%
% TITLE=University of Colorado Engraving music bibliography
-% AUTHOR=Alyssa Lamb
+% AUTHOR=Alyssa Lamb (edited & converted to bibtex by HWN)
%
-@Book {
-author ={Jacob, Archibald},
-year={ 1947},
-title = {Musical handwriting : or, How to put music on paper : A handbook for all musicians, professional and amateur},
-address ={ London}
-publisher ={Oxford University Press},
-subject = { Musical notation},
-}
-
-@Book {
-author ={Brandt, Carl, and Roemer, Clinton},
-title = {Standardized Chord Symbol Notation},
-address={Sherman Oaks, CA}
-publisher={Roerick Music Co.}
-}
-
-@Book {
-author = {Johnson, Harold M},
-year = {1946},
-title = {How to write music manuscript an exercise-method handbook for the music student, copyist, arranger, composer, teacher},
-publisher={ Carl Fischer, Inc. }
-address= {New York}
-subject = {Musical notation --Handbooks, manuals},
-}
-
-@Book {
-title = {Music Printing & Publishing},
-editedby={ Donald W. Krummel \& Stanley Sadie},
-author = {?}
-year = {1990},
-series={ The Norton/Grove Handbooks in Music.}
-publisher={W.W. Norton}
-}
-
-@Book {
-author={Foss, Hubert},
-title = {Music Printing},
-series = {Practical Printing and Binding},
-address={ London},
-publisher={ Oldhams Press Ltd., Long Acre.}
-}
-
-@Book {
-author = {Steele, Robert},
-year = {1903},
-title = {The Earliest English Music Printing},
-address={ London},
-}
-@Book {
-author={Austin, Ernest},
-title = {The Story of Music Printing},
-address={ London},
-publisher={Lowe and Brydone Printers, Ltd.}
-}
-
-}
-
-@Book {
-title = {Pictoral History of Music Printing},
-address={E;lhardt, Indiana}
-publisher={H. and A. Selmer, Inc.}
-}
-
-@Book {
-author = {Scholderer, Victor},
-year = {1963},
-title = {Johann Gutenberg},
-address={ London},
-publisher={ British Museum},
-}
-
-@Book{
-author = {Wintermitz, Emmanuel},
-year = {1955},
-title = {Musical Autographs from Monteverdi to Hindemith},
-address={Princeton}
-publisher={Princeton University Press},
-}
-@Book{
-author = {Wolf, Johannes},
-year = {1919},
-title = {Handbuch der Notationskunde},
-address={Leipzig},
-publisher={ Breitkopf & Hartel.}
-}
-@Book{
-
-author = {Novello, A},
-year = {1847},
-title = {Some Account of the Methods of Musick Printing, with Specimens of the Various Sizes of Moveable Types and of Other Matters},
-address={ London}.
-}
-
-@Book{
-author={Chrsander, F.}
-year={18??}
-title={A Sketch of the HIstory of Music printing, from the 15th to the 16th century},
-}
-@Book{
-author = {Squire, W},
-year = {1897},
-title = {Notes on Early Music Printing},
-, title = {Bibliographica},
-, iii, 99.
-}
-
-@Book{
-author = {Meyer, K. and O'Meara, J},
-year = {1935},
-title = {The Printing of Music, 1473-1934},
-, title = {The Dolphin},
-, ii, p.171-207.
-
-@Book{
-author = {Pattison, B},
-year = {1939},
-title = {Notes on Early Music Printing},
-,title = {The Library},
-, 4th ver., xix, p.389-421.
-}
-
-@Book{
-author = {Barksdale, A},
-year = {1957},
-title = {The Printed Note: 500 Years of Music Printing and Engraving},
-address={Toledo, Ohio}
-note={(exhibition catalogue, the Toledo Museum of Art).}
-}
+% TODO: fix the labelling.
-@Book{
-author = {King, H},
-year = {1964},
-title = {Four Hundred Years of Music Printing},
-London.
+@Book {6,
+ author ={Jacob, Archibald},
+ year={1947},
+ title = {Musical handwriting : or, How to put music on paper : A handbook for all musicians, professional and amateur},
+ address ={London},
+ publisher ={Oxford University Press},
+ note = {subject: Musical notation},
}
-@Book{
-Gamble, W. 1923 (Rev. 1971). title = {Music Engraving and Pinting, Historical And Technical Treatise},
-Londond.
-
-Deutsch, O.F. 1946 (Rev.1961). title = {Music Publishers' Numbers},
-London.
+@Book {15,
+ author ={Carl Brandt and Clinton Roemer},
+ title = {Standardized Chord Symbol Notation},
+ address={Sherman Oaks, CA},
+ publisher={Roerick Music Co.},
+ note ={subject: musical notation},
}
-@Book{
-author = {Marco, G.A},
-year = {1962},
-title = {The Earliest Music Printers of Continental Europe: a Checklist of Facsimiles Illustrating Their Work},
-Charlottesville, Virginia.
+@Book {22,
+ author = {Johnson, Harold M},
+ year = {1946},
+ title = {How to write music manuscript an exercise-method handbook for the music student, copyist, arranger, composer, teacher},
+ publisher={Carl Fischer, Inc.},
+ address= {New York},
+ note = {subject: Musical notation --Handbooks, manuals},
}
-@Book{
-author = {Kinkeldey, O},
-year = {1932},
-title = {Music And Music Printing in Incunabula},
-, title = {Papers of the Bibliographical Society of America},
-, xxvi, p.89-118.
-}
-
-@Book{
-author = {Oldman, C.B},
-year = {1934},
-title = {Collecting Musical First Editions},
-London.
-Also in: Carter, J. 1934. title = {New Paths in Book Collecting},
-London.
-
-Krummel, D.W. 1958-9. title = {Graphic Analysis in Application to Early American Engraved Music},
-, title = {Notes},
-, xvi, p.213.
+@Book {31,
+ title = {Music Printing & Publishing},
+ author ={Donald W. Krummel \& Stanley Sadie},
+ year = {1990},
+ publisher= {Macmillan Press},
+ note ={subject: musical notation},
}
-@Book{
-author = {Krummel, D.W},
-year = {1971},
-title = {Oblong Format in Early Music Books},
-, title = {The Library},
-, 5th ser., xxvi, p.312.
-}
+%series={The Norton/Grove Handbooks in Music.},
+% publisher={W.W. Norton},
-@Book{
-author = {King, A.H},
-year = {1973},
-title = {The 50th Anniversary of Music Printing},
-, title = {M_________},
-, cxiv.
+@Book {40,
+ author={Foss, Hubert},
+ title = {Music Printing},
+ series = {Practical Printing and Binding},
+ address={London},
+ publisher={Oldhams Press Ltd., Long Acre},
+ note ={subject: musical notation},
}
-@Book{
-Rastall, Richard. 1982. title = {The notation of Western music : an introduction},
-New York, N.Y.: St. Martin's Press.
-subject = { Musical notation},
-
-
+@Book {48,
+ author = {Steele, Robert},
+ year = {1903},
+ title = {The Earliest English Music Printing},
+ address={London},
+ note= {subject: history of music printing and engraving},
}
-@Book{
-author = {Tappelot, Willy},
-year = {1947},
-title = {La Notation Musicale},
-Paris: Neuchatel.
-}
+@Book {54,
+ author={Austin, Ernest},
+ title = {The Story of Music Printing},
+ address={London},
+ publisher={Lowe and Brydone Printers, Ltd.},
+ note= {subject: history of music printing and engraving},
-@Book{
-author = {Williams, C.F. Abdy},
-year = {1903},
-title = {The Story of Notation},
-New York: Charles Scribner's Sons.
}
-@Book{
-author = {Rosenthal, Carl A},
-year = {1967},
-title = {A Practical Guide to Music Notation},
-New York: MCA Music.
-
-<UL>}
-@Book{
-Apel, Willi. 1953. title = {The notation of polyphonic music, 900-1600.},
-Cambridge, Mass.: Mediaeval Academy of America.
-subject = {Musical notation},
-}
-
-@Book{
+@Book {63,
+ author={?},
+ title = {Pictoral History of Music Printing},
+ address={Elhardt, Indiana},
+ publisher={H. and A. Selmer, Inc.},
+ note= {subject: history of music printing and engraving},
-Berger, Anna Maria Busse. 1993. title = {Mensuration and proportion signs : origins and evolution},
-Oxford, England: Clarendon Press; New York: Oxford University Press .
}
-@Book{
-Parrish, Carl. 1957. title = {The notation of medieval music},
-New York : Norton.
-subject = {Musical notation},
-
-
-}
+@Book {77,
+ author = {Wintermitz, Emmanuel},
+ year = {1955},
+ title = {Musical Autographs from Monteverdi to Hindemith},
+ address={Princeton},
+ publisher={Princeton University Press},
+ note= {subject: history of music printing and engraving},
-@Book{
-author = {Parrish, Carl},
-year = {1946},
-title = { The Notation of Medieval Music},
-New York: Carl Fischer, Inc.
}
-@Book{
-author = {Patch, Harry},
-year = {1949},
-title = { Genesis of a Music},
-Madison: University of Wisconsin Press.
-}
-@Book{
-Cage, John. 1969. title = {Notations},
-New York: Something Else Press.
-subject = { Music, Manuscripts, Facsimiles},
+@Book {92,
-(Facsimiles of holographs from the Foundation for Contemporary Performance Arts, with text by 269 composers, but rearranged using title = {chance operations.},
-)
+ author = {Novello, A},
+ year = {1847},
+ title = {Some Account of the Methods of Musick Printing, with Specimens of the Various Sizes of Moveable Types and of Other Matters},
+ address={London},
+ note={ subject: history of music printing and engraving},
}
-@Book{
-author = {Gaburo, Virginia},
-year = {1977},
-title = {Notation},
-publisher= {Lingua Press: La Jolla, California}.
-subject = { A Lecture about notation, new ideas about},
-
-
+@Book {100,
+ author={Chrsander, F.},
+ year={18??},
+ title={A Sketch of the HIstory of Music printing, from the 15th to the 16th century},
+ note={ subject: history of music printing and engraving},
}
-@Book{
-author = {Risatti, Howard},
-year = {1975},
-title = {New Music Vocabulary},
-Urbana, Illinois: University of Illinois Press.
-subject = { A Guide to Notational Signs for Contemporary Music},
-
-
-}
+@Article {squire1897,
+ author = {Squire, W},
+ year = {1897},
+ title = {Notes on Early Music Printing},
+ journal = {Bibliographica},
+ volume={iii},
+ number={99},
+ note={ subject: history of music printing and engraving},
-@Book{
-author = {Boehm, Laszlo},
-year = {1961},
-Modern Music Notation. New York: G. Schirmer, Inc.
}
-@Book{
-author = {Cowell, Henry},
-year = {1930},
-title = {New Musical Resources},
-New York: Alfred A. Knopf, Inc.
+@Article{113,
+ author = {Meyer, K. and O'Meara, J},
+ year = {1935},
+ title = {The Printing of Music, 1473-1934},
+ journal = {The Dolphin},
+ volume={ ii},
+ pages={ 171--207},
+ note={ subject: history of music printing and engraving},
-author = {Cowell, Henry},
-year = {1927},
-title = {Our Inadequate Notation},
-,title = {Modern Music},
-, Vol. 4, No. 3.
}
-
-@Book{
-author = {Bowers, Roger},
-year = {1992},
-title = {Music & Letters},
-v73, n3, August, p347(52)
-
-Some reflection upon notation and proportion in Monteverdi's mass and vespers.
+%% 4th ver.,
+@Article {120,
+ author = {Pattison, B},
+ year = {1939},
+ title = {Notes on Early Music Printing},
+ journal = {The Library},
+ note={subject: history of music printing and engraving},
+ volume={xix},
+ pages={389-421},
}
-@Book{
-author = {Brainard, Paul},
-year = {1992},
-title = {Current Musicology},
-n50, July-Dec, p21(26)
-
-Proportional notation in the music of Schutz and his contemporaries in the 17th Century.}
-
-@Book{
-
-author = {Monelle, Raymond},
-year = {1989},
-title = {Comparative Literature},
-v41, n3, Summer, p252(18)
-
-Music notation and the poetic foot.
+@Book {136,
+ author = {King, H},
+ year = {1964},
+ title = {Four Hundred Years of Music Printing},
+ address={London},
+ note={ subject: history of music printing and engraving},
}
-@Book{
-author = {Pinegar, Sandra},
-year = {1993},
-title = {Current Musicology},
-n53, July, p99(10)
-The seeds of notation and music paleography.
-
-author = {Smith, Norman E},
-year = {1990},
-title = {Current Musicology},
-n45-47, Jan-Dec, p283(22)
-The notation of fractio modi.
+%(Rev.1961).
+@Book{150,
+ author={Deutsch, O.F.},
+ year ={1946},
+ title = {Music Publishers' Numbers},
+ address={London},
+ note={ subject: history of music printing and engraving},
}
-@Book{
-author = {Treitler, Leo},
-year = {1992},
-title = {The Journal of Musicology},
-v10, n2, Spring, p131(61)
-
-The title = {unwritten},
-and title = {written transmission},
-of medieval chant and the start-up of musical notation.
-
-Notational practice developed in medieval music to address the written tradition for chant which interacted with the unwritten vocal tradition...
+@Book {151,
+ author = {Marco, G.A},
+ year = {1962},
+ title = {The Earliest Music Printers of Continental Europe: a Checklist of Facsimiles Illustrating Their Work},
+ address={Charlottesville, Virginia},
+ note={ subject: history of music printing and engraving},
}
-@Book{
-author = {West, M.L},
-year = {1994},
-title = {Music & Letters},
-v75, n2, May, p161(19)
-The Babylonian musical notation and the Hurrian melodic texts.
-
-A new way of deciphering the ancient Babylonian musical notation...
-
+@Article {158,
+ author = {Kinkeldey, O},
+ year = {1932},
+ title = {Music And Music Printing in Incunabula},
+ journal = {Papers of the Bibliographical Society of America},
+ volume={ xxvi},
+ pages={89-118},
+ note={ subject: history of music printing and engraving},
}
-@Book{
-author = {Brown, Earle},
-year = {1986},
-title = {Musical Quarterly},
-v72, Spr, p180(22)
-
-The notation and performance of new music.
+@Book {166,
+ author = {Oldman, C.B},
+ year = {1934},
+ title = {Collecting Musical First Editions},
+ address={London},
+ note={ subject: history of music printing and engraving},
}
-@Book{
-author = {Eggleston, Suzanne},
-year = {1994},
-
-title = {Notes},
-v51, n2, Dec, p657(7)
-
-New periodicals
-
-A list of new music periodicals covering the period Jun.-Dec. 1994. Includes aims, formats and a description of the contents of each listed periodical. Includes title = {Music Notation News},
-
+@Book{170,
+ author={Carter, J},
+ year={1934},
+ title = {New Paths in Book Collecting},
+ address={London},
+ note={ subject: history of music printing and engraving},
}
-@Book{
-
-author = {Fuller, David},
-year = {1989},
-title = {The Journal of Musicology},
-v7, n1, Wntr, p21(8)
+@Book {179,
+ author={Krummel, D.W.},
+ year={1958},
+ month={9},
+ title = {Graphic Analysis in Application to Early American Engraved Music},
+ journal = {Notes},
+ volume={xvi},
+ pages={213},
+ note={ subject: history of music printing and engraving},
+}
+
+@Book {189,
+ author = {Krummel, D.W},
+ year = {1971},
+ title = {Oblong Format in Early Music Books},
+ journal = {The Library},
+ volume={5th ser., xxvi},
+ pages={312},
+ note={ subject: history of music printing and engraving},
+}
+
+@Book {198,
+ author = {King, A.H},
+ year = {1973},
+ title = {The 50th Anniversary of Music Printing},
+}
+
+@Book {204,
+ author={Rastall, Richard},
+ year={1982},
+ title = {The notation of Western music : an introduction},
+ address={New York, N.Y.},
+ publisher={St. Martin's Press},
+ note = {Musical notation},
+
-Notes and inegales unjoined: defending a definition. (written-out inequalities in music notation).
}
-
-@Book{
-
-author = {Jones, David Evan},
-year = {1990},
-title = {Perspectives of New Music},
-
-
-Speech extrapolated. (includes notation)
-
+
+@Book {215,
+ author = {Tappolet, Willy},
+ year = {1947},
+ title = {La Notation Musicale},
+ address={Paris},
+ note={subject: general notation},
+ publisher={Neuch\^atel},
}
-@Book{
-
-author = {Lependorf, Jeffrey},
-year = {1989},
-I>Perspectives of New Music</I> v27, n2, Summer, p232(20)
-
-Contemporary notation for the shakuhachi: a primer for composers. (Tradition and Renewal in the Music of Japan)
-
+@Book {223,
+ author = {Williams, C.F. Abdy},
+ year = {1903},
+ title = {The Story of Notation},
+ address={New York},
+ publisher={Charles Scribner's Sons},
+ note={subject: general notation},
}
-@Book{
-author = {Rastall, Richard},
-year = {1993},
-title = {Music & Letters},
-v74, n4, Nov, p639(2)
-Equal Temperament Music Notation: The Ailler-Brennink Chromatic Notation. Results and Conclusions of the Music Notation Refor by the Chroma Foundation (book reviews).
+@Book {239,
+ author={Apel, Willi},
+ year={1953},
+ title = {The notation of polyphonic music, 900-1600},
+ address={Cambridge, Mass},
+ institution={Mediaeval Academy of America},
+ note = {Musical notation},
+}
+
+@Book {248,
+ author={Berger, Anna Maria Busse},
+ year={1993},
+ title = {Mensuration and proportion signs : origins and evolution},
+ address={Oxford, England},
+ publisher={Clarendon Press},
+ scnd_address={New York},
+ scnd_publisher={Oxford University Press },
+ note={subject: early notation},
+}
+
+@Book {258,
+ author={Parrish, Carl},
+ year={1957},
+ title = {The notation of medieval music},
+ address={New York},
+ publisher={Norton},
+ note = {Musical notation},
+
+
+}
+
+@Book {269,
+ author = {Parrish, Carl},
+ year = {1946},
+ title = {The Notation of Medieval Music},
+ address={New York},
+ publisher={Carl Fischer, Inc.},
+ note={subject: early notation},
+}
+
+@Book {277,
+ author = {Patch, Harry},
+ year = {1949},
+ title = {Genesis of a Music},
+ address={Madison},
+ publisher={University of Wisconsin Press},
+ note={subject: early notation},
+}
+
+@Book {285,
+ author={Cage, John},
+ year={1969},
+ title = {Notations},
+ address={New York},
+ publisher={Something Else Press},
+ note = {Music, Manuscripts, Facsimiles.
+
+ Facsimiles of holographs from the Foundation for Contemporary
+ Performance Arts, with text by 269 composers, but rearranged using
+ chance operations.,V)} },
+
+@Book {295,
+ author = {Gaburo, Virginia},
+ year = {1977},
+ title = {Notation},
+ address={publisher= {Lingua Press},
+ publisher={La Jolla, California}},
+ note = {A Lecture about notation, new ideas about},
}
-@Book{
-<UL>
-Francois, Jean-Charles.title = {Perspectives of New Music},
-v30, n1, Wntr, p6(15)
-
-1992.
-Writing without representation, and unreadable notation. by Jean-Charles Francois.
-Modern music has outgrown notation. While the computer is used to write down music with accuracy never before achieved, the range of modern sounds has surpassed the relevance of the computer...
+@Book {306,
+ author = {Risatti, Howard},
+ year = {1975},
+ title = {New Music Vocabulary},
+ address={Urbana, Illinois},
+ publisher={University of Illinois Press},
+ note = {A Guide to Notational Signs for Contemporary Music},
+}
+
+
+
+@Book {325,
+ author = {Cowell, Henry},
+ year = {1930},
+ title = {New Musical Resources},
+ address={New York},
+ publisher={Alfred A. Knopf, Inc.},
+ note={subject: 20th century notation},
+}
+
+@Article {333,
+ author = {Cowell, Henry},
+ year = {1927},
+ title = {Our Inadequate Notation},
+ journal = {Modern Music},
+ volume={4},
+ number={3},
+ note={subject: 20th century notation},
+
+}
+
+@Book {342,
+ author = {Bowers, Roger},
+ year = {1992},
+ title = {Music & Letters},
+ volume={73},
+ number={3},
+ month={August},
+ pages={347(52)},
+ note={Some reflection upon notation and proportion in Monteverdi's mass and vespers},
+}
+
+@Book {353,
+ author = {Brainard, Paul},
+ year = {1992},
+ title = {Current Musicology},
+ number={50},
+ month={July-Dec},
+ pages={21(26)},
+ note={Proportional notation in the music of Schutz and his contemporaries in the 17th Century},
+}
+
+@Book {362,
+ author = {Monelle, Raymond},
+ year = {1989},
+ title = {Comparative Literature},
+ volume={41}, number={3},
+ month={Summer},
+ pages={252(18)},
+
+ note={Music notation and the poetic foot},
+}
+
+@Book {373,
+ author = {Pinegar, Sandra},
+ year = {1993},
+ title = {Current Musicology},
+ number={53},
+ month={July},
+ pages={99(10)},
+ note={The seeds of notation and music paleography.},
+}
+
+@Book {382,
+ author = {Smith, Norman E},
+ year = {1990},
+ title = {Current Musicology},
+ number={45-47},
+ month={Jan-Dec},
+ pages={283(22)},
+ note={The notation of fractio modi.},
+}
+
+@Book {392,
+ author = {Treitler, Leo},
+ year = {1992},
+ title = {The Journal of Musicology},
+ volume={10},
+ number={2},
+ month={Spring},
+ pages={131(61)},
+
+ note={ The unwritten and written transmission, of medieval chant
+ and the start-up of musical notation.
+
+ Notational practice developed in medieval music to address the written tradition for chant which interacted with the unwritten vocal tradition.},
+}
+
+@Book {407,
+ author = {West, M.L},
+ year = {1994},
+ title = {Music & Letters},
+ volume={75},
+ number={2},
+ month={May},
+ pages={161(19)},
+ note={The Babylonian musical notation and the Hurrian melodic texts.
+
+ A new way of deciphering the ancient Babylonian musical notation.
+}
+}
+
+@Book {418,
+ author = {Brown, Earle},
+ year = {1986},
+ title = {Musical Quarterly},
+ volume={72},
+ month={Spring},
+ pages={180(22)},
+ note={The notation and performance of new music.},
+}
+
+@Book {426,
+ author = {Eggleston, Suzanne},
+ year = {1994},
+ title = {Notes},
+ volume={51},
+ number={2},
+ month={Dec},
+ pages={657(7)},
+ journal={New periodicals},
+ note={A list of new music periodicals covering the period
+ Jun.-Dec. 1994. Includes aims, formats and a description of the
+ contents of each listed periodical. Includes Music Notation News},
+
+}
+
+@Book {441,
+
+ author = {Fuller, David},
+ year = {1989},
+ title = {The Journal of Musicology},
+ volume={7},
+ number={1},
+ month={Winter},
+ pages={21(8)},
+ note={
+ Notes and inegales unjoined: defending a definition. (written-out inequalities in music notation).
+}},
+
+@Book {454,
+
+ author = {Jones, David Evan},
+ year = {1990},
+ title = {Perspectives of New Music},
+ note={Speech extrapolated. (includes notation)}
+}
+
+@Book {464,
+ author = {Lependorf, Jeffrey},
+ year = {1989},
+ journal={Perspectives of New Music},
+ volume={27},
+ number={2},
+ month={Summer},
+ pages={232(20)},
+ note={
+ Contemporary notation for the shakuhachi: a primer for composers. (Tradition and Renewal in the Music of Japan) },
+
+}
+
+@Book {478,
+ author = {Rastall, Richard},
+ year = {1993},
+ title = {Music & Letters},
+ volume={74}, number={4},
+ month={November},
+ pages={639(2)},
+
+ note={Equal Temperament Music Notation: The Ailler-Brennink
+ Chromatic Notation. Results and Conclusions of the Music Notation
+ Refor by the Chroma Foundation (book reviews). },
+}
+
+@Article {Francois92,
+ author={Francois, Jean-Charles},
+ journal = {Perspectives of New Music},
+ volume={30},
+ number={1}, month={Winter},
+ pages={6(15)},
+ year={1992},
+
+ note={subject: Modern music has outgrown notation. While the
+ computer is used to write down music with accuracy never
+ before achieved, the range of modern sounds has surpassed
+ the relevance of the computer...},
+ title={Writing without representation, and unreadable notation.},
+}
+
+@Book {501,
+ author = {Hamel, Keith A},
+ year = {1989},
+ journal = {Perspectives of New Music},
+ volume={27},
+ number={1},
+ month={Winter},
+ pages={70(14)},
+ title={A design for music editing and printing software based on notational syntax},
}
-@Book{
-author = {Hamel, Keith A},
-year = {1989},
-
-title = {Perspectives of New Music},
-v27, n1, Wntr, p70(14)
-
-A design for music editing and printing software based on notational syntax. (computer music)
-
projects / lilypond.git / blobdiff