@node Expressive marks
@section Expressive marks
+@lilypondfile[quote,ragged-right,line-width=16\cm,staffsize=16]
+{expressive-headword.ly}
+
@menu
* Attached to notes::
* Curves::
their output are:
@lilypond[quote,ragged-right,fragment,verbatim,relative=2]
-\override TextScript #'font-family = #'typewriter
-\override TextScript #'font-shape = #'upright
-c''4-._"c-."
-c''4--_"c--"
-c''4-+_"c-+"
-c''4-|_"c-|"
-c''4->_"c->"
-c''4-^_"c-^"
-c''4-__"c-_"
+c4-. c-- c-+ c-|
+c-> c-^ c-_
@end lilypond
The marks are automatically placed, but the direction can be
articulations. For the shorthands, the dash itself should be
omitted; the shorthand signs replace it:
-@lilypond[quote,ragged-right,fragment,verbatim]
-c''4^^ c''4_^
+@lilypond[quote,ragged-right,fragment,verbatim,relative=2]
+c4^^ c4_^
c\fermata c^\fermata c_\fermata
@end lilypond
@seealso
-Program reference: @internalsref{Script}.
+Snippets: @lsrdir{expressive}
+
+Internals Reference: @internalsref{Script}.
@refbugs
A hairpin normally starts at the left edge of the beginning note
and ends on the right edge of the ending note. If the ending note
falls on the downbeat, the hairpin ends on the immediately
-preceding barline. This may be modified by setting the
-@code{hairpinToBarline} property,
+preceding bar line. This may be modified by setting the
+@code{hairpinToBar line} property,
@cindex Hairpin
@lilypond[quote,ragged-right,fragment,verbatim,relative=2]
\setHairpinCresc
e\> d c b\!
\setTextDecresc
-c\> d e f\!
+e\> d e f\!
+% FIXME: uncomment after 2.11.36
+%\setTextDecr
+%c\> d e f\!
\setTextDim
e\> d c b\!
@end lilypond
@seealso
-Program reference: @internalsref{DynamicText},
+Snippets: @lsrdir{expressive}
+
+Internals Reference: @internalsref{DynamicText},
@internalsref{Hairpin}. Vertical positioning of these symbols is
handled by @internalsref{DynamicLineSpanner}.
Glossary: @rglos{Hairpin}, @rglos{crescendo}, @rglos{decrescendo}
+@c TODO: add link to LM directions
+
@node Curves
@subsection Curves
@menu
-* Ties::
* Slurs::
* Phrasing slurs::
* Breath marks::
* Falls and doits::
@end menu
-@node Ties
-@unnumberedsubsubsec Ties
-
-@cindex tie
-@funindex ~
-
-A tie connects two adjacent note heads of the same pitch. The tie
-in effect extends the length of a note.
-
-@warning{Ties should not be confused with @emph{slurs}, which
-indicate articulation, or @emph{phrasing slurs}, which indicate
-musical phrasing. A tie is just a way of extending a note
-duration, similar to the augmentation dot.}
-
-A tie is entered using the tilde symbol @code{~}
-
-@lilypond[quote,ragged-right,fragment,verbatim]
-e' ~ e'
-@end lilypond
-
-
-@noindent
-Ties are used either when the note crosses a bar line, or when
-dots cannot be used to denote the rhythm. Ties should also be
-used when note values cross larger subdivisions of the measure:
-
-@lilypond[fragment,quote,ragged-right]
-\relative {
- r8 c8 ~ c2 r4 | r8^"not" c2 ~ c8 r4
-}
-@end lilypond
-
-If you need to tie a lot of notes over bars, it may be easier to
-use automatic note splitting (see @ref{Automatic note splitting}).
-This mechanism automatically splits long notes, and ties them
-across bar lines.
-
-@funindex \repeatTie
-@cindex repeating ties
-@cindex volta brackets and ties
-
-When a tie is applied to a chord, all note heads whose pitches
-match are connected. When no note heads match, no ties will be
-created. Chords may be partially tied by placing the tie inside
-the chord.
-
-@lilypond[quote,ragged-right,fragment,verbatim,relative=1]
- <c e g> ~ <c e g>
-<c~ e g~ b> <c e g b>
-@end lilypond
-
-When a second alternative of a repeat starts with a tied note, you
-have to repeat the tie. This can be achieved with
-@code{\repeatTie},
-
-@lilypond[fragment,quote,ragged-right,relative=2]
-\repeat volta 2 { c g <c e>2 ~ }
-\alternative {{ <c e>2. r4 } {<c e>2\repeatTie d4 c }}
-@end lilypond
-
-@cindex Laissez vibrer
-@cindex Ties, laissez vibrer
-
-@notation{L.v.} ties (@notation{laissez vibrer}) indicate that
-notes must not be damped at the end. It is used in notation for
-piano, harp and other string and percussion instruments. They can
-be entered using @code{\laissezVibrer}:
-
-@lilypond[fragment,ragged-right,verbatim,relative=1]
-<c f g>\laissezVibrer
-@end lilypond
-
-The direction of a tie can be specified with @code{\tieUp} or
-@code{\tieDown} (see example below). @code{\tieNeutral} reverts
-to the default behaviour again.
-
-However, as with other music elements of this kind, there is a
-convenient shorthand for forcing tie directions. By adding
-@code{_} or @code{^} before the tilde, the direction is also set:
-
-@lilypond[relative=2,ragged-right,quote,verbatim,fragment]
-c4_~ c c^~ c)
-@end lilypond
-
-
-@seealso
-
-Program reference:
-@internalsref{LaissezVibrerTie}
-@internalsref{LaissezVibrerTieColumn}
-
-Example files:
-@lsr{connecting,laissez-vibrer-ties.ly}
-
-
-@commonprop
-
-Ties are sometimes used to write out arpeggios. In this case, two
-tied notes need not be consecutive. This can be achieved by
-setting the @code{tieWaitForNote} property to true. The same
-feature is also useful, for example, to tie a tremolo to a chord,
-but in principle, it can also be used for ordinary, consecutive
-notes:
-
-@lilypond[fragment,verbatim,relative=1,ragged-right,quote]
-\set tieWaitForNote = ##t
-\grace { c16[~ e~ g]~ } <c, e g>2
-\repeat tremolo 8 { c32~ c'~ } <c c,>1
-e8~ c~ a~ f~ <e' c a f>2
-\tieUp c8~ a \tieDown \tieDotted g~ c g2
-@end lilypond
-
-Ties may be engraved manually by changing the
-@code{tie-configuration} property. The first number indicates the
-distance from the center of the staff in staff-spaces, and the
-second number indicates the direction (1=up, -1=down).
-
-@lilypond[fragment,verbatim,relative=1,ragged-right,quote]
-<c e g>2~ <c e g> |
-\override TieColumn #'tie-configuration =
- #'((0.0 . 1) (-2.0 . 1) (-4.0 . 1))
-<c e g>~ <c e g> |
-@end lilypond
-
-
-@refcommands
-
-
-@funindex \tieUp
-@code{\tieUp},
-@funindex \tieDown
-@code{\tieDown},
-@funindex \tieNeutral
-@code{\tieNeutral},
-@funindex \tieDotted
-@code{\tieDotted},
-@funindex \tieDashed
-@code{\tieDashed},
-@funindex \tieSolid
-@code{\tieSolid}.
-
-
-@seealso
-
-In this manual: @ref{Automatic note splitting}.
-
-Program reference: @internalsref{Tie}.
-
-
-@refbugs
-
-Switching staves when a tie is active will not produce a slanted
-tie.
-
-Changing clefs or octavations during a tie is not really
-well-defined. In these cases, a slur may be preferable.
-
-
@node Slurs
@unnumberedsubsubsec Slurs
@seealso
-Program reference: @internalsref{Slur}.
+Snippets: @lsrdir{expressive}
+
+Internals Reference: @internalsref{Slur}.
@node Phrasing slurs
@seealso
-Program reference: @internalsref{PhrasingSlur}.
+Snippets: @lsrdir{expressive}
+
+Internals Reference: @internalsref{PhrasingSlur}.
@node Breath marks
@seealso
-Program reference: @internalsref{BreathingSign}.
+Snippets: @lsrdir{expressive}
+
+Internals Reference: @internalsref{BreathingSign}.
Examples: @lsr{expressive,breathing-sign.ly}
* Glissando::
* Arpeggio::
* Trills::
-* Analysis brackets::
@end menu
@node Glissando
@seealso
-Program reference: @internalsref{Glissando}.
+Snippets: @lsrdir{expressive}
+
+Internals Reference: @internalsref{Glissando}.
Glossary: @rglos{falls}, @rglos{doits}
Example files:
Notation manual: @ref{Ties}, for writing out arpeggios.
-Program reference: @internalsref{Arpeggio}.
+Snippets: @lsrdir{expressive}
+
+Internals Reference: @internalsref{Arpeggio}.
@refbugs
@seealso
-Program reference: @internalsref{TrillSpanner}.
-
-
-@node Analysis brackets
-@unnumberedsubsubsec Analysis brackets
+Snippets: @lsrdir{expressive}
-@cindex brackets
-@cindex phrasing brackets
-@cindex musicological analysis
-@cindex note grouping bracket
-
-Brackets are used in musical analysis to indicate structure in
-musical pieces. LilyPond supports a simple form of nested
-horizontal brackets. To use this, add the
-@internalsref{Horizontal_bracket_engraver} to the
-@internalsref{Staff} context. A bracket is started with
-@code{\startGroup} and closed with @code{\stopGroup}.
-
-@lilypond[quote,ragged-right,verbatim]
-\score {
- \relative c'' {
- c4\startGroup\startGroup
- c4\stopGroup
- c4\startGroup
- c4\stopGroup\stopGroup
- }
- \layout {
- \context {
- \Staff \consists "Horizontal_bracket_engraver"
-}}}
-@end lilypond
-
-@seealso
+Internals Reference: @internalsref{TrillSpanner}.
-Program reference: @internalsref{HorizontalBracket}.
projects / lilypond.git / blobdiff