% TODO: fix the labelling.
@Book {6,
-author ={Jacob, Archibald},
-year={1947},
-title = {Musical handwriting : or, How to put music on paper : A handbook for all musicians, professional and amateur},
-address ={London},
-publisher ={Oxford University Press},
-note = {subject: Musical notation},
+ author ={Jacob, Archibald},
+ year={1947},
+ title = {Musical handwriting : or, How to put music on paper : A handbook for all musicians, professional and amateur},
+ address ={London},
+ publisher ={Oxford University Press},
+ note = {subject: Musical notation},
}
@Book {15,
-author ={Carl Brandt and Clinton Roemer},
-title = {Standardized Chord Symbol Notation},
-address={Sherman Oaks, CA},
-publisher={Roerick Music Co.},
-note ={subject: musical notation},
+ author ={Carl Brandt and Clinton Roemer},
+ title = {Standardized Chord Symbol Notation},
+ address={Sherman Oaks, CA},
+ publisher={Roerick Music Co.},
+ note ={subject: musical notation},
}
@Book {22,
-author = {Johnson, Harold M},
-year = {1946},
-title = {How to write music manuscript an exercise-method handbook for the music student, copyist, arranger, composer, teacher},
-publisher={Carl Fischer, Inc.},
-address= {New York},
-note = {subject: Musical notation --Handbooks, manuals},
+ author = {Johnson, Harold M},
+ year = {1946},
+ title = {How to write music manuscript an exercise-method handbook for the music student, copyist, arranger, composer, teacher},
+ publisher={Carl Fischer, Inc.},
+ address= {New York},
+ note = {subject: Musical notation --Handbooks, manuals},
}
@Book {31,
-title = {Music Printing & Publishing},
-author ={Donald W. Krummel \& Stanley Sadie},
-year = {1990},
-publisher= {Macmillan Press},
-note ={subject: musical notation},
+ title = {Music Printing & Publishing},
+ author ={Donald W. Krummel \& Stanley Sadie},
+ year = {1990},
+ publisher= {Macmillan Press},
+ note ={subject: musical notation},
}
%series={The Norton/Grove Handbooks in Music.},
% publisher={W.W. Norton},
@Book {40,
-author={Foss, Hubert},
-title = {Music Printing},
-series = {Practical Printing and Binding},
-address={London},
-publisher={Oldhams Press Ltd., Long Acre},
-note ={subject: musical notation},
+ author={Foss, Hubert},
+ title = {Music Printing},
+ series = {Practical Printing and Binding},
+ address={London},
+ publisher={Oldhams Press Ltd., Long Acre},
+ note ={subject: musical notation},
}
@Book {48,
-author = {Steele, Robert},
-year = {1903},
-title = {The Earliest English Music Printing},
-address={London},
-note= {subject: history of music printing and engraving},
+ author = {Steele, Robert},
+ year = {1903},
+ title = {The Earliest English Music Printing},
+ address={London},
+ note= {subject: history of music printing and engraving},
}
@Book {54,
-author={Austin, Ernest},
-title = {The Story of Music Printing},
-address={London},
-publisher={Lowe and Brydone Printers, Ltd.},
-note= {subject: history of music printing and engraving},
+ author={Austin, Ernest},
+ title = {The Story of Music Printing},
+ address={London},
+ publisher={Lowe and Brydone Printers, Ltd.},
+ note= {subject: history of music printing and engraving},
}
@Book {63,
-author={?},
-title = {Pictoral History of Music Printing},
-address={Elhardt, Indiana},
-publisher={H. and A. Selmer, Inc.},
-note= {subject: history of music printing and engraving},
+ author={?},
+ title = {Pictoral History of Music Printing},
+ address={Elhardt, Indiana},
+ publisher={H. and A. Selmer, Inc.},
+ note= {subject: history of music printing and engraving},
}
@Book {77,
-author = {Wintermitz, Emmanuel},
-year = {1955},
-title = {Musical Autographs from Monteverdi to Hindemith},
-address={Princeton},
-publisher={Princeton University Press},
-note= {subject: history of music printing and engraving},
+ author = {Wintermitz, Emmanuel},
+ year = {1955},
+ title = {Musical Autographs from Monteverdi to Hindemith},
+ address={Princeton},
+ publisher={Princeton University Press},
+ note= {subject: history of music printing and engraving},
}
@Book {92,
-author = {Novello, A},
-year = {1847},
-title = {Some Account of the Methods of Musick Printing, with Specimens of the Various Sizes of Moveable Types and of Other Matters},
-address={London},
-note={ subject: history of music printing and engraving},
+ author = {Novello, A},
+ year = {1847},
+ title = {Some Account of the Methods of Musick Printing, with Specimens of the Various Sizes of Moveable Types and of Other Matters},
+ address={London},
+ note={ subject: history of music printing and engraving},
}
@Book {100,
-author={Chrsander, F.},
-year={18??},
-title={A Sketch of the HIstory of Music printing, from the 15th to the 16th century},
-note={ subject: history of music printing and engraving},
+ author={Chrsander, F.},
+ year={18??},
+ title={A Sketch of the HIstory of Music printing, from the 15th to the 16th century},
+ note={ subject: history of music printing and engraving},
}
@Article {squire1897,
-author = {Squire, W},
-year = {1897},
-title = {Notes on Early Music Printing},
-journal = {Bibliographica},
-volume={iii},
-number={99},
-note={ subject: history of music printing and engraving},
+ author = {Squire, W},
+ year = {1897},
+ title = {Notes on Early Music Printing},
+ journal = {Bibliographica},
+ volume={iii},
+ number={99},
+ note={ subject: history of music printing and engraving},
}
@Article{113,
-author = {Meyer, K. and O'Meara, J},
-year = {1935},
-title = {The Printing of Music, 1473-1934},
-journal = {The Dolphin},
-volume={ ii},
-pages={ 171--207},
-note={ subject: history of music printing and engraving},
+ author = {Meyer, K. and O'Meara, J},
+ year = {1935},
+ title = {The Printing of Music, 1473-1934},
+ journal = {The Dolphin},
+ volume={ ii},
+ pages={ 171--207},
+ note={ subject: history of music printing and engraving},
}
%% 4th ver.,
@Article {120,
-author = {Pattison, B},
-year = {1939},
-title = {Notes on Early Music Printing},
-journal = {The Library},
-note={subject: history of music printing and engraving},
-volume={xix},
-pages={389-421},
+ author = {Pattison, B},
+ year = {1939},
+ title = {Notes on Early Music Printing},
+ journal = {The Library},
+ note={subject: history of music printing and engraving},
+ volume={xix},
+ pages={389-421},
}
@Book {136,
-author = {King, H},
-year = {1964},
-title = {Four Hundred Years of Music Printing},
-address={London},
-note={ subject: history of music printing and engraving},
+ author = {King, H},
+ year = {1964},
+ title = {Four Hundred Years of Music Printing},
+ address={London},
+ note={ subject: history of music printing and engraving},
}
%(Rev.1961).
@Book{150,
-author={Deutsch, O.F.},
-year ={1946},
-title = {Music Publishers' Numbers},
-address={London},
-note={ subject: history of music printing and engraving},
+ author={Deutsch, O.F.},
+ year ={1946},
+ title = {Music Publishers' Numbers},
+ address={London},
+ note={ subject: history of music printing and engraving},
}
@Book {151,
-author = {Marco, G.A},
-year = {1962},
-title = {The Earliest Music Printers of Continental Europe: a Checklist of Facsimiles Illustrating Their Work},
-address={Charlottesville, Virginia},
-note={ subject: history of music printing and engraving},
+ author = {Marco, G.A},
+ year = {1962},
+ title = {The Earliest Music Printers of Continental Europe: a Checklist of Facsimiles Illustrating Their Work},
+ address={Charlottesville, Virginia},
+ note={ subject: history of music printing and engraving},
}
@Article {158,
-author = {Kinkeldey, O},
-year = {1932},
-title = {Music And Music Printing in Incunabula},
-journal = {Papers of the Bibliographical Society of America},
-volume={ xxvi},
-pages={89-118},
-note={ subject: history of music printing and engraving},
+ author = {Kinkeldey, O},
+ year = {1932},
+ title = {Music And Music Printing in Incunabula},
+ journal = {Papers of the Bibliographical Society of America},
+ volume={ xxvi},
+ pages={89-118},
+ note={ subject: history of music printing and engraving},
}
@Book {166,
-author = {Oldman, C.B},
-year = {1934},
-title = {Collecting Musical First Editions},
-address={London},
-note={ subject: history of music printing and engraving},
+ author = {Oldman, C.B},
+ year = {1934},
+ title = {Collecting Musical First Editions},
+ address={London},
+ note={ subject: history of music printing and engraving},
}
@Book{170,
-author={Carter, J},
-year={1934},
-title = {New Paths in Book Collecting},
-address={London},
-note={ subject: history of music printing and engraving},
+ author={Carter, J},
+ year={1934},
+ title = {New Paths in Book Collecting},
+ address={London},
+ note={ subject: history of music printing and engraving},
}
@Book {179,
-author={Krummel, D.W.},
-year={1958},
-month={9},
-title = {Graphic Analysis in Application to Early American Engraved Music},
-journal = {Notes},
-volume={xvi},
-pages={213},
-note={ subject: history of music printing and engraving},
+ author={Krummel, D.W.},
+ year={1958},
+ month={9},
+ title = {Graphic Analysis in Application to Early American Engraved Music},
+ journal = {Notes},
+ volume={xvi},
+ pages={213},
+ note={ subject: history of music printing and engraving},
}
@Book {189,
-author = {Krummel, D.W},
-year = {1971},
-title = {Oblong Format in Early Music Books},
-journal = {The Library},
-volume={5th ser., xxvi},
-pages={312},
-note={ subject: history of music printing and engraving},
+ author = {Krummel, D.W},
+ year = {1971},
+ title = {Oblong Format in Early Music Books},
+ journal = {The Library},
+ volume={5th ser., xxvi},
+ pages={312},
+ note={ subject: history of music printing and engraving},
}
@Book {198,
-author = {King, A.H},
-year = {1973},
-title = {The 50th Anniversary of Music Printing},
+ author = {King, A.H},
+ year = {1973},
+ title = {The 50th Anniversary of Music Printing},
}
@Book {204,
-author={Rastall, Richard},
-year={1982},
+ author={Rastall, Richard},
+ year={1982},
title = {The notation of Western music : an introduction},
-address={New York, N.Y.},
-publisher={St. Martin's Press},
-note = {Musical notation},
+ address={New York, N.Y.},
+ publisher={St. Martin's Press},
+ note = {Musical notation},
}
@Book {215,
-author = {Tappolet, Willy},
-year = {1947},
-title = {La Notation Musicale},
-address={Paris},
-note={subject: general notation},
-publisher={Neuch\^atel},
+ author = {Tappolet, Willy},
+ year = {1947},
+ title = {La Notation Musicale},
+ address={Paris},
+ note={subject: general notation},
+ publisher={Neuch\^atel},
}
@Book {223,
-author = {Williams, C.F. Abdy},
-year = {1903},
-title = {The Story of Notation},
-address={New York},
-publisher={Charles Scribner's Sons},
-note={subject: general notation},
+ author = {Williams, C.F. Abdy},
+ year = {1903},
+ title = {The Story of Notation},
+ address={New York},
+ publisher={Charles Scribner's Sons},
+ note={subject: general notation},
}
@Book {239,
-author={Apel, Willi},
-year={1953},
-title = {The notation of polyphonic music, 900-1600},
-address={Cambridge, Mass},
-institution={Mediaeval Academy of America},
-note = {Musical notation},
+ author={Apel, Willi},
+ year={1953},
+ title = {The notation of polyphonic music, 900-1600},
+ address={Cambridge, Mass},
+ institution={Mediaeval Academy of America},
+ note = {Musical notation},
}
@Book {248,
-author={Berger, Anna Maria Busse},
-year={1993},
-title = {Mensuration and proportion signs : origins and evolution},
-address={Oxford, England},
-publisher={Clarendon Press},
-scnd_address={New York},
-scnd_publisher={Oxford University Press },
-note={subject: early notation},
+ author={Berger, Anna Maria Busse},
+ year={1993},
+ title = {Mensuration and proportion signs : origins and evolution},
+ address={Oxford, England},
+ publisher={Clarendon Press},
+ scnd_address={New York},
+ scnd_publisher={Oxford University Press },
+ note={subject: early notation},
}
@Book {258,
-author={Parrish, Carl},
-year={1957},
+ author={Parrish, Carl},
+ year={1957},
title = {The notation of medieval music},
-address={New York},
-publisher={Norton},
-note = {Musical notation},
+ address={New York},
+ publisher={Norton},
+ note = {Musical notation},
}
@Book {269,
-author = {Parrish, Carl},
-year = {1946},
-title = {The Notation of Medieval Music},
-address={New York},
-publisher={Carl Fischer, Inc.},
-note={subject: early notation},
+ author = {Parrish, Carl},
+ year = {1946},
+ title = {The Notation of Medieval Music},
+ address={New York},
+ publisher={Carl Fischer, Inc.},
+ note={subject: early notation},
}
@Book {277,
-author = {Patch, Harry},
-year = {1949},
-title = {Genesis of a Music},
-address={Madison},
-publisher={University of Wisconsin Press},
-note={subject: early notation},
+ author = {Patch, Harry},
+ year = {1949},
+ title = {Genesis of a Music},
+ address={Madison},
+ publisher={University of Wisconsin Press},
+ note={subject: early notation},
}
@Book {285,
-author={Cage, John},
-year={1969},
+ author={Cage, John},
+ year={1969},
title = {Notations},
-address={New York},
-publisher={Something Else Press},
-note = {Music, Manuscripts, Facsimiles.
+ address={New York},
+ publisher={Something Else Press},
+ note = {Music, Manuscripts, Facsimiles.
-Facsimiles of holographs from the Foundation for Contemporary
-Performance Arts, with text by 269 composers, but rearranged using
-chance operations.,V)} },
+ Facsimiles of holographs from the Foundation for Contemporary
+ Performance Arts, with text by 269 composers, but rearranged using
+ chance operations.,V)} },
@Book {295,
-author = {Gaburo, Virginia},
-year = {1977},
-title = {Notation},
-address={publisher= {Lingua Press},
-publisher={La Jolla, California}},
-note = {A Lecture about notation, new ideas about},
+ author = {Gaburo, Virginia},
+ year = {1977},
+ title = {Notation},
+ address={publisher= {Lingua Press},
+ publisher={La Jolla, California}},
+ note = {A Lecture about notation, new ideas about},
}
@Book {306,
-author = {Risatti, Howard},
-year = {1975},
-title = {New Music Vocabulary},
-address={Urbana, Illinois},
-publisher={University of Illinois Press},
-note = {A Guide to Notational Signs for Contemporary Music},
+ author = {Risatti, Howard},
+ year = {1975},
+ title = {New Music Vocabulary},
+ address={Urbana, Illinois},
+ publisher={University of Illinois Press},
+ note = {A Guide to Notational Signs for Contemporary Music},
}
@Book {325,
-author = {Cowell, Henry},
-year = {1930},
-title = {New Musical Resources},
-address={New York},
-publisher={Alfred A. Knopf, Inc.},
-note={subject: 20th century notation},
+ author = {Cowell, Henry},
+ year = {1930},
+ title = {New Musical Resources},
+ address={New York},
+ publisher={Alfred A. Knopf, Inc.},
+ note={subject: 20th century notation},
}
@Article {333,
-author = {Cowell, Henry},
-year = {1927},
-title = {Our Inadequate Notation},
-journal = {Modern Music},
-volume={4},
-number={3},
-note={subject: 20th century notation},
+ author = {Cowell, Henry},
+ year = {1927},
+ title = {Our Inadequate Notation},
+ journal = {Modern Music},
+ volume={4},
+ number={3},
+ note={subject: 20th century notation},
}
@Book {342,
-author = {Bowers, Roger},
-year = {1992},
-title = {Music & Letters},
-volume={73},
-number={3},
-month={August},
-pages={347(52)},
-note={Some reflection upon notation and proportion in Monteverdi's mass and vespers},
+ author = {Bowers, Roger},
+ year = {1992},
+ title = {Music & Letters},
+ volume={73},
+ number={3},
+ month={August},
+ pages={347(52)},
+ note={Some reflection upon notation and proportion in Monteverdi's mass and vespers},
}
@Book {353,
-author = {Brainard, Paul},
-year = {1992},
-title = {Current Musicology},
-number={50},
-month={July-Dec},
-pages={21(26)},
-note={Proportional notation in the music of Schutz and his contemporaries in the 17th Century},
+ author = {Brainard, Paul},
+ year = {1992},
+ title = {Current Musicology},
+ number={50},
+ month={July-Dec},
+ pages={21(26)},
+ note={Proportional notation in the music of Schutz and his contemporaries in the 17th Century},
}
@Book {362,
-author = {Monelle, Raymond},
-year = {1989},
-title = {Comparative Literature},
-volume={41}, number={3},
-month={Summer},
-pages={252(18)},
+ author = {Monelle, Raymond},
+ year = {1989},
+ title = {Comparative Literature},
+ volume={41}, number={3},
+ month={Summer},
+ pages={252(18)},
-note={Music notation and the poetic foot},
+ note={Music notation and the poetic foot},
}
@Book {373,
-author = {Pinegar, Sandra},
-year = {1993},
-title = {Current Musicology},
-number={53},
-month={July},
-pages={99(10)},
-note={The seeds of notation and music paleography.},
+ author = {Pinegar, Sandra},
+ year = {1993},
+ title = {Current Musicology},
+ number={53},
+ month={July},
+ pages={99(10)},
+ note={The seeds of notation and music paleography.},
}
@Book {382,
-author = {Smith, Norman E},
-year = {1990},
-title = {Current Musicology},
-number={45-47},
-month={Jan-Dec},
-pages={283(22)},
-note={The notation of fractio modi.},
+ author = {Smith, Norman E},
+ year = {1990},
+ title = {Current Musicology},
+ number={45-47},
+ month={Jan-Dec},
+ pages={283(22)},
+ note={The notation of fractio modi.},
}
@Book {392,
-author = {Treitler, Leo},
-year = {1992},
-title = {The Journal of Musicology},
-volume={10},
-number={2},
-month={Spring},
-pages={131(61)},
+ author = {Treitler, Leo},
+ year = {1992},
+ title = {The Journal of Musicology},
+ volume={10},
+ number={2},
+ month={Spring},
+ pages={131(61)},
-note={ The unwritten and written transmission, of medieval chant
-and the start-up of musical notation.
+ note={ The unwritten and written transmission, of medieval chant
+ and the start-up of musical notation.
-Notational practice developed in medieval music to address the written tradition for chant which interacted with the unwritten vocal tradition.},
+ Notational practice developed in medieval music to address the written tradition for chant which interacted with the unwritten vocal tradition.},
}
@Book {407,
-author = {West, M.L},
-year = {1994},
-title = {Music & Letters},
-volume={75},
-number={2},
-month={May},
-pages={161(19)},
-note={The Babylonian musical notation and the Hurrian melodic texts.
+ author = {West, M.L},
+ year = {1994},
+ title = {Music & Letters},
+ volume={75},
+ number={2},
+ month={May},
+ pages={161(19)},
+ note={The Babylonian musical notation and the Hurrian melodic texts.
-A new way of deciphering the ancient Babylonian musical notation.
+ A new way of deciphering the ancient Babylonian musical notation.
}
}
@Book {418,
-author = {Brown, Earle},
-year = {1986},
-title = {Musical Quarterly},
-volume={72},
-month={Spring},
-pages={180(22)},
-note={The notation and performance of new music.},
+ author = {Brown, Earle},
+ year = {1986},
+ title = {Musical Quarterly},
+ volume={72},
+ month={Spring},
+ pages={180(22)},
+ note={The notation and performance of new music.},
}
@Book {426,
-author = {Eggleston, Suzanne},
-year = {1994},
-title = {Notes},
-volume={51},
-number={2},
-month={Dec},
-pages={657(7)},
-journal={New periodicals},
-note={A list of new music periodicals covering the period
-Jun.-Dec. 1994. Includes aims, formats and a description of the
-contents of each listed periodical. Includes Music Notation News},
+ author = {Eggleston, Suzanne},
+ year = {1994},
+ title = {Notes},
+ volume={51},
+ number={2},
+ month={Dec},
+ pages={657(7)},
+ journal={New periodicals},
+ note={A list of new music periodicals covering the period
+ Jun.-Dec. 1994. Includes aims, formats and a description of the
+ contents of each listed periodical. Includes Music Notation News},
}
@Book {441,
-author = {Fuller, David},
-year = {1989},
-title = {The Journal of Musicology},
-volume={7},
-number={1},
-month={Winter},
-pages={21(8)},
-note={
-Notes and inegales unjoined: defending a definition. (written-out inequalities in music notation).
+ author = {Fuller, David},
+ year = {1989},
+ title = {The Journal of Musicology},
+ volume={7},
+ number={1},
+ month={Winter},
+ pages={21(8)},
+ note={
+ Notes and inegales unjoined: defending a definition. (written-out inequalities in music notation).
}},
@Book {454,
-author = {Jones, David Evan},
-year = {1990},
-title = {Perspectives of New Music},
-note={
-Speech extrapolated. (includes notation)
-}
+ author = {Jones, David Evan},
+ year = {1990},
+ title = {Perspectives of New Music},
+ note={Speech extrapolated. (includes notation)}
}
@Book {464,
-author = {Lependorf, Jeffrey},
-year = {1989},
-journal={Perspectives of New Music},
-volume={27},
+ author = {Lependorf, Jeffrey},
+ year = {1989},
+ journal={Perspectives of New Music},
+ volume={27},
number={2},
-month={Summer},
-pages={232(20)},
-note={
-Contemporary notation for the shakuhachi: a primer for composers. (Tradition and Renewal in the Music of Japan) },
+ month={Summer},
+ pages={232(20)},
+ note={
+ Contemporary notation for the shakuhachi: a primer for composers. (Tradition and Renewal in the Music of Japan) },
}
@Book {478,
-author = {Rastall, Richard},
-year = {1993},
-title = {Music & Letters},
-volume={74}, number={4},
-month={November},
-pages={639(2)},
+ author = {Rastall, Richard},
+ year = {1993},
+ title = {Music & Letters},
+ volume={74}, number={4},
+ month={November},
+ pages={639(2)},
-note={Equal Temperament Music Notation: The Ailler-Brennink
-Chromatic Notation. Results and Conclusions of the Music Notation
-Refor by the Chroma Foundation (book reviews). },
+ note={Equal Temperament Music Notation: The Ailler-Brennink
+ Chromatic Notation. Results and Conclusions of the Music Notation
+ Refor by the Chroma Foundation (book reviews). },
}
@Article {Francois92,
computer is used to write down music with accuracy never
before achieved, the range of modern sounds has surpassed
the relevance of the computer...},
-title={Writing without representation, and unreadable notation.},
+ title={Writing without representation, and unreadable notation.},
}
@Book {501,
projects / lilypond.git / blobdiff