ALTeditor = {},
title = {The Notation of Western Music: an
Introduction},
- publisher = {J. M. Dent \6& Sons London},
+ publisher = {J. M. Dent \& Sons London},
year = {1983},
- key = {},
- volume = {},
- number = {},
- series = {},
- address = {},
- edition = {},
- month = {},
- note = {},
- comment = {Interesting account of the evolution and origin of common notation starting from neumes, and ending with modern innovations HWN},
- annote = {},
+ note = {Interesting account of the evolution and origin of common notation starting from neumes, and ending with modern innovations HWN},
+
}
@Book{ross,
address = {},
edition = {},
month = {},
- comment = {This is about engraving, i.e. professional typesetting. It contains
+ note = {This is about engraving, i.e. professional typesetting. It contains
directions on good typesetting, but the sections on reproduction
technicalities, how to use pens and history are interesting.
Especially the section on Music Typewriters is amusing HWN},
Translations},
journal = {Software Practice and Experience},
year = {1994},
- key = {},
volume = {24},
number = {3},
month = {march},
pages = {289--306},
- note = {},
- annote = {},
- comment = {A description of various conversions, decisions and issues relating to this interactive editor HWN},
+ note = {A description of various conversions, decisions and issues relating to this interactive editor HWN},
}
@Book {wanske,
- comment = {I. A very thorough overview of engraving practices of various craftsmen. It includes detailed specs of characters, dimensions etc. II. a thorough overview of a anonymous (by now antiquated) automated system. EDV Means e(lektronischen) D(aten)v(erarbeitung), electronic data processing HWN},
+ note = {I. A very thorough overview of engraving practices of various craftsmen. It includes detailed specs of characters, dimensions etc. II. a thorough overview of a anonymous (by now antiquated) automated system. EDV Means e(lektronischen) D(aten)v(erarbeitung), electronic data processing HWN},
year = {1988},
title = {Musiknotation --- Von der Syntax des Notenstichs zum EDV-gesteuerten Notensatz},
author = {Helene Wanske},
-@Book{,
- ALTauthor = {},
- ALTeditor = {},
- title = {},
- publisher = {},
- year = {},
- key = {},
- volume = {},
- number = {},
- series = {},
- address = {},
- edition = {},
- month = {},
- note = {},
- annote = {},
-}
-
-
-@Book {,
+@Book {weaner93,
year = {1993},
title = {Standard Music Notation Practice},
author = {Maxwell Weaner and Walter Boelke},
-@Book {,
- comment = {Sound (boring) review of the various hairy rhythmic notations used by avant-garde composers HWN},
+@Book {read78,
+ note = {Sound (boring) review of the various hairy rhythmic notations used by avant-garde composers HWN},
year = {1978},
title = {Modern Rhythmic Notation},
author = {Gardner Read},
}
-@Book {,
- comment = {This is as close to the ``standard'' reference work for music notation issues as one is likely to get. MB},
+@Book {read-notation,
+ note = {(Out of print) This is as close to the ``standard'' reference work for music notation issues as one is likely to get. MB},
title = {Music Notation: a Manual of Modern Practice},
author = {Gardner Read},
totalentry = {(2nd edition)},
publisher ={Taplinger Publishing},
address ={New York},
- note = { (Out of print)},
}
-
-@Book{,
- ALTauthor = {},
- ALTeditor = {},
- title = {},
- publisher = {},
- year = {},
- OPTkey = {},
- OPTvolume = {},
- OPTnumber = {},
- OPTseries = {},
- OPTaddress = {},
- OPTedition = {},
- OPTmonth = {},
- OPTnote = {},
- OPTannote = {}
-}
-
-@Book {,
+@Book {hader48,
year = {1948},
title = {Aus der Werkstatt eines Notenstechers},
author = {Karl Hader},
publisher = {Waldheim--Eberle Verlag},
address ={Vienna},
- comment = {Hader was the chief-engraver of the Waldheim-Eberle music
+ note = {Hader was the chief-engraver of the Waldheim-Eberle music
publishers. This book contains the most important rules on engraving
(according to [Chlapik])},
-@Booklet {,
- comment = {Pamphlet explaining some fine points in music font design HWN},
+@Booklet {mpa96,
+ note = {Pamphlet explaining some fine points in music font design HWN},
year = {1996},
title = {Standard music notation specifications for computer programming. },
month = {December},
+ author ={mpa},
publisher = {MPA},
}
-@TechReport{,
- comment = {Rules on formatting music formulated for use in computers. Mainly distilled from [Ross] HWN},
- year = {1988},
- title = {Music Formatting Guidelines,},
+@TechReport{roush88,
+ note = {Rules on formatting music formulated for use in computers. Mainly distilled from [Ross] HWN},
+ year = {1988},
+ title = {Music Formatting Guidelines},
author = {D. Roush},
- note={Technical Report OSU-CISRC-3/88-TR10},
- institution ={Department of Computer and Information Science, The Ohio State University},
+ number = {OSU-CISRC-3/88-TR10},
+ institution = {Department of Computer and Information Science, The Ohio State University},
}
-@PhdThesis {,
+@PhdThesis {byrd85,
year = {1985},
title = {Music Notation by Computer},
author = {Donald Byrd},
}
-@Article {,
+@Article {byrd74,
year = {1974},
title = {A System for Music Printing by Computer},
author = {Donald Byrd},
}
-@Book {,
- comment = {If I remember correctly, this was concerned more with an input language than with the typography. SP},
+@Book {smith73,
+ note = {If I remember correctly, this was concerned more with an input language than with the typography. SP},
year = {1973},
title = {Editing and Printing Music by Computer},
author = {Leland Smith},
}
-@PhdThesis {,
+@PhdThesis {gomber75,
year = {1975},
title = {A Computer-Oriented System for Music Printing},
author = {David A Gomberg},
}
-@Book {,
- comment = {Annual editions since 1985, many containing surveys of music typesetting technology. SP},
+@Book {CASR,
+ note = {Annual editions since 1985, many containing surveys of music typesetting technology. SP},
title = {Directory of Computer Assisted Research in Musicology},
- author = {Walter B Hewlett. and Eleanor Selfridge-Field},
+ author = {Walter B Hewlett and Eleanor Selfridge-Field},
totalentry = {Menlo Park, CA: Center for Computer Assisted Research in the Humanities},
}
-@Book {,
+@Book {gomberg,
title = {A Computer-oriented System for Music Printing},
- author = {David A. Gomberg; },
-
+ author = {David A. Gomberg},
journal = {Computers and the Humanities},
volume={11},
pages = {63-80},
}
-@TechReport {,
- comment = {Algorithm for generating spacing in one line of (polyphonic) music, tailored for use with MusiCopy. LilyPond uses a variant of it (as of pl 76) HWN},
+@TechReport {gourlay87-spacing,
+ note = {Algorithm for generating spacing in one line of (polyphonic) music, tailored for use with MusiCopy. LilyPond uses a variant of it (as of pl 76) HWN},
year = {1987},
title = {Spacing a Line of Music,},
author = {John S. Gourlay},
}
-@TechReport {,
- comment = {A brief overview of MusiCopy HWN},
+@TechReport {parish87,
+ note = {A brief overview of MusiCopy HWN},
year = {1987},
title = {MusiCopy: An automated Music Formatting System},
- author = {Allen Parish, Wael A. Hegazy, John S. Gourlay, Dean K. Roush and F. Javier Sola},
+ author = {Allen Parish and Wael A. Hegazy and John S. Gourlay and Dean K. Roush and F. Javier Sola},
totalentry = {OSU-CISRC-10/87-TR29},
institution ={ Department of Computer and Information Science, The Ohio State University},
}
-@TechReport {,
- comment = {This paper discusses the development of algorithms for the formatting of musical scores (from abstract). It also appeared at PROTEXT III, Ireland 1986},
+@TechReport {gourlay87-formatting,
+ note = {This paper discusses the development of algorithms for the formatting of musical scores (from abstract). It also appeared at PROTEXT III, Ireland 1986},
year = {1987},
- title = {Computer Formatting of Music,},
- author = {John S. Gourlay, A. Parrish, D. Roush, F. Sola, Y. Tien},
+ title = {Computer Formatting of Music},
+ author = {John S. Gourlay and A. Parrish and D. Roush and F. Sola and Y. Tien},
totalentry = {OSU-CISRC-2/87-TR3},
institution ={Department of Computer and Information Science, The Ohio State University},
}
-@TechReport {,
- comment = {Describes the "parser" which converts MusiCopy MDL to MusiCopy Simultaneities & columns HWN},
+@TechReport {hegazy87,
+ note = {Describes the "parser" which converts MusiCopy MDL to MusiCopy Simultaneities & columns HWN},
year = {1987},
title = {On the Implementation of the MusiCopy Language Processor,},
author = {Wael A. Hegazy},
}
-@TechReport {,
- comment = {This generalizes TeX's breaking algorithm to music. It also appeared in Document Manipulation and Typography, J.C. van Vliet (ed) 1988. HWN},
+@TechReport {hegazy87-breaking,
+ note = {This generalizes TeX's breaking algorithm to music. It also appeared in Document Manipulation and Typography, J.C. van Vliet (ed) 1988. HWN},
year = {1987},
title = {Optimal line breaking in music},
author = {Wael A. Hegazy and John S. Gourlay},
}
-@TechReport {,
- comment = {User manual of MusiCopy. Includes an impressive example piece. HWN},
+@TechReport {roush87,
+ note = {User manual of MusiCopy. Includes an impressive example piece. HWN},
year = {1987},
title = {Using MusiCopy},
author = {Dean K. Roush},
}
-@TechReport {,
- comment = {Placement of balls, stems, dots which occur at the same moment ("Simultaneity") HWN},
+@TechReport {parrish87,
+ note = {Placement of balls, stems, dots which occur at the same moment ("Simultaneity") HWN},
year = {1987},
title = {Computer Formatting of Musical Simultaneities,},
author = {A. Parrish and John S. Gourlay},
}
-@TechReport {,
- comment = {Overview of a procedure for generating slurs HWN},
+@TechReport {sola87,
+ note = {Overview of a procedure for generating slurs HWN},
year = {1987},
title = {Computer Design of Musical Slurs, Ties and Phrase Marks,},
author = {F. Sola},
}
-@TechReport {,
+@TechReport {sola87-beams,
institution={ Department of Computer and Information Science, The Ohio State University},
- comment = {Calculating beam slopes HWN},
+ note = {Calculating beam slopes HWN},
year = {1987},
title = {Design of Musical Beams,},
author = {F. Sola and D. Roush},
}
-@Article {,
- comment = {This paper describes the MusiCopy musicsetting system and an input language to go with it. HWN},
+@Article {gourlay86,
+ note = {This paper describes the MusiCopy musicsetting system and an input language to go with it. HWN},
year = {1986},
title = {A language for music printing},
author = {John. S. Gourlay},
-@Article {,
- comment = {A description of Lime internals (which resemble older (before 0.0.68pre) LilyPond data structures somewhat) HWN},
+@Article {haken93,
+ note = {A description of Lime internals (which resemble older (before 0.0.68pre) LilyPond data structures somewhat) HWN},
year = {1993},
title = {The Tilia Music Representation: Extensibility, Abstraction, and Notation Contexts for the Lime Music Editor},
author = {Lippold Haken and Dorothea Blostein},
- journal = { Computer Music Journal},
+ journal = {Computer Music Journal},
volume= {17},
number={ 3},
pages = {43--58},
}
-
-@Article {,
- comment = {This describes an algorithm which uses springs between adjacent columns. This algorithm is a "subclass" of the LilyPond algorithm. HWN},
+@InProceedings{haken95,
year = {1995},
title = {A New Algorithm for Horizontal Spacing of Printed Music},
author = {Lippold Haken and Dorothea Blostein},
- totalentry = {Lippold Haken and Dorothea Blostein. ``A New Algorithm for Horizontal Spacing of Printed Music'', International Computer Music Conference, Banff, Sept. 1995},
+ booktitle = { International Computer Music Conference},
+ address={Banff},
+ month={Sept},
pages = {118-119},
+ note = {This describes an algorithm which uses springs between adjacent columns. This algorithm is a "subclass" of the LilyPond algorithm. HWN},
}
-@Article {,
- comment = {This paper provides a shallow overview of the algorithm used in LIME for spacing individual lines. HWN},
+@Article {blostein91,
+ note = {This paper provides a shallow overview of the algorithm used in LIME for spacing individual lines. HWN},
year = {1991},
title = {Justification of Printed Music},
author = {Dorothea Blostein and Lippold Haken},
- totalentry = {Communications of the ACM},
- volume={J34},
- number={ 3},month={ March}, pages = {88-99},
+ journal = {Communications of the ACM},
+ volume= {J34},
+ number= {3},
+ month= {March},
+ pages = {88-99},
}
-@Article {,
- comment = {Describes a system called MusicEase, and explains that it uses "constraints" (which go unexplained) to automatically position various elements. HWN},
+@Article {rader96,
+ note = {Describes a system called MusicEase, and explains that it uses "constraints" (which go unexplained) to automatically position various elements. HWN},
year = {1996},
title = {Creating Printed Music Automatically},
author = {Gary M. Rader},
month={June}, pages = {61--69}},
-@PhdThesis {,
- comment = {Don't ask Stephen for a copy. Write to the Bodleian Library, Oxford, or to the British Library, instead. SP},
+@PhdThesis {page88,
+ note = {Don't ask Stephen for a copy. Write to the Bodleian Library, Oxford, or to the British Library, instead. SP},
year = {1988},
title = {Computer Tools for Music Information Retrieval},
author = {Stephen Dowland Page},
school ={ Dissertation University of Oxford},
}
-@MastersThesis{,
- comment = {This dutch thesis describes a simplistic (monophonic) typesetting system, and focuses on the breaking algorithm, which is taken from Hegazy & Gourlay HWN},
+@MastersThesis{roelofs91,
+ note = {This dutch thesis describes a simplistic (monophonic) typesetting system, and focuses on the breaking algorithm, which is taken from Hegazy & Gourlay HWN},
year = {1991},
title = {Een Geautomatiseerd Systeem voor het Afdrukken van Muziek},
author = {Ren\'e Roelofs},
- totalentry = {Ren\'e Roelofs. ``Een Geautomatiseerd Systeem voor het Afdrukken van Muziek'' afstudeerscriptie Bestuurlijke informatica, no 45327, Erasmus universiteit Rotterdam, 1991. (``An automated system for printing music'' Master's Thesis Managerial Computer Science.)},
+ school={Erasmus Universiteit Rotterdam},
+ number={45327},
+ translation = {``An automated system for printing music'' Master's Thesis Managerial Computer Science.},
}
-@Article {,
+@Article {filgueiras93,
year = {1993},
title = {Representation and manipulation of music documents in SceX},
author = {Miguel Filgueiras and Jos\'e Paulo Leal},
}
-@Article {,
- comment = {A paper on a TROFF preprocessor to typeset music. The output shown is not very sophisticated, and contains some typographical atrocities HWN},
+@Article {foxley87,
+ note = {A paper on a TROFF preprocessor to typeset music. The output shown is not very sophisticated, and contains some typographical atrocities HWN},
year = {1987},
title = {Music --- A language for typesetting music scores},
- author = {Eric Foxley, },
+ author = {Eric Foxley },
journal={ Software --- Practice and Experience, },
volume={ 17},
number={8}, pages = {485-502},
}
-@Book {,
+@Book {filgueiras96,
year = {1996},
title = {Implementing a Symbolic Music Processing System},
author = {Miguel Filgueiras},
totalentry = {LIACC, Universidade do Porto, 1996; submitted},
}
-@Book {,
+@Book {filgueiras?,
title = {Some Music Typesetting Algorithms},
author = {Miguel Filgueiras},
totalentry = {Miguel Filgueiras. ``Some Music Typesetting Algorithms''. LIACC, Universidade do Porto, forthcoming},
}
-@Book {,
- comment = {A concise, alphabetically ordered list of typesetting and music (notation) issues with a rather simplistic attitude but in most cases "good-enough" answers JCN},
+@Book {gerou96,
+ note = {A concise, alphabetically ordered list of typesetting and music (notation) issues with a rather simplistic attitude but in most cases "good-enough" answers JCN},
year = {1996},
title = {Essential Dictionary of Music Notation},
author = {Tom Gerou and Linda Lusk},
}
-@Book {,
- comment = {An clearly written book for the casually interested reader. It shows some of the conventions and difficulties in printing music HWN},
+@Book {chlapik87,
+ note = {An clearly written book for the casually interested reader. It shows some of the conventions and difficulties in printing music HWN},
year = {1987},
title = {Die Praxis des Notengraphikers},
author = {Herbert Chlapik},
}
-@Book {,
- comment = {Webpages about engraving (designed with finale users in mind) (sic) HWN},
+@Article {colorado-web,
+ author ={Alyssa Lamb},
+ note = {Webpages about engraving (designed with finale users in mind) (sic) HWN},
institution = {The University of Colorado},
title ={The University of Colorado Music Engraving page.},
- url={http://obenamots.cc.colorado.edu/Musicpress/engraving.html},
+ HTML={http://obenamots.cc.colorado.edu/Musicpress/engraving.html},
+ year={1996}
}
-
-
-@Book {,
+@Book {donato63,
year = {1963},
author = {Anthony Donato},
title ={ Preparing Music Manuscript},
}
-@Book {,
+@Book {donemes1900,
year = {1900},
title = {Uitgeven van muziek},
author = {Donemus},
}
-@Book {,
+@Book {Heussenstamm87,
year = {1987},
title = {The Norton Manual of Music Notation},
author = {George Heussenstamm},
}
-@Book {,
+@Book {Karkoshka72,
year = {1972},
title = {Notation in New Music; a critical guide to interpretation and realisation},
author = {Erdhard Karkoshka},
}
-@Book {,
+@Book {Roemer73,
year = {1973},
title = {The Art of Music Copying},
author = {Clinton Roemer},
}
-@Book {,
+@Book {Rosecrans79,
year = {1979},
title = {Music Notation Primer},
author = {Glen Rosecrans},
}
-@Book {,
+@Book {Stone80,
year = {1980},
title = {Music Notation in the Twentieth Century},
author = {Kurt Stone},
}
-@Book {,
- comment = {This paper deals with some command-line tools for music editing and playback. It doesn't mention notation issues, but does come with the grand idea (not) of using music to monitor complex systems. Imagine your nuclear plant supervisor to use AC/DC for checking the reactor HWN},
+@Book {Langston90,
+ note = {This paper deals with some command-line tools for music editing and playback. It doesn't mention notation issues, but does come with the grand idea (not) of using music to monitor complex systems. Imagine your nuclear plant supervisor to use AC/DC for checking the reactor HWN},
year = {1990},
title = {Unix music tools at Bellcore},
author = {Peter S. Langston},
-@URL {,
- comment = {FAQ (with answers) about TAB, the ASCII variant of Tablature. HWN},
+@Article {tablature-web,
+ note = {FAQ (with answers) about TAB, the ASCII variant of Tablature. HWN},
title = {how to read and write tab: a guide to tab notation},
author = {Howard Wright},
email={Howard.Wright@ed.ac.uk},
- url={ http://wabakimi.carleton.ca/~phacket2/guitar/tabfaq.html},
+ HTML={ http://wabakimi.carleton.ca/~phacket2/guitar/tabfaq.html},
}
-@URL {,
- comment = {Specs for NIFF, a comprehensive but binary (yuk) format for notation HWN},
+@Article {niff-web,
+ note = {Specs for NIFF, a comprehensive but binary (yuk) format for notation HWN},
year = {1995},
title = {NIFF6a Notation Interchange File Format},
- author = {Cindy Grande, },
+ author = {Cindy Grande},
publisher={Grande Software Inc.},
- url={http://www.jtauber.com/music/encoding/niff/},
+ HTML={http://www.jtauber.com/music/encoding/niff/},
}
-@URL {,
+@Article {smdl-web,
+ author={unknown},
title = {SMDL, Standard Musical Description Language},
- url={ftp://ftp.ornl.gov/pub/sgml/wg8/smdl/10743.pdf},
+ HTML={ftp://ftp.ornl.gov/pub/sgml/wg8/smdl/10743.pdf},
note={ISO/IEC DIS 10743},
}
projects / lilypond.git / blobdiff