-% DO NOT EDIT this file manually; it is automatically
-% generated from Documentation/snippets/new
-% Make any changes in Documentation/snippets/new/
-% and then run scripts/auxiliar/makelsr.py
-%
-% This file is in the public domain.
-%% Note: this file works from version 2.13.47
-\version "2.13.47"
+%% DO NOT EDIT this file manually; it is automatically
+%% generated from LSR http://lsr.di.unimi.it
+%% Make any changes in LSR itself, or in Documentation/snippets/new/ ,
+%% and then run scripts/auxiliar/makelsr.py
+%%
+%% This file is in the public domain.
+\version "2.18.0"
\header {
-%% Translation of GIT committish: 59caa3adce63114ca7972d18f95d4aadc528ec3d
- texidoces = "
-He aquí una partitura vocal estándar para cuatro voces SATB. Con
-grupos mayores, suele ser útil incluir una sección que aparezca en
-todas las partes. Por ejemplo, el compás y la armadura casi siempre
-son los mismos para todas. Como en la plantilla @qq{Himno}, las cuatro
-voces se reagrupan en sólo dos pentagramas.
-
-"
- doctitlees = "Plantilla de conjunto vocal"
-
-
-%% Translation of GIT committish: bfc88203ac2572737480e78ef2635ed35b458441
- texidocja = "
-これは標準の 4 パート SATB (ソプラノ、アルト、テナー、バス) ボーカル譜です。@c
-もっと大きな合唱では、すべてのパートで使用されるセクションをインクルードすると@c
-便利です。例えば、拍子記号と調号はほとんど常にすべてのパートで同じです。\"賛美@c
-歌\" テンプレートのように、4 つのボイスは 2 つの譜にグループ分けされています。"
-
-%% Translation of GIT committish: bfc88203ac2572737480e78ef2635ed35b458441
- texidocde = "
-Dieses Beispiel ist für vierstimmigen Gesang (SATB). Bei größeren
-Stücken ist es oft sinnvoll, eine allgemeine Variable zu bestimmen,
-die in allen Stimmen eingefügt wird. Taktart und Vorzeichen etwa
-sind fast immer gleich in allen Stimmen.
-"
-
- doctitlede = "Vorlage für Vokalensemble"
-
-
-%% Translation of GIT committish: bfc88203ac2572737480e78ef2635ed35b458441
- texidocfr = "
-Ce fichier constitue un canevas standard de partition pour chœur à
-quatre voix mixtes. Lorsque les ensembles s'étoffent, il est judicieux
-de recourrir à une section spécifique incluse dans chacune des parties,
-tout particulièrement pour gérer la métrique et la tonalité qui,
-la plupart du temps, sont communes à tous les pupitres. Comme il est
-d'usage pour les hymnes, les quatre voix sont réparties sur deux
-portées.
-
-"
- doctitlefr = "Ensemble vocal (simple)"
-
- lsrtags = "vocal-music, template"
+ lsrtags = "really-simple, template, vocal-music"
texidoc = "
Here is a standard four-part SATB vocal score. With larger ensembles,
For example, the time signature and key signature are almost always the
same for all parts. Like in the @qq{Hymn} template, the four voices are
regrouped on only two staves.
+
"
doctitle = "Vocal ensemble template"
} % begin verbatim
-
\paper {
top-system-spacing #'basic-distance = #10
score-system-spacing #'basic-distance = #20
\new ChoirStaff <<
\new Lyrics = "sopranos" \with {
% this is needed for lyrics above a staff
- \override VerticalAxisGroup #'staff-affinity = #DOWN
+ \override VerticalAxisGroup.staff-affinity = #DOWN
}
\new Staff = "women" <<
\new Voice = "sopranos" {
\new Lyrics = "altos"
\new Lyrics = "tenors" \with {
% this is needed for lyrics above a staff
- \override VerticalAxisGroup #'staff-affinity = #DOWN
+ \override VerticalAxisGroup.staff-affinity = #DOWN
}
\new Staff = "men" <<
\clef bass
\context Lyrics = "basses" \lyricsto "basses" \bassWords
>>
}
-