Chords entered using chord mode are music elements, and can be
transposed just like chords entered using simultaneous music.
+@code{\chordmode} is absolute, as @code{\relative} has no effect
+on @code{chordmode} blocks. However, in @code{\chordmode} the
+absolute pitches are one octave higher than in note mode.
Chord mode and note mode can be mixed in sequential music:
The table belows shows the actions of the quality modifiers on
triads and seventh chords. The default seventh step added to
chords is a minor or flatted seventh, which makes the dominant
-seventh the basic seventh chord. All alterations are relative to
+seventh the basic seventh chord. All alterations are relative to
the dominant seventh. A more complete table of modifier usage
is found at @ref{Common chord modifiers}.
@rlsr{Chords}.
@knownissues
-Only one quality modifier should be used per chord, typically on the
+Only one quality modifier should be used per chord, typically on the
highest step present in the chord. Chords with more than quality
modifier will be parsed without an error or warning, but the results
are unpredictable. Chords that cannot be achieved with a single