@seealso
-This manual: @ref{Tuplets}
+This manual: @ref{Tuplets}.
@node Bar check
Accidentals and key signatures often confuse new users, because
unaltered notes get natural signs depending on the key signature. For
-more information, see @ref{Accidentals} or @ref{Accidentals and key signatures}.
+more information, see @ref{Accidentals}, or @ref{Accidentals and key signatures}.
@lilypond[quote,ragged-right,verbatim,relative=2,fragment]
\key g \major
@end lilypond
There are many more options for its layout. See @ref{Ancient time
-signatures} for more examples.
+signatures}, for more examples.
@code{\time} sets the property @code{timeSignatureFraction},
@code{beatLength} and @code{measureLength} in the @code{Timing}
In scores with many staves, a @code{\bar} command in one staff is
automatically applied to all staves. The resulting bar lines are
connected between different staves of a @code{StaffGroup},
-@code{PianoStaff}, or @code{ChoirStaff}.
+@code{PianoStaff}, or @code{GrandStaff}.
@lilypond[quote,ragged-right,fragment,verbatim]
<<
When these automatic decisions are not good enough, beaming can be
entered explicitly. It is also possible to define beaming patterns
-that differ from the defaults. See @ref{Setting automatic beam behavior}
+that differ from the defaults. See @ref{Setting automatic beam behavior},
for details.
Individual notes may be marked with @code{\noBeam} to prevent them
@refbugs
Kneed beams are inserted automatically when a large gap is detected
-between the note heads.
+between the note heads. This behavior can be tuned through the
+@code{auto-knee-gap} object.
Automatically kneed cross-staff beams cannot be used together with
hidden staves. See @ref{Hiding staves}.
@code{afterGraceFraction}, ie.
@example
-afterGraceFraction = #(cons 7 8)
+#(define afterGraceFraction (cons 7 8))
@end example
@noindent
In the following example, the first ending is not a complete
bar (it only had 3 beats). The beginning of the second ending
-contains the 4th beat from the first ending. This @q{extra}
-beat in the second ending is due to the first time ending,
+contains the 4th beat from the first ending. This @q{extra} beat
+in the second ending is due to the first time ending,
and has nothing to do with the @code{\partial} at the
beginning of the example.