version that you are working on. See TRANSLATION for details.
@end ignore
-@node Educational use
-@section Educational use
+@node Editorial annotations
+@section Editorial annotations
+
+@lilypondfile[ragged-right,line-width=16\cm,staffsize=16,quote]
+{editorial-headword.ly}
@menu
-* Note heads::
* Inside the staff::
* Outside the staff::
@end menu
-@node Note heads
-@subsection Note heads
-
-@menu
-* Easy notation note heads::
-* Shape note heads::
-* Improvisation::
-* Special noteheads::
-@end menu
-
-@node Easy notation note heads
-@unnumberedsubsubsec Easy notation note heads
-
-@cindex note heads, practice
-@cindex note heads, easy notation
-@cindex easy notation
-@cindex Hal Leonard
-
-The @q{easy play} note head includes a note name inside the head.
-It is used in music for beginners
-
-@lilypond[quote,ragged-right,verbatim,fragment,staffsize=26]
- \setEasyHeads
- c'2 e'4 f' | g'1
-@end lilypond
-
-The command @code{\setEasyHeads} overrides settings for the
-@internalsref{NoteHead} object. To make the letters readable, it
-has to be printed in a large font size. To print with a larger
-font, see @ref{Setting the staff size}.
-
-@refcommands
-
-@funindex \setEasyHeads
-@code{\setEasyHeads}
-
-
-@node Shape note heads
-@unnumberedsubsubsec Shape note heads
-
-@cindex note heads, shape
-
-In shape note head notation, the shape of the note head
-corresponds to the harmonic function of a note in the scale. This
-notation was popular in the 19th century American song books.
-
-Shape note heads can be produced by setting @code{\aikenHeads} or
-@code{\sacredHarpHeads}, depending on the style desired.
-
-@lilypond[verbatim,relative=1,fragment]
- \aikenHeads
- c8 d4 e8 a2 g1
- \sacredHarpHeads
- c8 d4. e8 a2 g1
-@end lilypond
-
-Shapes are determined on the step in the scale, where the base of
-the scale is determined by the @code{\key} command
-
-@funindex \key
-@funindex shapeNoteStyles
-@funindex \aikenHeads
-@funindex \sacredHarpHeads
-
-Shape note heads are implemented through the
-@code{shapeNoteStyles} property. Its value is a vector of
-symbols. The k-th element indicates the style to use for the k-th
-step of the scale. Arbitrary combinations are possible, e.g.
-
-@lilypond[verbatim,relative=1,fragment]
-\set shapeNoteStyles =
- ##(cross triangle fa #f mensural xcircle diamond)
-c8 d4. e8 a2 g1
-@end lilypond
-
-
-@node Improvisation
-@unnumberedsubsubsec Improvisation
-
-Improvisation is sometimes denoted with slashed note heads. Such
-note heads can be created by adding a
-@internalsref{Pitch_squash_engraver} to the @internalsref{Voice}
-context. Then, the following command
-
-@example
-\set squashedPosition = #0
-\override NoteHead #'style = #'slash
-@end example
-
-@noindent
-switches on the slashes.
-
-There are shortcuts @code{\improvisationOn} (and an accompanying
-@code{\improvisationOff}) for this command sequence. They are
-used in the following example
-
-@lilypond[verbatim,ragged-right,quote]
-\new Voice \with {
- \consists Pitch_squash_engraver
-} \transpose c c' {
- e8 e g a a16(bes)(a8) g \improvisationOn
- e8
- ~e2~e8 f4 fis8
- ~fis2 \improvisationOff a16(bes) a8 g e
-}
-@end lilypond
-
-
-@node Special noteheads
-@unnumberedsubsubsec Special noteheads
-
-@cindex note heads, special
-
-Different noteheads are used by various instruments for various
-meanings -- crosses are used for @q{parlato} with vocalists,
-stopped notes on guitar; diamonds are used for harmonics on string
-instruments, etc. There is a shorthand (@code{\harmonic}) for
-diamond shapes; the other notehead styles are produced by tweaking
-the property
-
-@lilypond[ragged-right,relative=1,fragment,verbatim,quote]
-c4 d
-\override NoteHead #'style = #'cross
-e f
-\revert NoteHead #'style
-e d <c f\harmonic> <d a'\harmonic>
-@end lilypond
-
-@noindent
-To see all notehead styles, please see @ref{Note head styles}.
-
-
-@seealso
-
-Program reference: @internalsref{NoteHead}.
-
-
-
@node Inside the staff
@subsection Inside the staff
* Hidden notes::
* Coloring objects::
* Parentheses::
-* Ambitus::
* Stems::
@end menu
@seealso
-Program reference: @internalsref{Fingering}.
+Internals Reference: @internalsref{Fingering}.
Examples: @lsr{expressive,fingering-chords.ly}
@end lilypond
+TODO
+you can get exact RGB colors by specifying
+
+% black
+\override Stem #'color = #(rgb-color 0 0 0)
+% white
+\override Stem #'color = #(rgb-color 1 1 1)
+% dark blue
+\override Stem #'color = #(rgb-color 0 0 0.5)
+
+
@seealso
Appendix: @ref{List of colors}.
>4-\parenthesize -.
@end lilypond
-This only functions inside chords, even for single notes
+This only functions inside chords, to parenthesize a single note it
+must be enclosed with @code{<>} as if it is a chord.
@example
< \parenthesize NOTE>
@end example
-@node Ambitus
-@unnumberedsubsubsec Ambitus
-@cindex ambitus
-
-The term @emph{ambitus} denotes a range of pitches for a given
-voice in a part of music. It may also denote the pitch range that
-a musical instrument is capable of playing. Ambits are printed on
-vocal parts, so performers can easily determine it meets their
-capabilities.
-
-Ambits are denoted at the beginning of a piece near the initial
-clef. The range is graphically specified by two note heads that
-represent the minimum and maximum pitch. To print such ambits,
-add the @internalsref{Ambitus_engraver} to the
-@internalsref{Voice} context, for example,
-
-@example
-\layout @{
- \context @{
- \Voice
- \consists Ambitus_engraver
- @}
-@}
-@end example
-
-This results in the following output
-
-@lilypond[quote,ragged-right]
-\layout {
- \context {
- \Staff
- \consists Ambitus_engraver
- }
-}
-
-\relative \new Staff {
- as'' c e2 cis,2
-}
-@end lilypond
-
-If you have multiple voices in a single staff and you want a
-single ambitus per staff rather than per each voice, add the
-@internalsref{Ambitus_engraver} to the @internalsref{Staff}
-context rather than to the @internalsref{Voice} context. Here is
-an example,
-
-@lilypond[verbatim,ragged-right,quote]
-\new Staff \with {
- \consists "Ambitus_engraver"
-}
-<<
- \new Voice \with {
- \remove "Ambitus_engraver"
- } \relative c'' {
- \override Ambitus #'X-offset = #-1.0
- \voiceOne
- c4 a d e f2
- }
- \new Voice \with {
- \remove "Ambitus_engraver"
- } \relative c' {
- \voiceTwo
- es4 f g as b2
- }
->>
-@end lilypond
-
-@noindent
-This example uses one advanced feature,
-
-@example
-\override Ambitus #'X-offset = #-1.0
-@end example
-
-@noindent
-This code moves the ambitus to the left. The same effect could
-have been achieved with @code{extra-offset}, but then the
-formatting system would not reserve space for the moved object.
-
-@seealso
-
-Program reference: @internalsref{Ambitus},
-@internalsref{AmbitusLine}, @internalsref{AmbitusNoteHead},
-@internalsref{AmbitusAccidental}.
-
-Examples:
-@lsr{vocal,ambitus@/.ly}.
-
-@refbugs
-
-There is no collision handling in the case of multiple per-voice
-ambitus.
-
-
@node Stems
@unnumberedsubsubsec Stems
@commonprop
-To change the direction of stems in the middle of the staff, use
+To change the direction of stems on the center line of the staff, use
@lilypond[quote,ragged-right,fragment,relative=2,verbatim]
a4 b c b
* Balloon help::
* Grid lines::
* Blank music sheet::
+* Analysis brackets::
@end menu
@node Balloon help
\new Voice \with { \consists "Balloon_engraver" }
{
\balloonGrobText #'Stem #'(3 . 4) \markup { "I'm a Stem" }
- <c-\balloonText #'(-2 . -2) \markup { Hello } >8
+ <f-\balloonText #'(-2 . -2) \markup { "I'm a note head" } >8
}
@end lilypond
@seealso
-Program reference: @internalsref{text-balloon-interface}.
+Internals Reference: @internalsref{text-balloon-interface}.
@node Grid lines
\new Score \with {
\consists "Grid_line_span_engraver"
- %% centers grid lines horizontally below noteheads
+ %% centers grid lines horizontally below note heads
\override NoteColumn #'X-offset = #-0.5
}
@end lilypond
+@node Analysis brackets
+@unnumberedsubsubsec Analysis brackets
+
+@cindex brackets
+@cindex phrasing brackets
+@cindex musicological analysis
+@cindex note grouping bracket
+
+Brackets are used in musical analysis to indicate structure in
+musical pieces. LilyPond supports a simple form of nested
+horizontal brackets. To use this, add the
+@internalsref{Horizontal_bracket_engraver} to the
+@internalsref{Staff} context. A bracket is started with
+@code{\startGroup} and closed with @code{\stopGroup}.
+
+@lilypond[quote,ragged-right,verbatim]
+\score {
+ \relative c'' {
+ c4\startGroup\startGroup
+ c4\stopGroup
+ c4\startGroup
+ c4\stopGroup\stopGroup
+ }
+ \layout {
+ \context {
+ \Staff \consists "Horizontal_bracket_engraver"
+}}}
+@end lilypond
+
+@seealso
+
+Internals Reference: @internalsref{HorizontalBracket}.
+
projects / lilypond.git / blobdiff