@itemize
@item
-Two new commands for grace notes have been added, @code{\accacciatura}
+Each music expression can now be tagged, to make different printed
+versions from the same music expression. In the following example,
+we see two versions of a piece of music, one for the full score, and
+one with cue notes for the instrumental part:
+
+@example
+< \tag #'part <
+ @{ c4 f2 g @} % in the part, we have cue-notes
+ \\ R1 >
+ \tag #'score R1 % in the score: only a rest
+>
+@end example
+
+The same can be applied to articulations, texts, etc.: they are
+made by prepending
+
+@example
+ -\tag #@var{your-tags}
+@end example
+
+to an articulation, for example,
+
+@example
+ c4-\tag #'with-fingerings -4 -\tag #'with-strings \6
+@end example
+
+This defines a note, which has a fingering and a string-number
+indication.
+
+@item
+The settings for chord-fingering are more flexible. You can specify a
+list where fingerings may be placed, eg.
+
+@example
+ \property Voice.fingeringOrientations = #'(left down)
+@end example
+
+This will put the fingering for the lowest note below the chord, and the
+rest to the left.
+
+@item
+The script previously known as @file{ly2dvi} has been renamed to
+@file{lilypond}. The binary itself is now installed as
+@file{lilypond-bin}.
+
+@item
+Markup text (ie. general text formatting) may now be used for lyrics too.
+
+@item
+Two new commands for grace notes have been added, @code{\acciaccatura}
and @code{\appoggiatura},
@example
\appoggiatura f8 e4
- \accacciatura g8 f4
+ \acciaccatura g8 f4
@end example
-Both reflect the traditional meanings of accacciatura and appogiatura,
+Both reflect the traditional meanings of acciaccatura and appogiatura,
and both insert insert a slur from the first grace note to the main
note.