*** empty log message ***

[lilypond.git] / Documentation / user / basic-notation.itely

diff --git a/Documentation/user/basic-notation.itely b/Documentation/user/basic-notation.itely
index 024df7cb6195edb2a338f378daceb8decbc20a38..ee27fdbcdf6be98203e6c9989eee3491fd2769f4 100644 (file)
--- a/Documentation/user/basic-notation.itely
+++ b/Documentation/user/basic-notation.itely
@@ -108,6 +108,7 @@ ces
 c
 cis
 cisis
+bes dis, eeses' ais,
 @end lilypond
 
 There are predefined sets of note names for various other languages.
@@ -650,7 +651,7 @@ the @code{d} will generate a warning, because a @code{d''} is expected
 found.  In the output, the octave is corrected to be a @code{d''} and
 the next note is calculated relative to @code{d''} instead of @code{d'}.
 
-There is also a syntax that is separate from the notes.  The syntax
+There is also an octave check that produces no visible output.  The syntax
 
 @example
 \octave @var{pitch}
@@ -658,7 +659,7 @@ There is also a syntax that is separate from the notes.  The syntax
 
 This checks that @var{pitch} (without quotes) yields @var{pitch} (with
 quotes) in \relative mode.  If not, a warning is printed, and the
-octave is corrected.
+octave is corrected.  The @var{pitch} is not printed as a note.
 
 In the example below, the first check passes without incident, since
 the @code{e} (in relative mode) is within a fifth of @code{a'}.  However,
@@ -859,6 +860,10 @@ Skipping parts of a score can be controlled in a more fine-grained
 fashing with the property @code{Score.skipTypesetting}.  When it is
 set, no typesetting is performed at all.
 
+This property is also used to control output to the MIDI file. Note that
+it skips all events, including tempo and instrument changes. You have
+been warned.
+
 @lilypond[quote,fragment,ragged-right,verbatim]
 \relative c'' {
   c8 d
@@ -921,7 +926,7 @@ Program reference: @internalsref{Completion_heads_engraver}.
 
 Music for multiple parts can be interleaved
 
-@lilypond[quote,fragment,verbatim,relative=1]
+@lilypond[quote,fragment,verbatim]
 \parallelMusic #'(voiceA voiceB) {
   r8     g'16[ c''] e''[ g' c'' e''] r8     g'16[ c''] e''[ g' c'' e''] |
   c'2                                c'2                                |
@@ -1541,6 +1546,16 @@ automatic note splitting (see @ref{Automatic note splitting}).  This
 mechanism automatically splits long notes, and ties them across bar
 lines.
 
+When a second alternative of a repeat starts with a tied note, you
+have to repeat the tie. This can be achieved with @code{\repeatTie},
+eg.
+
+@lilypond[fragment,quote,ragged-right,relative=2]
+r <c e g>\repeatTie
+@end lilypond
+
+@cindex repeating ties
+@cindex volta brackets and ties
 
 @commonprop
 
@@ -2351,10 +2366,9 @@ Long running trills are made with @code{\startTrillSpan} and
 Trills that should be executed on an explicitly specified pitch can be
 typeset with the command @code{pitchedTrill}, 
 
-@c  if bug fixed, remove ! in f1   --gp
 @lilypond[ragged-right,verbatim,fragment,relative=1]
 \pitchedTrill c4\startTrillSpan fis
-f!\stopTrillSpan
+f\stopTrillSpan
 @end lilypond
 
 The first argument is the main note.  The pitch of the second