* Text marks::
* Text markup::
* Nested scores::
+* Page wrapping text::
* Overview of text markup commands::
+* Overview of text markup list commands::
* Font selection::
* New dynamic marks::
@end menu
@cindex text items, non-empty
@cindex non-empty texts
-It is possible to place arbitrary strings of text or @ref{Text markup}
+It is possible to place arbitrary strings of text or @ref{Text markup},
above or below notes by using a string @code{c^"text"}. By default,
these indications do not influence the note spacing, but by using the
command @code{\fatText}, the widths will be taken into account
and the lines, and tuning their behavior is therefore also done in the
same way. It is done with a spanner, and the routine responsible for
drawing the spanners is @code{ly:line-interface::print}. This
-routine creates determines the exact location of the two @i{span
+routine determines the exact location of the two @i{span
points} and draws a line in between, in the style requested.
Here is an example of the different line styles available, and how to
The @code{Glissando} object, like any other using the
@code{ly:line-interface::print} routine, carries a nested
association list. In the above statement, the value for @code{Y}
-is set to @code{-2} for association list corresponding to the right
+is set to @code{-2} for the association list corresponding to the right
end point. Of course, it is also possible to adjust the left side with
@code{left} instead of @code{right}.
@internalsref{Glissando}, @internalsref{VoiceFollower},
@internalsref{TrillSpanner}, @internalsref{line-spanner-interface}.
-Examples: @lsr{expressive,line-styles.ly}
-@c FIXME: add {contemporary/line-arrows.ly} when LSR is updated. -gp
+Examples: @lsr{expressive,line-styles.ly}, @lsr{expressive,line-arrows.ly}
@node Text spanners
@lilypond[quote,ragged-right,fragment,relative=1,verbatim]
c1
\textSpannerDown
-\override TextSpanner #'edge-text = #'("rall " . "")
+\override TextSpanner #'bound-details #'left #'text =
+ \markup { \upright "rall" }
c2\startTextSpan b c\stopTextSpan a
\break
\textSpannerUp
-\override TextSpanner #'edge-text = #(cons (markup #:italic "rit" ) "")
+\override TextSpanner #'bound-details #'left #'text =
+ \markup { \italic "rit" }
c2\startTextSpan b c\stopTextSpan a
@end lilypond
@refcommands
-@cindex textSpannerUp
-@code{textSpannerUp},
-@cindex textSpannerDown
-@code{textSpannerDown},
-@cindex textSpannerNeutral
-@code{textSpannerNeutral}.
+@funindex textSpannerUp
+@code{\textSpannerUp},
+@funindex textSpannerDown
+@code{\textSpannerDown},
+@funindex textSpannerNeutral
+@code{\textSpannerNeutral}.
@commonprop
but it can also be used to put signs like coda,
segno, and fermata on a bar line. Use @code{\markup} to
access the appropriate symbol (symbols are listed in
-@ref{The Feta font})
+@ref{The Feta font}).
@lilypond[fragment,quote,ragged-right,verbatim,relative=2]
c1 \mark \markup { \musicglyph #"scripts.ufermata" }
@end lilypond
@noindent
-See @ref{Overview of text markup commands} for a list of all
+See @ref{Overview of text markup commands}, for a list of all
commands.
@code{\markup} is primarily used for @internalsref{TextScript}s,
\set Staff.instrumentName = \markup{ \column{ Alto solo } }
c2^\markup{ don't be \flat }
- \override TextSpanner #'edge-text = #(cons (markup #:italic "rit" ) "")
+ \override TextSpanner #'bound-details #'left #'text = \markup{\italic rit }
b2\startTextSpan
a2\mark \markup{ \large \bold Fine }
r2\stopTextSpan
In addition, vertical placement is performed after creating the
text markup object. If you wish to move an entire piece of markup,
-you need to use the #'padding property or create an "anchor" point
+you need to use the #'padding property or create an @q{anchor} point
inside the markup (generally with @code{\hspace #0}).
@lilypond[quote,verbatim,fragment,relative=1]
Some situations (such as dynamic marks) have preset font-related
properties. If you are creating text in such situations, it
is advisable to cancel those properties with
-@code{normal-text}. See @ref{Overview of text markup commands}
+@code{normal-text}. See @ref{Overview of text markup commands},
for more details.
}
@end lilypond
+@node Page wrapping text
+@subsection Page wrapping text
+Whereas @code{\markup} is used to enter a not breakable block of text,
+@code{\markuplines} can be used at top-level to enter lines of text that
+can spread over pages:
+
+@verbatim
+\markuplines {
+ \justified-lines {
+ A very long text of justified lines.
+ ...
+ }
+ \justified-lines {
+ An other very long paragraph.
+ ...
+ }
+ ...
+}
+@end verbatim
+
+@code{\markuplines} accepts a list of markup, that is either the result
+of a markup list command, or a list of markups or of markup lists. The
+built-in markup list commands are described in
+@ref{Overview of text markup list commands}.
+
+@seealso
+
+This manual: @ref{Overview of text markup list commands},
+@ref{New markup list command definition}.
+
+@refcommands
+
+@funindex \markuplines
+@code{\markuplines}
@node Overview of text markup commands
@subsection Overview of text markup commands
@include markup-commands.tely
+@node Overview of text markup list commands
+@subsection Overview of text markup list commands
+
+The following commands can all be used with @code{\markuplines}.
+
+@include markup-list-commands.tely
@node Font selection
@subsection Font selection
Some situations (such as dynamic marks) have preset font-related
properties. If you are creating text in such situations, it
is advisable to cancel those properties with
-@code{normal-text}. See @ref{Overview of text markup commands}
+@code{normal-text}. See @ref{Overview of text markup commands},
for more details.
@cindex make-dynamic-script
@end lilypond
@noindent
-See @ref{Text markup} for more details.
+See @ref{Text markup}, for more details.
@seealso
@end lilypond
@noindent
-See @ref{The Feta font} for a list of symbols which may be
+See @ref{The Feta font}, for a list of symbols which may be
printed with @code{\musicglyph}.
The horizontal location of rehearsal marks can be adjusted by
@code{format-mark-letters}. They can be used as inspiration for other
formatting functions.
-Examples: @lsr{preparing,rehearsal-mark-numbers.ly}
+Examples: @lsr{parts,rehearsal-mark-numbers.ly}
@node Bar numbers
@seealso
-Examples: @lsr{preparing,tag@/-filter@/.ly}
+Examples: @lsr{parts,tag@/-filter@/.ly}
@refbugs
In this manual: @ref{Instrument transpositions}.
-Examples:
-@c FIXME: Add when LSR is updated. -gp
-@c @i nputfileref{input/@/regression,quote@/.ly}
-@c @i nputfileref{input/@/regression,quote@/-transposition@/.ly}
+Examples: @lsr{parts,quote.ly}, @lsr{parts,quote-transportation.ly}
Program reference: @internalsref{QuoteMusic}.
\addQuote clarinet \relative {
R1*20
- r2 r8 c f f
+ r2 r8 c' f f
}
\new Staff \relative <<
- % setup a context for cue notes.
+ % setup a context for cue notes.
\new Voice = "cue" { \smaller \skip 1*21 }
\set Score.skipBars = ##t
\new Voice {
R1*20
- \cueDuring #"clarinet" #1 {
+ \cueDuring #"clarinet" #UP {
R1
}
g4 g2.
@menu
* Polymetric notation::
* Time administration::
-* Proportional notation::
+* Proportional notation (introduction)::
* Clusters::
* Special noteheads::
* Feathered beams::
seven sixteenths notes.
-@node Proportional notation
-@subsection Proportional notation
+@node Proportional notation (introduction)
+@subsection Proportional notation (introduction)
@cindex Proportional notation
+See @ref{Proportional notation}.
+
+
+TODO: remove all this stuff?
+
Notes can be spaced proportionally to their time-difference by
assigning a duration to @code{proportionalNotationDuration}
\makeClusters { <c e > <b f'> }
@end lilypond
-The following example (from
-@inputfileref{input/@/regression,cluster@/.ly}) shows what the result
-looks like
-
-@lilypondfile[ragged-right,quote]{cluster.ly}
-
Ordinary notes and clusters can be put together in the same staff,
even simultaneously. In such a case no attempt is made to
automatically avoid collisions between ordinary notes and clusters.
@internalsref{ClusterSpannerBeacon},
@internalsref{Cluster_spanner_engraver}.
-Examples: @inputfileref{input/@/regression,cluster@/.ly}.
+Examples: @lsr{contemporary,cluster@/.ly}.
@refbugs
Improvisation is sometimes denoted with slashed note heads. Such note
heads can be created by adding a @internalsref{Pitch_squash_engraver}
-to the @internalsref{Staff} or @internalsref{Voice} context. Then, the
+to the @internalsref{Voice} context. Then, the
following command
@example
the following example
@lilypond[verbatim,ragged-right,quote]
-\new Staff \with {
+\new Voice \with {
\consists Pitch_squash_engraver
} \transpose c c' {
e8 e g a a16(bes)(a8) g \improvisationOn
standard size for the current staff height. Each step up is an
increase of approximately 12% of the font size. Six steps is exactly a
factor two. The Scheme function @code{magstep} converts a
-@code{font-size} number to a scaling factor.
+@code{font-size} number to a scaling factor. The @code{font-size}
+property can also be set directly, so that only certain layout objects are
+affected.
@lilypond[quote,fragment,relative=1,verbatim]
c8
named normal color.
Notes in a chord cannot be colored with @code{\override}; use
-@code{\tweak} instead. See @ref{Objects connected to the input}
+@code{\tweak} instead. See @ref{Objects connected to the input},
for details.
@node Grid lines
@subsection Grid lines
-@c FIXME: get an example for grid lines. -gp
Vertical lines can be drawn between staves synchronized with
the notes.
+@lilypond[ragged-right,quote,verbatim]
+\layout {
+ \context {
+ \Staff
+ \consists "Grid_point_engraver" %% sets of grid
+ gridInterval = #(ly:make-moment 1 4)
+ }
+}
+
+\new Score \with {
+ \consists "Grid_line_span_engraver"
+ %% centers grid lines horizontally below noteheads
+ \override NoteColumn #'X-offset = #-0.5
+}
+
+\new ChoirStaff <<
+ \new Staff {
+ \stemUp
+ \relative {
+ c'4. d8 e8 f g4
+ }
+ }
+ \new Staff {
+ %% centers grid lines vertically
+ \override Score.GridLine #'extra-offset = #'( 0.0 . 1.0 )
+ \stemDown
+ \clef bass
+ \relative c {
+ c4 g' f e
+ }
+ }
+>>
+@end lilypond
+
Examples: @inputfileref{input/@/regression,grid@/-lines@/.ly}.
+
+
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