Doc-fr: Learning Manual full update

[lilypond.git] / Documentation / user / ancient.itely

diff --git a/Documentation/user/ancient.itely b/Documentation/user/ancient.itely
index 6ade2a71ee599674fda2d170663180cfff7b47b2..c6ae58e19ba9c5786e65fc6fb581d24164918cee 100644 (file)
--- a/Documentation/user/ancient.itely
+++ b/Documentation/user/ancient.itely
@@ -7,7 +7,7 @@
     version that you are working on.  See TRANSLATION for details.
 @end ignore
 
-@c \version "2.11.61"
+@c \version "2.12.0"
 
 @node Ancient notation
 @section Ancient notation
@@ -71,7 +71,7 @@ Three styles are available for typesetting Gregorian chant:
 @item @emph{Editio Vaticana} is a complete style for
 Gregorian chant, following the appearance of the Solesmes
 editions, the official chant books of the Vatican since 1904.
-Lilypond has support for all the notational signs used in this
+LilyPond has support for all the notational signs used in this
 style, including ligatures, @emph{custodes}, and special signs
 such as the quilisma and the oriscus.
 
@@ -728,7 +728,7 @@ There are no 32th and 64th rests specifically for the mensural or
 neo-mensural style.  Instead, the rests from the default style will be
 taken.
 
-See @rlsr{Pitches,rests} for a chart of all rests.
+See @rlsr{Ancient notation} for a chart of all rests.
 
 @seealso
 Notation Reference: @ref{Rests}, gives a general introduction into the use of
@@ -969,7 +969,7 @@ initialize all relevant context properties and grob properties to
 proper values, so you can immediately go ahead entering the chant, as
 the following excerpt demonstrates:
 
-@lilypond[quote,ragged-right,packed,verbatim]
+@lilypond[quote,ragged-right,verbatim]
 \include "gregorian.ly"
 \score {
   <<
@@ -1456,7 +1456,7 @@ in the above table is accordingly extrapolated.  This way,
 infinitely many different ligatures can be created.
 
 Note that the use of these signs in the music itself follows
-certain rules, which are not checked by Lilypond.  E.g., the
+certain rules, which are not checked by LilyPond.  E.g., the
 @emph{quilisma} is always the middle note of an ascending
 ligature, and usually falls on a half-tone step, but it is
 perfectly possible, although incorrect, to make a single-note
@@ -1492,7 +1492,7 @@ shows the code fragment that produces this ligature, using
 @tab
 @b{Output}
 @tab
-@b{Lilypond@*
+@b{LilyPond@*
 code}
 
 @c TODO: \layout block is identical in all of the below examples.
@@ -2290,7 +2290,7 @@ with head prefixes in arbitrary order.
 
 Working with ancient music frequently involves particular tasks
 which differ considerably from the modern notation for which
-Lilypond is designed.  In the rest of this section, a number of
+LilyPond is designed.  In the rest of this section, a number of
 typical scenarios are outlined, with suggestions of solutions.
 These involve: