version that you are working on. See TRANSLATION for details.
@end ignore
-@c \version "2.11.53"
+@c \version "2.11.65"
@node Fretted string instruments
@section Fretted string instruments
to fretted string instruments.
@cindex tablature
+@cindex tablature, guitar
+@cindex tablature, banjo
@cindex guitar tablature
+@cindex banjo tablature
@menu
-* Common notation for fretted strings::
-* Guitar::
-* Banjo::
+* Common notation for fretted strings::
+* Guitar::
+* Banjo::
@end menu
@node Common notation for fretted strings
to fretted string instruments.
@menu
-* References for fretted strings::
-* String number indications::
-* Default tablatures::
-* Custom tablatures::
+* References for fretted strings::
+* String number indications::
+* Default tablatures::
+* Custom tablatures::
* Fret diagram markups::
* Predefined fret diagrams::
-* Automatic fret diagrams::
-* Right-hand fingerings::
+* Automatic fret diagrams::
+* Right-hand fingerings::
@end menu
@node References for fretted strings
-@subsubsection References for fretted strings
+@unnumberedsubsubsec References for fretted strings
Music for fretted string instruments is normally notated on
a single staff, either in traditional music notation or in
tablature. Sometimes the two types are combined, and it is
especially common in popular music to use chord diagrams above
a staff of traditional notation. The guitar and the banjo are
-transposing instruments, sounding an octave lower than written.
-Scores for these instruments should use the @code{"treble_8"} clef.
-Some other elements pertinent to fretted string instruments
+transposing instruments, sounding an octave lower than written.
+Scores for these instruments should use the @code{"treble_8"} clef.
+Some other elements pertinent to fretted string instruments
are covered elsewhere:
@itemize
as well as ties on arpeggios and tremolos is described in
@ref{Ties}.
-@item Instructions on handling multiple voices is described
-in @ref{Collision resolution}.
+@item Instructions on handling multiple voices is described
+in @ref{Collision resolution}.
@end itemize
-@seealso
+@seealso
Notation Reference:
-@ref{Instrument names},
-@ref{Writing music in parallel},
@ref{Fingering instructions},
@ref{Ties},
+@ref{Collision resolution},
+@ref{Instrument names},
+@ref{Writing music in parallel},
@ref{Arpeggio},
@ref{List of articulations},
@ref{Clef}.
+
@node String number indications
-@subsubsection String number indications
+@unnumberedsubsubsec String number indications
-@cindex String numbers
+@cindex string numbers
+@cindex string vs. fingering numbers
+@cindex fingering vs. string numbers
The string on which a note should be played may be indicated by
appending @code{\@var{number}} to a note inside a chord construct
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{allowing-fingerings-to-be-printed-inside-the-staff.ly}
-@seealso
+@seealso
Notation Reference:
@ref{Fingering instructions}.
@node Default tablatures
-@subsubsection Default tablatures
-@cindex Tablatures, basic
-@cindex Tablatures, default
+@unnumberedsubsubsec Default tablatures
+
+@cindex tablatures, basic
+@cindex tablatures, default
+
+@funindex TabStaff
+@funindex TabVoice
Tablature notation is used for notating music for plucked string
instruments. Pitches are not denoted with note heads, but by
-numbers indicating on which string and fret a note must be played.
+numbers indicating on which string and fret a note must be played.
LilyPond offers limited support for tablature.
The string number associated with a note is given as a backslash
-followed by a number. By default, string 1 is the highest,
-and the tuning defaults to the standard guitar tuning (with 6 strings).
+followed by a number. By default, string 1 is the highest,
+and the tuning defaults to the standard guitar tuning (with 6 strings).
The notes are printed as tablature, by using @code{TabStaff} and
@code{TabVoice} contexts
@end lilypond
@funindex minimumFret
+
@cindex fret
When no string is specified for a note, the note is assigned to
-the lowest string that can generate the note with a fret number
-greater than or equal to @code{minimumFret} is selected. The
-default value for @code{minimumFret} is 0.
+the highest string that can generate the note with a fret number
+greater than or equal to the value of @code{minimumFret}.
+The default value for @code{minimumFret} is 0.
@lilypond[quote,ragged-right,verbatim]
>>
@end lilypond
+@cindex harmonic indications in tablature notation
+@cindex tablature and harmonic indications
+@cindex slides in tablature notation
+@cindex tablature and slides
+
+Harmonic indications and slides can be added to tablature
+notation.
+
+@lilypond[fragment, verbatim, quote, relative=1]
+\new TabStaff {
+ \new TabVoice {
+ <c g'\harmonic> d\2\glissando e\2
+ }
+}
+@end lilypond
+
+
@snippets
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{polyphony-in-tablature.ly}
-@seealso
+@seealso
Notation Reference:
@ref{Stems}.
Snippets:
@rlsr{Fretted strings}.
-Internals Reference:
+Internals Reference:
@rinternals{TabNoteHead},
@rinternals{TabStaff},
@rinternals{TabVoice},
@rinternals{Beam}.
+
@knownissues
Chords are not handled in a special way, and hence the automatic
>>
@end lilypond
+Guitar special effects are limited to harmonics and slides.
@node Custom tablatures
-@subsubsection Custom tablatures
-@cindex Tablatures, custom
+@unnumberedsubsubsec Custom tablatures
-You can change the tuning of the strings. A string tuning is
-given as a Scheme list with one integer number for each string,
-the number being the pitch (measured in semitones relative to
-middle C) of an open string. The numbers specified for
-@code{stringTunings} are the numbers of semitones to subtract or
-add, starting the specified pitch by default middle C, in string
-order. LilyPond automatically calculates the number of strings by
-looking at @code{stringTunings}.
+@cindex tablatures, custom
+@cindex tablature, banjo
+@cindex tablature, mandolin
+@cindex tablature, bass guitar
+@cindex tablature, predefined string tunings
+@cindex fretted instruments, predefined string tunings
+@cindex predefined string tunings for fretted instruments
-In the next example, @code{stringTunings} is set for the pitches
-e, a, d, and g.
+@funindex StringTunings
-@lilypond[quote,ragged-right,fragment,verbatim]
-\new TabStaff <<
- \set TabStaff.stringTunings = #'(-5 -10 -15 -20)
- {
- a,4 c' a e' e c' a e'
- }
->>
-@end lilypond
+LilyPond tabulature automatically calculates the fret for
+a note based on the string to which the note is assigned.
+In order to do this, the tuning of the strings must be
+specified. The tuning of the strings is given in the
+@code{StringTunings} property.
LilyPond comes with predefined string tunings for banjo, mandolin,
-guitar and bass guitar. Lilypond automatically sets the correct
+guitar and bass guitar. Lilypond automatically sets the correct
transposition for predefined tunings. The following example is
for bass guitar, which sounds an octave lower than written.
@lilypond[quote,ragged-right,verbatim]
<<
- \new Staff <<
+ \new Staff {
\clef "bass_8"
\relative c, {
- c4 d e f
+ c4 d e f
}
- >>
- \new TabStaff <<
+ }
+ \new TabStaff {
\set TabStaff.stringTunings = #bass-tuning
\relative c, {
- c4 d e f
+ c4 d e f
}
- >>
+ }
>>
@end lilypond
-The default string tuning is @code{guitar-tuning} (the standard
-EADGBE tuning). Some other predefined tunings are
+The default string tuning is @code{guitar-tuning}, which
+is the standard EADGBE tuning. Some other predefined tunings are
@code{guitar-open-g-tuning}, @code{mandolin-tuning} and
-@code{banjo-open-g-tuning}.
+@code{banjo-open-g-tuning}. The predefined string tunings
+are found in @code{scm/output-lib.scm}.
+
+A string tuning is a Scheme list of string pitches,
+one for each string, ordered by string number from 1 to N,
+where string 1 is at the top of the tablature staff and
+string N is at the bottom. This ordinarily results in ordering
+from highest pitch to lowest pitch, but some instruments
+(e.g. ukulele) do not have strings ordered by pitch.
+
+A string pitch in a string tuning list is the pitch difference
+of the open string from middle C measured in semitones. The
+string pitch must be an integer. Lilypond calculates the actual
+pitch of the string by adding the string tuning pitch to the
+actual pitch for middle C.
+
+LilyPond automatically calculates the number of strings in the
+@code{TabStaff} as the number of elements in @code{stringTunings}.
+
+Any desired string tuning can be created. For example, we can
+define a string tuning for a four-string instrument with pitches
+of @code{a''}, @code{d''}, @code{g'}, and @code{c'}:
+
+
+@lilypond[quote,verbatim]
+mynotes = {
+ c'4 e' g' c'' |
+ e'' g'' b'' c'''
+}
+
+<<
+ \new Staff {
+ \clef treble
+ \mynotes
+ }
+ \new TabStaff {
+ \set TabStaff.stringTunings = #'(21 14 7 0)
+ \mynotes
+ }
+>>
+@end lilypond
+
@seealso
+Installed Files:
+@file{scm/output-lib.scm}.
Snippets:
@rlsr{Fretted strings}.
-The file @file{scm/@/output@/-lib@/.scm} contains the predefined string
-tunings.
-
-Internals Reference:
+Internals Reference:
@rinternals{Tab_note_heads_engraver}.
-@knownissues
-
-No guitar special effects have been implemented.
@node Fret diagram markups
-@subsubsection Fret diagram markups
+@unnumberedsubsubsec Fret diagram markups
+
@cindex fret diagrams
@cindex chord diagrams
+@cindex diagrams, fret
+@cindex diagrams, chord for fretted instruments
+@cindex fret diagrams, custom
+@cindex custom fret diagrams
Fret diagrams can be added to music as a markup to the desired
note. The markup contains information about the desired fret
@lilypond[quote, verbatim]
<<
\context ChordNames {
- \chordmode {
- c1 d:m
+ \chordmode {
+ c1 d:m
}
}
\context Staff {
\clef "treble_8"
- < c e g c' e' > 1 ^\markup
+ < c e g c' e' > 1 ^\markup
\fret-diagram #"6-x;5-3;4-2;3-o;2-1;1-o;"
< d a d' f'> ^\markup
\fret-diagram #"6-x;5-x;4-o;3-2;2-3;1-1;"
- }
+ }
>>
@end lilypond
+@cindex barre indications
+
Barre indications can be added to the diagram from
the fret-diagram markup string.
\clef "treble_8"
< f, c f a c' f'>1 ^\markup
\fret-diagram #"c:6-1-1;6-1;5-3;4-3;3-2;2-1;1-1;"
- < g, b, d g b' g'> ^\markup
+ < g, d g b d' g'> ^\markup
\fret-diagram #"c:6-1-3;6-3;5-5;4-5;3-4;2-3;1-3;"
}
>>
@end lilypond
+@cindex fret-diagram markup
+
+@funindex fret-diagram
+@funindex \fret-diagram
+
The size of the fret diagram, and the number of frets in the diagram
can be changed in the fret-diagram markup string.
\clef "treble_8"
< f, c f a c' f'>1 ^\markup
\fret-diagram #"s:1.5;c:6-1-1;6-1;5-3;4-3;3-2;2-1;1-1;"
- < g, b, d g b' g'> ^\markup
+ < g, b, d g b g'> ^\markup
\fret-diagram #"h:6;6-3;5-2;4-o;3-o;2-o;1-3;"
}
>>
@lilypond[quote, verbatim]
<<
\context ChordNames {
- \chordmode {
- c1 d:m
+ \chordmode {
+ c1 d:m
}
}
\context Staff {
\clef "treble_8"
- < c e g c' e' > 1 ^\markup
+ < c e g c' e' > 1 ^\markup
\fret-diagram #"f:1;6-x;5-3-3;4-2-2;3-o;2-1-1;1-o;"
< d a d' f'> ^\markup
\fret-diagram #"f:2;6-x;5-x;4-o;3-2-2;2-3-3;1-1-1;"
- }
+ }
>>
@end lilypond
@lilypond[quote, verbatim]
<<
\context ChordNames {
- \chordmode {
- c1 d:m
+ \chordmode {
+ c1 d:m
}
}
\context Staff {
\clef "treble_8"
- < c e g c' e' > 1 ^\markup
+ < c e g c' e' > 1 ^\markup
\fret-diagram #"d:0.35;6-x;5-3;4-2;3-o;2-1;1-o;"
< d a d' f'> ^\markup
\fret-diagram #"p:0.2;6-x;5-x;4-o;3-2;2-3;1-1;"
- }
+ }
>>
@end lilypond
+@cindex fret-diagram-terse markup
+
+@funindex fret-diagram-terse
+@funindex \fret-diagram-terse
+
The fret-diagram-terse markup string omits string numbers; the string
-number is implied by the presence of semicolons. There is one semicolon
+number is implied by the presence of semicolons. There is one semicolon
for each string in the diagram. The first semicolon corresponds to the
highest string number and the last semicolon corresponds to the first string.
Mute strings, open strings, and fret numbers can be indicated.
\clef "treble_8"
< f, c f a c' f'>1 ^\markup
\fret-diagram-terse #"1-(;3;3;2;1;1-);"
- < g, b, d g b' g'> ^\markup
+ < g, d g b d' g'> ^\markup
\fret-diagram-terse #"3-(;5;5;4;3;3-);"
}
>>
-@end lilypond
+@end lilypond
Fingering indications can be included in the fret-diagram-terse markup string.
@c Need to use override to enable fingerings to show this -- can we do so?
@lilypond[quote, verbatim]
-<<
+<<
\context ChordNames {
\chordmode {
c1 d:m
}
}
\context Staff {
- \override Voice.TextScript
- #'fret-diagram-details #'finger-code = #'below-string
+ \override Voice.TextScript
+ #'(fret-diagram-details finger-code) = #'below-string
\clef "treble_8"
< c e g c' e' > 1 ^\markup
\fret-diagram-terse #"x;3-3;2-2;o;1-1;o;"
Other fret diagram properties must be adjusted using @code{\override} when using
the fret-diagram-terse markup.
+@cindex fret-diagram-verbose markup
+
+@funindex fret-diagram-verbose
+@funindex \fret-diagram-verbose
+
The fret-diagram-verbose markup string is in the format of a Scheme list. Each
element of the list indicates an item to be placed on the fret diagram.
>>
@end lilypond
-Fingering indications and barres can be included in a
-fret-diagram-verbose markup string.
+Fingering indications and barres can be included in a
+fret-diagram-verbose markup string. Unique to the
+fret-diagram-verbose interface is a capo indication that
+can be placed on the fret diagram. The capo indication is
+a thick bar that covers all strings. The fret with the
+capo will be the lowest fret in the fret diagram.
@c \override is necessary to make fingering visible
@lilypond[quote, verbatim]
<<
\context ChordNames {
\chordmode {
- f1 g
+ f1 g c
}
}
\context Staff {
\clef "treble_8"
\override Voice.TextScript
- #'fret-diagram-details #'finger-code = #'below-string
+ #'(fret-diagram-details finger-code) = #'below-string
< f, c f a c' f'>1 ^\markup
\fret-diagram-verbose #'(
(place-fret 1 1)
(barre 6 1 1)
)
- < g, b, d g b' g'> ^\markup
+ < g, b, d g b g'> ^\markup
\fret-diagram-verbose #'(
(place-fret 6 3 2)
(place-fret 5 2 1)
(open 2)
(place-fret 1 3 3)
)
- }
+ < c e g c' e'> ^\markup
+ \fret-diagram-verbose #'(
+ (capo 3)
+ (mute 6)
+ (place-fret 4 5 1)
+ (place-fret 3 5 2)
+ (place-fret 2 5 3)
+ )
+ }
>>
@end lilypond
-All other fret diagram properties must be adjusted using @code{\override}
+All other fret diagram properties must be adjusted using @code{\override}
when using the fret-diagram-verbose markup.
@ignore
fis^\markup \override #'(size . 0.75) {
\override #'(finger-code . below-string) {
\fret-diagram-verbose #'((place-fret 6 2 1) (barre 6 1 2)
- (place-fret 5 4 3)
+ (place-fret 5 4 3)
(place-fret 4 4 4)
- (place-fret 3 3 2)
+ (place-fret 3 3 2)
(place-fret 2 2 1)
(place-fret 1 2 1))
}
@end lilypond
@end ignore
+@cindex customized fret diagram
+@cindex fret diagram, customized
+@cindex diagram, fret, customized
+
+@funindex fret-diagram-interface
+
The graphical layout of a fret diagram can be customized according to
user preference through the properties of the @code{fret-diagram-interface}.
Details are found at @rinternals{fret-diagram-interface}. For a fret diagram
-markup , the interface properties belong to @code{Voice.TextScript}.
+markup, the interface properties belong to @code{Voice.TextScript}.
@snippets
-TODO create snippets for changing properties. Use regression test?
-@seealso
+@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
+{customizing-markup-fret-diagrams.ly}
+
+@seealso
Notation Reference:
@ref{Text markup commands}.
Internals Reference:
@rinternals{fret-diagram-interface}.
+
@node Predefined fret diagrams
-@subsubsection Predefined fret diagrams
+@unnumberedsubsubsec Predefined fret diagrams
+
+
@cindex fret diagrams
@cindex chord diagrams
+@funindex FretBoards
+@funindex stringTunings
+
Fret diagrams can be displayed using the @code{FretBoards} context. By
default, the @code{FretBoards} context will display fret diagrams that
are stored in a lookup table:
@end lilypond
The default predefined fret diagrams are contained in the file
-@code{predefined-guitar-fretboards.ly}. Fret diagrams are
+@code{predefined-guitar-fretboards.ly}. Fret diagrams are
stored based on the pitches of a chord and the value of
-@code{stringTunings} that is currently in use.
-@code{predefined-guitar-fretboards.ly} contains predefined
+@code{stringTunings} that is currently in use.
+@code{predefined-guitar-fretboards.ly} contains predefined
fret diagrams only for @code{guitar-tuning}. Predefined fret
diagrams can be added for other instruments or other tunings
-by following the examples found in
-@code{predefined-guitar-fretboards.ly}.
+by following the examples found in
+@code{predefined-guitar-fretboards.ly}.
Chord pitches can be entered
either as simultaneous music or using chord mode (see
}
@end lilypond
+@cindex chord names with fret diagrams
+@cindex fret diagrams with chord names
+
+@funindex ChordNames
+@funindex chordmode
+@funindex \chordmode
+
It is common that both chord names and fret diagrams are displayed together.
This is achieved by putting a @code{ChordNames} context in parallel with
a @code{FretBoards} context and giving both contexts the same music.
>>
@end lilypond
+@cindex transposing fret diagrams
+@cindex fret diagrams, transposing
+@cindex diagrams, fret, transposing
+
Predefined fret diagrams are transposable, as long as a diagram for the
transposed chord is stored in the fret diagram table.
>>
@end lilypond
+@cindex fret diagrams, adding custom
+@cindex custom fret diagrams, adding
+@cindex adding custom fret diagrams
+
Fret diagrams can be added to the fret diagram table. To add a diagram,
-you must specify the chord for the diagram, the tuning to be used, and the
-fret-diagram-terse definition string for the diagram.
+you must specify the chord for the diagram, the tuning to be used, and
+a definition for the diagram. The diagram definition can be either a
+fret-diagram-terse definition string or a fret-diagram-verbose
+marking list.
@lilypond[verbatim, ragged-right, quote]
\include "predefined-guitar-fretboards.ly"
-\storePredefinedDiagram \chordmode {c:9}
+\storePredefinedDiagram \chordmode {c:9}
#guitar-tuning
#"x;3-2;2-1;3-3;3-4;x;"
@lilypond[verbatim, ragged-right, quote]
\include "predefined-guitar-fretboards.ly"
-\storePredefinedDiagram \chordmode {c'}
+\storePredefinedDiagram \chordmode {c'}
#guitar-tuning
- #(offset-fret 2 (chord-shape 'bes))
+ #(offset-fret 2 (chord-shape 'bes guitar-tuning))
mychords = \chordmode{
c1 c'
>>
@end lilypond
+@cindex fretted instruments, chord shapes
+@cindex chord shapes for fretted instruments
+
+@funindex \addChordShape
+@funindex add ChordShape
+@funindex storePredefinedDiagram
+@funindex \storePredefinedDiagram
+
In addition to fret diagrams, LilyPond stores an internal list of chord
shapes. The chord shapes are fret diagrams that can be shifted along
the neck to different posistions to provide different chords. Chord
shapes can be added to the internal list and then used to define
-predefined fret diagrams.
+predefined fret diagrams. Because they can be moved to various
+positions on the neck, chord shapes will normally not contain
+any open strings. Like fret diagrams, chord shapes can be
+entered as either fret-diagram-terse strings or fret-diagram-verbose
+marking lists.
@lilypond[verbatim, ragged-right, quote]
\include "predefined-guitar-fretboards.ly"
% add a new chord shape
-\addChordShape #'powerf #"1-1;3-3;3-4;x;x;x;"
+\addChordShape #'powerf #guitar-tuning #"1-1;3-3;3-4;x;x;x;"
% add some new chords based on the power chord shape
-\storePredefinedDiagram \chordmode {f'}
- #guitar-tuning
- #(chord-shape 'powerf)
-\storePredefinedDiagram \chordmode {g'}
+\storePredefinedDiagram \chordmode {f'}
#guitar-tuning
- #(offset-fret 2 (chord-shape 'powerf))
+ #(chord-shape 'powerf guitar-tuning)
+\storePredefinedDiagram \chordmode {g'}
+ #guitar-tuning
+ #(offset-fret 2 (chord-shape 'powerf guitar-tuning))
mychords = \chordmode{
- f1 f' g g'
+ f1 f' g g'
}
<<
The graphical layout of a fret diagram can be customized according to
user preference through the properties of the @code{fret-diagram-interface}.
-Details are found at @rinternals{fret-diagram-interface}. For a
-predefined fret diagram, the interface properties belong to
+Details are found at @rinternals{fret-diagram-interface}. For a
+predefined fret diagram, the interface properties belong to
@code{FretBoards.FretBoard}.
-@c @snippets
+@snippets
+
+@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
+{customizing-fretboard-fret-diagrams.ly}
+
+@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
+{defining-predefined-fretboards-for-other-instruments.ly}
-@seealso
+@seealso
Notation Reference:
@ref{Custom tablatures},
@ref{Automatic fret diagrams},
@ref{Predefined fretboard diagrams}.
Installed Files:
-@file{ly/predefined-guitar-fretboards.ly}.
+@file{ly/predefined-guitar-fretboards.ly},
+@file{ly/predefined-guitar-ninth-fretboards.ly}.
Snippets:
@rlsr{Fretted strings}.
@node Automatic fret diagrams
-@subsubsection Automatic fret diagrams
-@cindex fret diagrams
-@cindex chord diagrams
+@unnumberedsubsubsec Automatic fret diagrams
-Fret diagrams can be automatically created from entered notes using the
+@cindex fret diagrams, automatic
+@cindex chord diagrams, automatic
+@cindex automatic fret diagrams
+@cindex automatic chord diagrams
+
+Fret diagrams can be automatically created from entered notes using the
@code{FretBoards} context. If no predefined diagram is available for
the entered notes in the active @code{stringTunings}, this context
calculates strings and frets that can be used to play the notes.
@lilypond[quote,ragged-right,verbatim]
<<
\context ChordNames {
- \chordmode {
- f1 g
+ \chordmode {
+ f1 g
}
}
\context FretBoards {
\clef "treble_8"
< f, c f a c' f'>1
< g, b, d g b' g'>
- }
+ }
>>
@end lilypond
-As no predefined diagrams are loaded by default, automatic calculation
+@funindex predefinedFretboardsOff
+@funindex \predefinedFretboardsOff
+@funindex predefinedFretboardsOn
+@funindex \predefinedFretboardsOn
+
+As no predefined diagrams are loaded by default, automatic calculation
of fret diagrams is the default behavior. Once default diagrams are
loaded, automatic calculation can be enabled and disabled with predefined
commands:
@lilypond[quote,ragged-right,verbatim]
-\storePredefinedDiagram <c\5 e g c' e'>
+\storePredefinedDiagram <c e g c' e'>
#guitar-tuning
#"x;3-1-(;5-2;5-3;5-4;3-1-1);"
<<
\context ChordNames {
- \chordmode {
- c1 c c
+ \chordmode {
+ c1 c c
}
}
\context FretBoards {
- <c\5 e g c' e'>1
+ <c e g c' e'>1
\predefinedFretboardsOff
- <c\5 e g c' e'>
+ <c e g c' e'>
\predefinedFretboardsOn
- <c\5 e g c' e'>
+ <c e g c' e'>
}
\context Staff {
\clef "treble_8"
- <c\5 e g c' e'>1
- <c\5 e g c' e'>
- <c\5 e g c' e'>
- }
+ <c e g c' e'>1
+ <c e g c' e'>
+ <c e g c' e'>
+ }
>>
@end lilypond
-
-Notes can be explicitly placed on a string. It is often enough
-to place only the lowest note on an explicit string; the rest of
+
+Sometimes the fretboard calculator will be unable to find
+an accceptable diagram. This can often be remedied by
+manually assigning a note to a string. In many cases, only one
+note need be manually placed on a string; the rest of
the notes will then be placed appropriately by the @code{FretBoards}
context.
-@lilypond[quote,ragged-right,verbatim]
+@cindex fret diagrams, adding fingerings
+@cindex fingerings, adding to fret diagrams
+
+Fingerings can be added to FretBoard fret diagrams.
+
+@lilypond[quote, verbatim]
<<
\context ChordNames {
- \chordmode {
- c1 c d:m d:m
+ \chordmode {
+ c1 d:m
}
}
\context FretBoards {
- < c e g c' e' > 1
- < c\5 e g c' e' > 1
- < d a d' f'>
- < d\4 a d' f'>
+ < c-3 e-2 g c'-1 e' > 1
+ < d a-2 d'-3 f'-1>
}
\context Staff {
\clef "treble_8"
< c e g c' e' > 1
- < c e g c' e' > 1
< d a d' f'>
- < d a d' f'>
- }
+ }
>>
@end lilypond
-Fingerings can be added to FretBoard fret diagrams.
+The minimum fret to be used in calculating strings and frets for
+the FretBoard context can be set with the @code{minimumFret}
+property.
@lilypond[quote, verbatim]
<<
\context ChordNames {
- \chordmode {
- c1 d:m
+ \chordmode {
+ d1:m d:m
}
}
\context FretBoards {
- < c\5-3 e-2 g c'-1 e' > 1
- < d\4 a-2 d'-3 f'-1>
+ < d a d' f'>
+ \set FretBoards.minimumFret = #5
+ < d a d' f'>
}
\context Staff {
\clef "treble_8"
- < c e g c' e' > 1
< d a d' f'>
- }
+ < d a d' f'>
+ }
>>
@end lilypond
The strings and frets for the @code{FretBoards} context depend
on the @code{stringTunings} property, which has the same meaning
-as in the TabStaff context. See @ref{Custom tablatures} for
-information on the @code{stringTunings} property.
+as in the TabStaff context. See @ref{Custom tablatures} for
+information on the @code{stringTunings} property.
The graphical layout of a fret diagram can be customized according to
user preference through the properties of the @code{fret-diagram-interface}.
-Details are found at @rinternals{fret-diagram-interface}. For a
-@code{FretBoards} fret diagram, the interface properties belong to
+Details are found at @rinternals{fret-diagram-interface}. For a
+@code{FretBoards} fret diagram, the interface properties belong to
@code{FretBoards.FretBoard}.
-@snippets
-The minimum fret to be used in calculating strings and frets for
-the FretBoard context can be set with the @code{minimumFret}
-property.
-
-@c TODO -- snippet showing minimum fret.
-
-@c TODO -- snippet for using StringTunings
@predefined
-\predefinedFretboardsOff,
-\predefinedFretboardsOn.
+@code{\predefinedFretboardsOff},
+@code{\predefinedFretboardsOn}.
+@endpredefined
-@seealso
+@seealso
Notation Reference:
@ref{Custom tablatures}.
@node Right-hand fingerings
-@subsubsection Right-hand fingerings
+@unnumberedsubsubsec Right-hand fingerings
+
+@cindex fretted instruments, right hand fingerings
+@cindex fingerings, right hand for fretted instruments
+@cindex right hand fingerings for fretted instruments
-Right-hand fingerings @var{p-i-m-a} must be entered within a
-chord construct @code{<>} for them to be printed in the score,
-even when applied to a single note.
+@funindex rightHandFinger
+@funindex \rightHandFinger
-@warning{There @strong{must} be a hyphen after the note and a space
+Right-hand fingerings @var{p-i-m-a} must be entered within a
+chord construct @code{<>} for them to be printed in the score,
+even when applied to a single note.
+
+@warning{There @strong{must} be a hyphen after the note and a space
before the closing @code{>}.}
@lilypond[quote,verbatim,relative=0]
\clef "treble_8"
-<c-\rightHandFinger #1 >4
-<e-\rightHandFinger #2 >
-<g-\rightHandFinger #3 >
+<c-\rightHandFinger #1 >4
+<e-\rightHandFinger #2 >
+<g-\rightHandFinger #3 >
<c-\rightHandFinger #4 >
-<c,-\rightHandFinger #1 e-\rightHandFinger #2 g-\rightHandFinger #3 c-\rightHandFinger #4 >1
+<c,-\rightHandFinger #1 e-\rightHandFinger #2
+ g-\rightHandFinger #3 c-\rightHandFinger #4 >1
@end lilypond
For convenience, you can abbreviate @code{\rightHandFinger} to something
#(define RH rightHandFinger)
@end example
-@cindex fingerings, right hand, for guitar
-@cindex right hand fingerings for guitar
@snippets
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{fingerings,-string-indications,-and-right-hand-fingerings.ly}
-@seealso
+@seealso
Snippets:
@rlsr{Fretted strings}.
-Internals Reference:
+Internals Reference:
@rinternals{StrokeFinger}.
Most of the notational issues associated with guitar music are
covered sufficiently in the general fretted strings section, but there
-are a few more worth covering here. Occasionally users want to
+are a few more worth covering here. Occasionally users want to
create songbook-type documents having only lyrics with chord
indications above them. Since Lilypond is a music typesetter,
it is not recommended for documents that have no music notation
-in them. A better alternative is a word processor, text editor,
+in them. A better alternative is a word processor, text editor,
or, for experienced users, a typesetter like GuitarTeX.
@menu
-* Indicating position and barring::
-* Indicating harmonics and dampened notes::
+* Indicating position and barring::
+* Indicating harmonics and dampened notes::
@end menu
@node Indicating position and barring
-@subsubsection Indicating position and barring
+@unnumberedsubsubsec Indicating position and barring
+
+@cindex indicating position and barring for fretted instruments
+@cindex fretted instruments, indicating position and barring
This example demonstrates how to include guitar position and
barring indications.
\clef "treble_8"
b16 d g b e
\textSpannerDown
-\override TextSpanner #'bound-details #'left #'text = #"XII "
+\override TextSpanner #'(bound-details left text) = #"XII "
g16\startTextSpan
b16 e g e b g\stopTextSpan
e16 b g d
@end lilypond
-@seealso
+@seealso
Notation Reference:
@ref{Text spanners}.
@rlsr{Fretted strings},
@rlsr{Expressive marks}.
+
@node Indicating harmonics and dampened notes
-@subsubsection Indicating harmonics and dampened notes
+@unnumberedsubsubsec Indicating harmonics and dampened notes
+
+@cindex fretted instruments, dampened notes
+@cindex fretted instruments, harmonics
+@cindex dampened notes on fretted instruments
+@cindex harmonics on fretted instruments
-Special note heads can be used to indicate dampened notes or
-harmonics. Harmonics are normally further explained with a
+Special note heads can be used to indicate dampened notes or
+harmonics. Harmonics are normally further explained with a
text markup.
@lilypond[quote,ragged-right,fragment,verbatim]
}
@end lilypond
-@seealso
+@seealso
Snippets:
@rlsr{Fretted strings}.
@ref{Special note heads},
@ref{Note head styles}.
+
@node Banjo
@subsection Banjo
@menu
-* Banjo tablatures::
+* Banjo tablatures::
@end menu
@node Banjo tablatures
-@subsubsection Banjo tablatures
-@cindex Banjo tablatures
+@unnumberedsubsubsec Banjo tablatures
+
+@cindex banjo tablatures
+@cindex tablature, banjo
LilyPond has basic support for the five-string banjo. When making tablatures
for five-string banjo, use the banjo tablature format function to get
>>
@end lilypond
+@cindex banjo tunings
+@cindex tunings, banjo
+
+@funindex banjo-c-tuning
+@funindex banjo-modal-tuning
+@funindex banjo-open-d-tuning
+@funindex banjo-open-dm-tuning
+@funindex four-string-banjo
+
A number of common tunings for banjo are predefined in LilyPond:
@code{banjo-c-tuning} (gCGBD), @code{banjo-modal-tuning} (gDGCD),
@code{banjo-open-d-tuning} (aDF#AD) and @code{banjo-open-dm-tuning}
\set TabStaff.stringTunings = #(four-string-banjo banjo-c-tuning)
@end example
-@seealso
+@seealso
Snippets:
@rlsr{Fretted strings}.
The file @file{scm/@/output@/-lib@/.scm} contains predefined banjo tunings.
-
-
-
-
-
projects / lilypond.git / blobdiff