* Octave check::
* Transpose::
* Bar check::
+* Barnumber check::
* Skipping corrected music::
* Automatic note splitting::
@end menu
@end lilypond
+@node Barnumber check
+@subsection Barnumber check
+
+When copying large pieces of music, it can be helpful to check that
+the LilyPond bar number corresponds to the original that you are
+entering from. This can be checked with @code{\barNumberCheck}, for
+example,
+
+@verbatim
+\barNumberCheck #123
+@end verbatim
+
+@noindent
+will print a warning if the @code{currentBarNumber} is not 123 when it
+is processed.
+
+
@node Skipping corrected music
@subsection Skipping corrected music
+
@cindex @code{skipTypesetting}
+@cindex @code{showLastLength}
+
+When entering or copying music, only the music near the end (where you
+are adding notes) is interesting to view and correct. To speed up
+this correction process, it is possible to skip typesetting of all but
+the last few measures. This is achieved by putting
+
+@verbatim
+showLastLength = R1*5
+\score { ... }
+@end verbatim
+
+@noindent
+in your source file. This will render only the last 5 measures
+(assuming 4/4 time signature) of every @code{\score} in the input
+file. For longer pieces, rendering only a small part is often an order
+of magnitude quicker than rendering it completely
-The property @code{Score.skipTypesetting} can be used to switch on and
-off typesetting completely during the interpretation phase. When
-typesetting is switched off, the music is processed much more
-quickly. This can be used to skip over the parts of a score that
-have already been checked for errors
+Skipping parts of a score can be controlled in a more fine-grained
+fashing with the property @code{Score.skipTypesetting}. When it is
+set, no typesetting is performed at all.
@lilypond[quote,fragment,raggedright,verbatim]
\relative c'' {
@seealso
-Program reference: @internalsref{TimeSignature}, and @internalsref{Timing_engraver}.
+Program reference: @internalsref{TimeSignature}, and @internalsref{Timing_translator}.
@refbugs