@c -*- coding: utf-8; mode: texinfo; -*-
@node Example templates
-@chapter Example templates
+@appendix Example templates
This section of the manual contains templates with the LilyPond score
already set up for you. Just add notes, run LilyPond, and enjoy
* Vocal ensembles::
* Ancient notation templates::
* Jazz combo::
-* Other templates::
* Lilypond-book templates::
@end menu
@node Single staff
-@section Single staff
-@subsection Notes only
+@appendixsec Single staff
+@appendixsubsec Notes only
The first example gives you a staff with notes, suitable for a solo
instrument or a melodic fragment. Cut and paste this into a file,
add notes, and you're finished!
@lilypond[quote,verbatim,ragged-right]
-\version "2.7.32"
+\version "2.7.39"
melody = \relative c' {
\clef treble
\key c \major
}
@end lilypond
-@subsection Notes and lyrics
+@appendixsubsec Notes and lyrics
The next example demonstrates a simple melody with lyrics. Cut and
paste, add notes, then words for the lyrics. This example turns off
line.
@lilypond[quote,verbatim,ragged-right]
-\version "2.7.32"
+\version "2.7.39"
melody = \relative c' {
\clef treble
\key c \major
}
@end lilypond
-@subsection Notes and chords
+@appendixsubsec Notes and chords
Want to prepare a lead sheet with a melody and chords? Look no further!
@lilypond[quote,verbatim,ragged-right]
-\version "2.7.32"
+\version "2.7.39"
melody = \relative c' {
\clef treble
\key c \major
}
@end lilypond
-@subsection Notes, lyrics, and chords.
+@appendixsubsec Notes, lyrics, and chords.
This template allows you to prepare a song with melody, words, and chords.
@lilypond[quote,verbatim,ragged-right]
-\version "2.7.32"
+\version "2.7.39"
melody = \relative c' {
\clef treble
\key c \major
@end lilypond
@node Piano templates
-@section Piano templates
-@subsection Solo piano
+@appendixsec Piano templates
+@appendixsubsec Solo piano
Here is a simple piano staff.
@lilypond[quote,verbatim,ragged-right]
-\version "2.7.32"
+\version "2.7.39"
upper = \relative c'' {
\clef treble
\key c \major
}
@end lilypond
-@subsection Piano and melody with lyrics
+@appendixsubsec Piano and melody with lyrics
Here is a typical song format: one staff with the melody and lyrics, with
piano accompaniment underneath.
@lilypond[quote,verbatim,ragged-right]
-\version "2.7.32"
+\version "2.7.39"
melody = \relative c'' {
\clef treble
\key c \major
@end lilypond
-@subsection Piano centered lyrics
+@appendixsubsec Piano centered lyrics
Instead of having a full staff for the melody and lyrics, you can place
the lyrics between the piano staff (and omit the separate melody staff).
@lilypond[quote,verbatim,ragged-right]
-\version "2.7.32"
+\version "2.7.39"
upper = \relative c'' {
\clef treble
\key c \major
@end lilypond
-@subsection Piano centered dynamics
+@appendixsubsec Piano centered dynamics
Many piano scores have the dynamics centered between the two
staffs. This requires a bit of tweaking to implement, but
tweaking yourself.
@lilypond[quote,verbatim,ragged-right]
-\version "2.7.32"
+\version "2.7.39"
upper = \relative c'' {
\clef treble
\key c \major
@node String quartet
-@section String quartet
-@subsection String quartet
+@appendixsec String quartet
+@appendixsubsec String quartet
This template demonstrates a string quartet. It also uses a @code{\global}
section for time and key signatures.
@lilypond[quote,verbatim,ragged-right]
-\version "2.7.32"
+\version "2.7.39"
global= {
\time 4/4
}
@end lilypond
-@subsection String quartet parts
+@appendixsubsec String quartet parts
The previous example produces a nice string quartet, but what if you
needed to print parts? This template demonstrates how to use the
@verbatim
%%%%% piece.ly
-\version "2.7.32"
+\version "2.7.39"
global= {
\time 4/4
music = {
<<
- \tag #'(score vn1) \new Staff { << \global \Violinone >> }
- \tag #'(score vn2) \new Staff { << \global \Violintwo>> }
- \tag #'(score vla) \new Staff { << \global \Viola>> }
- \tag #'(score vlc) \new Staff { << \global \Cello>> }
+ \tag #'score \tag #'vn1 \new Staff { << \global \Violinone >> }
+ \tag #'score \tag #'vn2 \new Staff { << \global \Violintwo>> }
+ \tag #'score \tag #'vla \new Staff { << \global \Viola>> }
+ \tag #'score \tag #'vlc \new Staff { << \global \Cello>> }
>>
}
%%%%% score.ly
-\version "2.7.32"
+\version "2.7.39"
\include "piece.ly"
#(set-global-staff-size 14)
\score {
%%%%% vn1.ly
-\version "2.7.32"
+\version "2.7.39"
\include "piece.ly"
-\score {
+\score {
\keepWithTag #'vn1 \music
\layout { }
}
%%%%% vn2.ly
-\version "2.7.32"
+\version "2.7.39"
\include "piece.ly"
-\score {
+\score {
\keepWithTag #'vn2 \music
\layout { }
}
%%%%% vla.ly
-\version "2.7.32"
+\version "2.7.39"
\include "piece.ly"
-\score {
+\score {
\keepWithTag #'vla \music
\layout { }
}
%%%%% vlc.ly
-\version "2.7.32"
+\version "2.7.39"
\include "piece.ly"
-\score {
+\score {
\keepWithTag #'vlc \music
\layout { }
}
@node Vocal ensembles
-@section Vocal ensembles
+@appendixsec Vocal ensembles
-@subsection SATB vocal score
+@appendixsubsec SATB vocal score
Here is a standard four-part SATB vocal score. With larger ensembles,
it's often useful to include a section which is included in all
always the same for all parts.
@lilypond[quote,verbatim,ragged-right]
-\version "2.7.32"
+\version "2.7.39"
global = {
\key c \major
\time 4/4
@end lilypond
-@subsection SATB vocal score and automatic piano reduction
+@appendixsubsec SATB vocal score and automatic piano reduction
This template adds an automatic piano reduction to the SATB vocal
score. This demonstrates one of the strengths of LilyPond -- you
apply to the piano reduction.
@lilypond[quote,verbatim,ragged-right]
-\version "2.7.32"
+\version "2.7.39"
global = {
\key c \major
\time 4/4
@c bad node name to avoid node name confict
@node Ancient notation templates
-@section Ancient notation templates
+@appendixsec Ancient notation templates
-@subsection Transcription of mensural music
+@appendixsubsec Transcription of mensural music
When transcribing mensural music, an incipit at the beginning of the
piece is useful to indicate the original key and tempo. While today
staves rather than on the staves.
@lilypond[quote,verbatim,line-width=11.0\cm]
-\version "2.7.32"
+\version "2.7.39"
global = {
\set Score.skipBars = ##t
\score {
\new StaffGroup = choirStaff <<
- \Voice =
+ \new Voice =
"discantusNotes" << \global \discantusNotes >>
\new Lyrics =
"discantusLyrics" \lyricsto discantusNotes { \discantusLyrics }
@end lilypond
+@appendixsubsec Gregorian transcription template
+
+This example demonstrates how to do modern transcription of Gregorian
+music. Gregorian music has no measure, no stems; it uses only half and
+quarter noteheads, and special marks, indicating rests of different length.
+
+@lilypond[quote,verbatim,ragged-right]
+\include "gregorian-init.ly"
+\version "2.8.0"
+
+chant = \relative c' {
+ \set Score.timing = ##f
+ f4 a2 \divisioMinima
+ g4 b a2 f2 \divisioMaior
+ g4( f) f( g) a2 \finalis
+}
+
+verba = \lyricmode {
+ Lo -- rem ip -- sum do -- lor sit a -- met
+}
+
+\score {
+ \new Staff <<
+ \new Voice = "melody" {
+ \chant
+ }
+ \new Lyrics = "one" \lyricsto melody \verba
+ >>
+
+ \layout {
+ \context {
+ \Staff
+ \remove "Time_signature_engraver"
+ \remove "Bar_engraver"
+ \override Stem #'transparent = ##t
+ }
+ \context {
+ \Voice
+ \override Stem #'length = #0
+ }
+ \context {
+ \Score
+ barAlways = ##t
+ }
+ }
+}
+@end lilypond
+
@node Jazz combo
-@section Jazz combo
+@appendixsec Jazz combo
This is a much more complicated template, for a jazz ensemble. Note that all
instruments are notated in @code{\key c \major}. This refers to the key in
@c The `line-width' argument is for the \header.
@lilypond[quote,verbatim,ragged-right,line-width]
-\version "2.7.32"
+\version "2.7.39"
\header {
title = "Song"
subtitle = "(tune)"
composer = "Me"
meter = "moderato"
piece = "Swing"
- tagline = "LilyPond example file by Amelie Zapf,
- Berlin 07/07/2003"
+ tagline = \markup {
+ \column {
+ "LilyPond example file by Amelie Zapf,"
+ "Berlin 07/07/2003"
+ }
+ }
texidoc = "Jazz tune for combo
(horns, guitar, piano, bass, drums)."
}
\global
\set Staff.instrument = #"Trumpet"
\clef treble
- \new Staff <<
+ <<
\trpt
>>
}
\global
\set Staff.instrument = #"Alto Sax"
\clef treble
- \new Staff <<
+ <<
\alto
>>
}
\global
\set Staff.instrument = #"Bari Sax"
\clef treble
- \new Staff <<
+ <<
\bari
>>
}
\global
\set Staff.instrument = #"Trombone"
\clef bass
- \new Staff <<
+ <<
\tbone
>>
}
\global
\set Staff.instrument = #"Guitar"
\clef treble
- \new Staff <<
+ <<
\gtr
>>
}
\clef treble
\global
\set Staff.midiInstrument = "acoustic grand"
- \new Staff <<
+ <<
\new Voice = "one" \rhUpper
\new Voice = "two" \rhLower
>>
\clef bass
\global
\set Staff.midiInstrument = "acoustic grand"
- \new Staff <<
+ <<
\new Voice = "one" \lhUpper
\new Voice = "two" \lhLower
>>
}
piano = {
- \new PianoStaff <<
+ <<
\set PianoStaff.instrument = #"Piano"
\new Staff = "upper" \PianoRH
\new Staff = "lower" \PianoLH
\global
\set Staff.instrument = #"Bass"
\clef bass
- \new Staff <<
+ <<
\Bass
>>
}
\new StaffGroup = "rhythm" <<
\new ChordNames = "chords" \gtrharmony
\new Staff = "guitar" \guitar
- \new PianoStaff = piano" \piano
+ \new PianoStaff = "piano" \piano
\new Staff = "bass" \bass
\new DrumStaff { \drumContents }
>>
}
@end lilypond
-@node Other templates
-@section Other templates
-@subsection All headers
+@ignore
+
+This isn't very useful, and only duplicates material in
+"global issues". And if this info changes, this section often
+gets forgotten.
+
+@no de Other templates
+@se ction Other templates
+@su bsection All headers
This template displays all available headers. Some of them are only
used in the Mutopia project; they don't affect the printed output at
"Petr Tchaikowski" on your music.
@ The `line-width' is for \header.
-@lilypond[quote,verbatim,ragged-right,line-width]
-\version "2.7.32"
+@li lypond[quote,verbatim,ragged-right,line-width]
+\version "2.7.39"
\header {
dedication = "dedication"
title = "Title"
}
}
@end lilypond
-
-@subsection Gregorian template
-
-This example demonstrates how to do modern transcriptions of Gregorian
-music. Gregorian music has no measure, no stems; it uses only half and
-quarter notes, and two types of barlines, a short one indicating a rest,
-and a second one indicating a breath mark.
-
-@lilypond[quote,verbatim,ragged-right]
-barOne = { \once \override Staff.BarLine #'bar-size = #2
- \bar "|" }
-barTwo = { \once \override Staff.BarLine #'extra-offset = #'(0 . 2)
- \once \override Staff.BarLine #'bar-size = #2
- \bar "|" }
-chant = \relative c' {
- \set Score.timing = ##f
- \override Staff.Stem #'transparent = ##t
-
- f4 a2 \barTwo
- g4 a2 f2 \barOne
- g4( f) f( g) a2
-}
-\score {
- \chant
- \layout{ }
- \midi { \tempo 4=60 }
-}
-@end lilypond
+@end ignore
@node Lilypond-book templates
-@section Lilypond-book templates
+@appendixsec Lilypond-book templates
These templates are for use with @code{lilypond-book}. If you're not familiar
with this program, please refer to @ref{LilyPond-book}.
-@subsection LaTeX
+@appendixsubsec LaTeX
You can include LilyPond fragments in a LaTeX document.
\end@{document@}
@end example
-@subsection Texinfo
+@appendixsubsec Texinfo
You can include LilyPond fragments in Texinfo; in fact, this entire manual
is written in Texinfo.
projects / lilypond.git / blobdiff