certain effect.
The controls available for tuning are described in a separate
-document, the @internalsref{Program reference} manual. This manual
+document, the @internalsref{Program reference} manual. That manual
lists all different variables, functions and options available in
LilyPond. It is written as a HTML document, which is available
@uref{http://lilypond.org/doc/Documentation/user/out-www/lilypond-internals/,on-line},
entered separately,
@verbatim
-music = \notes { c4 c4 }
-arts = \notes { s4-. s4-> }
+music = { c4 c4 }
+arts = { s4-. s4-> }
@end verbatim
They are combined by sending both to the same @context{Voice} context,
>>
@end verbatim
@lilypond[raggedright]
-music = \notes { c4 c4 }
-arts = \notes { s4-. s4-> }
-\score {
- \notes \relative c'' << \new Staff \context Voice = "A" \music
+music = { c4 c4 }
+arts = { s4-. s4-> }
+ \relative c'' << \new Staff \context Voice = "A" \music
\context Voice = "A" \arts
>>
-}
@end lilypond
@cindex @code{\context}
There is also an @code{\unset} command,
@quotation
- @code{\set }@var{context}@code{.}@var{prop}
+ @code{\unset }@var{context}@code{.}@var{prop}
@end quotation
@noindent
\context { \Staff
\accepts "ImproVoice"
}}
- \score { \notes \relative c'' {
+ { \relative c'' {
a4 d8 bes8 \new ImproVoice { c4^"ad lib" c
c4 c^"undress" c_"while playing :)" c }
a1
- }}
+ }
@end lilypond
Then the output at the start of this subsection can be entered as
@verbatim
-\score {
- \notes \relative c'' {
+\relative c'' {
a4 d8 bes8
\new ImproVoice {
c4^"ad lib" c
c4 c^"undress"
c c_"while playing :)"
}
- a1
- }
+ a1
}
@end verbatim
@itemize @bullet
@item @code{font-encoding}
-is a symbol that sets layout of the glyphs. Choices include
-@code{text} for normal text, @code{braces} (for piano staff braces),
-@code{music} (the standard music font, including ancient glyphs),
-@code{dynamic} (for dynamic signs) and @code{number} for the number
-font.
+is a symbol that sets layout of the glyphs. Choices include @code{ec}
+for @TeX{} EC font encoding, @code{fetaBraces} (for piano staff
+braces), @code{fetaMusic} (the standard music font, including ancient
+glyphs), @code{fetaDynamic} (for dynamic signs) and @code{fetaNumber}
+for the number font.
@item @code{font-family}
may be attached to notes, like
@verbatim
allegro = \markup { \bold \large { Allegro } }
-\notes { a^\allegro b c d }
+ { a^\allegro b c d }
@end verbatim
@menu
+* Text encoding::
* Overview of text markup commands::
@end menu
+@node Text encoding
+@subsection Text encoding
+
+Texts can be entered in different encodings. The encoding of the
+file can be set with @code{\encoding}.
+
+@example
+ \encoding "latin1"
+@end example
+
+This command may be placed anywhere in the input file. The current
+encoding is passed as an extra argument to @code{\markup} commands.
+
+If no @code{\encoding} has been specified, then the encoding is taken
+from the @code{\paper} block (or @code{\bookpaper}, if @code{\paper}
+does not specify encoding). The variable @code{inputencoding} may be
+set to a string or symbol specifying the encoding, eg.
+
+@verbatim
+ \paper {
+ inputencoding = "latin1"
+ }
+@end verbatim
+
+There is a special encoding, called @code{TeX}. This encoding does not
+reencode text for the font used. Rather, it tries to guess the width
+of @TeX{} commands, such as @code{\"}. Strings encoded with @code{TeX}
+are passed to the output back-end verbatim.
+
+@cindex encoding
+@cindex @code{\encoding}
+@cindex inputencoding
+@cindex @TeX{} commands in strings
+
+
+
+
@node Overview of text markup commands
@subsection Overview of text markup commands
c8 c4 c4 c4
@end lilypond
-Normally, @code{shortest-duration-space} is set to 1.2, which is the
+Normally, @code{spacing-increment} is set to 1.2, which is the
width of a note head, and @code{shortest-duration-space} is set to
-2.0, meaning that the shortest note gets 2 NHW (i.e. 2 times
-@code{shortest-duration-space}) of space. For normal notes, this space
-is always counted from the left edge of the symbol, so the shortest
-notes are generally followed by one NHW of space.
+2.0, meaning that the shortest note gets 2 NHW of space. For normal
+notes, this space is always counted from the left edge of the symbol, so
+the shortest notes are generally followed by one NHW of space.
If one would follow the above procedure exactly, then adding a single
32th note to a score that uses 8th and 16th notes, would widen up the
shows these corrections, once with default settings, and once with
exaggerated corrections:
-@lilypond
- \score { \notes {
+@lilypond[raggedright]
+{
c'4 e''4 e'4 b'4 |
b'4 e''4 b'4 e''4|
\override Staff.NoteSpacing #'stem-spacing-correction = #1.5
\override Staff.StaffSpacing #'stem-spacing-correction = #1.5
c'4 e''4 e'4 b'4 |
b'4 e''4 b'4 e''4|
- }
- \paper { raggedright = ##t } }
+}
@end lilypond
@cindex SpacingSpanner, overriding properties
different styles.
-
+@cindex \bookpaper
@cindex header
@cindex footer
@cindex page layout
The default layout responds to the following settings in the
@code{\bookpaper} block
+@cindex \bookpaper
@table @code
@item hsize
The width of the page
@item vsize
The height of the page
-@item top-margin
+@item topmargin
Margin between header and top of the page
-@item bottom-margin
+@item bottommargin
Margin between footer and bottom of the page
-@item head-sep
+@item leftmargin
+ Margin between the left side of the page and the beginning of the music.
+@item linewidth
+ The length of the paper line.
+@item headsep
Distance between top-most music system and the page header
-@item foot-sep
+@item footsep
Distance between bottom-most music system and the page footer
@item raggedbottom
If set to true, systems will not be spread across the page.
If set to true, systems will not be spread to fill the last page.
@end table
+@example
+ \bookpaper@{
+ hsize = 2\cm
+ topmargin = 3\cm
+ bottommargin = 3\cm
+ raggedlastbottom = ##t
+ @}
+@end example
+
+You can also define these values in scheme. In that case @code{mm},
+@code{in}, @code{pt} and @code{cm} are variables defined in
+@file{book-paper-defaults.ly} with values in millimeters. That's why the
+value has to be multiplied in the example above.
+
+@example
+ \bookpaper@{
+ #(define bottommargin (* 2 cm))
+ @}
+@end example
+
+
+@refbugs
+
+The option rightmargin is defined but doesn't set the right margin
+yet. The value for the right margin has to be defined adjusting the
+values of the leftmargin and linewidth.
+
The default page header puts the page number and the @code{instrument}
field from the @code{\header} block on a line.
+
+
+
@cindex copyright
@cindex tagline
and @code{make-header}, defined in @code{\bookpaper}. The default
implementations are in @file{scm/page-layout.scm}.
+The following settings influence the header and footer layout.
+
+@table @code
+@item printpagenumber
+ this boolean controls whether a pagenumber is printed.
+@end table
+
+
+
The page layout itself is done by two functions:
@code{page-music-height} and @code{page-make-stencil}. The former
tells the line-breaking algorithm how much space can be spent on a
projects / lilypond.git / blobdiff