title = {Musical handwriting : or, How to put music on paper : A handbook for all musicians, professional and amateur},
address ={London},
publisher ={Oxford University Press},
-note = {Musical notation},
+note = {subject: Musical notation},
}
@Book {15,
title = {Standardized Chord Symbol Notation},
address={Sherman Oaks, CA},
publisher={Roerick Music Co.},
+note ={subject: musical notation},
}
@Book {22,
title = {How to write music manuscript an exercise-method handbook for the music student, copyist, arranger, composer, teacher},
publisher={Carl Fischer, Inc.},
address= {New York},
-note = {Musical notation --Handbooks, manuals},
+note = {subject: Musical notation --Handbooks, manuals},
}
@Book {31,
title = {Music Printing & Publishing},
-editors ={Donald W. Krummel \& Stanley Sadie},
-
-author = {?},
+author ={Donald W. Krummel \& Stanley Sadie},
year = {1990},
-series={The Norton/Grove Handbooks in Music.},
-publisher={W.W. Norton},
+publisher= {Macmillan Press},
+note ={subject: musical notation},
}
+%series={The Norton/Grove Handbooks in Music.},
+% publisher={W.W. Norton},
+
@Book {40,
author={Foss, Hubert},
title = {Music Printing},
series = {Practical Printing and Binding},
address={London},
publisher={Oldhams Press Ltd., Long Acre},
+note ={subject: musical notation},
}
@Book {48,
year = {1903},
title = {The Earliest English Music Printing},
address={London},
+note= {subject: history of music printing and engraving},
}
+
@Book {54,
author={Austin, Ernest},
title = {The Story of Music Printing},
address={London},
publisher={Lowe and Brydone Printers, Ltd.},
-}
+note= {subject: history of music printing and engraving},
}
+
+
@Book {63,
author={?},
title = {Pictoral History of Music Printing},
-address={E;lhardt, Indiana},
+address={Elhardt, Indiana},
publisher={H. and A. Selmer, Inc.},
-}
+note= {subject: history of music printing and engraving},
-@Book {69,
-author = {Scholderer, Victor},
-year = {1963},
-title = {Johann Gutenberg},
-address={London},
-publisher={British Museum},
}
@Book {77,
title = {Musical Autographs from Monteverdi to Hindemith},
address={Princeton},
publisher={Princeton University Press},
-}
+note= {subject: history of music printing and engraving},
-@Book {85,
-author = {Wolf, Johannes},
-year = {1919},
-title = {Handbuch der Notationskunde},
-address={Leipzig},
-publisher={Breitkopf & Hartel}
}
+
@Book {92,
author = {Novello, A},
year = {1847},
title = {Some Account of the Methods of Musick Printing, with Specimens of the Various Sizes of Moveable Types and of Other Matters},
address={London},
+note={ subject: history of music printing and engraving},
}
@Book {100,
author={Chrsander, F.},
year={18??},
title={A Sketch of the HIstory of Music printing, from the 15th to the 16th century},
+note={ subject: history of music printing and engraving},
}
-@Book {105,
+@Article {squire1897,
author = {Squire, W},
year = {1897},
title = {Notes on Early Music Printing},
journal = {Bibliographica},
-volume={ iii, 99},
+volume={iii},
+number={99},
+note={ subject: history of music printing and engraving},
+
}
@Article{113,
journal = {The Dolphin},
volume={ ii},
pages={ 171--207},
+note={ subject: history of music printing and engraving},
+
}
%% 4th ver.,
@Article {120,
year = {1939},
title = {Notes on Early Music Printing},
journal = {The Library},
-
+note={subject: history of music printing and engraving},
volume={xix},
pages={389-421},
}
-@Book {128,
-author = {Barksdale, A},
-year = {1957},
-title = {The Printed Note: 500 Years of Music Printing and Engraving},
-address={Toledo, Ohio},
-note={(exhibition catalogue, the Toledo Museum of Art)},
-}
-
@Book {136,
author = {King, H},
year = {1964},
title = {Four Hundred Years of Music Printing},
address={London},
+note={ subject: history of music printing and engraving},
}
-%(Rev. 1971).
-@Book {143,
-author={Gamble, W},
-year={ 1923},
-title = {Music Engraving and Pinting, Historical And Technical Treatise},
-address={London},
-}
%(Rev.1961).
@Book{150,
year ={1946},
title = {Music Publishers' Numbers},
address={London},
+note={ subject: history of music printing and engraving},
}
@Book {151,
year = {1962},
title = {The Earliest Music Printers of Continental Europe: a Checklist of Facsimiles Illustrating Their Work},
address={Charlottesville, Virginia},
+note={ subject: history of music printing and engraving},
}
@Article {158,
journal = {Papers of the Bibliographical Society of America},
volume={ xxvi},
pages={89-118},
+note={ subject: history of music printing and engraving},
}
@Book {166,
year = {1934},
title = {Collecting Musical First Editions},
address={London},
+note={ subject: history of music printing and engraving},
}
@Book{170,
year={1934},
title = {New Paths in Book Collecting},
address={London},
+note={ subject: history of music printing and engraving},
}
@Book {179,
journal = {Notes},
volume={xvi},
pages={213},
+note={ subject: history of music printing and engraving},
}
@Book {189,
journal = {The Library},
volume={5th ser., xxvi},
pages={312},
+note={ subject: history of music printing and engraving},
}
@Book {198,
}
@Book {215,
-author = {Tappelot, Willy},
+author = {Tappolet, Willy},
year = {1947},
title = {La Notation Musicale},
address={Paris},
-publisher={Neuchatel},
+note={subject: general notation},
+publisher={Neuch\^atel},
}
@Book {223,
title = {The Story of Notation},
address={New York},
publisher={Charles Scribner's Sons},
-}
-
-@Book {231,
-author = {Rosenthal, Carl A},
-year = {1967},
-title = {A Practical Guide to Music Notation},
-address={New York},
-publisher={MCA Music},
+note={subject: general notation},
}
@Book {239,
publisher={Clarendon Press},
scnd_address={New York},
scnd_publisher={Oxford University Press },
+note={subject: early notation},
}
@Book {258,
title = {The Notation of Medieval Music},
address={New York},
publisher={Carl Fischer, Inc.},
+note={subject: early notation},
}
@Book {277,
title = {Genesis of a Music},
address={Madison},
publisher={University of Wisconsin Press},
+note={subject: early notation},
}
@Book {285,
author={Cage, John},
-year={ 1969},
+year={1969},
title = {Notations},
address={New York},
publisher={Something Else Press},
address={Urbana, Illinois},
publisher={University of Illinois Press},
note = {A Guide to Notational Signs for Contemporary Music},
-
-
}
-@Book {317,
-author = {Boehm, Laszlo},
-year = {1961},
-title={Modern Music Notation},
-address={New York},
-publisher={G. Schirmer, Inc.},
-}
+
@Book {325,
author = {Cowell, Henry},
title = {New Musical Resources},
address={New York},
publisher={Alfred A. Knopf, Inc.},
+note={subject: 20th century notation},
}
@Article {333,
journal = {Modern Music},
volume={4},
number={3},
+note={subject: 20th century notation},
+
}
@Book {342,
pages={21(26)},
note={Proportional notation in the music of Schutz and his contemporaries in the 17th Century},
}
+
@Book {362,
author = {Monelle, Raymond},
year = {1989},
}
@Book {464,
-
author = {Lependorf, Jeffrey},
year = {1989},
journal={Perspectives of New Music},
Refor by the Chroma Foundation (book reviews). },
}
-@Book {491,
-author={Francois, Jean-Charles},
-title = {Perspectives of New Music},
-volume={30}, number={1}, month={Winter}, pages={6(15)},
-year={1992},
-}
-%title={Writing without representation, and unreadable notation.},
-%author={Jean-Charles Francois.}
-%note={Modern music has outgrown notation. While the computer is used to write down music with accuracy never before achieved, the range of modern sounds has surpassed the relevance of the computer.},
+@Article {Francois92,
+ author={Francois, Jean-Charles},
+ journal = {Perspectives of New Music},
+ volume={30},
+ number={1}, month={Winter},
+ pages={6(15)},
+ year={1992},
+ note={subject: Modern music has outgrown notation. While the
+ computer is used to write down music with accuracy never
+ before achieved, the range of modern sounds has surpassed
+ the relevance of the computer...},
+title={Writing without representation, and unreadable notation.},
+}
@Book {501,
-author = {Hamel, Keith A},
-year = {1989},
-title = {Perspectives of New Music},
-volume={27}, number={1}, month={Winter}, pages={70(14)},
-note={A design for music editing and printing software based on notational syntax. (computer music) },
+ author = {Hamel, Keith A},
+ year = {1989},
+ journal = {Perspectives of New Music},
+ volume={27},
+ number={1},
+ month={Winter},
+ pages={70(14)},
+ title={A design for music editing and printing software based on notational syntax},
}
projects / lilypond.git / blobdiff