Minor fixes (comments from -devel).

[lilypond.git] / Documentation / user / examples.itely

diff --git a/Documentation/user/examples.itely b/Documentation/user/examples.itely
index 25e0f0835a7ebb6b22f3f17490d3661014dfbffe..5d4a8d106b171c0d6e330b054d4116338ebbce6b 100644 (file)
--- a/Documentation/user/examples.itely
+++ b/Documentation/user/examples.itely
@@ -271,13 +271,12 @@ text = \lyricmode {
 
 \score {
   \context GrandStaff <<
-    \context Staff = upper {
-        \context Voice = singer \upper }
+    \context Staff = upper { \context Voice = singer \upper }
     \lyricsto "singer" \new Lyrics \text
-    \context Staff = lower <<
+    \context Staff = lower {
       \clef bass
       \lower
-    >>
+    }
   >>
   \layout {
     \context { \GrandStaff \accepts "Lyrics" }
@@ -339,7 +338,7 @@ pedal = {
       \alias Voice % So that \cresc works, for example.
       \consists "Output_property_engraver"
 
-      minimumVerticalExtent = #'(-1 . 1)
+      \override VerticalAxisGroup #'minimum-Y-extent = #'(-1 . 1)
       pedalSustainStrings = #'("Ped." "*Ped." "*")
       pedalUnaCordaStrings = #'("una corda" "" "tre corde")
 
@@ -620,7 +619,8 @@ bassWords = \lyricmode {
       \context {
          % a little smaller so lyrics
          % can be closer to the staff
-         \Staff minimumVerticalExtent = #'(-3 . 3)
+         \Staff
+         \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3)
       }
    }
 }
@@ -674,7 +674,7 @@ bassWords = \lyricmode {
          % a little smaller so lyrics
          % can be closer to the staff
          \Staff
-          minimumVerticalExtent = #'(-3 . 3)
+          \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3)
   }
 }
 
@@ -732,7 +732,7 @@ bassWords = \lyricmode {
 When transcribing mensural music, an incipit at the beginning of the
 piece is useful to indicate the original key and tempo.  While today
 musicians are used to bar lines in order to faster recognize rhythmic
-patterns, bar lines where not yet invented during the period of
+patterns, bar lines were not yet invented during the period of
 mensural music; in fact, the meter often changed after every few
 notes.  As a compromise, bar lines are often printed between the
 staves rather than on the staves.