-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
-%% This file is in the public domain.
-\version "2.13.1"
+% DO NOT EDIT this file manually; it is automatically
+% generated from Documentation/snippets/new
+% Make any changes in Documentation/snippets/new/
+% and then run scripts/auxiliar/makelsr.py
+%
+% This file is in the public domain.
+%% Note: this file works from version 2.15.20
+\version "2.15.20"
\header {
- lsrtags = "template"
+ lsrtags = "template, real-music, specific-notation"
texidoc = "
A template to write a score for a diatonic accordion.
This snippet comes with a useful optional macro for the jEdit text
-editor.
+editor.
"
doctitle = "Score for diatonic accordion"
} % begin verbatim
+
verse = \lyricmode { Wie gross bist du! Wie gross bist du! }
harmonies = \new ChordNames \chordmode {
\germanChords
\set chordChanges = ##t
- bes8 bes8 bes8
+ bes8 bes8 bes8
es2 f
bes1
}
-NoStem = \override Stem #'transparent = ##t
+NoStem = { \override Stem #'transparent = ##t \override Flag #'transparent = ##t }
NoNoteHead = \override NoteHead #'transparent = ##t
ZeroBeam = \override Beam #'positions = #'(0 . 0)
\remove "Clef_engraver"
} {
\override Staff.StaffSymbol #'line-positions = #'(0)
-% Shows one horizontal line. The vertical line (simulating a bar-line) is simulated with a gridline
- \set Staff.midiInstrument = #"choir aahs"
- \key c \major
- \relative c''
- {
- % disable the following line to see the the noteheads while writing the song
- \NoNoteHead
- \override NoteHead #'no-ledgers = ##t
-
- % The beam between 8th-notes is used to draw the push-line
- %How to fast write the push-lines:
- % 1. write repeatedly 'c c c c c c c c |' for the whole length of the song
- % 2. uncomment the line \NoNoteHead
- % 3. compile
- % 4. Mark the positions on which push/pull changes.
- % In the score-picture click on the position the push- or pull-part starts
- % (on the noteHead, the cursor will change to a hand-icon).
- % The cursor in the source code will jump just at this position.
- % a) If a push-part starts there, replace the 'c' by an 'e['
- % b) If a pull-part starts there, replace the 'c' by an 's'
- % 5. Switch into 'overwrite-mode' by pressing the 'ins' key.
- % 6. For the pull-parts overwrite the 'c' with 's'
- % 7. For every push-part replace the last 'c' with 'e]'
- % 8. Switch into 'insert-mode' again
- % 9. At last it should look lik e.g. (s s e[ c | c c c c c c c c | c c c c c c e] s s)
- % 10. re-enable the line \NoNoteHead
- \autoBeamOff
- \ZeroBeam
- s8 s s e[ c c c c c c e] | s s s s s
- }
+ % Shows one horizontal line. The vertical line (simulating a bar-line) is simulated with a gridline
+ \set Staff.midiInstrument = #"choir aahs"
+ \key c \major
+ \relative c''
+ {
+ % disable the following line to see the the noteheads while writing the song
+ \NoNoteHead
+ \override NoteHead #'no-ledgers = ##t
+
+ % The beam between 8th-notes is used to draw the push-line
+ %How to fast write the push-lines:
+ % 1. write repeatedly 'c c c c c c c c |' for the whole length of the song
+ % 2. uncomment the line \NoNoteHead
+ % 3. compile
+ % 4. Mark the positions on which push/pull changes.
+ % In the score-picture click on the position the push- or pull-part starts
+ % (on the noteHead, the cursor will change to a hand-icon).
+ % The cursor in the source code will jump just at this position.
+ % a) If a push-part starts there, replace the 'c' by an 'e['
+ % b) If a pull-part starts there, replace the 'c' by an 's'
+ % 5. Switch into 'overwrite-mode' by pressing the 'ins' key.
+ % 6. For the pull-parts overwrite the 'c' with 's'
+ % 7. For every push-part replace the last 'c' with 'e]'
+ % 8. Switch into 'insert-mode' again
+ % 9. At last it should look lik e.g. (s s e[ c | c c c c c c c c | c c c c c c e] s s)
+ % 10. re-enable the line \NoNoteHead
+ \autoBeamOff
+ \ZeroBeam
+ s8 s s e[ c c c c c c e] | s s s s s
+ }
}
%{
%}
-% Accordion melody in tabulator score
+% Accordion melody in tabulator score
% 1. Place a copy of the piano melody below
-% 2. Separate piano melody into pull- and push-parts according to the staffTabLine you've already made
+% 2. Separate piano melody into pull- and push-parts according to the staffTabLine you've already made
% 3. For each line: Double the line. Remark the 1st one (Keeps unchanged as reference) and then change the second line using the transformation paper
-% or the macros 'conv2diaton push.bsh' and 'conv2diaton pull.bsh'
+% or the macros 'conv2diaton push.bsh' and 'conv2diaton pull.bsh'
% Tips:
% - In jEdit Search & Replace mark the Option 'Keep Dialog'
AccordionTabTwoCBesDur = {
- % pull 1
- %<f' bes'>8 <f' a'>8 <d' bes'>8 |
-<g'' a''>8 <g'' b''>8 <e'' a''>8 |
- % push 2
- %<g' c''>4 <f' d''> <g' ees''> <f' a'> |
-<g'' a''>4 <d'' eisis''> <g'' bisis''> <d'' f''> |
- % pull 3
-% <f' bes'>2 r8 }
- <g'' a''>2 r8 }
-
- AccordionTab= { \dynamicUp
-% 1. Place a copy of the piano melody above
-% 2. Separate piano melody into pull- and push-parts according to the staffTabLine you've already made
-% 3. For each line: Double the line. Remark the 1st one (Keeps unchanged as reference) and then
-% change the second line using the transformation paper
-% Tips:
-% - In jEdit Search & Replace mark the Option 'Keep Dialog'
-% -
-\AccordionTabTwoCBesDur
- }
-
+ % pull 1
+ %<f' bes'>8 <f' a'>8 <d' bes'>8 |
+ <g'' a''>8 <g'' b''>8 <e'' a''>8 |
+ % push 2
+ %<g' c''>4 <f' d''> <g' ees''> <f' a'> |
+ <g'' a''>4 <d'' eisis''> <g'' bisis''> <d'' f''> |
+ % pull 3
+ % <f' bes'>2 r8 }
+ <g'' a''>2 r8 }
+
+AccordionTab= { \dynamicUp
+ % 1. Place a copy of the piano melody above
+ % 2. Separate piano melody into pull- and push-parts according to the staffTabLine you've already made
+ % 3. For each line: Double the line. Remark the 1st one (Keeps unchanged as reference) and then
+ % change the second line using the transformation paper
+ % Tips:
+ % - In jEdit Search & Replace mark the Option 'Keep Dialog'
+ % -
+ \AccordionTabTwoCBesDur
+}
-
- \layout {
- \context {
- \Staff
- \consists "Grid_point_engraver"
- gridInterval = #(ly:make-moment 4 4) % 4/4 - tact. How many beats per bar
- % The following line has to be adjusted O-F-T-E-N.
- \override GridPoint #'Y-extent = #'(-2 . -21)
- }
- \context {
+\layout {
+ \context {
+ \Score
+ % The vertical line (simulating a bar-line) in
+ % the staffBassRhytm is a gridline
+ \consists "Grid_line_span_engraver"
+ }
+ \context {
+ \Staff
+ \consists "Grid_point_engraver"
+ gridInterval = #(ly:make-moment 4 4) % 4/4 - tact. How many beats per bar
+ % The following line has to be adjusted O-F-T-E-N.
+ \override GridPoint #'Y-extent = #'(-2 . -21)
+ }
+ \context {
\ChoirStaff
- \remove "System_start_delimiter_engraver"
- }
+ \remove "System_start_delimiter_engraver"
+ }
}
-staffVoice = \new Staff=astaffvoice {
- \time 4/4
- \set Staff.instrumentName="Voice"
- \set Staff.midiInstrument="voice oohs"
- \key bes \major
- \partial 8*3
- \clef treble
- {
- \context Voice = "melodyVoi"
- { <f' bes'>8 <f' a'>8 <d' bes'>8 | <g' c''>4 <f' d''> <g' es''> <f' a'> | <f' bes'>2 r8 }
- \bar "|."
- }
+staffVoice = \new Staff = astaffvoice {
+ \time 4/4
+ \set Staff.instrumentName = "Voice"
+ \set Staff.midiInstrument = "voice oohs"
+ \key bes \major
+ \partial 8*3
+ \clef treble
+ {
+ \context Voice = "melodyVoi"
+ { <f' bes'>8 <f' a'>8 <d' bes'>8 | <g' c''>4 <f' d''> <g' es''> <f' a'> | <f' bes'>2 r8 }
+ \bar "|."
+ }
}
-staffAccordionMel = \new Staff \with { \remove "Clef_engraver" } {
- #(set-accidental-style 'forget) %Set the accidentals (Vorzeichen) for each note,
- %do not remember them for the rest of the measure.
- \time 4/4
- \set Staff.instrumentName="Accordion"
- \set Staff.midiInstrument="voice oohs"
- \key c \major
- \clef treble
- { \AccordionTab \bar "|." }
+staffAccordionMel =
+\new Staff \with { \remove "Clef_engraver" } {
+ \accidentalStyle "forget" %Set the accidentals (Vorzeichen) for each note,
+ %do not remember them for the rest of the measure.
+ \time 4/4
+ \set Staff.instrumentName="Accordion"
+ \set Staff.midiInstrument="voice oohs"
+ \key c \major
+ \clef treble
+ { \AccordionTab \bar "|." }
}
- AltOn = #(define-music-function (parser location mag) (number?)
- #{ \override Stem #'length = #$(* 7.0 mag)
- \override NoteHead #'font-size =
- #$(inexact->exact (* (/ 6.0 (log 2.0)) (log mag))) #})
-
- AltOff = {
- \revert Stem #'length
- \revert NoteHead #'font-size
- }
+AltOn =
+#(define-music-function (parser location mag) (number?)
+ #{ \override Stem #'length = #(* 7.0 mag)
+ \override NoteHead #'font-size =
+#(inexact->exact (* (/ 6.0 (log 2.0)) (log mag))) #})
+
+AltOff = {
+ \revert Stem #'length
+ \revert NoteHead #'font-size
+}
BassRhytm = {s4 s8 | c2 c2 | c2 s8 }
LyricBassRhythmI= \lyricmode { c b | c }
-staffBassRhytm = \new Staff=staffbass \with { \remove "Clef_engraver" } {
- % This is not a RhythmicStaff because it must be possible to append lyrics.
-
- \override Score.GridLine #'extra-offset = #'( 13.0 . 0.0 ) % x.y
- \override Staff.StaffSymbol #'line-positions = #'( 0 )
- % Shows one horizontal line. The vertical line (simulating a bar-line) is simulated by a grid
- % Search for 'grid' in this page to find all related functions
- \time 4/4
- {
- \context Voice = "VoiceBassRhytm"
- \stemDown \AltOn #0.6
- \relative c''
- {
- \BassRhytm
- }
- \AltOff
- \bar "|."
- }
+staffBassRhytm =
+\new Staff = staffbass \with { \remove "Clef_engraver" } {
+ % This is not a RhythmicStaff because it must be possible to append lyrics.
+
+ \override Score.GridLine #'extra-offset = #'( 13.0 . 0.0 ) % x.y
+ \override Staff.StaffSymbol #'line-positions = #'( 0 )
+ % Shows one horizontal line. The vertical line (simulating a bar-line) is simulated by a grid
+ % Search for 'grid' in this page to find all related functions
+ \time 4/4
+ {
+ \context Voice = "VoiceBassRhytm"
+ \stemDown \AltOn #0.6
+ \relative c''
+ {
+ \BassRhytm
+ }
+ \AltOff
+ \bar "|."
+ }
}
-\new Score
-\with {
- \consists "Grid_line_span_engraver" %The vertical line (simulating a bar-line) in the staffBassRhytm is a gridline
+\score {
+ \new ChoirStaff <<
+ \harmonies
+ \staffVoice
+ \context Lyrics = "lmelodyVoi"
+ \with { alignBelowContext = astaffvoice }
+ \lyricsto melodyVoi \verse
+ \staffAccordionMel
+ \staffTabLine
+ \staffBassRhytm
+ \context Lyrics = "lBassRhytmAboveI"
+ \with { alignAboveContext = staffbass }
+ \lyricsto VoiceBassRhytm \LyricBassRhythmI
+ >>
}
-\new ChoirStaff
- <<
- \harmonies
- \staffVoice
- \context Lyrics = "lmelodyVoi" \with {alignBelowContext=astaffvoice} { \lyricsto "melodyVoi" \verse }
- \staffAccordionMel
- \staffTabLine
- \staffBassRhytm
- \context Lyrics = "lBassRhytmAboveI" \with {alignAboveContext=staffbass} \lyricsto VoiceBassRhytm \LyricBassRhythmI
- >>
%}
-
projects / lilypond.git / blobdiff