@end ignore
+@item Slurs now avoid clefs and key changes.
+
+@lilypond[fragment,ragged-right]
+\new Staff { \clef bass c^( \clef "G" g') }
+@end lilypond
+
+@item The @code{FretBoards} context will generate guitar frettings
+automatically,
+
+@lilypond[fragment,relative=0,verbatim,ragged-right]
+\new FretBoards { <d\5 fis a d fis> }
+@end lilypond
+
+This feature was sponsored by Rick Hansen.
+
+@item Horizontal and vertical spacing are now done at the same time
+so that pages are filled more evenly.
+
+@item The page breaking algorithm is capable of detecting page turns
+and formatting the music accordingly.
+
+@c Insert any new material above this line. -gp
+
+@item Guitar right hand fingerings may
+now also be added,
+
+@lilypond[fragment,relative=1,ragged-right]
+\relative
+{
+ \set strokeFingerOrientations = #'(right) % up left down
+ \set fingeringOrientations = #'(down left up) % up left down
+ \set stringNumberOrientations = #'(down up left) % (up right down)
+ <c-1\4
+ -\rightHandFinger #1
+ e-2\5
+ -\rightHandFinger #2
+ g-3\6
+ -\rightHandFinger #3
+ >
+}
+@end lilypond
+
+This feature was sponsored by William Wilson.
+
@item By defining a clip region, a cutout EPS file of a number of measures
may be generated from the complete score. Hence, it is no longer
necessary to create separate files to create extracts of (long)
@lilypond[relative=1,fragment,ragged-right]
{ c4 f2 g4 }
\addlyrics {
- o la~la la
+ o la~oo ah
}
@end lilypond
c1 c2 c4 c8[ c16 c]
@end lilypond
-
-@c Please insert any new material above this line. -gp
-
@item Chords can now be partially tied,
@lilypond[ragged-right,relative,fragment]