-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
-%% This file is in the public domain.
-\version "2.13.1"
+% DO NOT EDIT this file manually; it is automatically
+% generated from Documentation/snippets/new
+% Make any changes in Documentation/snippets/new/
+% and then run scripts/auxiliar/makelsr.py
+%
+% This file is in the public domain.
+%% Note: this file works from version 2.14.0
+\version "2.14.0"
\header {
- lsrtags = "vocal-music, template"
-
-%% Translation of GIT committish: d35687993883eb31442009fc50d5ae063108bfa7
+%% Translation of GIT committish: 615cbf212fdaf0b220b3330da417d0c3602494f2
texidoces = "
He aquí una partitura vocal estándar para cuatro voces SATB. Con
grupos mayores, suele ser útil incluir una sección que aparezca en
todas las partes. Por ejemplo, el compás y la armadura casi siempre
-son los mismos para todas. Como en la plantilla \"Himno\", las cuatro
+son los mismos para todas. Como en la plantilla @qq{Himno}, las cuatro
voces se reagrupan en sólo dos pentagramas.
"
doctitlees = "Plantilla de conjunto vocal"
-%% Translation of GIT committish: 17633f6b8681af86230aa84597fe7561e98c91d6
-
- texidocde = "
-Dieses Beispiel ist für vierstimmigen Gesang (SATB). Bei größeren
-Stücken ist es oft sinnvoll, eine allgemeine Variable zu bestimmen,
-die in allen Stimmen eingefügt wird. Taktart und Vorzeichen etwa
-sind fast immer gleich in allen Stimmen.
-"
-%% Translation of GIT committish: 06d99c3c9ad1c3472277b4eafd7761c4aadb84ae
+
+%% Translation of GIT committish: bfc88203ac2572737480e78ef2635ed35b458441
texidocja = "
これは標準の 4 パート SATB (ソプラノ、アルト、テナー、バス) ボーカル譜です。@c
もっと大きな合唱では、すべてのパートで使用されるセクションをインクルードすると@c
便利です。例えば、拍子記号と調号はほとんど常にすべてのパートで同じです。\"賛美@c
歌\" テンプレートのように、4 つのボイスは 2 つの譜にグループ分けされています。"
+%% Translation of GIT committish: 4077120c18ac1dc490501b3d7d5886bc93e61a42
+ texidocit = "
+Ecco una tipica partitura vocale SATB per quattro parti. Se il gruppo è più grande,
+è spesso utile inserire una sezione che venga poi inclusa in tutte le parti.
+Ad esempio, l'indicazione di tempo e l'armatura di chiave sono quasi sempre
+le stesse per tutte le parti. Come nel modello dell'@qq{Inno}, le quattro voci
+sono raggruppate in due righi soltanto.
+"
+ doctitleit = "Modello per gruppo vocale"
+
+%% Translation of GIT committish: bfc88203ac2572737480e78ef2635ed35b458441
+ texidocde = "
+Dieses Beispiel ist für vierstimmigen Gesang (SATB). Bei größeren
+Stücken ist es oft sinnvoll, eine allgemeine Variable zu bestimmen,
+die in allen Stimmen eingefügt wird. Taktart und Vorzeichen etwa
+sind fast immer gleich in allen Stimmen.
+"
+
+ doctitlede = "Vorlage für Vokalensemble"
+
+
+%% Translation of GIT committish: bfc88203ac2572737480e78ef2635ed35b458441
+ texidocfr = "
+Ce fichier constitue un canevas standard de partition pour chœur à
+quatre voix mixtes. Lorsque les ensembles s'étoffent, il est judicieux
+de recourrir à une section spécifique incluse dans chacune des parties,
+tout particulièrement pour gérer la métrique et la tonalité qui,
+la plupart du temps, sont communes à tous les pupitres. Comme il est
+d'usage pour les hymnes, les quatre voix sont réparties sur deux
+portées.
+
+"
+ doctitlefr = "Ensemble vocal (simple)"
+
+ lsrtags = "vocal-music, template"
+
texidoc = "
Here is a standard four-part SATB vocal score. With larger ensembles,
it is often useful to include a section which is included in all parts.
For example, the time signature and key signature are almost always the
-same for all parts. Like in the \"Hymn\" template, the four voices are
+same for all parts. Like in the @qq{Hymn} template, the four voices are
regrouped on only two staves.
-
"
doctitle = "Vocal ensemble template"
} % begin verbatim
+
+\paper {
+ top-system-spacing #'basic-distance = #10
+ score-system-spacing #'basic-distance = #20
+ system-system-spacing #'basic-distance = #20
+ last-bottom-spacing #'basic-distance = #10
+}
+
global = {
\key c \major
\time 4/4
\score {
\new ChoirStaff <<
- \new Lyrics = sopranos { s1 }
- \new Staff = women <<
+ \new Lyrics = "sopranos" \with {
+ % this is needed for lyrics above a staff
+ \override VerticalAxisGroup #'staff-affinity = #DOWN
+ }
+ \new Staff = "women" <<
\new Voice = "sopranos" {
\voiceOne
<< \global \sopMusic >>
<< \global \altoMusic >>
}
>>
- \new Lyrics = "altos" { s1 }
- \new Lyrics = "tenors" { s1 }
- \new Staff = men <<
+ \new Lyrics = "altos"
+ \new Lyrics = "tenors" \with {
+ % this is needed for lyrics above a staff
+ \override VerticalAxisGroup #'staff-affinity = #DOWN
+ }
+ \new Staff = "men" <<
\clef bass
\new Voice = "tenors" {
\voiceOne
\voiceTwo << \global \bassMusic >>
}
>>
- \new Lyrics = basses { s1 }
- \context Lyrics = sopranos \lyricsto sopranos \sopWords
- \context Lyrics = altos \lyricsto altos \altoWords
- \context Lyrics = tenors \lyricsto tenors \tenorWords
- \context Lyrics = basses \lyricsto basses \bassWords
- >>
- \layout {
- \context {
- % a little smaller so lyrics
- % can be closer to the staff
- \Staff
- \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3)
- }
- }
+ \new Lyrics = "basses"
+ \context Lyrics = "sopranos" \lyricsto "sopranos" \sopWords
+ \context Lyrics = "altos" \lyricsto "altos" \altoWords
+ \context Lyrics = "tenors" \lyricsto "tenors" \tenorWords
+ \context Lyrics = "basses" \lyricsto "basses" \bassWords
+ >>
}
projects / lilypond.git / blobdiff