%
+
+
@Book{rastall,
author = {Richard Rastall},
ALTeditor = {},
title = {The Notation of Western Music: an
Introduction},
- publisher = {J. M. Dent \6& Sons London},
+ publisher = {J. M. Dent \& Sons London},
year = {1983},
- key = {},
- volume = {},
- number = {},
- series = {},
- address = {},
- edition = {},
- month = {},
- note = {},
- comment = {Interesting account of the evolution and origin of common notation starting from neumes, and ending with modern innovations HWN},
- annote = {},
+ note = {Interesting account of the evolution and origin of common notation starting from neumes, and ending with modern innovations HWN},
}
@Book{ross,
author = {Ted Ross},
title = {Teach yourself the art of music engraving and processing},
publisher = {Hansen House},
- year = {1987},
- key = {},
- volume = {},
- number = {},
- series = {},
- address = {},
- edition = {},
- month = {},
- comment = {This is about engraving, i.e. professional typesetting. It contains
+ year = 1987,
+ note = {This is about engraving, i.e. professional typesetting. It contains
directions on good typesetting, but the sections on reproduction
technicalities, how to use pens and history are interesting.
Especially the section on Music Typewriters is amusing HWN},
- annote = {},
-}
-
-@Article{blostein94,
- author = {Dorothea Blostein and Lippold Haken},
- title = {The Lime Music Editor: A Diagram Editor Involving Complex
- Translations},
- journal = {Software Practice and Experience},
- year = {1994},
- key = {},
- volume = {24},
- number = {3},
- month = {march},
- pages = {289--306},
- note = {},
- annote = {},
- comment = {A description of various conversions, decisions and issues relating to this interactive editor HWN},
+ address = {Miami, Florida},
}
-@Book {wanske,
- comment = {I. A very thorough overview of engraving practices of various craftsmen. It includes detailed specs of characters, dimensions etc. II. a thorough overview of a anonymous (by now antiquated) automated system. EDV Means e(lektronischen) D(aten)v(erarbeitung), electronic data processing HWN},
- year = {1988},
- title = {Musiknotation --- Von der Syntax des Notenstichs zum EDV-gesteuerten Notensatz},
- author = {Helene Wanske},
- publisher = {Schott-Verlag},
- address = {Mainz},
- isbn = {ISBN 3-7957-2886-x},
-}
-
-
-@Book{,
- ALTauthor = {},
- ALTeditor = {},
- title = {},
- publisher = {},
- year = {},
- key = {},
- volume = {},
- number = {},
- series = {},
- address = {},
- edition = {},
- month = {},
- note = {},
- annote = {},
-}
-
-
-
-@Book {,
- year = {1993},
- title = {Standard Music Notation Practice},
- author = {Maxwell Weaner and Walter Boelke},
- totalentry = {revised edition by Arnold Broido and Daniel Dorff.},
- publisher = { Music Publisher's Association of the United States Inc},
- address = {New York}
-}
-
-
-
-@Book {,
- comment = {Sound (boring) review of the various hairy rhythmic notations used by avant-garde composers HWN},
+@Book {read78,
+ note = {Sound (boring) review of the various hairy rhythmic notations used by avant-garde composers HWN},
year = {1978},
title = {Modern Rhythmic Notation},
author = {Gardner Read},
}
-@Book {,
- comment = {This is as close to the ``standard'' reference work for music notation issues as one is likely to get. MB},
+@Book {read-notation,
+ note = {(Out of print) This is as close to the ``standard'' reference work for music notation issues as one is likely to get. MB},
title = {Music Notation: a Manual of Modern Practice},
author = {Gardner Read},
totalentry = {(2nd edition)},
publisher ={Taplinger Publishing},
address ={New York},
- note = { (Out of print)},
+}
+
+@Book {weaner93,
+ year = {1993},
+ title = {Standard Music Notation Practice},
+ author = {Maxwell Weaner and Walter Boelke},
+ totalentry = {revised edition by Arnold Broido and Daniel Dorff.},
+ publisher = {Music Publisher's Association of the United States Inc},
+ address = {New York}
}
-@Book{,
- ALTauthor = {},
- ALTeditor = {},
- title = {},
- publisher = {},
- year = {},
- OPTkey = {},
- OPTvolume = {},
- OPTnumber = {},
- OPTseries = {},
- OPTaddress = {},
- OPTedition = {},
- OPTmonth = {},
- OPTnote = {},
- OPTannote = {}
+@Book {wanske,
+ note = {I. A very thorough overview of engraving practices of various craftsmen. It includes detailed specs of characters, dimensions etc. II. a thorough overview of a anonymous (by now antiquated) automated system. EDV Means e(lektronischen) D(aten)v(erarbeitung), electronic data processing HWN},
+ year = {1988},
+ title = {Musiknotation --- Von der Syntax des Notenstichs zum EDV-gesteuerten Notensatz},
+ author = {Helene Wanske},
+ publisher = {Schott-Verlag},
+ address = {Mainz},
+ isbn = {ISBN 3-7957-2886-x},
}
-@Book {,
+
+
+@Book {hader48,
year = {1948},
title = {Aus der Werkstatt eines Notenstechers},
author = {Karl Hader},
publisher = {Waldheim--Eberle Verlag},
address ={Vienna},
- comment = {Hader was the chief-engraver of the Waldheim-Eberle music
- publishers. This book contains the most important rules on engraving
-(according to [Chlapik])},
-
+ note = {Hader was the chief-engraver of the Waldheim-Eberle music
+ publishers. This beautiful booklet was intended as an introduction
+ for laymen on the art of engraving. It contains a step by step,
+ in-depth explanation of how to cut and stamp music into zinc plates.
+ It also contains some compactly formulated rules on musical
+ orthography. Out of print. }
}
+@Book{gamble23:_music_engrav,
+ author = {William Gamble},
+ title = {Music Engraving and printing. Historical and Technical Treatise},
+ publisher = {Sir Isaac Pitman & Sons, ltd.},
+ year = 1923,
+ note = {This pattriotic book was an attempt to promote and help
+ British music engravers. It is somewhat similar to Hader's
+ book\cite{hader48} in scope and style, but Gamble focuses more on
+ technical details (Which French punch cutters are worth buying from,
+ etc.), and does not treat typographical details, such as optical
+ illusions. It is available as reprint from Da Capo Press, New York
+ (1971).}
+}
-@Booklet {,
- comment = {Pamphlet explaining some fine points in music font design HWN},
+@Booklet {mpa96,
+ note = {Pamphlet explaining some fine points in music font design HWN},
year = {1996},
- title = {Standard music notation specifications for computer programming. },
+ title = {Standard music notation specifications for computer programming.},
month = {December},
+ author ={mpa},
publisher = {MPA},
}
-@TechReport{,
- comment = {Rules on formatting music formulated for use in computers. Mainly distilled from [Ross] HWN},
- year = {1988},
- title = {Music Formatting Guidelines,},
- author = {D. Roush},
- note={Technical Report OSU-CISRC-3/88-TR10},
- institution ={Department of Computer and Information Science, The Ohio State University},
-}
-
-
-
-@PhdThesis {,
- year = {1985},
- title = {Music Notation by Computer},
- author = {Donald Byrd},
- institution = {Dissertation Indiana University},
-}
-
-
-@Article {,
- year = {1974},
- title = {A System for Music Printing by Computer},
- author = {Donald Byrd},
- journal = {Computers and the Humanities},
- volume ={ 8},
- pages ={161-72},
-}
-
-
-@Book {,
- comment = {If I remember correctly, this was concerned more with an input language than with the typography. SP},
- year = {1973},
- title = {Editing and Printing Music by Computer},
- author = {Leland Smith},
- totalentry = {Journal of Music Theory},
- volume={ 17},
- pages ={292-309},
-}
-
-
-@PhdThesis {,
- year = {1975},
- title = {A Computer-Oriented System for Music Printing},
- author = {David A Gomberg},
- school = {Washington University},
-}
-
-
-@Book {,
- comment = {Annual editions since 1985, many containing surveys of music typesetting technology. SP},
- title = {Directory of Computer Assisted Research in Musicology},
- author = {Walter B Hewlett. and Eleanor Selfridge-Field},
- totalentry = {Menlo Park, CA: Center for Computer Assisted Research in the Humanities},
-}
-
-
-@Book {,
- title = {A Computer-oriented System for Music Printing},
- author = {David A. Gomberg; },
-
- journal = {Computers and the Humanities},
- volume={11},
- pages = {63-80},
-}
-
-
-@TechReport {,
- comment = {Algorithm for generating spacing in one line of (polyphonic) music, tailored for use with MusiCopy. LilyPond uses a variant of it (as of pl 76) HWN},
- year = {1987},
- title = {Spacing a Line of Music,},
- author = {John S. Gourlay},
- totalentry = {OSU-CISRC-10/87-TR35},
- institution ={ Department of Computer and Information Science, The Ohio State University},
-}
-
-
-@TechReport {,
- comment = {A brief overview of MusiCopy HWN},
- year = {1987},
- title = {MusiCopy: An automated Music Formatting System},
- author = {Allen Parish, Wael A. Hegazy, John S. Gourlay, Dean K. Roush and F. Javier Sola},
- totalentry = {OSU-CISRC-10/87-TR29},
- institution ={ Department of Computer and Information Science, The Ohio State University},
-}
-
-
-@TechReport {,
- comment = {This paper discusses the development of algorithms for the formatting of musical scores (from abstract). It also appeared at PROTEXT III, Ireland 1986},
- year = {1987},
- title = {Computer Formatting of Music,},
- author = {John S. Gourlay, A. Parrish, D. Roush, F. Sola, Y. Tien},
- totalentry = {OSU-CISRC-2/87-TR3},
- institution ={Department of Computer and Information Science, The Ohio State University},
-}
-
-
-@TechReport {,
- comment = {Describes the "parser" which converts MusiCopy MDL to MusiCopy Simultaneities & columns HWN},
- year = {1987},
- title = {On the Implementation of the MusiCopy Language Processor,},
- author = {Wael A. Hegazy},
- number = { OSU-CISRC-10/87-TR34},
- institution={ Department of Computer and Information Science, The Ohio State University},
-}
-
-
-@TechReport {,
- comment = {This generalizes TeX's breaking algorithm to music. It also appeared in Document Manipulation and Typography, J.C. van Vliet (ed) 1988. HWN},
- year = {1987},
- title = {Optimal line breaking in music},
- author = {Wael A. Hegazy and John S. Gourlay},
- totalentry = { OSU-CISRC-8/87-TR33},
- institution={Department of Computer and Information Science, The Ohio State University, },
-}
-
-
-@TechReport {,
- comment = {User manual of MusiCopy. Includes an impressive example piece. HWN},
- year = {1987},
- title = {Using MusiCopy},
- author = {Dean K. Roush},
- totalentry = { OSU-CISRC-18/87-TR31},
- institution={ Department of Computer and Information Science, The Ohio State University},
-}
-
-
-@TechReport {,
- comment = {Placement of balls, stems, dots which occur at the same moment ("Simultaneity") HWN},
- year = {1987},
- title = {Computer Formatting of Musical Simultaneities,},
- author = {A. Parrish and John S. Gourlay},
- institution={ Department of Computer and Information Science, The Ohio State University},
-}
- totalentry = { OSU-CISRC-10/87-TR28},
-}
-
-
-@TechReport {,
- comment = {Overview of a procedure for generating slurs HWN},
- year = {1987},
- title = {Computer Design of Musical Slurs, Ties and Phrase Marks,},
- author = {F. Sola},
- institution={ Department of Computer and Information Science, The Ohio State University},
- totalentry = { OSU-CISRC-10/87-TR32},
-}
-
-@TechReport {,
- institution={ Department of Computer and Information Science, The Ohio State University},
- comment = {Calculating beam slopes HWN},
- year = {1987},
- title = {Design of Musical Beams,},
- author = {F. Sola and D. Roush},
- totalentry = { OSU-CISRC-10/87-TR30},
+@Book {donato63,
+ year = {1963},
+ author = {Anthony Donato},
+ title ={Preparing Music Manuscript},
+ address ={Englewood Cliffs, NJ},
+ publisher={Prentice-Hall},
}
-@Article {,
- comment = {This paper describes the MusiCopy musicsetting system and an input language to go with it. HWN},
- year = {1986},
- title = {A language for music printing},
- author = {John. S. Gourlay},
- journal = { Communications of the ACM},
- volume= { 29 },
- number ={5},
- pages = {388--401},
+@Book {Karkoshka72,
+ year = {1972},
+ title = {Notation in New Music; a critical guide to interpretation and realisation},
+ author = {Erdhard Karkoshka},
+ translator={Ruth Koenig},
+ publisher={Praeger Publishers},
+ address={New York},
+ note ={(Out of print)},
}
+@Book {Roemer84,
+ year = {1984},
+ title = {The Art of Music Copying},
+ author = {Clinton Roemer},
+ publisher={Roerick music co.},
+ address= {Sherman Oaks (CA)},
-
-@Article {,
- comment = {A description of Lime internals (which resemble older (before 0.0.68pre) LilyPond data structures somewhat) HWN},
- year = {1993},
- title = {The Tilia Music Representation: Extensibility, Abstraction, and Notation Contexts for the Lime Music Editor},
- author = {Lippold Haken and Dorothea Blostein},
- journal = { Computer Music Journal},
- volume= {17},
- number={ 3},
- pages = {43--58},
+ note ={Out of print. Heussenstamm writes: an instructional manual
+ which specializes in methods used in the commercial field. },
+ edition={2nd},
}
-@Article {,
- comment = {This describes an algorithm which uses springs between adjacent columns. This algorithm is a "subclass" of the LilyPond algorithm. HWN},
- year = {1995},
- title = {A New Algorithm for Horizontal Spacing of Printed Music},
- author = {Lippold Haken and Dorothea Blostein},
- totalentry = {Lippold Haken and Dorothea Blostein. ``A New Algorithm for Horizontal Spacing of Printed Music'', International Computer Music Conference, Banff, Sept. 1995},
- pages = {118-119},
+@Book {Rosecrans79,
+ year = {1979},
+ title = {Music Notation Primer},
+ author = {Glen Rosecrans},
+ publisher={Passantino},
+ address={New York},
+ note={Heussenstamm writes: Limited in scope, similar to \cite{Roemer84}}
}
-@Article {,
- comment = {This paper provides a shallow overview of the algorithm used in LIME for spacing individual lines. HWN},
- year = {1991},
- title = {Justification of Printed Music},
- author = {Dorothea Blostein and Lippold Haken},
- totalentry = {Communications of the ACM},
- volume={J34},
- number={ 3},month={ March}, pages = {88-99},
+@Book {donemes1900,
+ year = {1900},
+ title = {Uitgeven van muziek},
+ author = {Donemus},
+ publisher= {Donemus Amsterdam},
}
-@Article {,
- comment = {Describes a system called MusicEase, and explains that it uses "constraints" (which go unexplained) to automatically position various elements. HWN},
- year = {1996},
- title = {Creating Printed Music Automatically},
- author = {Gary M. Rader},
- journal = {Computer},
- volume={ 29},
- number={6},
- month={June}, pages = {61--69}},
-
-
-@PhdThesis {,
- comment = {Don't ask Stephen for a copy. Write to the Bodleian Library, Oxford, or to the British Library, instead. SP},
- year = {1988},
- title = {Computer Tools for Music Information Retrieval},
- author = {Stephen Dowland Page},
- school ={ Dissertation University of Oxford},
+@Book{vinci,
+author={Vinci, Albert C.},
+title={Fundamentals of Traditional Music Notation},
+publisher={Kent State University Press},
+year={1989}
}
-@MastersThesis{,
- comment = {This dutch thesis describes a simplistic (monophonic) typesetting system, and focuses on the breaking algorithm, which is taken from Hegazy & Gourlay HWN},
- year = {1991},
- title = {Een Geautomatiseerd Systeem voor het Afdrukken van Muziek},
- author = {Ren\'e Roelofs},
- totalentry = {Ren\'e Roelofs. ``Een Geautomatiseerd Systeem voor het Afdrukken van Muziek'' afstudeerscriptie Bestuurlijke informatica, no 45327, Erasmus universiteit Rotterdam, 1991. (``An automated system for printing music'' Master's Thesis Managerial Computer Science.)},
+@Book{schirmer90,
+ author={G. Schirmer, Inc.},
+ title={The G. Schirmer Manual of Style and Usage},
+ address={New York},
+ publisher={The G. Schirmer Publications Department},
+ year={1990}
}
-@Article {,
- year = {1993},
- title = {Representation and manipulation of music documents in SceX},
- author = {Miguel Filgueiras and Jos\'e Paulo Leal},
- journal= { Electronic Publishing},
- volume={ 6},
- number={4}, pages = {507--518},
+@Book {Stone80,
+ year = {1980},
+ title = {Music Notation in the Twentieth Century},
+ author = {Kurt Stone},
+ publisher= {Norton},
+ address={New York},
+ note ={Out of print. Heussenstamm writes: The most important book on notation in recent years. },
}
-
-
-@Article {,
- comment = {A paper on a TROFF preprocessor to typeset music. The output shown is not very sophisticated, and contains some typographical atrocities HWN},
+@Book {Heussenstamm87,
year = {1987},
- title = {Music --- A language for typesetting music scores},
- author = {Eric Foxley, },
- journal={ Software --- Practice and Experience, },
- volume={ 17},
- number={8}, pages = {485-502},
-
+ title = {The Norton Manual of Music Notation},
+ author = {George Heussenstamm},
+ address= {New York},
+ publisher={Norton},
+ note={Hands-on instruction book for copying (ie. handwriting) music. Fairly complete. HWN}
}
-@Book {,
- year = {1996},
- title = {Implementing a Symbolic Music Processing System},
- author = {Miguel Filgueiras},
- totalentry = {LIACC, Universidade do Porto, 1996; submitted},
-}
-@Book {,
- title = {Some Music Typesetting Algorithms},
- author = {Miguel Filgueiras},
- totalentry = {Miguel Filgueiras. ``Some Music Typesetting Algorithms''. LIACC, Universidade do Porto, forthcoming},
+@Book{unknown69:_music_notat,
+ author = {--},
+ title = {Music Notation},
+ publisher = {Crescendo books},
+ year = 1969,
+ note = {Heussenstamm writes: An extremely thorough exploration of musical notation [..]}
}
-@Book {,
- comment = {A concise, alphabetically ordered list of typesetting and music (notation) issues with a rather simplistic attitude but in most cases "good-enough" answers JCN},
+@Book {gerou96,
+ note = {A concise, alphabetically ordered list of typesetting and music (notation) issues with a rather simplistic attitude but in most cases "good-enough" answers JCN},
year = {1996},
title = {Essential Dictionary of Music Notation},
author = {Tom Gerou and Linda Lusk},
publisher = {Alfred Publishing},
address ={Van Nuys CA},
- isbn ={ ISBN 0-88284-768-6},
+ isbn ={ISBN 0-88284-768-6},
}
-@Book {,
- comment = {An clearly written book for the casually interested reader. It shows some of the conventions and difficulties in printing music HWN},
+@Book {chlapik87,
+ note = {An clearly written book for the casually interested reader. It shows some of the conventions and difficulties in printing music HWN},
year = {1987},
title = {Die Praxis des Notengraphikers},
author = {Herbert Chlapik},
publisher = {Doblinger},
- isbn ={ ISBN 3-9000 035-96-2},
-}
-
-
-@Book {,
- comment = {Webpages about engraving (designed with finale users in mind) (sic) HWN},
- institution = {The University of Colorado},
- title ={The University of Colorado Music Engraving page.},
- url={http://obenamots.cc.colorado.edu/Musicpress/engraving.html},
+ isbn ={ISBN 3-9000 035-96-2},
}
-
-@Book {,
- year = {1963},
- author = {Anthony Donato},
- title ={ Preparing Music Manuscript},
- address ={ Englewood Cliffs, NJ},
- publisher={Prentice-Hall},
+@Book {barksdale57,
+ author = {Barksdale, A},
+ year = {1957},
+ title = {The Printed Note: 500 Years of Music Printing and Engraving},
+ address={Toledo, Ohio},
+ month = {January},
+ note={`The exhibition "The Printed Note" attempts to show the various processes used since the second of the 15th century for reproducing music mechanically ... '. The illustration mostly feature ancient music},
+ publisher={The Toledo Museum of Art},
}
-@Book {,
- year = {1900},
- title = {Uitgeven van muziek},
- author = {Donemus},
- publisher= {Donemus Amsterdam},
+@Book {wolf19,
+ author = {Wolf, Johannes},
+ year = {1919},
+ title = {Handbuch der Notationskunde},
+ address={Leipzig},
+ publisher={Breitkopf & Hartel},
+ note= {Very thorough treatment (in two volumes) of the history musical notation},
}
-
-@Book {,
- year = {1987},
- title = {The Norton Manual of Music Notation},
- author = {George Heussenstamm},
- address= { New York},
- publisher={ Norton},
+@Book {rosenthal67,
+ author = {Rosenthal, Carl A},
+ year = {1967},
+ title = {A Practical Guide to Music Notation},
+ address={New York},
+ publisher={MCA Music},
+ note={Heussenstamm writes: Informative in terms of traditional notation. Does not concern score preparation}
}
-@Book {,
- year = {1972},
- title = {Notation in New Music; a critical guide to interpretation and realisation},
- author = {Erdhard Karkoshka},
- translator={Ruth Koenig},
- publisher={Praeger Publishers},
- address={ New York},
- note ={(Out of print)},
+@Book {Boehm61,
+ author = {Boehm, Laszlo},
+ year = {1961},
+ title={Modern Music Notation},
+ address={New York},
+ publisher={G. Schirmer, Inc.},
+ note ={Heussenstamm writes: A handy compact reference book in basic notation. }
}
-
-
-@Book {,
- year = {1973},
- title = {The Art of Music Copying},
- author = {Clinton Roemer},
- publisher={ Roerick music co.},
- address= { Sherman Oaks (CA)},
+@Book{button20:_system_music_notat,
+ author = {Button, H. Elliot},
+ title = {System in Musical Notation},
+ publisher = {Novello and co.},
+ year = 1920,
+ address = {London}
}
-
-@Book {,
- year = {1979},
- title = {Music Notation Primer},
- author = {Glen Rosecrans},
- publisher={Passantino},
- address={New York},
-}
-
-
-@Book {,
- year = {1980},
- title = {Music Notation in the Twentieth Century},
- author = {Kurt Stone},
- publisher= {Norton},
- address={New York},
- note ={(Out of print)},
-
-}
-
-
-@Book {,
- comment = {This paper deals with some command-line tools for music editing and playback. It doesn't mention notation issues, but does come with the grand idea (not) of using music to monitor complex systems. Imagine your nuclear plant supervisor to use AC/DC for checking the reactor HWN},
- year = {1990},
- title = {Unix music tools at Bellcore},
- author = {Peter S. Langston},
- journal={ Software --- Practice and Experience},
- volume={20},
- number={S1},
- pages={47--61},
-}
-
-
-
-@URL {,
- comment = {FAQ (with answers) about TAB, the ASCII variant of Tablature. HWN},
- title = {how to read and write tab: a guide to tab notation},
- author = {Howard Wright},
- email={Howard.Wright@ed.ac.uk},
- url={ http://wabakimi.carleton.ca/~phacket2/guitar/tabfaq.html},
+@Book{johnson46:_how,
+ author = {Johnson, Harold},
+ title = {How to write music manuscript},
+ publisher = {Carl Fischer, Inc.},
+ year = 1946,
+ address = {New York}
}
-@URL {,
- comment = {Specs for NIFF, a comprehensive but binary (yuk) format for notation HWN},
- year = {1995},
- title = {NIFF6a Notation Interchange File Format},
- author = {Cindy Grande, },
- publisher={Grande Software Inc.},
- url={http://www.jtauber.com/music/encoding/niff/},
-}
-
-@URL {,
- title = {SMDL, Standard Musical Description Language},
- url={ftp://ftp.ornl.gov/pub/sgml/wg8/smdl/10743.pdf},
- note={ISO/IEC DIS 10743},
-}
projects / lilypond.git / blobdiff