-@node Refman appendix
-@appendix Refman appendix
+@node Reference manual details
+@appendix Reference manual details
@menu
-* Lyrics mode definition::
-* American Chords ::
-* Jazz chords::
-* MIDI instruments::
+* Chord name chart::
+* MIDI instruments::
* The Feta font::
+* Scheme functions::
+* Layout property overview::
+* Context property overview::
+* Literature list::
@end menu
-@node Lyrics mode definition
-@section Lyrics mode definition
-
-The definition of lyrics mode is ludicrous, and this will remain so
-until the authors of LilyPond acquire a deeper understanding of
-character encoding, or someone else steps up to fix this.
-
-
-A word in Lyrics mode begins with: an alphabetic character, @code{_},
-@code{?}, @code{!}, @code{:}, @code{'}, the control characters @code{^A}
-through @code{^F}, @code{^Q} through @code{^W}, @code{^Y}, @code{^^},
-any 8-bit character with ASCII code over 127, or a two-character
-combination of a backslash followed by one of @code{`}, @code{'},
-@code{"}, or @code{^}.
-
-Subsequent characters of a word can be any character that is not a digit
-and not white space. One important consequence of this is that a word
-can end with `@code{@}}', which may be confusing. However, LilyPond will
-issue a warning. Any @code{_} character which appears in an unquoted
-word is converted to a space. This provides a mechanism for introducing
-spaces into words without using quotes. Quoted words can also be used
-in Lyrics mode to specify words that cannot be written with the above
-rules.
-
-
-@node American Chords
-@section American Chords
-
-
-@quotation
-@lilypond[verbatim]
-\include "english.ly"
-
-scheme = \chords {
- c % Major triad
- cs:m % Minor triad
- df:m5- % Diminished triad
- c:5^3 % Root-fifth chord
- c:4^3 % Suspended fourth triad
- c:5+ % Augmented triad
- c:2^3 % "2" chord
- c:m5-.7- % Diminished seventh
- c:7+ % Major seventh
- c:7.4^3 % Dominant seventh suspended fourth
- c:5+.7 % Augmented dominant seventh
- c:m5-.7 % "Half" diminished seventh
- c:5-.7 % Dominant seventh flat fifth
- c:5-.7+ % Major seventh flat fifth
- c:m7+ % Minor-major seventh
- c:m7 % Minor seventh
- c:7 % Dominant seventh
- c:6 % Major sixth
- c:m6 % Minor sixth
- c:9^7 % Major triad w/added ninth
- c:6.9^7 % Six/Nine chord
- c:9 % Dominant ninth
- c:7+.9 % Major ninth
- c:m7.9 % Minor ninth
-}
-
-\score {
- \notes <
- \context ChordNames \scheme
- \context Staff \transpose c'' \scheme
- >
- \paper {
- \translator {
- \ChordNamesContext
- ChordName \override #'word-space = #1
- ChordName \override #'style = #'american
- }
- }
-}
-@end lilypond
-@end quotation
-
-@node Jazz chords
-@section Jazz chords
-
-Similarly, Jazz style chord names are implemented as a variation on
-American style names:
-@quotation
-@lilypond[verbatim]
-scheme = \chords {
- % major chords
- c
- c:6 % 6 = major triad with added sixth
- c:maj % triangle = maj
- c:6.9^7 % 6/9
- c:9^7 % add9
-
- % minor chords
- c:m % m = minor triad
- c:m.6 % m6 = minor triad with added sixth
- c:m.7+ % m triangle = minor major seventh chord
- c:3-.6.9^7 % m6/9
- c:m.7 % m7
- c:3-.9 % m9
- c:3-.9^7 % madd9
-
- % dominant chords
- c:7 % 7 = dominant
- c:7.5+ % +7 = augmented dominant
- c:7.5- % 7b5 = hard diminished dominant
- c:9 % 7(9)
- c:9- % 7(b9)
- c:9+ % 7(#9)
- c:13^9.11 % 7(13)
- c:13-^9.11 % 7(b13)
- c:13^11 % 7(9,13)
- c:13.9-^11 % 7(b9,13)
- c:13.9+^11 % 7(#9,13)
- c:13-^11 % 7(9,b13)
- c:13-.9-^11 % 7(b9,b13)
- c:13-.9+^11 % 7(#9,b13)
-
- % half diminished chords
- c:m5-.7 % slashed o = m7b5
- c:9.3-.5- % o/7(pure 9)
-
- % diminished chords
- c:m5-.7- % o = diminished seventh chord
-}
-
-\score {
- \notes <
- \context ChordNames \scheme
- \context Staff \transpose c'' \scheme
- >
- \paper {
- \translator {
- \ChordNamesContext
- ChordName \override #'word-space = #1
- ChordName \override #'style = #'jazz
- }
- }
-}
-@end lilypond
-@end quotation
-
-@c [barnumbers look silly, fixme.]
+@node Chord name chart
+@section Chord name chart
+
+@lilypondfile{chord-names-jazz.ly}
@node MIDI instruments
@section MIDI instruments
"guitar harmonics" "recorder" "melodic tom"
"acoustic bass" "pan flute" "synth drum"
"electric bass (finger)" "blown bottle" "reverse cymbal"
-"electric bass (pick)" "skakuhachi" "guitar fret noise"
+"electric bass (pick)" "shakuhachi" "guitar fret noise"
"fretless bass" "whistle" "breath noise"
"slap bass 1" "ocarina" "seashore"
"slap bass 2" "lead 1 (square)" "bird tweet"
@section The Feta font
The following symbols are available in the Feta font and may be
accessed directly using text markup such as
-@code{g^#'(music "scripts-segno")}, see @ref{Text markup}.
+@code{g^\markup @{ \musicglyph #"scripts-segno" @}}, see @ref{Text markup}.
+
+
+@lilypondfile[noindent]{feta16list.ly}
+
+
+@lilypondfile[noindent]{parmesan16list.ly}
+
+
+@include scheme-functions.tely
+
+@include context-properties.tely
-@lilypondfile{feta16list.ly}
+@include layout-properties.tely
+@include literature.itely
projects / lilypond.git / blobdiff