}
@end lilypond
-Text can also be placed on its own, away from any @code{\score}
-block. This is primarily used in a @code{\book} (see
-@ref{Multiple scores in a book}).
+A @code{\markup} command can also be placed on its own, away from any
+@code{\score} block, see @ref{Multiple scores in a book}.
@lilypond[quote,ragged-right,verbatim]
\markup{ Here is some text. }
In an orchestral score, instrument names are printed at the left side
of the staves.
-This can be achieved by setting @internalsref{Staff}.@code{instrument}
-and @internalsref{Staff}.@code{instr}. This will print a string before
-the start of the staff. For the first staff, @code{instrument} is
-used, for the following ones, @code{instr} is used.
+This can be achieved by setting @internalsref{Staff}.@code{instrumentName}
+and @internalsref{Staff}.@code{shortInstrumentName}, or
+@internalsref{PianoStaff}.@code{instrumentName} and
+@internalsref{PianoStaff}.@code{shortInstrumentName}. This will
+print text before
+the start of the staff. For the first staff, @code{instrumentName} is
+used, for the following ones, @code{shortInstrumentName} is used.
@lilypond[quote,verbatim,ragged-right,relative=1,fragment]
\set Staff.instrumentName = "Ploink "
>>
@end lilypond
+To add instrument names to other contexts (such as @code{GrandStaff},
+@code{ChoirStaff}, or @code{StaffGroup}), the engraver must
+be added to that context.
-@seealso
+@example
+\layout@{
+ \context @{\GrandStaff \consists "Instrument_name_engraver"@}
+@}
+@end example
-Program reference: @internalsref{InstrumentName}.
+@noindent
+More information about adding and removing engravers can
+be found in @ref{Modifying context plug-ins}.
-@refbugs
-When you put a name on a grand staff or piano staff, the width of the
-brace is not taken into account. The following property setting can be
-used to move the instrument names to the left, in such situations.
+@seealso
+
+Program reference: @internalsref{InstrumentName}.
-@example
-\override Score.InstrumentName #'padding = #2.0
-@end example
@node Instrument transpositions
}
@end lilypond
-The @code{set-octavation} function also takes -1 (for 8va bassa) and 2
-(for 15ma) as arguments. Internally the function sets the properties
-@code{ottavation} (e.g., to @code{"8va"}) and
+The @code{set-octavation} function also takes -1 (for 8va bassa), 2@tie{}(for 15ma),
+and -2 (for 15ma bassa) as arguments. Internally the function sets the properties
+@code{ottavation} (e.g., to @code{"8va"} or @code{"8vb"}) and
@code{centralCPosition}. For overriding the text of the bracket, set
@code{ottavation} after invoking @code{set-octavation}, i.e.,
Another application is making ossia sections, i.e., alternative
melodies on a separate piece of staff, with help of a Frenched
-staff. See @inputfileref{input/@/test,ossia@/.ly} for an example.
+staff.
@node Quoting other voices
@subsection Proportional notation
@cindex Proportional notation
-Notes can be spaced proportional to their time-difference by
+Notes can be spaced proportionally to their time-difference by
assigning a duration to @code{proportionalNotationDuration}
@lilypond[quote,ragged-right,verbatim,relative=2,fragment]
>>
@end lilypond
+Setting this property only affects the ideal spacing between
+consecutive notes. For true proportional notation, the following
+settings are also required.
+
+@itemize @bullet
+
+@item True proportional notation requires that symbols are allowed to
+overstrike each other. That is achieved by removing the
+@internalsref{Separating_line_group_engraver} from
+@internalsref{Staff} context.
+
+@item Spacing influence of prefatory matter (clefs, bar lines, etc.)
+is removed by setting the @code{strict-note-spacing} property to
+@code{#t} in @internalsref{SpacingSpanner} grob.
+
+@item Optical spacing tweaks are switched by setting
+@code{uniform-stretching} in @internalsref{SpacingSpanner} to true.
+
+
+@end itemize
+
+@seealso
+
+@inputfileref{input/@/regression,spacing-proportional/.ly}
+@inputfileref{input/@/regression,spacing-strict-notespacing/.ly}
+@inputfileref{input/@/regression,spacing-strict-spacing-grace/.ly}
+
+An example of strict proportional notation is in the
+example file @file{input/proportional.ly}.
+
@node Clusters
@subsection Clusters
The following example demonstrates its use.
@lilypond[quote,verbatim,fragment,ragged-right,relative=2]
-\applyOutput #'Voice
- #(add-balloon-text 'NoteHead "heads, or tails?"
- '(1 . -3))
- c8
+\new Voice \with { \consists "Balloon_engraver" }
+{
+ \balloonGrobText #'Stem #'(3 . 4) \markup { "I'm a Stem" }
+ <c-\balloonText #'(-2 . -2) \markup { Hello } >8
+}
@end lilypond
@noindent
-The function @code{add-balloon-text} takes the name of a grob, the
-label to print, and the position where to put the label relative to
-the object. In the above example, the text ``heads or tails?'' ends
-3 spaces below and 1 space to the right of the marked head.
+There are two music functions, @code{balloonText} and
+@code{balloonGrobText}. The latter takes the name of the grob to
+adorn, while the former may be used as an articulation on a note.
+The other arguments are the offset and the text of the label.
@cindex balloon
@cindex notation, explaining
@lilypond[quote,verbatim]
+\layout{ indent = #0 }
emptymusic = {
\repeat unfold 2 % Change this for more lines.
{ s1\break }
}
\new Score \with {
\override TimeSignature #'transparent = ##t
+% un-comment this line if desired
+% \override Clef #'transparent = ##t
defaultBarType = #""
\remove Bar_number_engraver
} <<
+
+% modify these to get the staves you want
\new Staff \emptymusic
\new TabStaff \emptymusic
>>
The command @code{\setEasyHeads} overrides settings for the
@internalsref{NoteHead} object. To make the letters readable, it has
to be printed in a large font size. To print with a larger font, see
-@ref{Setting global staff size}.
+@ref{Setting the staff size}.
@refcommands
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