-@c -*- coding: latin-1; mode: texinfo; -*-
+@c -*- coding: utf-8; mode: texinfo; -*-
@node Example templates
@chapter Example templates
\score {
\context GrandStaff <<
- \context Staff = upper {
- \context Voice = singer \upper }
+ \context Staff = upper { \context Voice = singer \upper }
\lyricsto "singer" \new Lyrics \text
- \context Staff = lower <<
+ \context Staff = lower {
\clef bass
\lower
- >>
+ }
>>
\layout {
\context { \GrandStaff \accepts "Lyrics" }
\alias Voice % So that \cresc works, for example.
\consists "Output_property_engraver"
- minimumVerticalExtent = #'(-1 . 1)
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-1 . 1)
pedalSustainStrings = #'("Ped." "*Ped." "*")
pedalUnaCordaStrings = #'("una corda" "" "tre corde")
\context {
% a little smaller so lyrics
% can be closer to the staff
- \Staff minimumVerticalExtent = #'(-3 . 3)
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3)
}
}
}
% a little smaller so lyrics
% can be closer to the staff
\Staff
- minimumVerticalExtent = #'(-3 . 3)
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3)
}
}
When transcribing mensural music, an incipit at the beginning of the
piece is useful to indicate the original key and tempo. While today
musicians are used to bar lines in order to faster recognize rhythmic
-patterns, bar lines where not yet invented during the period of
+patterns, bar lines were not yet invented during the period of
mensural music; in fact, the meter often changed after every few
notes. As a compromise, bar lines are often printed between the
staves rather than on the staves.
@example
\documentclass[]@{article@}
-\usepackage@{graphics@}
+
\begin@{document@}
Normal LaTeX text.