Add terms to glossary.

[lilypond.git] / Documentation / user / ancient.itely

diff --git a/Documentation/user/ancient.itely b/Documentation/user/ancient.itely
index 357f1b082bbf5e3e0b9bd802b77165ada860667d..c75162e9d4d5dec1f74885fea3ae1a8ab79923c0 100644 (file)
--- a/Documentation/user/ancient.itely
+++ b/Documentation/user/ancient.itely
@@ -1,4 +1,10 @@
 @c -*- coding: utf-8; mode: texinfo; -*-
+@ignore
+    Translation of GIT committish: FILL-IN-HEAD-COMMITTISH
+
+    When revising a translation, copy the HEAD committish of the
+    version that you are working on.  See TRANSLATION for details.
+@end ignore
 
 @node Ancient notation
 @section Ancient notation
@@ -80,6 +86,15 @@ up during the baroque period.
 
 Here are all subtopics at a glance:
 
+@menu
+* Ancient TODO::                
+@end menu
+
+@node Ancient TODO
+@subsection Ancient TODO
+
+
+
 @menu
 * Ancient note heads::          
 * Ancient accidentals::         
@@ -99,9 +114,7 @@ Here are all subtopics at a glance:
 * Figured bass::                
 @end menu
 
-
-
-@anchor{Ancient note heads}
+@node Ancient note heads
 @unnumberedsubsubsec Ancient note heads
 
 @cindex note heads, ancient
@@ -143,7 +156,7 @@ engravers work.
 @ref{Note head styles}, gives an overview over all available note head styles.
 
 
-@anchor{Ancient accidentals}
+@node Ancient accidentals
 @unnumberedsubsubsec Ancient accidentals
 
 @cindex accidentals
@@ -212,7 +225,7 @@ Program reference: @internalsref{KeySignature}.
 
 Examples: @lsrdir{ancient}
 
-@anchor{Ancient rests}
+@node Ancient rests
 @unnumberedsubsubsec Ancient rests
 
 @cindex rests, ancient
@@ -248,7 +261,7 @@ In this manual: @ref{Rests}, gives a general introduction into the use of
 rests.
 
 
-@anchor{Ancient clefs}
+@node Ancient clefs
 @unnumberedsubsubsec Ancient clefs
 
 @cindex clefs
@@ -487,7 +500,7 @@ The mensural g clef is mapped to the Petrucci g clef.
 
 
 
-@anchor{Ancient flags}
+@node Ancient flags
 @unnumberedsubsubsec Ancient flags
 
 @cindex flags
@@ -525,7 +538,7 @@ staff lines.  This may not always be true when using advanced layout
 features of classical notation (which however are typically out of
 scope for mensural notation).
 
-@anchor{Ancient time signatures}
+@node Ancient time signatures
 @unnumberedsubsubsec Ancient time signatures
 
 @cindex time signatures
@@ -638,7 +651,7 @@ This sets @code{breveTP} to 3/2 times 2 = 3 times a whole note.
 The @code{old6/8alt} symbol (an alternate symbol for 6/8) is not
 addressable with @code{\time}.  Use a @code{\markup} instead
 
-@anchor{Ancient articulations}
+@node Ancient articulations
 @unnumberedsubsubsec Ancient articulations
 
 @cindex articulations
@@ -672,7 +685,7 @@ corresponding note heads.
 The episem line is not displayed in many cases.  If it is displayed,
 the right end of the episem line is often too far to the right.
 
-@anchor{Custodes}
+@node Custodes
 @unnumberedsubsubsec Custodes
 
 @cindex custos
@@ -752,7 +765,7 @@ Examples:
 @lsr{ancient,custodes@/.ly}.
 
 
-@anchor{Divisiones}
+@node Divisiones
 @unnumberedsubsubsec Divisiones
 
 @cindex divisio
@@ -803,7 +816,7 @@ Program reference: @internalsref{BreathingSign}.
 Examples: @lsr{expressive,breathing-sign.ly}.
 
 
-@anchor{Ligatures}
+@node Ligatures
 @unnumberedsubsubsec Ligatures
 
 @cindex Ligatures
@@ -861,7 +874,7 @@ with the same effect and is believed to be stable.
 * Gregorian square neumes ligatures::  
 @end menu
 
-@anchor{White mensural ligatures}
+@node White mensural ligatures
 @unnumberedsubsubsec White mensural ligatures
 
 @cindex Mensural ligatures
@@ -950,7 +963,7 @@ to the following
 
 Horizontal spacing is poor.
 
-@anchor{Gregorian square neumes ligatures}
+@node Gregorian square neumes ligatures
 @unnumberedsubsubsec Gregorian square neumes ligatures
 
 @cindex Square neumes ligatures
@@ -988,7 +1001,7 @@ Deminutae}
 @c Therefore, it should somehow be included rather than duplicated all
 @c the time. --jr
 
-@c why not make identifiers in ly/engraver-init.ly? --hwn
+@c why not make variables in ly/engraver-init.ly? --hwn
 
 @c Because it's just used to typeset plain notes without
 @c a staff for demonstration purposes rather than something
@@ -1902,7 +1915,7 @@ of the staff.
 unary music function, such that @code{\augmentum} can be intermixed
 with head prefixes in arbitrary order.
 
-@anchor{Gregorian Chant contexts}
+@node Gregorian Chant contexts
 @unnumberedsubsubsec Gregorian Chant contexts
 
 @cindex VaticanaVoiceContext
@@ -1936,7 +1949,7 @@ the following excerpt demonstrates
 @end lilypond
 
 
-@anchor{Mensural contexts}
+@node Mensural contexts
 @unnumberedsubsubsec Mensural contexts
 
 @cindex MensuralVoiceContext
@@ -1968,12 +1981,12 @@ entering the chant, as the following excerpt demonstrates
 }
 @end lilypond
 
-@anchor{Musica ficta accidentals}
+@node Musica ficta accidentals
 @unnumberedsubsubsec Musica ficta accidentals
 
 In European music from before about 1600, singers were often expected
-to chromatically alter notes at their own initiative. This is called
-@q{Musica Ficta}. In modern transcriptions, these accidentals are
+to chromatically alter notes at their own initiative.  This is called
+@q{Musica Ficta}.  In modern transcriptions, these accidentals are
 usually printed over the note.
 
 @cindex Accidental, musica ficta
@@ -1995,7 +2008,7 @@ ais bis
 Program reference: @internalsref{Accidental_engraver} engraver and the
 @internalsref{AccidentalSuggestion} object.
 
-@anchor{Figured bass}
+@node Figured bass
 @unnumberedsubsubsec Figured bass
 
 @cindex Basso continuo
@@ -2043,7 +2056,7 @@ diminished fifths and sevenths can be obtained with @code{5/} and @code{7/}.
 @end lilypond
 
 Spaces may be inserted by using @code{_}.  Brackets are
-introduced with @code{[} and @code{]}. You can also include text
+introduced with @code{[} and @code{]}.  You can also include text
 strings and text markups, see @ref{Overview of text markup commands}.
 
 @example
@@ -2074,7 +2087,7 @@ It is also possible to use continuation lines for repeated figures,
 In this case, the extender lines always replace existing figures.
 
 The @code{FiguredBass} context doesn't pay attention to the actual
-bass line. As a consequence, you may have to insert extra figures to
+bass line.  As a consequence, you may have to insert extra figures to
 get extender lines below all notes, and you may have to add @code{\!}
 to avoid getting an extender line, e.g.
 
@@ -2093,8 +2106,8 @@ to avoid getting an extender line, e.g.
 @end lilypond
 
 When using continuation lines, common figures are always put in the
-same vertical position. When this is unwanted, you can insert a rest
-with @code{r}. The rest will clear any previous alignment.  For
+same vertical position.  When this is unwanted, you can insert a rest
+with @code{r}.  The rest will clear any previous alignment.  For
 example, you can write
 
 @example