version that you are working on. See TRANSLATION for details.
@end ignore
-@c \version "2.11.61"
+@c \version "2.12.0"
@node Ancient notation
@section Ancient notation
@item @emph{Editio Vaticana} is a complete style for
Gregorian chant, following the appearance of the Solesmes
editions, the official chant books of the Vatican since 1904.
-Lilypond has support for all the notational signs used in this
+LilyPond has support for all the notational signs used in this
style, including ligatures, @emph{custodes}, and special signs
such as the quilisma and the oriscus.
neo-mensural style. Instead, the rests from the default style will be
taken.
-See @rlsr{Pitches,rests} for a chart of all rests.
+See @rlsr{Ancient notation} for a chart of all rests.
@seealso
Notation Reference: @ref{Rests}, gives a general introduction into the use of
proper values, so you can immediately go ahead entering the chant, as
the following excerpt demonstrates:
-@lilypond[quote,ragged-right,packed,verbatim]
+@lilypond[quote,ragged-right,verbatim]
\include "gregorian.ly"
\score {
<<
infinitely many different ligatures can be created.
Note that the use of these signs in the music itself follows
-certain rules, which are not checked by Lilypond. E.g., the
+certain rules, which are not checked by LilyPond. E.g., the
@emph{quilisma} is always the middle note of an ascending
ligature, and usually falls on a half-tone step, but it is
perfectly possible, although incorrect, to make a single-note
@tab
@b{Output}
@tab
-@b{Lilypond@*
+@b{LilyPond@*
code}
@c TODO: \layout block is identical in all of the below examples.
Working with ancient music frequently involves particular tasks
which differ considerably from the modern notation for which
-Lilypond is designed. In the rest of this section, a number of
+LilyPond is designed. In the rest of this section, a number of
typical scenarios are outlined, with suggestions of solutions.
These involve: