@refcommands
-@findex \fatText
+@funindex \fatText
@code{\fatText},
-@findex \emptyText
+@funindex \emptyText
@code{\emptyText}.
@cindex segno on bar line
@cindex fermata on bar line
@cindex bar lines, symbols on
-@findex \mark
+@funindex \mark
The @code{\mark} command is primarily used for
@ref{Rehearsal marks},
but it can also be used to put signs like coda,
segno, and fermata on a bar line. Use @code{\markup} to
-access the appropriate symbol
+access the appropriate symbol (symbols are listed in
+@ref{The Feta font})
@lilypond[fragment,quote,ragged-right,verbatim,relative=2]
c1 \mark \markup { \musicglyph #"scripts.ufermata" }
@cindex font selection
@cindex font magnification
-@findex font-interface
+@funindex font-interface
By setting the object properties described below, you can select a
font from the preconfigured font families. LilyPond has default
@lilypond[fragment,verbatim]
{
- \override Staff.TimeSignature #'font-name = #"Charter"
- \override Staff.TimeSignature #'font-size = #2
+% \override Staff.TimeSignature #'font-name = #"Charter"
+% \override Staff.TimeSignature #'font-size = #2
\time 3/4
c'1_\markup {
- \override #'(font-name . "Vera Bold")
- { This text is in Vera Bold }
+% \override #'(font-name . "Vera Bold")
+% { This text is in Vera Bold }
}
}
@end lilypond
@cindex Rests, multi measure
@cindex Rests, full measure
@cindex whole rests for a full measure
-@findex R
+@funindex R
Rests for one full measure (or many bars) are entered using `@code{R}'. It
is specifically meant for full bar rests and for entering parts: the rest
In the MIDI output, they are interpreted as a tempo change. In the
layout output, a metronome marking is printed
-@findex \tempo
+@funindex \tempo
@lilypond[quote,ragged-right,verbatim,fragment]
\tempo 8.=120 c''1
@end lilypond
@subsection Rehearsal marks
@cindex Rehearsal marks
-@findex \mark
+@funindex \mark
To print a rehearsal mark, use the @code{\mark} command
@cindex Bar numbers
@cindex measure numbers
-@findex currentBarNumber
+@funindex currentBarNumber
Bar numbers are printed by default at the start of the line. The
number itself is stored in the @code{currentBarNumber} property, which
@node Different editions from one source
@subsection Different editions from one source
-@findex \tag
+@funindex \tag
@cindex tag
The @code{\tag} command marks music expressions with a name. These
The following commands set @code{fontSize} for the current voice:
-@findex \tiny
+@funindex \tiny
@code{\tiny},
-@findex \small
+@funindex \small
@code{\small},
-@findex \normalsize
+@funindex \normalsize
@code{\normalsize}.
@cindex Invisible notes
@cindex Transparent notes
-@findex \hideNotes
-@findex \unHideNotes
+@funindex \hideNotes
+@funindex \unHideNotes
Hidden (or invisible or transparent) notes can be useful in preparing theory
or composition exercises.
Shapes are determined on the step in the scale, where the base of the
scale is determined by the @code{\key} command
-@findex \key
-@findex shapeNoteStyles
-@findex \aikenHeads
-@findex \sacredHarpHeads
+@funindex \key
+@funindex shapeNoteStyles
+@funindex \aikenHeads
+@funindex \sacredHarpHeads
Shape note heads are implemented through the @code{shapeNoteStyles}
property. Its value is a vector of symbols. The k-th element indicates
@refcommands
-@findex \setEasyHeads
+@funindex \setEasyHeads
@code{\setEasyHeads}
@end lilypond
The full range of colors defined for X11 can be accessed by using the
-scheme function x11-color. The function takes one argument that can be a
+Scheme function x11-color. The function takes one argument that can be a
symbol
@example