ar{}@strong{conjunct movement}.
@
@mudela[13pt,eps]
-\key a;
+\key a \major;
\time 4/4;
\notes\relative c' {
\partial 8; e8 | a4. gis8 b a e cis |
@item dorian mode
I: modo dorico, F: mode dorien, D: Dorischer Kirchenton, NL: dorische
-toonladder, dorischer Kirchenton, DK: dorisk skala, S: dorisk skala, N:
+toonladder, dorischer Kirchenton, DK: dorisk skala, S: dorisk tonart, N:
@w{@ar{}@strong{diatonic scale}}
Two notes, intervals, or scales are enharmonic if they have different names
but equal pitch.
-@
@mudela[13pt,eps]
\property Score.barNonAuto = ##t
example bass recorder) while 8 below the clef symbol indicates playing an
octave lower (for example on double bass @w{@ar{}@strong{strings}}).
-@
-@c @ignore
@mudela[13pt,eps]
\property Score.barNonAuto = ##t
\property Staff.clefStyle = #"fullSizeChanges"
"octaved down"
}
@end mudela
-@c @end ignore
@item fermata
I: corona, F: pause, D: Fermate, NL: fermate, DK: fermat, S: fermat, N: .
Prolonged note or rest of indefinite duration.
-@
@mudela[13pt,eps]
\time 4/4;
@end mudela
@item fifth
-I: quinta, F: quinte, D: Quinte, NL: kwint, I: , DK: kvint, S: kvint, N: kvint.
+I: quinta, F: quinte, D: Quinte, NL: kwint, DK: kvint, S: kvint, N:
+kvint.
@w{@ar{}@strong{interval}}
Ornament at the end of the stem of a note used for notes with values less than
a quarter note. The number of flags determines the @w{@ar{}@strong{note value}}.
-@
@mudela[13pt,eps]
\property Score.barNonAuto = ##t
@w{@ar{}@strong{counterpoint}}
@item functional harmony
-I: armonia funzionale, F: , D: Funktionslehre, NL: , DK: funktionsanalyse,
-funktionsharmonik, S: funktionsl@"ara, N:
+I: armonia funzionale, F: @'etude des functions, D: Funktionslehre, NL: , DK:
+funktionsanalyse, funktionsharmonik, S: funktionsl@"ara, N:
A system of harmonic analysis. It is based on the idea that, in a given key,
there are only three functionally different chords: tonic (T, the chord on the
Letting the pitch slide fluently from one note to the other
@item grace notes
-I: abbellimenti, F: fioriture, petite[s] note[s], D: Verzierungen,
-Vorschl@"age, Vorschlagsnoten, NL: versieringen, DK: forsiringer, S: ornament,
-N: .
+I: abbellimenti, F: fioriture, D: Verzierungen, Vorschl@"age, Vorschlagsnoten,
+NL: versieringen, DK: forsiringer, S: ornament, N: .
Notes printed in small types to indicate that their time values are not
counted in the rhythm of the bar. @w{@ar{}@strong{appoggiatura}}
A combination of two staffs with a brace. Usually used for piano music.
@item grave
-I: grave, F: grave, D: grave, langsam, traurig, NL: , DK: grave, S: grave, N:
+I: grave, F: grave, D: grave, langsam, traurig, NL: grave, ernstig, DK: grave, S: grave, N:
.
Slow, solemn.
@item half rest
I: pausa di minima, F: demi-pause, UK: minim rest, D: halbe Pause, NL: halve
-rust, DK: halvnodespause, S: halvnotspaus, N: .
+rust, DK: halvnodespause, S: halvpaus, N: .
@w{@ar{}@strong{note value}}
@end mudela
@item just intonation
-I: intonazione giusta, F: , D: reine Stimmung, NL: reine stemming, DK: ren
-stemning, S: ren st@"amning, N: .
+I: intonazione giusta, F: intonation juste, D: reine Stimmung, NL: reine
+stemming, DK: ren stemning, S: ren st@"amning, N: .
Tuning system in which the notes are obtained by adding and subtracting
@w{natural} fifths and thirds. @w{@ar{}@strong{temperament}}
@item key signature
I: armatura di chiave, F: armure, armature [de la cl@'e], D: Vorzeichen,
-Tonart, NL: @w{ }toon@-soort (voortekens), DK: faste fortegn, S: largo, N: .
+Tonart, NL: @w{ }toon@-soort (voortekens), DK: faste fortegn,
+S: tonartssignatur, N: .
The sharps or flats appearing at the beginning of each staff indicating the
key of the music. @w{@ar{}@strong{accidental}}
@item ledger line; leger line
I: tagli addizionali, F: ligne suppl@'ementaire, D: Hilfslinie, NL:
-hulplijntje, DK: hj@ae{}lpelinie, S: hj@"alpstreck, N: .
+hulplijntje, DK: hj@ae{}lpelinie, S: hj@"alplinje, N: .
A ledger line is an extension of the staff.
@mudela[13pt,eps]
\property Score.barNonAuto = ##t
\notes\relative c'' {
- \property Voice.noteHeadStyle = "mensural"
+ \property Voice.noteHeadStyle = #'mensural
g\longa
}
@end mudela
@mudela[13pt,eps]
\notes\relative c'' {
\time 3/4;
- \key f;
+ \key f \major;
c es d | c bes8 a bes4 | c es d | c2 \bar "||";}
@end mudela
@mudela[13pt,eps]
\notes\relative c' {
\time 6/8;
- \key f;
+ \key f \major;
f8 f f f a16 g a f |
c'8 c c c e16 d e c \bar "||";}
@end mudela
@mudela[13pt,eps]
\notes\relative c'' {
\time 5/4;
- \key g;
+ \key g \major;
d4 b8 g b d d c a4 |
g8 g16 g g8 g16 g g8 fis16 g a8 fis16 e d4 \bar "||";}
@end mudela
\property Voice.textStyle = "large"
\notes\relative c'' {
\time 4/4;
- \key g;
+ \key g \major;
\partial 8; g16_"------" fis |
g8 d16_"------" c d8 g16 fis g8 b,16 a b8 g'16 fis |
g8 g,16 a b8 cis d16 s
and hears a tone.
@item note head
-I: testa, F: , D: Notenkopf, NL: nootballetje, DK: nodehovede, S: nothuvud, N:
-.
+I: testa, testina, capocchia, F: t@^ete de la note, D: Notenkopf, NL:
+nootballetje, DK: nodehovede, S: nothuvud, N: .
A head like sign which indicates pitch by its position on a
@w{@ar{}@strong{staff}} provided with a @w{@ar{}@strong{clef}}, and duration
\property Voice.textStyle = "large"
\property Score.barNonAuto = ##t
\notes\relative c'' {
- \property Voice.noteHeadStyle = "mensural"
+ \property Voice.noteHeadStyle = #'mensural
g\longa_"longa" g\breve_"breve"
- \property Voice.noteHeadStyle = ""
+ \property Voice.noteHeadStyle = ##f
g1_"1/1" g2_"1/2" g4_"1/4" s16 g8_"1/8" s16
g16_"1/16" s16 g32_"1/32" s16 g64_"1/64" s32 }
@end mudela
\property Score.barNonAuto = ##t
\property Voice.textStyle = "large"
\notes\relative c' {
- \key es;
+ \key es \major;
es1_"e flat major" f g as bes c d es
\bar "||"; s16
- \key es;
+ \key es \major;
c,1_"c minor" d es f g a! b! c \bar "||";
}
@end mudela
@
@mudela[13pt,eps]
-\key g;
+\key g \major;
\time 4/4;
\notes\relative c'' {
\repeat volta 2 {g4 g d' d | e e d2 | c4 c b b | a a g2 }
@item scale degree
I: grado della scala, F: degr@'e [de la gamme], D: Tonleiterstufe, NL: trap
-[van de toonladder], DK: skalatrin, S: skalatrin (?), N: .
+[van de toonladder], DK: skalatrin, S: skalsteg (?), N: .
Names and symbols used in harmonic analysis to denote tones of the scale as
roots of chords. The most important are degrees I = tonic (T), IV =
breath in singing.
@item solmization
-I: solmisazione, F: , D: Solmisation, NL: solmizatie, DK: solmisation, S:
-solmisation, N: .
+I: solmisazione, F: solmisation, D: Solmisation, NL: solmizatie, DK:
+solmisation, S: solmisation, N: .
General term for systems of designating the degrees of the
@w{@ar{}@strong{scale}}, not by letters, but by syllables (@emph{do}
@
@mudela[13pt,eps]
-\key d;
+\key d \major;
\time 4/4;
\notes\relative c'' {
\partial 8; a8 |
harmony}}
@item submediant
-I: sopratonica, F: , D: Submediant, NL: submediant, DK: Submediant, S:
-submediant, N: .
+I: sopratonica, F: sous-m@'ediante, D: Submediant, NL: submediant, DK:
+Submediant, S: submediant, N: .
The sixth @w{@ar{}@strong{scale degree}}.
@item thirty-second note
I: biscroma, F: triple croche, UK: demisemiquaver, D:
-Zweiunddrei@ss{}igstel, Zweiunddrei@ss{}igstelnote, NL:
-twee-endertigste noot, DK: toogtredivtedelsnode, S:
-trettiotv@aa{}ondelsnot, N: .
+Zweiunddrei@ss{}igstel, Zweiunddrei@ss{}igstelnote, NL: twee-endertig@-ste
+noot, DK: toogtredivtedelsnode, S: trettiotv@aa{}ondelsnot, N: .
@w{@ar{}@strong{note value}}
\context GrandStaff <
\notes\relative c'' {
\time 4/4;
- \key es;
+ \key es \major;
\clef treble;
< \context Voice = rha {
\stemup
\addlyrics
\notes\relative c' {
\clef bass;
- \key es;
+ \key es \major;
es8 c () c bes () bes as () as g16 f | es4
}
\context Lyrics \lyrics {
\context Staff {
\time 3/4;
\notes\relative c'' {
- \key g;
+ \key g \major;
d4 g,8 a b c | d4 g, g | e' c8 d e fis | g4 g, g \bar "|."; }
\transpose bes\relative c'' {
- \key g;
+ \key g \major;
d4 g,8 a b c | d4 g, g | e' c8 d e fis | g4 g, g \bar "|."; }
}
@end mudela
\property Score.barNonAuto = ##t
\property Voice.textStyle = "large"
\notes\relative c' {
- e2:32_"a" f:32 [ e8:16 f:16 g:16 a:16 ] s4 \repeat "tremolo" 16 { e32_"b" g }
-}
+ % e2:32_"a" f:32 [ e8:16 f:16 g:16 a:16 ] s4 [:32 e1_"b" g]
+ % e2:32_"a" f:32 [ e8:16 f:16 g:16 a:16 ] s4 \repeat "tremolo" 16 { e32_"b" g }
+ e2:32_"a" f:32 [ e8:16 f:16 g:16 a:16 ] s4 \repeat "tremolo" 8 { e32_"b" g }
+}
@end mudela
@item triad
-I: triade, F: , D: Dreiklang, NL: drieklank, DK: treklang, S: treklang, N:
+I: triade, F: triade, accord parfait, accord de trois sons, D: Dreiklang, NL:
+drieklank, DK: treklang, S: treklang, N:
@w{@ar{}@strong{chord}}
different octave.
@item upbeat
-I: anacrusi, F: anacrouse, D: Auftakt, NL: opmaat, I: , DK: optakt, S:
+I: anacrusi, F: anacrouse, D: Auftakt, NL: opmaat, DK: optakt, S:
upptakt, N:
Initial note(s) of a melody occurring before the first bar
@
@mudela[13pt,eps]
-\key f;
+\key f \major;
\time 4/4;
\notes\relative c' {
\partial 4; f4 | bes4. a8 bes4 c |
@item whole rest
I: pausa di semibreve, F: pause, UK: semibreve rest, D: Ganze Pause, NL: hele
-rust, DK: helnodespause, S: helnotspaus, N: .
+rust, DK: helnodespause, S: helpaus, N: .
@w{@ar{}@strong{note value}}
black and white keys - is a whole tone.
@item woodwind
-I: legni, F: , D: Holzbl@"aser, NL: houtblazers, DK tr@ae{}bl@ae{}sere, S:
-tr@"abl@aa{}sare, N: .
+I: legni, F: le bois, D: Holzbl@"aser, NL: houtblazers, DK tr@ae{}bl@ae{}sere,
+S: tr@"abl@aa{}sare, N: .
A family of blown wooden musical instruments. Today some of these instruments
are actually made from metal. The woodwind instruments commonly used in a
@item
@item @strong{thirty-second} @tab demi@-semi@-quaver @tab bis@-croma @tab
-triple croche @tab Zwei@-und@-drei@-@ss{}ig@-stel @tab 32e @tab
-toog@-tredivte-del @tab trettio@-tv@aa{}on@-del @tab
+triple croche @tab Zwei@-und@-drei@-@ss{}ig@-stel @tab twee-en@-dertig@-ste
+@tab toog@-tredivte-del @tab trettio@-tv@aa{}on@-del @tab
@item
Hugo Riemans Musiklexicon, Berlin 1929
+
+Polyglottes W@"orterbuch der musikalisch Terminologie, Kassel 1980
Oxford Advanced Learner's Dictionary of Current English, Third Edition 1974.
@end table
projects / lilypond.git / blobdiff