Merge branch 'master' of carldsorensen@git.sv.gnu.org:/srv/git/lilypond into ralph

[lilypond.git] / Documentation / user / changing-defaults.itely

diff --git a/Documentation/user/changing-defaults.itely b/Documentation/user/changing-defaults.itely
index edc5545759820ff4d39e2a623eac8a5a3117267e..1e78fe338395e74f986be73876599f4db5698d25 100644 (file)
--- a/Documentation/user/changing-defaults.itely
+++ b/Documentation/user/changing-defaults.itely
@@ -7,7 +7,7 @@
     version that you are working on.  See TRANSLATION for details.
 @end ignore
 
-@c \version "2.11.65"
+@c \version "2.12.0"
 
 @node Changing defaults
 @chapter Changing defaults
@@ -63,8 +63,8 @@ This section describes what contexts are, and how to modify them.
 * Aligning contexts::
 @end menu
 
-@seealso
 
+@seealso
 Learning Manual:
 @rlearning{Contexts and engravers}.
 
@@ -766,7 +766,7 @@ ossia = { f4 f f f }
   \relative c' \new Staff = "main" {
     c4 c c c
     <<
-      \new Staff \with {alignAboveContext=main} \ossia
+      \new Staff \with { alignAboveContext = #"main" } \ossia
       { d8 f d f d f d f }
     >>
   }
@@ -1260,7 +1260,6 @@ such as
 
 
 @seealso
-
 Internals: @rinternals{OverrideProperty}, @rinternals{RevertProperty},
 @rinternals{PropertySet}, @rinternals{Backend}, and
 @rinternals{All layout objects}.
@@ -1557,14 +1556,15 @@ including any automatically inserted elements, may be examined,
 see @ref{Displaying music expressions}.  This may be helpful in
 determining what may be modified by a @code{\tweak} command.
 
-@seealso
 
+@seealso
 Learning Manual:
 @rlearning{Tweaking methods}.
 
 Notation Reference:
 @ref{Displaying music expressions}.
 
+
 @knownissues
 
 @cindex tweaks in a variable
@@ -1886,8 +1886,8 @@ convert from a font size change to the equivalent change in
 @code{staff-space}.  For an explanation and an example of its use,
 see @rlearning{Length and thickness of objects}.
 
-@seealso
 
+@seealso
 Learning Manual:
 @rlearning{Length and thickness of objects}.
 
@@ -2223,9 +2223,7 @@ When using @code{\endSpanners} it is not necessary to close
 hairpins with @code{\!}.
 
 
-
 @seealso
-
 Internals Reference: @rinternals{TextSpanner},
 @rinternals{Glissando}, @rinternals{VoiceFollower},
 @rinternals{TrillSpanner},
@@ -2697,8 +2695,8 @@ appearance of the printed score.
 * Modifying shapes::
 @end menu
 
-@seealso
 
+@seealso
 Learning Manual:
 @rlearning{Tweaking output},
 @rlearning{Other sources of information}.
@@ -2717,6 +2715,7 @@ Snippets:
 Internals Reference:
 @rinternals{All layout objects}.
 
+
 @node Aligning objects
 @subsection Aligning objects
 
@@ -2762,7 +2761,7 @@ marks on such objects.
 * Setting @code{X-offset} and @code{Y-offset} directly::
 * Using the @code{side-position-interface}::
 * Using the @code{self-alignment-interface}::
-* Using the @code{break-aligned-interface}::
+* Using the @code{break-alignable-interface}::
 @end menu
 
 @node Setting @code{X-offset} and @code{Y-offset} directly
@@ -2929,17 +2928,20 @@ example shows the difference:
 
 @c TODO The align-interface, BassFigureAlignment and VerticalAlignment
 
-@node Using the @code{break-aligned-interface}
-@unnumberedsubsubsec Using the @code{break-aligned-interface}
+@node Using the @code{break-alignable-interface}
+@unnumberedsubsubsec Using the @code{break-alignable-interface}
+
+@cindex align to objects
+@cindex break-align-symbols
 
-Rehearsal marks may be aligned with notation objects other
-than bar lines.  These objects include @code{ambitus},
+Rehearsal marks and bar numbers may be aligned with notation
+objects other than bar lines.  These objects include @code{ambitus},
 @code{breathing-sign}, @code{clef}, @code{custos}, @code{staff-bar},
 @code{left-edge}, @code{key-cancellation}, @code{key-signature}, and
 @code{time-signature}.
 
-By default, rehearsal marks will be horizontally centered above the
-object:
+By default, rehearsal marks and bar numbers will be horizontally
+centered above the object:
 
 @lilypond[verbatim,quote,relative=1]
 e1
@@ -2958,6 +2960,32 @@ e
 e2.
 @end lilypond
 
+A list of possible target alignment objects may be specified.  If
+some of the objects are invisible at that point due to the setting
+of @code{break-visibility} or the explicit visibility settings for
+keys and clefs, the rehearsal mark or bar number is aligned to the
+first object in the list which is visible.  If no objects in the
+list are visible the object is aligned to the bar line.  If the bar
+line is invisible the object is aligned to the place where the bar
+line would be.
+
+@lilypond[verbatim,quote,relative=1]
+e1
+% the RehearsalMark will be centered above the Key Signature
+\override Score.RehearsalMark #'break-align-symbols = #'(key-signature clef)
+\key a \major
+\clef treble
+\mark "↓"
+e
+% the RehearsalMark will be centered above the Clef
+\set Staff.explicitKeySignatureVisibility = #all-invisible
+\override Score.RehearsalMark #'break-align-symbols = #'(key-signature clef)
+\key a \minor
+\clef bass
+\mark "↓"
+e,
+@end lilypond
+
 The alignment of the rehearsal mark relative to the notation object
 can be changed, as shown in the following example.  In a score with
 multiple staves, this setting should be done for all the staves.
@@ -3002,7 +3030,6 @@ e
 @end lilypond
 
 
-
 @node Vertical grouping of grobs
 @subsection Vertical grouping of grobs
 
@@ -3063,8 +3090,8 @@ Any of the glyphs in the feta Font can be supplied to the
 
 @c TODO Add inserting Postscript or ref to later
 
-@seealso
 
+@seealso
 Notation Reference:
 @ref{Graphic notation inside markup},
 @ref{Formatting text},